Tag: photography
Snowbirds
2 November 2011 | Extracts, Non-fiction
The short winter days of the northerly latitudes are made brighter by snow cover, which almost doubles the amount of available light. Reflection from the snow is an aid for photographers working outdoors in winter conditions. A new book, entitled Linnut lumen valossa (‘Birds in the light of snow’), presents the best shots by four professionals, Arto Juvonen, Tomi Muukkonen, Jari Peltomäki and Markus Varesvuo, who specialise in patiently stalking the feathered survivors in the cold
The photographs and texts are from the book Linnut lumen valossa (‘Birds in the light of snow’, edited by Arno Rautavaara. Design and layout by Jukka Aalto/Armadillo Graphics. Tammi, 2011)
Snowy owl. Photo: Markus Varesvuo, 2010
Your heart on your sleeve
7 October 2011 | This 'n' that
Street cred of Hel Looks: Josua and Julius. Photo: Sampo Karjalainen
The founder of Hel Looks, which charts clothing styles of Helsinki denizens (which we featured here on the Books from Finland website), has been talking to Finnish television (programme in Finnish) about her website.
Established in 2005, the site – which has an eye for the weird and wonderful rather than the classically stylish – attracts an average of 10,000 visitors a day, two thirds of them from outside Finland.
Fashion editor Liisa Jokinen says she got the idea for the site while on holiday in Sweden. ‘I think a lot of Finns admire the Swedes’ fashion sense and in particular their stylishness. But in fact the range of styles is greater in Helsinki, and Finns have the courage to be different,’ she says.
Recent images from the site bear her comments out, and chart the sheer range of costume that she and the photographer Sampo Karjalainen set out to document. Take the 13-year-old fashionistas Josua and Julius (left), snapped on Bulevardi in central Helsinki on 1 October, for example: ‘We dance hip hop and house. It inspires our style. We try not to dress up like all other boys’; or Noel Coward fan Janne, 51, seen on 3 September: ‘I’m wearing an English tweed suit tailor-made in London. I live in Mexico, where I normally wear a white linen suit.’
Best of all, says Jokinen, is when she comes across someone for a second time without realising that she took their picture a year or so back. The image of Helsinki reflected by Hel Looks is made up of people, not buildings. ‘I believe people and their clothes contribute much more to a city than its buildings do,’ Jokinen says.
The photos on the Hel Looks site, currently numbering some 1,200, offer us visions of how people want to be seen; in this selection, few dress to play a role. People wear what they think is fun or/and stylish, and we, the onlookers, enjoy being the judges of this city catwalk.
Nature boy
15 September 2011 | In the news
Seal signed: Saimaa ringed seal by Erik Bruun
The graphic artist Professor Erik Bruun has been awarded the Luonnotar / National Spirit of Nature Award for 2011.
The prize, established by the Puu kulttuurissa / Wood in Culture Association in 2001 and now worth € 12,000, is awarded bi-annually to Finnish professionals of any field of culture whose work has helped to make the public in Finland and abroad more aware of Finnish culture, heritage and environment.
Erik Bruun (born 1926) – who was the Art Editor of Books from Finland from 1976 to 1989 – is perhaps best known to the public for his numerous posters and advertisements, in particular his nature posters for the Finnish Association for Nature Conservation: the Saimaa ringed seal, the bear, eagles, owls, seagulls and other birds.
Bruun’s interest in nature photography, drawing, etching and lithography have long combined in his work for the Finnish wood processing industry as well as in his illustrative work for magazines and books and in designing postage stamps and banknotes.
A book on his life’s work, Sulka ja kynä. Erik Bruunin julisteita ja käyttögrafiikkaa (‘The quill and the pen. Posters and graphics by Erik Bruun’) by Ulla Aartomaa was published in 2007 (and reviewed in Books from Finland 3/2007). Take a look at his work on his home page.
Utopia or cacotopia?
