Archive for 2014

Angry epic heroes?

20 November 2014 | This 'n' that

Action man: Väinämöinen fights the Hag of the North. Painting by Akseli Gallen-Kallela, 1896 (Turku Art Museum). WIkipedia

Action man: Väinämöinen fights the Hag of the North. Painting by Akseli Gallen-Kallela, 1896 (Turku Art Museum). Wikipedia

The Finnish national epic, the Kalevala, is the inspiration for a grand-scale film trilogy project. It involves employees of several entertainment media companies working on it in their free time. The Finnish entertainment media company Rovio that became famous for its Angry Birds game, and the Finnish-born video game company Supercell have sponsored – with other 13 media companies – the trailer: see IronDanger.

Financing is still in the planning stages, but it is hoped that the first part will be ready in 2017 when Finland celebrates its centenary year.

According to Rovio’s Chief Marketing Officer, Peter Vesterbacka, the film will be ‘adequately’ faithful to the original work. In an interview published on 19 November on the website of the Finnish Broadcasting Company YLE, he says that even if the landscape will look very Finnish, the intention is to ’tell the story to make it clear that it’s not about a bunch of old pensioners. These are young, heroic, epic heroes‘.

So, vaka vanha Väinämöinen – ‘Väinämöinen, old and steadfast’ – , the main character of the epic, the great shaman and the bard, the tragic hero, is to be kicked off the cast, because he’s, well, elderly?

Funny that the bearded wizard Gandalf of Lord of the Rings was not dismissed from the film due to his age, even though he does indeed looks as old as the hills of Gondor. (By the way, Väinämöinen has been ‘identified as a source for Gandalf’…)

It remains to be seen how the younger Kalevala crowd will deal with all that action. Who, for example, is going to sink the impetuous Joukahainen into a bog by singing, then?

The Finlandia Junior Prize 2014

20 November 2014 | In the news

juniorMaria Turtschaninoff’s third fantasy book for young people, Maresi. Krönikor från röda klostret / Maresi. Punaisen luostarin kronikoita (‘Maresi. Chronicles of the Red Convent’, Schildts & Söderströms; Finnish translation by Marja Kyrö, publisher Tammi) was awarded the Finlandia Junior Prize, worth €30,000, on 20 November.

The winner was chosen by the scriptwriter and film director Johanna Vuoksenmaa who, in her awarding speech, said that it is ‘an exceptionally powerful fantasy book which, in addition to telling an exquisite, wise and exciting story, also provides a welcome correction to the gender division of fantasy book characters, which has been slightly skewed ever since Tolkien. Maresi reminds me that even today there are places in the world where readers are not sought for books, where knowledge is not on offer to young, thirsty minds. People’s opportunities to know and learn are limited and human rights trampled upon.’

The other five candidates were the following:

Written and illustrated by Saku Heinänen, Zaida ja lumienkeli (‘Zaida and the snow angel’, Tammi) is the story of a little girl whose school days are not always happy; Puiden tarinoita. Puuseppä (‘Stories by trees. The carpenter’, Books North) is a fairy-tale written by Iiro Küttner and illustrated by the graphic artist and cartoonist Ville Tietäväinen; Jyri Paretskoi’s first novel Shell’s Angles ja Kalajoen hiekat (‘Shell’s Angles and the Kalajoki sands’, Karisto) is a humorous story for young teenagers; Min egen lilla liten / Oma pieni pikkuruinen (‘My own tiny little thing’, Schildts & Söderströms, Teos) is a picture story about longing for closeness told by Ulf Stark and illustrated by Linda Bondestam; a picture book about a little squirrel by Mila Teräs, Olga Orava ja metsän salaisuus (‘Olga Squirrel an the forest’s secret’, Lasten Keskus) is illustrated by Karoliina Pertamo.

Prize for the best debut book

20 November 2014 | In the news

jugoThe Helsingin Sanomat literature prize for the best first work, written in Finnish, for 2014 was awarded on 13 November to Kosovo-born Pajtim Statovci, 24, for his novel Kissani Jugoslavia (‘Yugoslavia my cat’, Otava – see translated extracts here).

The choice was made by a five-strong jury from a total of 65 books. The prize, which was this year awarded for the 20th time, is worth €15,000.

