Books from Finland - A literary journal of writing from and about Finland.

Helsinki people on the big wheel: Linnanmäki amusement park, 1968

Photographs and excerpts from Helsinki 1968 by Claire Aho and Kjell Westö (text in Finnish, Swedish and English; WSOY, 2010)

A year that rocked the world: 1968. The Vietnam War, the Chinese cultural revolution, the invasion of Czechoslovakia, hunger in Biafra. Helsinki that year: a quiet little city, in a quiet little country. But Finland’s baby-boomers, born after the war, were now coming of age, resulting in the beginnings of a change of generation in politics; and the students of Helsinki University  joined the global student unrest of this ‘crazy year’. Photographer Claire Aho takes a series of photographs of her home town, participating in an exhibition in Kiel, Germany. Forty-two years later her photos are published in Helsinki 1968, together with reflections by Kjell Westö, whose novels are deeply rooted in his native city. Here are words and images of Helsinki that mirror the past – and the present

Both the city and its people carry their past with them, find it hard to let go, and don’t really want to. Many of us are reluctant to embrace the new. Hence there is often something ambivalent, something enigmatic in the frozen moment of the photograph…. More…

Ismo Kajander: Miss France, 1998

‘Paris traverse la pensée comme une encyclopédie de la vie, où l’on découvre des passages, des cours intérieures, des ruelles et des autoroutes, toujours plus surprenants. La ville ne se vide ni n’abandonne jamais, n’accorde ni ne refuse.’

‘Paris permeates your mind like an encyclopaedia of life in which you will incessantly discover astonishing new passages, courtyards, alleys and avenues. It will never either run empty or surrender, it won’t admit or refuse.’

L’air de Paris / Pariisin tuoksu (‘Air of Paris’, Musta Taide, 2009) is an elegant little book that features artwork by Ismo Kajander and texts by Anna Kortelainen relating to the mother city of all artists. More…

As night falls, the silence is broken by pattering of small feet on the greying windowsill of an old, abandoned house: entire families may live under the rotten floorboards. Houses now inhabited not by humans but by wild animals are observed by Kai Fagerström and Heikki Willamo

The wolf's hour? An abandoned house is alive...

Extracts from Viimeiset vieraat. Elämää autiotaloissa [The last visitors. Life in abandoned houses, Maahenki, 2010] by Kai Fagerström, Risto Rasa & Heikki Willamo. Text by Willamo, poems by Rasa, photographs by Fagerström and Willamo

Some thirty years later I found the badgers’ cottage again – it wasn’t the same one, but the mood of my childhood still floated there. Grey walls and a shingle roof, bare gaping windows, the door creaking on its single hinge. Oak tree in the yard, lilacs flourishing wild. The forest was rapidly reclaiming its own behind the cottage. The mounds of sand beside the wall bases showed prints of strong-clawed paws and a number of paths, hardened from use, led into the woods. More…

Natural landscapes? According to Metsähallitus, the government body charged with forestry, ‘the regeneration area is defined according to topography, in accordance with the landscape. Retention trees and groups of trees are always left standing in regeneration areas to enhance the landscape and to improve the survival chances of species that require old and decaying trees.’

Ritva Kovalainen & Sanni Seppo
Metsänhoidollisia toimenpiteitä
[Silvicultural operations]
Helsinki: Hiilinielu tuotanto ja Miellotar, 2009. 200 p., ill.
ISBN 978-952-99113-4-9
€ 43

Finns have a strong identity as forest people, partly because more than 95 per cent of them still speak an ancient hunter-gatherer language, Finnish, as their mother tongue. In spite of this cultural and historical background, Finland has become the world’s most eager and influential proponent of forestry models based on clear-cutting – felling all the trees in a particular area at one go and planting new trees to replace them. More…

Check-up by a district nurse: from the exhibition ‘Everyday life in Finland’ (Muonio, 1970)

Photographs from Caj Bremer. Valokuvaaja / Photographer / Fotograf (Musta Taide, 2010; graphic design by Jorma Hinkka)

The period after the Second World War and before the age of television was the golden age of photojournals such as Life, Look and Paris Match. The big Finnish illustrated periodical was Viikkosanomat (‘The weekly news’); its early star, Caj Bremer, was one of the first Finnish press photographers to wander among people and record life as it was

‘Every photograph is the sum of aesthetic choices, and each one has a relationship with reality both when it is taken and in the time frame in which the viewer encounters it’, writes news editor and curator Riitta Raatikainen in her introduction to Caj Bremer. Valokuvaaja / Photographer / Fotograf.

Caj Bremer (born 1929) worked for years as a press photographer, most intensively between 1950 and 1970. A retrospective exhibition of his work over six decades opened at Helsinki’s Ateneum Art Museum in February (until 16 May). More…

A little night music: Teemu Kupiainen playing in Baddi, India, as the sun sets. Photo: Stefan Bremer (2009)

It was viola player Teemu Kupiainen‘s desire to play Bach on the streets that took him to Dharamsala, Paris, Chengdu, Tetouan and Lourdes. Bach makes him feel he is in the right place at the right time – and playing Bach can be appreciated equally by educated westerners, goatherds, monkeys and street children, he claims. In these extracts from his book Viulun-soittaja kadulla (‘Fiddler on the route’, Teos, 2010; photographs by Stefan Bremer) he describes his trip to northern India in 2004.

