Tag: drama
Is it a play, is it a book?
25 February 2011 | This 'n' that
On the way to fame: Walt the Wonder Boy in Kristian Smeds's stage adaptation of Paul Auster's novel Mr. Vertigo at the Finnish National Theatre (2010). Photo: Antti Ahonen
Dramatisations of novels are tricky. Finnish theatremakers like adapting novels for the stage, which often results in a lot of talking instead of action – and action here doesn’t refer to just physical movement but to the subtext, to what happens under and behind the words.
Currently an adaptation of an American novel is running on the main stage of the Finnish National Theatre in Helsinki. Mr Vertigo (1994), Paul Auster’s seventh book, tells the story of an orphan boy in the 1930s St Louis. After harsh years as the long-suffering apprentice of the mysterious Master Yehudi, Walt becomes the sensational Wonder Boy by learning how to levitate.
In theatremaker Kristian Smeds’s adaptation, Auster’s whimsical, rambling novel becomes a capricious, illusory journey about illusions, freedom, and the unattainability of love. Walt (the highly expressive, athletic Tero Jartti) interprets, with hilarious comedy as well as with touching desperation, both the dizzyingly powerful experience of creativity and the ridiculous hubris of the artist. More…
Drama queen: on writing, and not writing, plays
14 June 2010 | Articles, Authors
The queen who chose not to rule: Christina of Sweden in the play Queen C (first produced at the Finnish National Theatre in 2003, directed by the author, Laura Ruohonen, with Wanda Dubiel in the role of the Queen). Photo: Leena Klemelä
Extracts from ‘Postscript’, published in Kuningatar K ja muita näytelmiä (‘Queen C and other plays’, Otava, 2004)
It’s hard to read plays. I was bitterly disappointed at the age of eight, when I hid in my grandmother’s attic and opened up Romeo and Juliet, a book that seemed to promise lust and appalling acts. But it wasn’t even a real book; it was just talking from beginning to end! Where was the plot, the action, the much talked-about love story?
It’s also hard to write plays. Novels and works of poetry are closed miniature worlds that invite the reader in. A play always serves two masters. It has to be open and porous to allow the actor and the performance to penetrate into it. More…
The gender of the soul
Scenes from the play Kuningatar K / Queen C
Characters:
Christina, the Queen
Friend
The Queen Mother
Karl Gustav, the Count [Christina’s suitor, the King-to-be]
Descartes, philosopher
Official
Man
The King
Oxenstierna, Per Brahe
A choir of midwives
The play can be performed with six actors (3 female, 3 male). Other ways of dividing the roles are possible. All stage directions may be altered.
1. Prologue
The eels’ court
CHRISTINA
If eels had a court then a great female eel would sit in the centre and the little males would writhe about like seaweed around the throne. However they would not be envious of the queen, because they would know that if they swam up into rivers and lakes, into fresh waters, they themselves would gradually become females, great and heavy, and would be able to rule and close into their great embrace all the small little gentlemen. They just have to wait.
KARL GUSTAV
I don’t know. What I do know is that a great black eel, as thick as a rope, was pulled out of the well last night and the Queen looked at its silver stomach and its thrashing tail, but the eel looked the Queen in the eyes and in the heart and since then she has never been the same. More…
On stage in New York
28 May 2010 | In the news
Sofi Oksanen. Photo:
Puhdistus (2007), a play by Sofi Oksanen that also became a award-winning novel (2008), will be produced at the prestigious La MaMa theatre in New York in February 2011 under the title Purge. The director is Zishan Ugurlu, La MaMa’s Artistic Director.
Next month, Purge will be read in Chicago where the conference of the Theatre Communication Group of American professional theatres takes place. In September the play – which is set in 20th-century Estonia – will also be prèmiered in Tartu, Estonia. The novel was published in Estonian translation last year. Purge was published in English this April by Grove/Atlantic, translated by Lola Rogers. So far translation rights have been sold to 28 countries.
The play has been translated into English by Eva Buchwald, dramaturge at the Finnish National Theatre, where Purge was first produced in 2007. No Finnish play has ever before been produced on a professional stage in the US.
Drama news
20 May 2010 | In the news
Tragedy and comedy: mosaic masks from Hadrian's villa (Capitoline Museum, Rome, 2nd century CE)
A new internet service aims to provide information about Finnish drama and its writers.
Finnishplays.com is operated by the Finnish Dramatists’ Union, which has entered into partnerships with international drama agents in order to promote Finnish plays.
This year, Finnish plays that are to be performed abroad include Sofi Oksanen’s Purge (Puhdistus; Oksanen’s multi-prize-winning novel (you’ll find a sample from the English translation, by Lola Rogers, through the link) began life as a play at the Finnish National Theatre, appearing in print a year later), Reko Lundán’s Unnecessary people (Tarpeettomia ihmisiä), to be performed in Estonia and in Hong Kong, and Sirkku Peltola’s The Finnhorse (Suomenhevonen), in Iceland.
The website also features a catalogue of plays in translation, plus a search service for Finnish plays in various languages.
Finnish theatre doesn’t travel easily, never has – it’s a long way from here down to European theatre festivals, for example, taking place mostly in the south. But Finnish drama has began to travel more than ever, as new translations of plays into various languages have been made – and they, in turn, have made their way into theatres, in Europe and in the United States.
Nordic Drama Award for Heini Junkkaala
14 May 2010 | In the news
On May 7 playwright Heini Junkkaala (born 1975) received the bi-annual Nordic Drama Award (worth €5,000), presented by the Nordic Theatre Union.
Her play Kymmenen tikkua laudalla (‘Ten sticks on a board’, 2008) is a drama for children spanning three generations that contains both realistic and fantastic elements. Junkkaala’s latest play, Kristuksen morsian (‘Bride of Christ’), about religion and homosexuality, was premièred at the Finnish National Theatre in March.
The last two winners of the award were also Finns: Juha Jokela received it for his play Fundamentalisti (The Fundamentalist) in 2008, and Kari Hotakainen won the prize for his play Punahukka (Border Crossing) in 2006 (both have been translated into English; introductions in English are available here; click Translations of Finnish drama).