Among the ten finalists were a collection of essays, three collections of poetry and six novels. According to the jury, Statovci’s novel, ‘drowns the reader, after a realistic description of events, in a dreamlike, lyrical vision. This kind of writing is not taught anywhere. The skill either resides in the writer or it doesn’t.’

Erkki Tuomioja: Siinä syntyy vielä rumihia. Poliittiset päiväkirjat 1991–1994 [Heads will roll. Political diaries 1991–1994]

20 November 2014 | Mini reviews, Reviews

rumihiaSiinä syntyy vielä rumihia. Poliittiset päiväkirjat 1991–1994
[Heads will roll. Political diaries 1991–1994]
Editor: Veli-Pekka Leppänen
Helsinki: Tammi, 2014. 680 pp., ill.
ISBN 978-951-31-7555-9
€39, hardback

Erkki Tuomioja (born 1945) has for a long time served as a member of parliament and as Finland’s foreign minister. A left-wing Social Democrat, Tuomioja has since his youth been known as a sharp-minded social debater as well as a writer and researcher. His publications include a biography of his grandmother, the Estonian-born eminent writer and dramatist Hella Wuolijoki. These fascinating political diaries from the early 1990s cover such topics as the break-up of the Soviet Union, Finland’s increasingly close integration with western Europe, and with the disputes about the Social Democrat leadership and the remarkable rise of Martti Ahtisaari, who came in from outside to become the party’s presidential candidate, and ultimately the country’s president. Tuomioja’s characterisations of Finnish politicians and political life are apt and plain-spoken, with particular criticism reserved, for example, for President Ahtisaari. Tuomioja does not conceal his own doubts and disappointments, and accepts that some of his views of the time do not correspond to those that he holds today. The editor provides the reader with a summary of the important events at the beginning of each month.

Translated by David McDuff

Finding a voice

13 November 2014 | Authors, Reviews

Pajtim Statovci. Photo: Tommi Tuomi

Pajtim Statovci. Photo: Tommi Tuomi

Here it is, finally: Pajtim Statovci’s debut novel is the first book of literary merit written in Finnish by an author who originally came to Finland from the former Yugoslavia, Kosovo. Kissani Jugoslavia (‘Yugoslavia, my cat’, Otava, 2014) is a wild depiction of identity, told simultaneously from the perspectives of the mother of an immigrant family and her son. Statovci builds a keen sense of tension between the narrative of the Albanian woman and that of her youngest son.

Born in Podujevë, Kosovo, in 1990, Statovci came to Finland at the age of two. He is studying comparative literature at the University of Helsinki and film and television scriptwriting at the Aalto University. The French and Norwegian translation rights to Kissani Jugoslavia were sold before the book had even been published. More…

Year of the cat

13 November 2014 | Fiction, Prose

Extracts from the novel Kissani Jugoslavia (‘Yugoslavia, my cat’, Otava 2014). Introduction by Mervi Kantokorpi

I met the cat in a bar. And he wasn’t just any cat, the kind of cat that likes toy mice or climbing trees or feather dusters, not at all, but entirely different from any cat I’d ever met.

I noticed the cat across the dance floor, somewhere between two bar counters and behind a couple of turned backs. He loped contentedly from one place to the other, chatting to acquaintances in order to maintain a smooth, balanced social life. I had never seen anything so enchanting, so alluring. He was a perfect cat with black-and-white stripes. His soft fur gleamed in the dim lights of the bar as though it had just been greased, and he was standing, firm and upright, on his two muscular back paws.

Then the cat noticed me; he started smiling at me and I started smiling at him, and then he raised his front paw to the top button of his shirt, unbuttoned it and began walking towards me. More…

Shortlist for Finlandia Prize for Non-Fiction 2014

13 November 2014 | In the news

logoThe shortlist for the Finlandia Prize for Non-Fiction 2014 – worth €30,000 – was announced on 5 November by the chairperson of the jury, Susanna Pettersson, Director of the Ateneum Art Museum. The works on the list of six are as follows:

Pohjolan leijona, Kustaa II Adolf ja Suomi 1611–1632 (‘The lion of the North. Gustavus II Adolphus and Finland 1611–1632’, Siltala) by the historian and author Mirkka Lappalainen deals with the implications of  actions of the mighty Swedish king on the part of the kingdom that was known as Finland.