In 2002 I was awarded a state artist’s grant lasting two years. My plan was to perform Bach’s music on the streets in a variety of different cultural settings. My grant awoke amusement in musical circles around the world: ‘So, you really do have the Ministry of Silly Walks in Finland?’ a lot of people asked me, in reference to Monty Python. More…

Diem Hy and her trademark curls

When you step outside your office, what do you see? Not the streets and buildings, although photographing them could be an interesting project too, especially when you live and work in a city as self-consciously monumental as Helsinki. No; we’re talking about the shifting landscape of people and their clothes, as documented in the primarily photographic website Hel Looks.

A ‘hobby project’ by Liisa Jokinen and Sampo Karjalainen, Hel Looks documents fashion in the streets and clubs of Helsinki. It’s self-consciously a fashion project – in addition to documenting Finnish looks, Jokinen and Karjalainen want to ‘encourage people to dress and create their own styles… to promote emerging Finnish designers… because we like fashion, clothing, young people and photography.’

For us, though, the stories the pictures tell are more fascinating. Each entry shows one or two people. usually photographed in the street, accompanied by a brief quote from the subject. Some simply roll-call the designers they’re wearing, which may be interesting for the fashion pack but not so interesting for the rest of us. But others offer self-analyses that could, at the very least, furnish the beginnings of a short story. Diem Hy, 17, for example, is shown  in jeans and a second-hand leather jacket: ‘My hair is my trade mark. I’m not sure if I could live without my curls’; Simo, 18, likes ‘all clothes that date from before 1992’, Buster, 18, dresses in his grandfather’s clothes and likes to think ‘that I can dress old-fashioned but keep my mind fresh.’ Tiia, 22, simply ‘likes the colour blue’ (and indeed is dressed in nothing else). The range of selves, and self-presentations, is endless. Any authors in search of a character can simply apply here.

Tähtiyöt
[Starry nights]
Helsinki: Maahenki, 2009. 84 p., ill.
ISBN 978-952-5652-75-8
€ 41, hardback

Jorma Luhta (born 1951) is an award-winning Finnish nature photographer and author. The subject material of this book is night-time in the forests of northern Finland, illuminated by the stars and the Northern Lights. The problem of light pollution means that even in sparsely populated Lapland the lights from population centres can hamper the view over a radius of two hundred kilometres. Jorma Luhta’s photographs are the result of many years of dogged effort. The most impressive images of all were taken on the coldest night in a century: temperatures fell to around –50 °C. It takes split-second precision to achieve the greatest shots, such as when Luhta’s camera records a sheet of Aurora Borealis resembling Picasso’s white dove of peace (above). In his lyrical text Luhta, a night-time walker in the woods, observes his natural surroundings and contemplates such matters as his fear of the dark and feelings of isolation.

Extracts and photographs from Jotain on tapahtunut /Something happened (Musta Taide, 2009; translation by Jüri Kokkonen)

News photos document dramatic, dangerous or tragic incidents – but the photojournalist Markus Jokela is interested in documenting ordinary, domestic and everyday life, be it in Iraq, Russia, Biafra or Sri Lanka. These photographs, with commentaries, are taken from his new book, Jotain on tapahtunut / Something happened (2009), offering glimpses of life in contemporary Finland and in the United States

I’ve never been particularly enthusiastic about individual news photos, especially about taking them.

A good news photo has to state things bluntly and it has to be quite simple in visual terms. It must open up immediately to the viewer.

But the images in photo reportages do not have to scream simplified truths. They can whisper and ask, and open up gradually. One can come back to them. The reportage is something personal. Though a poor medium for telling about the complex facts of the world, it can provide experiences that survive. More…

Löytöretki Helsinkiin. Paikkoja, polkuja, puutarhoja. Exploring Helsinki. Places, paths, gardens. I Helsingfors på upptäcktsfärd. Platser, stigar, trädgårdar
Helsinki: Multikustannus, 2008. 167 p., ill.
ISBN 978-952-468-147-6
€ 42, hardback

In this book, author Julia Donner and photographer Taneli Eskola make a walking tour of the less familiar byways of their native Helsinki, in the changing seasons between 2007 and 2008. Donner quotes authors and poets while recording some of the city’s history. She takes the reader through places often ignored – small, modest enclosures between buildings that only just qualify for the name of parks, suburban parklands or the rocky spaces that have been left untouched in the heart of the city. Eskola’s photographs record the graphic details of frost and sleet as well as the first tinges of spring green, of flora, rocks, water and sky. Some of the text is printed in both Swedish and English. A map would have been useful to readers who are not familiar with Helsinki; some of the photographs also lack captions. This beautiful book, designed by Timo Numminen, is an original series of views that have not been prettified but are true to the everyday life of the city. And readers who live in Helsinki will be surprised by what they discover.