Author: Maija Alftan

Arms and the man

Issue 2/1999 | Archives online, Authors, Interviews

The work of Veijo Meri (born 1948) has a secure place in the canon of Finnish prose of the second half of the 40th century. One could say Meri is a man’s writer – especially favoured by men who have been at war. The male characters of his short stories, novels and plays find themselves in absurd and surprising situations in a world governed by chance. They are not, however, heroes, but everyday anti-heroes who are depicted by their author with laconic humour. Since the 1980s, Meri has turned to historical essays.

Meri is an unbelievably prolific speaking machine; hardly have I set foot inside his house when he is already, in his speech, strolling along the shore of the Pacific Ocean with Matti Kurjensaari, his late writer friend. The academic and writer Veijo Meri turned 70 on New Year’s Eve in 1998. The event was celebrated in the theatre, and a book was published about the writer and his work. And, of course, his birthday itself was celebrated: he no longer wishes to escape his age. ‘Can’t feel a thing,’ Meri says on the massive leather sofa in his living-room. Mrs Eeva Meri starts making coffee. ‘I’m just trying to understand that I’ve turned 70: when was it that I got to be so old?’ On his 50th birthday, he felt something: ‘It’s a threshold.’ That had, in fact, been preceded by some improvement in life; after the age of 45, apparently, one no longer suffers from hangovers and all the most sensitive nerves have stopped working.’ The world has become extremely familiar. There’s nothing mysterious hidden behind the hedge, on the other side of the horizon. You tend to avoid thinking about death, because it begins to seem a pity that you will have to leave the world, now that you finally feel at home here.’ More…