Herkkä, hellä, hehkuvainen – Minna Canth (‘Sensitive, gentle, radiant – Minna Canth’, Otava) is a fresh biography of the Finnish pre-feminist author (1844–1897), a popularised version of a dissertation by Minna Maijala.

Karanteeni. Kuinka aids saapui Suomeen (‘Quarantine. How Aids came to Finland’, Siltala) by Hanna Nikkanen & Antti Järvi records the history of the disease, its arrival and consequences in Finland.

Operaatio Elop (‘Operation Elop’, Teos) by Pekka Nykänen & Merina Salminen is the story of the mobile phone company Nokia in its declining years and its Canadian CEO (2010–2013) Stephen Elop, who did not become the saviour of the company on the global market.

Usko, toivo ja raskaus. Vanhoillislestadiolaista perhe-elämää (‘Faith, hope and pregnancy’, Atena) by Aila Ruoho &Vuokko Ilola focuses on the family life, particularly the status of the woman, of a fundamentalist religious community in Finland.

Tulisaarna. Einojuhani Rautavaaran elämä ja teokset (‘Fiery sermon. Life and works of Einojuhani Rautavaara’, Teos) by Samuli Tiikkaja (journalist, music critic and researcher) is a biography of the composer Einojuhani Rautavaara (born 1928).

The winner – according to the rules of the prize, it will be given to a deserving Finnish generalist non-fiction book – will be chosen by Heikki Hellman, journalist and Dean ofthe School of Communication, Media and Theatre in Tampere, on 19 November.

Panu Rajala: Tulisoihtu pimeään. Olavi Paavolaisen elämä [A torch into the darkness. The life of Olavi Paavolainen]

13 November 2014 | Mini reviews, Reviews

panuTulisoihtu pimeään. Olavi Paavolaisen elämä
[A torch into the darkness. The life of Olavi Paavolainen]
Helsinki: WSOY, 2014. 624 pp., ill.
ISBN 978-951-040254-2
€32.90, hardback

In the 1920s Olavi Paavolainen (1903–1964) became the charismatic figurehead of the influential Tulenkantajat (‘Firebearers’) movement, which placed emphasis on internationalism and modernism. After the movement broke up Paavolainen worked as a prominent cultural leader and critic who knew how to provoke and to arouse admiration. The original travel book he wrote about Nazi Germany in peacetime is still read, as is his book Synkkä yksinpuhelu (‘A sombre monologue’, 1946), based on the diaries he kept during the Second World War. The criticism the book received (and doubts about its author’s ‘wisdom of hindsight’) contributed to Paavolainen’s silence as a writer. Although in the 1950s and 1960s as a director he brought about a flourishing of radio drama at the Finnish Broadcasting Company, he became an alcoholic. Much has been written about Paavolainen, but author and researcher Panu Rajala’s popular biography has managed to find new perspectives and gives a vivid portrayal of Paavolainen’s personality, the writers he knew, the colourful story of his complex relationships with women, and his travels. There is less analysis of his literary production, though the content and reception of his books are discussed.

Translated by David McDuff

Wow-factor?

6 November 2014 | This 'n' that

Helsinki harbour: from  the German Quick magazine's airplane, by Volker von Bonin, 1952. Photo: Helsinki City Museum

Helsinki harbour: aerial photo from the German Quick magazine, by Volker von Bonin, 1952. The proposed site for the Guggenheim building is bottom left. Photo: Helsinki City Museum

The winner of the Guggenheim Helsinki Design Competition, organised by the Solomon R. Guggenheim Foundation, will be announced in June 2015. ‘An innovative, multidisciplinary museum of art and design’, the winning building, if it will be realised, is likely to be a new ‘architectural dream’.

1,715 submissions were received from 77 countries; a shortlist of six finalists will be announced on 2 December.

In 2012 when the Guggenheim project (see our post from 2012) began to be discussed, the deep ranks of Helsinki taxpayers protested in public by saying that they did not want a costly new monument (building costs 130 million euros) in the city for which it would have been necessary to pay – in addition to maintenance costs – ca. 26 million euros to the American brand for the use of its name during the next 20 years. Finally the City Council voted 8-7 against the mayor’s motion to build the museum.

