Books from Finland - A literary journal of writing from and about Finland.

Arra. Legender från Lavora
[Arra. Legends from Lavora]
Helsinki: Söderströms, 2009. 251 p.
ISBN 978-951-52-2604-4
19.90 €, hardback

Legender från Lavora by Maria Turchaninov (born 1977) is limpid and leisurely in tone, yet the story of Arra, a girl from a poor family, is intense, tragic and original. Because she is mute, Arra is thought to be feeble-minded, and thus of no value to her family. She becomes, in fact, an ‘invisible child’ – the author’s reference to neglected children of the present day. The girl uses a special power to compensate for the contempt of those around her: she binds herself in living connection with nature, which leads her in the end to glory and honour. Because of Arra’s long period of muteness as she enters her teens, dialogue is a very small portion of the book. The narrative may be challenging for young readers, but the vivid love story of Arra and Prince Surando has an irresistible, magical enchantment.

Secrets: an illustration by Aino-Maija Metsola from Minä ja Muro (‘Me and Muro) by Mari Kujanpää

Books have a tough time in their struggle for the souls of the young: more titles for children and young adults than ever before are published in Finland, all of them trying to find their readers. Päivi Heikkilä-Halttunen picks out some of the best and most innovative reading from among last year’s titles

Nine-year-old Lauha’s only friend and confidant is her teddy bear Muro, because Lauha is an outsider both at home and at school. The children’s novel Minä ja Muro (‘Muro and me’, Otava), which won the 2009 Finlandia Junior Prize, provoked discussion of whether it was appropriate for children, with its oppressive mood and the lack of any bright side brought into the life of the main character in its resolution. More…

Usva
[Mist]
Kuvitus: [Ill. by] Jani Ikonen
Helsinki: WSOY, 2009. 375 p.
ISBN 978-951-0-35352-3
19.70 €, hardback

Usva, the 13-year-old protagonist of Seita Parkkola’s novel of the same name, is unusually tall. From her height, she can see farther and more clearly than other people. Usva is a coming of age story in a minor key, its melancholy underlined by Jani Ikonen’s dark black and white illustrations. The images ooze with romantic dereliction, run-down buildings, storm-driven tree limbs, fish on dry land gasping for air. The illustrations are a good example of the visual world brought to life by the success of Japanese manga. Parkkola aptly describes the painful aspects of puberty from the point of view of both the child and the parent. She adds an air of mystification to the age of 13, which she sees as a turning point between childhood and adulthood. The novel can be read as a vision of the near future, of the disintegration of societal support, the increasing fragility of parenthood. Childhood’s end arrives at an ever younger age, and adulthood is entered with a leap, eyes open, without parental support to guide a child into her own adulthood.