Books from Finland - A literary journal of writing from and about Finland.

A little night music: Teemu Kupiainen playing in Baddi, India, as the sun sets. Photo: Stefan Bremer (2009)

It was viola player Teemu Kupiainen‘s desire to play Bach on the streets that took him to Dharamsala, Paris, Chengdu, Tetouan and Lourdes. Bach makes him feel he is in the right place at the right time – and playing Bach can be appreciated equally by educated westerners, goatherds, monkeys and street children, he claims. In these extracts from his book Viulun-soittaja kadulla (‘Fiddler on the route’, Teos, 2010; photographs by Stefan Bremer) he describes his trip to northern India in 2004.

In 2002 I was awarded a state artist’s grant lasting two years. My plan was to perform Bach’s music on the streets in a variety of different cultural settings. My grant awoke amusement in musical circles around the world: ‘So, you really do have the Ministry of Silly Walks in Finland?’ a lot of people asked me, in reference to Monty Python. More…

Music from the fells: figures on a Sámi shaman's drum

The Sámi, or Lapp, people invented yoiking (juoiggus; in Finnish, joiku) aeons ago. Today, this monophonic vocal music, or chanting, is still practised by Sámi artists, among them Wimme Saari (born 1959 in Enontekiö, 300 km north of the Arctic Circle, a son of a reindeer herdsman), who’s brought a new dimension to this ancient art form. More…

Vieläkö lähetämme hänelle sikareja? Sibelius, Amerikka ja amerikkalaiset. 24 tarinaa
[Do we still send him cigars? Sibelius, America and Americans: 24 stories]
Translated into Finnish (from the manuscript) by Martti Haapakoski
Helsinki: WSOY, 2009. 268 p., ill.
ISBN 978-951-0-35517-6
€ 35, paperback

Finnish composer Jean Sibelius (1865–1957) was very highly regarded in the United States; the world’s first Sibelius appreciation society was set up in a small town in Pennsylvania, and at one time there was even a sort of Sibelius cult in Boston. In 1935 American radio listeners voted Sibelius their favourite living composer of symphonies. Walt Disney was an admirer of Sibelius’ music, though his plan to transfer The Swan of Tuonela to the big screen was never realised. Sibelius’ affinity for fine cigars was widely known, and sending boxes of cigars to the composer became a typical expression of admiration among Americans. Cigars were sent by regular citizens as well as prominent figures like Louis Armstrong. This book consists of 24 accounts describing interactions between Sibelius and Americans. It also details rises and falls in Sibelius’ popularity.Glenda Dawn Goss, is an American expert on Sibelius and possesses a doctorate in musicology. She has lectured at the Sibelius Academy in Helsinki since 2007.

Armas Järnefelt. Kahden maan mestari
[Armas Järnefelt. Maestro of two countries]
Toim. [Ed. by] Hannu Salmi
Helsinki: Suomalaisen Kirjallisuuden Seura, 2009. 438 p., ill.
ISBN 978-952-222-057-8
€ 35, hardback

The conductor and composer Armas Järnefelt (1868–1959) was a member of one of Finland’s most prominent cultural families. His sister Aino was married to the composer Jean Sibelius. From 1905 he was the conductor of the Royal Opera in Stockholm and became a Swedish citizen. In the 1930s Järnefelt served as the artistic director and conductor of the Finnish Opera, forerunner of today’s Finnish National Opera. This book covers the various stages of his life and surveys the background to his compositions, with input from a number of Finnish music experts. Järnefelt, as a composer of beautiful melodies, was a part of the National Romantic tradition; his best-known piece, Berceuse (1904), is familiar to listeners around the world in many adaptations. Influences from Richard Wagner and Jean Sibelius are often seen in Järnefelt’s works. This book provides a more complete artistic portrait of Järnefelt than the rather superficial coverage previously available. Prior to the publication of this book, the committee responsible for the editorial work was incorporated as a society dedicated to Armas Järnefelt and has released musical scores, recordings and performances of Järnefelt’s works.