Author: Markku Lahtela
An Extract from the Novel Sirkus (‘Circus’). Introduction by Pekka Tarkka
Once again I seem to be moving towards a deeper understanding of these people who figure in my recollections, most of whom, by now – by this particular Friday I am now experiencing – are already dead. And this, in its turn, sets me wondering about the degree of reality, if any, that they can claim to possess. How real is a dead person? Is he, perhaps, totally unreal? In memories, of course, he is real to the extent that the memories themselves are real. But objectively, independently of memory? But here a sadness comes over me, many-headed, hard to take hold of.
And in any case I think it is time I came to a clearer understanding of the economic circus founded by my grandfather Feodisius. Uncle Ribodisius has also already made the front pages of the newspapers, and the Bilbao has published an interview.
But I have left a picture unfinished. Father’s cardboard boxes! The separation from Dianita – and from the children! And I have broken off in the middle of these curious memoirs of mine. Thinking of which, I find myself grinding to a halt again, stuck with Yellow-Handed Fred and Haius and Desmer, Lesmer and Sesmer – until I realize that instead of coming to a clearer understanding of my grandfather’s economic circus, I am on Lesmer’s estate, one evening in late May – a couple of months ago – listening to the trilling of an unusually talented song-thrush. Perched on the top of a tall spruce, he goes through the repertoire of all the other birds he has ever heard, both native and foreign – creating, however, new combinations of his own; not content with mere mimicry, he rattles, croons, wails, whistles, whirrs, twitters, flutes, sighs, chirrups and shouts his way through a complete set of variations on themes provided by the rest of the bird world: like some rather advanced medieval chronicler who, no longer content to record faithfully (if perhaps chaotically, as Auerbach points out) what he saw, heard, thought and smelt, had begun to create personal shapes and entities – thus preparing the way for the greatest miracle in the history of world literature, the advent of the perceptive reader. More…