Author: John Anderson
Cinematographer, camerawoman and director Pirjo Honkasalo has travelled and filmed widely – Japan, Estonia, India, Chechnya, Ingushetia, Russia – and her documentary films in particular have gained fame. American film critic John Anderson interviews Honkasalo; they talk about her documentary film Atman (1996) about a pilgrimage in India.
Edited extracts from Armoton kauneus. Pirjo Honkasalon elokuvataide (‘Merciless beauty. The film art of Pirjo Honkasalo’, Siltala, 2014; translated from English into Finnish by Leena Tamminen)
You can almost catch a whiff of the Ganges watching Atman [Hindu term, ‘self’], a documentary film in which religious pilgrimage, devotion, exhilaration and hysteria compete with tormented bodies, physical mortification, corpses, pollution and the acrid smoke of ritual cremation for domination of the viewer’s senses. The fact that it won the top prize at the International Documentary Film Festival Amsterdam in 1996 proves there is, if not justice, then good taste in the world. With all due respect to her previous work, Atman signified the full manifestation of Honkasalo’s genius.
What is it about? Eternity. Also, Jamana Lal: a member of the low-caste of Baila, a wifeless, crippled devotee of Lord Shiva whose mother has died, and who must – according to Hindu tradition – take her ashes from the ostensible mouth of the Ganges to the foothills of the Himalayas. More…