A comparison: the building costs of an urgently needed new children’s university hospital are 160 million euros: as the state was not able to fully finance the project in the near future, it was decided (in 2013) that 30 million euros would be raised by private sponsors and the general public in order to ensure the beginning of the construction work in 2014. (The goal was reached last August, but the fund-raising campaign will go on to decrease the loan capital, 50 million.) This project has been referred to by the opposers of the Guggenheim project in particular: if the state cannot provide the funds for a national children’s hospital, how could – and why should – it commit itself, albeit with smaller sums, to sponsoring an American art museum in Finland?

No money from the state was promised. No art-minded private sponsors of a future Guggenheim announced themselves in the public either. It turned out, however, that enough private sponsor money was available for an international architecture competition: in 2013 a tentative, central site for a future Guggenheim building was reserved for the competition project, for two years, in Helsinki harbour.

Since that, a group of independent arts organisations has issued a call for submissions for alternative ideas: ‘The next Helsinki’: a new competition aims at bringing forth projects that ‘attach artistry to all aspects of everyday urbanism’, and it is open to all, not just ‘starchitects’, ‘…because the solution is not simply an urban designer’s or artist’s task.’ Deadline is 2 March, 2015.

The organisations taking part are Checkpoint Helsinki, G.U.L.F. (Global Ultra Luxury Faction), Occupy Museums and Terreform, New York. ‘The next Helsinki’ states: ‘The Guggenheim Foundation has launched a design competition on one of Helsinki’s most valuable and compelling physical sites for a new Guggenheim building, in hopes of a transformation akin to the “miracle” in Spain [Bilbao]. The City of Helsinki is tempted to spend hundreds of millions of municipal euros in return for the benefits of the branding of the city with someone else’s mark. Is this really the best use for the site and tax money?’

It remains to be seen who will be the winners, and what will be won.

In the shadow of the cathedral

6 November 2014 | Authors, Reviews

Satu Taskinen. Photo: Heini Lehväslaiho

Satu Taskinen. Photo: Heini Lehväslaiho

In recent years the Finnish novel has been refreshed by central European tones in the work of authors including Kristina Carlson, Katri Lipson and Sofi Oksanen. Among these reforming powers is Satu Taskinen, whose first novel, Täydellinen paisti (‘The perfect roast’, 2011), won the Helsingin Sanomat prize for a debut work.

The novel, set over a day and describing a Viennese family’s All Saints’ Day lunch and, in particular, its demanding preparations, aroused admiration, but also wonderment at its slow, thoughtful monologue, in which absurdist humour and irony mixed with a melancholy atmosphere.

Satu Taskinen, who studied philosophy and German philology at Helsinki University, has lived and worked in Vienna for a long time. Her second novel, Katedraali (‘The cathedral’), is also a one-day novel describing a Viennese family. More…

The day of mourning

6 November 2014 | Fiction, Prose

Extracts from the novel Katedraali (‘The cathedral’, Teos, 2014). Introduction by Mervi Kantokorpi

I am here now, at this funeral; I’m sitting on a puffy rococo chair which stands in the corner of this large living room – hall – on a Berber rug, one of a series of four pieces of furniture. The fourth is a curly-legged table, painted matt white. I wriggle like anything, trying to rid myself of my too-tight shoes. Fish thrash their tails in the same way. The lady in the dry cleaner’s told me she hates fish. She said that clothes that smell of fish and are brought into her shop make her shake with loathing but also bring her satisfaction because she can wash the awful stench away.

My shoes are impossibly small. They pinch my feet worse every moment. My back aches, too, despite the painkillers. You can’t swallow pills forever, so I just try to find a better position and put up with it. Finally my shoes leave my feet. I kick them underneath the table so that they can’t be seen. I can breathe again. In my shoes I felt as if I were sinking under the ground.

My father once showed me the Stephansdom catacombs. Thousands of people were buried here, before that, too, was forbidden by someone, he said. More…

Winner of the Nordic Council Literature Prize

6 November 2014 | In the news

Kjell Westö. Photo: Kata Portin

Kjell Westö. Photo: Kata Portin

The Nordic Council Literature Prize 2014 went to Kjell Westö and his novel Hägring 38 (‘Mirage 38’, 2013; in Finnish, Kangastus 38). The prize, awarded since 1962 and worth €47,000, was given on 29 October at a ceremony in Stockholm.

