Tag: music
A musical advent calendar
9 December 2011 | This 'n' that
The Finnish Broadcasting Company has delved into its vast archives, and its website, YLE Areena, is throughout December featuring a series of musical numbers, many with reference to Christmas, sung or played Finnish singers and musicians. These inserts are being broadcast on each day, from 1 to 24 December, and they can be listened to via the Internet (although be warned, the information is given in Finnish only).
Among the Finnish composers are, among others, Oskar Merikanto (1868–1924), Erkki Melartin (1875–1937), Toivo Kuula (1883–1918) and Jean Sibelius. The sopranos Irma Urrila and Helena Juntunen are presented, singing Mozart and Gounoud respectively.
For example: on 6 December, the Finland’s Independence Day, one of the three inserts is a piano piece, entitled Pankakoski, by composer Heino Kaski (who died a day earlier than Sibelius, in September 1957), played by Juhani Lagerspetz (1995). The other two are Andante Festivo (1922), a work originally composed for a string quartet, by Jean Sibelius, played by the Radio Symphony Orchestra (1995) and a song from the 1970s opera Punainen viiva (‘The red line’) by Aulis Sallinen, sung by Matti Salminen (1984).
Fifteen more days to go…
Dolce et espressivo: Violin concerto by Sibelius, 1st movement (1905). Photo: Wikimedia
The sound of music
2 September 2011 | This 'n' that
Helsinki Music Centre: the main hall. Photo: Arno Chapelle
The long-awaited new concert hall, Musiikkitalo (’Music house’, in English Helsinki Music Centre), in front of the Parliament house in the very heart of the city, was opened with a concert (this concert is available at YLE Areena until 30 September) featuring Sibelius and Stravinsky on 31 August.
Musiikkitalo finally provides a new home for two orchestras, the Helsinki Philharmonic Orchestra and the Finnish Radio Symphony Orchestra, as well as for the only Finnish university of music, the Sibelius Academy. It is owned by the Finnish government, the City of Helsinki and Finnish Broadcasting Company. The costs of the building rose from an original estimate of 98 million € in 2005 to 190 million €.
The acoustics designer is the renowned Japanese specialist Yasuhisa Toyota. The building, containing seven halls of various sizes, will provide specialised surroundings for different kinds of music and musicians, acoustics in the existing Finlandia Hall (designed by Alvar Aalto) and other local venues long having proved inadequate or faulty.
The site has remained misused for decades: the brick warehouses, dating from the late 19th and early 20th centuries, were finally abandoned by the national railway company in the 1980s and subsequently occupied by various artists’ and civil organisations, housing popular restaurants and flea markets. Many protests took place when the warehouses were doomed to demolition – and then the buildings were finally destroyed in 2006 in a fire.
The brand new concert hall in Reykjavik, Iceland, is called Harpa (‘Harp’). Wouldn’t it have been nice to give also Musiikkitalo a more exciting name to go by – maybe conduct a straw poll among listeners? Some of the rows of seats (1,704 in all) in the main hall resemble logs floating down in a river, so what about Log jam? Or does that have unfortunate connotations for a project that’s meant to provide Finnish music with a new dynamism?
Jean Sibelius kodissaan. Jean Sibelius, i sitt hem. Jean Sibelius at home
19 August 2011 | Mini reviews, Reviews
Jean Sibelius kodissaan. Jean Sibelius, i sitt hem. Jean Sibelius at home
Toimittanut [Edited by] Jussi Brofeldt
Helsinki: Teos, 2010. 103 p., ill.
ISBN 978-951-851-364-6
€ 29, hardback
The composer Jean Sibelius (1865–1957) disliked being photographed. This book contains 50 stills selected from the documentary film Jean Sibelius at home, a compilation of cinematographic material in which the composer is seen at home in 1927 and 1945. Some of the shots were originally cut, and have not been previously published. The film was made by the brothers Heikki Aho and Björn Soldan, who were neighbours of Sibelius in their childhood – their father was the author Juhani Aho, a friend of the Sibelius family. Founded in the 1920s, the film company Aho & Soldan was influenced by the experimental spirit of the Bauhaus and became known for its commissioned work aimed at spreading the image of Finland abroad. The Sibelius film offers a rare peek into the composer’s home life at his villa of Ainola. In addition to the photographs, the trilingual book also contains seven articles on Sibelius and the film. Heikki Aho’s daughter, the pioneer photographer Claire Aho relates her own memories of the 1945 filming. Jussi Brofeldt, the book’s editor, is her son.
