Books from Finland - A literary journal of writing from and about Finland.

Minä, Mauri Kunnas
[I, Mauri Kunnas]
Muistiin merkitsi [As told to] Lotta Sonninen
Helsinki: Otava, 2009. 182 p., ill.
ISBN 978-951-1-23186-8
€ 40, hardback

Mauri Kunnas (born 1950) is a cartoonist and graphic artist. His children’s books have been translated into 28 languages; the translations have sold approximately 2,5 million copies. His anthropomorphic canine characters from Koiramäki, Doghill, are well known for their adventures in historical milieus; researching these settings is one of Kunnas’ passions. His reinterpretations of Finnish literary classics are also popular: The Canine Kalevala and Seven Dog Brothers offer affectionately humorous homages to the Kalevala, the Finnish folk epic, and the classic novel by Aleksis Kivi. Joulupukki (1981), published in English as Santa Claus, is arguably the world’s best-known Finnish children’s book. In this book, Kunnas gives a lively account of his childhood and youth, as well as his influences and the different phases of his career as an illustrator. The text is complemented by photos from Kunnas’ family album and his own archives, from adventure stories he illustrated as a boy to a pair of hippy bell-bottomed jeans adorned with doodles.

Viidakon kutsu
[The call of the jungle]
Helsinki: Tammi, 2009, 240 p.
ISBN 978-951-31-5042-6
16.20 €, hardback

Poet and author Tomi Kontio’s book for young teenagers is a take-off of the boys’ adventure story and fantasy novel, a genre he has used in the past. But Kontio leads 12-year-old Alma and Alpo into the jungle… of eastern Finland – the backwoods of Kainuu, to be precise. There they meet the Vimbas, a tribe living in harmony with nature, who teach them many important lessons. Kontio succeeds in combining his two narrative talents: he doesn’t underestimate the value of lively and lyrical language to his target audience, and he entertains his readers with fabulations that mix the rational and the absurd into a cohesive whole. Viidakon kutsu is a portrait of a world that is considerably brighter than in Kontio’s previous books for young readers.

Ruoalla ei saa leikkiä
[Don’t play with your food]
Kuvitus [Ill. by]: Martti Ruokonen
Helsinki: WSOY, 2009. 60 p.
ISBN 978-951-0-35040-9
18.20 €, hardback

Jukka Laajarinne (born 1970) exercises his obsession with challenging authority again, stretching the boundaries of traditional children’s literature. It seems that becoming a father has made him wonder at the dominant role of food in everyday life: this book deals broadly with food, eating, and food culture. The impetus for the stories might be an ordinary figure of speech or adage that is taken apart and played with. For instance, King Midas, familiar from Greek mythology, who turned everything to gold with his touch, is transformed in Laajarinne’s retelling into a sticky-fingered kid who makes a mess of everything around him. Martti Ruokonen’s graphic illustrations are stark and even coarse in places, their colour choices and rounded forms reminiscent of visual images made for the first books for babies.

Kiitollinen sammakko ja muita satuja järviseudulta
[The grateful frog and other stories from the lake country]
Kuvitus [Ill. by]: Virpi Penna
Helsinki: Tammi, 2009. 111 p.
ISBN 978-951-31-5017-4
18.20 €, hardback

There is no need to categorise Maria Vuorio’s original yet tradition-conscious prose and poetry as being for readers of a particular age. A father and son, Aatos and Justus, are spending their vacation at a summer cabin. Justus rescues a frog from a well, setting in motion a chain of events that leads the boy to see the world through different eyes. The frog happens to be the king of the frogs, and wishes to reward Justus for his good deed. The stories are wonderful explorations of humble, reticent animals – a perch, a dragonfly, a spider, a crab, a mole. A bumblebee’s leg in a cast has probably never been described with such devotion before. Today, Finnish children’s relationship with nature is limited to the surroundings of the summer cabin. But Vuorio’s view of the relationship of child with nature is still a romantic one. Dazzled by the moonlight, Justus wonders to himself, ‘Why is there such beauty, if no one ever sees it?’