Among the 13 nominees was another Finn, the poet Henriikka Tavi with her collection Toivo (‘Hope’, 2011).

The jury said: ‘The Nordic Council Literature Prize goes to the Finnish writer Kjell Westö for the novel Mirage 38, the evocative prose of which breathes life into a critical moment in Finland’s history [the time before the Winter War, 1939–1940] – one that has links to the present day.’ Here, more on Westö and his winning novel.

Finlands svenska litteratur 1900–2012 [Finland’s Swedish literature 1900–2012]

6 November 2014 | Mini reviews, Reviews

ekmanFinlands svenska litteratur 1900–2012
[Finland’s Swedish literature 1900–2012]
Red. [Edited by] Michel Ekman
Helsingfors: Svenska litteratursällskapet i Finland / Stockholm: Atlantis, 2014. 376 pp., ill.
ISBN 978-951-583-272-6
€35.90, paperback

This history of Finland-Swedish literature is an updated version of the second volume of Finlands svenska litteraturhistoria (eds. Johan Wrede and Clas Zilliacus, 1999–2000), and it concentrates on the period from 1900 to 2012, with much new critical material relating to the years after 1975. Some 20 contributors under the editorship of Michel Ekman provide a diverse and inclusive overview of a literature that embraces poetry, prose fiction, children’s writing, essays and drama. The book traces the story of Finland-Swedish literature from the ‘fresh start’ of the turn of the 19th century, through the experiments of modernists like the poets Edith Södergran and Elmer Diktonius, to the work of present-day novelists like Monika Fagerholm and Kjell Westö. However, the emphasis throughout is on general lines of development rather than on individual authors’ careers. The authors discuss the relationship between the work of Finland’s Swedish-language writers and their Finnish-language counterparts in a perspective that not only views the minority literature as a part of the Finnish whole, but also considers it as a bridge between the literatures of Sweden and Finland – the subject of a concluding essay by Clas Zilliacus. The material is presented in essays subdivided in a readable way that combines factual information with critical and historical analysis.

And cool it was

30 October 2014 | This 'n' that

Guests welcome: Finnish pavilion, Frankfurt Book Fair. Photo:

Guests welcome: Finnish pavilion, Frankfurt Book Fair. Photo: Katja Maria Nyman

Finland was Finnland and cool as Guest of Honour at the Frankfurt Book Fair from 8 to 12 October.

There was plenty to choose from, and then some: more than 500 Finland-related events, readings, exhibitions and cultural projects, 50+ Finnish authors, books, pictures, videos, music.

More than 130 books (plus new editions) have been published in German this year, and interest in Finnish literature in other countries – Frankfurt is the world’s biggest book fair, and publishers from all over the world are represented – will inevitably grow.

So the Finnish organiser, FILI – Finnish Literature Exchange – and its staff has now put their feet up for a moment, as it were, after very successfully tangoing through it all, and are savouring all the wow-factor memories of this big enterprise. After several years of preparation and hectic last months, it seems international interest in literary things Finnish exceeded all expectations.

Finnish Pavilion, Frankfurt Book Fair. Photo:

Ready to begin: Finnish Pavilion, Frankfurt Book Fair. Photo: Katja Maria Nyman

For those of you who couldn’t make it to the Finnish Pavilion, there are photographs of various events at Frankfurt, and lots more on this site, so take a look. Vorwärts! / Onwards!

The coder’s Latin

30 October 2014 | Articles, Non-fiction

Pleasant interface still? Old book bindings ( Merton College library, Oxford, UK). Photo: Wikipedia

Pleasant interface still? Old book bindings (Merton College library, Oxford, UK). Photo: Wikipedia

Writing is arguably brain-control technology, notes our columnist Teemu Manninen. Writing might not be on its way out, at least not quite yet, he thinks, but the printed book might not stay with us for ever. And would that be a happier world?

When the future of literature is discussed, either here in Finland and elsewhere, topics usually revolve around changes in the economics and practicalities of reading, writing, and publishing: how will writers and publishers get paid, and how can readers find more books to read.

What is taken for granted in these instances is that literature itself will continue to be something that exists in a recognisable way – which itself of course implies that writing itself will remain a viable mass medium for the transmission of information over the transcendent, enormous, unfathomable gulfs of space and time, as it has been for thousands of years. More…