Translated by David McDuff
Juhani Koivisto: Suurten tunteiden talo. Kohtauksia Kansallisoopperan vuosisadalta [The house of great emotions. Scenes from a century of the Finnish National Opera]
30 June 2011 | Mini reviews, Reviews
Suurten tunteiden talo. Kohtauksia Kansallisoopperan vuosisadalta
[The house of great emotions. Scenes from a century of the Finnish National Opera]
Helsinki: WSOY, 2011. 229 p., ill.
ISBN 978-951-0-37667-6
€ 45, paperback
2011 marks the one-hundredth anniversary of the founding of the Finnish National Opera. This richly illustrated and entertaining book describes events that have been absent from previous ‘official’ historical accounts. Readers will encounter over a hundred opera denizens who have made audiences – and, according to many anecdotes, each other – laugh and cry. The initial stages of the opera and ballet were modest in scope when viewed from outside, but the trailblazers involved were tremendous talents and personalities. The brighest star was the singer Aino Ackté, who enjoyed an international reputation. Gossip about intrigues and artistic differences at the opera house over the decades is confirmed in candid interviews with performers. The content of the book is based on archival sources, letters, memoirs, interviews and stories told inside the opera house. Juhani Koivisto, the Opera’s chief dramaturge, clearly has an excellent inside knowledge of his subject. Translated by Ruth Urbom
Vesa Sirén: Suomalaiset kapellimestarit. Sibeliuksesta Saloseen, Kajanuksesta Franckiin [Finnish conductors. From Sibelius to Salonen and from Kajanus to Franck]
17 February 2011 | Mini reviews, Reviews
Suomalaiset kapellimestarit. Sibeliuksesta Saloseen, Kajanuksesta Franckiin
[Finnish conductors. From Sibelius to Salonen and from Kajanus to Franck]
Helsinki: Otava, 2010. 1,000 p., ill.
ISBN 978-951-1-21203-1
€ 38, hardback
This work, by music critic Vesa Sirén – awarded the Finlandia Prize for non-fiction in 2010 – attempts to explain what makes a good orchestra conductor. Including hundreds of interviews, the book takes a chronological approach, presenting portraits of sixty conductors from the 1880s up to current students of conducting. There are also contributions from music critics, as well as even tougher assessments from musicians, contemporaries of the conductors. The high standard of Finnish music education, which has been easily accessible to young people – at least until the recent times –, provides part of the answer, as does the conducting course at the Sibelius Academy under the long-serving leadership of Jorma Panula. Sirén’s archival research has unearthed some forgotten treasures, including the lost archives of Robert Kajanus and conductor’s notes in Jean Sibelius’ own handwriting.
Translated by Ruth Urbom
Blowing in the wind
26 November 2010 | Reviews
Clarinettist who travelled: Bernhard Crusell
Bernhard Crusell: Keski-Euroopan matkapäiväkirjat 1803–1822
[Bernhard Crusell: Travel Diaries from Central Europe, 1803–1822]
Suom. ja toim. [Translated into Finnish and edited by] Janne Koskinen
Helsinki: Suomalaisen kirjallisuuden seura [Finnish Literature Society], 271 p., ill.
ISBN 978-952-222-090-5
€28, hardback
Born the son of a poor bookbinder on the west coast of Finland, Bernhard Crusell (1775–1838) had talents as a clarinettist and composer that brought him considerable fame, both in his native country and further afield. Hannu Marttila reads the diaries he wrote on his travels in Europe, where his meetings with the great and the good chart the emergence of the new Romantic sensibility
‘Felix is a most beautiful child, and he is also said to be very unassuming. In his compositions one immediately recognises the signs of genius and good training. He continues to study under Zelter, and, thanks to an anticipated large inheritance, he, too, may become an independent composer. People here think he may even become another Mozart.’ More…
Teemu Kupiainen & Stefan Bremer
Music on the go
3 March 2010 | Extracts, Non-fiction
A little night music: Teemu Kupiainen playing in Baddi, India, as the sun sets. Photo: Stefan Bremer (2009)
It was viola player Teemu Kupiainen‘s desire to play Bach on the streets that took him to Dharamsala, Paris, Chengdu, Tetouan and Lourdes. Bach makes him feel he is in the right place at the right time – and playing Bach can be appreciated equally by educated westerners, goatherds, monkeys and street children, he claims. In these extracts from his book Viulun-soittaja kadulla (‘Fiddler on the route’, Teos, 2010; photographs by Stefan Bremer) he describes his trip to northern India in 2004.