Secrets: an illustration by Aino-Maija Metsola from Minä ja Muro (‘Me and Muro) by Mari Kujanpää

Books have a tough time in their struggle for the souls of the young: more titles for children and young adults than ever before are published in Finland, all of them trying to find their readers. Päivi Heikkilä-Halttunen picks out some of the best and most innovative reading from among last year’s titles

Nine-year-old Lauha’s only friend and confidant is her teddy bear Muro, because Lauha is an outsider both at home and at school. The children’s novel Minä ja Muro (‘Muro and me’, Otava), which won the 2009 Finlandia Junior Prize, provoked discussion of whether it was appropriate for children, with its oppressive mood and the lack of any bright side brought into the life of the main character in its resolution. More…

Minä ja Muro
[Muro and me]
Kuvitus [Ill. by]: Aino-Maija Metsola
Helsinki: Otava, 2009. 207 p.
ISBN 978-951-1-23418-0
15.10 €, hardback

The heavy themes of this children’s novel, winner of the 2009 Finlandia Junior Prize, have provoked discussion of who its target audience should be. Lauha is a 9-year-old girl who is considered an oddball at school; her classmates claim that she smells bad. Within her own family she’s an outsider. Her little brother’s serious illness has troubled the family for a long time, and even when he gets better her parents don’t know how to listen to Lauha, and their negligence verges on physical violence. But playing with Muro, her teddy bear, eases Lauha’s troubles, and luckily she finds a soul sister in Heta, the new school intern. Mari Kujanpää (born 1976) uses language suitable for a child’s state of mind in a very creative way. Muro ja minä is difficult for a child to read on his/her own, and would work best read aloud and discussed in a group of children or as a book for adult caregivers. The black and white illustrations are by Aino-Maija Metsola (born 1983), whose previous work includes designing fabrics for Marimekko.

Roman Schatz. - Photo: Veikko Somerpuro

Animals exist to make people rich. This wretched and wrong capitalist obsession is gleefully debunked in Roman Schatz’s first children’s book, with illustrator Pertti Jarla’s zany depictions of an animal revolution. Maria Antas interviews the author.

Zoo – eläimellinen tarina (‘The Zoo, a bestial story’, WSOY, 2009) is a children’s book that also appeals to the kind of adults who might love the exploits of John Cleese, Jamie Lee Curtis, and Kevin Kline in the film Fierce Creatures – this book, like the film, is about attempts to make animals seem more dangerous and attractive to an ever more jaded audience accustomed to the pace of action movies.

Christmas is coming, and a dynamic new Zoo director wants to make an unprofitable zoo into a money spinner. The zoo’s inhabitants, however, refuse to be slaves to the market economy: led by an old Sumatran tiger called Gandhi, the militant mandrill Che, dreaming of revolution, and a bat named Mother Teresa who sees the world upside-down, the animals rise up in a wild, but ultimately non-violent, insurrection. Schatz’s story evokes 20th-century utopians, and the animals’ expressions, as visualised by illustrator Pertti Jarla, awaken the reader’s conscience and our  nearly forgotten ability to laugh at the way the world works. More…

Extracts from the children’s book Zoo – eläimellinen tarina (‘Zoo – a bestial story’, WSOY, 2009, illustrated by Pertti Jarla)

The place: A zoo, once the property of the city, now privatised and accountable to corporate stockholders

The characters: The animals of the zoo, in particular Gandhi, a Sumatran tiger (false-teeth, poor vision, pacifist), Che, a male mandrill baboon (militant), and Mother Teresa, a hammer-headed bat (elderly); the zookeeper Sihvonen (stands up for the animals, recently fired); the new zoo director (whose main goal is to maximise profits); the shareholders’ committee (awaiting their earnings)

The action: after a demonstration in which all the animals played dead, the animals are staging a revolution to demand that Sihvonen be reinstated

The animals crowded into the foyer. The hallway was full of every kind of creature, with all of their skin, fur and feathers steaming in the warm indoor air. Che stood at the top of the the stairs, looked down at his troops, and gave the order in mime for everybody to be quiet.

‘Reconnaissance?’ he said, his voice subdued.

‘Ready!’ the leaf-tailed geckos announced.

‘Head in!’ Che commanded. More…

Mari Kujanpää

The Finlandia Junior Prize, for the best book for children and young people, was awarded on 24 November to Mari Kujanpää (born 1976) for her third book for children, Minä ja Muro (‘Me and Muro’, illustrated by Aino-Maija Metsola, Otava). More…

Father Christmas / Santa Claus by Mauri Kunnas

What to give the man who has everything? In prizewinning children’s author and illustrator Mauri Kunnas’s Twelve Gifts for Santa, Zac, one of Father Christmas’s little helpers, decides to give him twelve good deeds. Doing so is not as easy as it looks, however, and you can follow the twists and turns of the story on the Kidzone Finland advent calendar from Tuesday, 1 December, with one window opening each day until Christmas Eve.

Mauri Kunnas (born 1950) published the first of his popular picture books for children in 1980; entitled Koiramäen talossa (‘Doghill Farm’), it describes – with the accuracy of a treatise on folklore studies – life in a country farmhouse at the end of the 19th century. His hilarious canine characters, in more than forty books, have now found readers in almost thirty languages. More…