In 2002 I was awarded a state artist’s grant lasting two years. My plan was to perform Bach’s music on the streets in a variety of different cultural settings. My grant awoke amusement in musical circles around the world: ‘So, you really do have the Ministry of Silly Walks in Finland?’ a lot of people asked me, in reference to Monty Python. More…
Morning coffee yoik
29 January 2010 | This 'n' that
Music from the fells: figures on a Sámi shaman's drum
The Sámi, or Lapp, people invented yoiking (juoiggus; in Finnish, joiku) aeons ago. Today, this monophonic vocal music, or chanting, is still practised by Sámi artists, among them Wimme Saari (born 1959 in Enontekiö, 300 km north of the Arctic Circle, a son of a reindeer herdsman), who’s brought a new dimension to this ancient art form. More…
Glenda Goss Dawn: Vieläkö lähetämme hänelle sikareja? [Do we still send him cigars?]
30 December 2009 | Mini reviews, Reviews
Vieläkö lähetämme hänelle sikareja? Sibelius, Amerikka ja amerikkalaiset. 24 tarinaa
[Do we still send him cigars? Sibelius, America and Americans: 24 stories]
Translated into Finnish (from the manuscript) by Martti Haapakoski
Helsinki: WSOY, 2009. 268 p., ill.
ISBN 978-951-0-35517-6
€ 35, paperback
Finnish composer Jean Sibelius (1865–1957) was very highly regarded in the United States; the world’s first Sibelius appreciation society was set up in a small town in Pennsylvania, and at one time there was even a sort of Sibelius cult in Boston. In 1935 American radio listeners voted Sibelius their favourite living composer of symphonies. Walt Disney was an admirer of Sibelius’ music, though his plan to transfer The Swan of Tuonela to the big screen was never realised. Sibelius’ affinity for fine cigars was widely known, and sending boxes of cigars to the composer became a typical expression of admiration among Americans. Cigars were sent by regular citizens as well as prominent figures like Louis Armstrong. This book consists of 24 accounts describing interactions between Sibelius and Americans. It also details rises and falls in Sibelius’ popularity.Glenda Dawn Goss, is an American expert on Sibelius and possesses a doctorate in musicology. She has lectured at the Sibelius Academy in Helsinki since 2007.
Armas Järnefelt. Kahden maan mestari [Armas Järnefelt. Maestro of two countries]
2 October 2009 | Mini reviews, Reviews
Armas Järnefelt. Kahden maan mestari
[Armas Järnefelt. Maestro of two countries]
Toim. [Ed. by] Hannu Salmi
Helsinki: Suomalaisen Kirjallisuuden Seura, 2009. 438 p., ill.
ISBN 978-952-222-057-8
€ 35, hardback
The conductor and composer Armas Järnefelt (1868–1959) was a member of one of Finland’s most prominent cultural families. His sister Aino was married to the composer Jean Sibelius. From 1905 he was the conductor of the Royal Opera in Stockholm and became a Swedish citizen. In the 1930s Järnefelt served as the artistic director and conductor of the Finnish Opera, forerunner of today’s Finnish National Opera. This book covers the various stages of his life and surveys the background to his compositions, with input from a number of Finnish music experts. Järnefelt, as a composer of beautiful melodies, was a part of the National Romantic tradition; his best-known piece, Berceuse (1904), is familiar to listeners around the world in many adaptations. Influences from Richard Wagner and Jean Sibelius are often seen in Järnefelt’s works. This book provides a more complete artistic portrait of Järnefelt than the rather superficial coverage previously available. Prior to the publication of this book, the committee responsible for the editorial work was incorporated as a society dedicated to Armas Järnefelt and has released musical scores, recordings and performances of Järnefelt’s works.