19 August 2011 | Extracts, Non-fiction
Viljakansaari, Finland, 2008. ©Merja Salo
Do we live in the age of autopia, and if we do, what does that mean? On this earth there are now perhaps 800 million cars, all vital to our modern lifestyles. Professor and photographer Merja Salo observes landscapes through her camera with this question in mind
Extracts and photographs from Carscapes. Automaisemia (Edition Patrick Frey & Musta Taide, 2011. Translation: Laura Mänki)
The car may be the vehicle for the everyman, but not every man is a good driver. According to Hungarian- born psychoanalyst Michael Balint, good drivers have the psychological structure of philobats. With their sense of sight, they perceive space well and control it by steering their vehicle skilfully. Ocnophiles, on the other hand, are more at home as passengers. They structure the world through intimacy and touch. When driving, they cling anxiously to the steering wheel and do not perceive the continously changing situations in traffic.
Jean Sibelius kodissaan. Jean Sibelius, i sitt hem. Jean Sibelius at home
19 August 2011 | Mini reviews, Reviews
Jean Sibelius kodissaan. Jean Sibelius, i sitt hem. Jean Sibelius at home
Toimittanut [Edited by] Jussi Brofeldt
Helsinki: Teos, 2010. 103 p., ill.
ISBN 978-951-851-364-6
€ 29, hardback
The composer Jean Sibelius (1865–1957) disliked being photographed. This book contains 50 stills selected from the documentary film Jean Sibelius at home, a compilation of cinematographic material in which the composer is seen at home in 1927 and 1945. Some of the shots were originally cut, and have not been previously published. The film was made by the brothers Heikki Aho and Björn Soldan, who were neighbours of Sibelius in their childhood – their father was the author Juhani Aho, a friend of the Sibelius family. Founded in the 1920s, the film company Aho & Soldan was influenced by the experimental spirit of the Bauhaus and became known for its commissioned work aimed at spreading the image of Finland abroad. The Sibelius film offers a rare peek into the composer’s home life at his villa of Ainola. In addition to the photographs, the trilingual book also contains seven articles on Sibelius and the film. Heikki Aho’s daughter, the pioneer photographer Claire Aho relates her own memories of the 1945 filming. Jussi Brofeldt, the book’s editor, is her son.
Translated by David McDuff
Sun and shade
3 August 2011 | Extracts, Non-fiction
Springtime: the new graduates celebrate the beginning of summer. Photos: ©Jussi Brofeldt
Documentary film-making and photography arrived in Finland in the 1920s with pioneers like Heikki Aho and Björn Soldan, who founded a film company in 1925 in Helsinki. They also took thousands of photographs of their city; in a selection taken in the turbulent 1930s, people go on about their lives, rain or shine
Photographs from Aho & Soldan: Kaupunkilaiselämää – Stadsliv – City life. Näkymiä 1930-luvun Helsinkiin (‘Views of Helsinki of the 1930s’, WSOY, 2011)
Photos: Aho & Soldan@Jussi Brofeldt. Texts, by Jörn Donner and Ilkka Kippola, are published in Finnish, Swedish and English.
The exhibition ‘City life‘ is open at Virka Gallery of the Helsinki City Hall from 1 June to 4 September.
Aho and Soldan were half-brothers, Heikki the eldest son of the writer Juhani Aho (1861–1921; an extract from one of his novels is available here) and the artist Venny Soldan-Brofeldt. (Juhani Aho changed his original Swedish surname, Brofeldt, to Aho in 1907), Björn Soldan was Aho’s son from an extramarital relationship. More…
Aamu Nyström: I.K. Inha – Valokuvaaja, kirjailija, kulttuurin löytöretkeilijä [I.K. Inha – Photographer, writer, cultural explorer]
3 August 2011 | Mini reviews, Reviews
I.K. Inha – Valokuvaaja, kirjailija, kulttuurin löytöretkeilijä
[I.K. Inha – Photographer, writer, cultural explorer]
Jyväskylä: Minerva, 2011. 271 p., ill.
ISBN 978-952-492-441-2
€ 31, hardback
I.K. Inha (1865–1930) was a photographer, a writer, a translator and a journalist. He is known particularly for his photographic journeys in Finland and Russian Karelia. Both the texts and the photographs in Inha’s landscape and nature works are of a high aesthetic standard. This book focuses on Inha’s lesser-known works and the various phases of his life. Inha’s travel diary documents the cycle journey he made as a student in 1886 to Germany and Switzerland. In 1897 Inha was appointed Finland’s first-ever foreign correspondent; from Athens he reported on events such as the Greco-Turkish War. In 1899 and 1901 Inha was posted to England, where he observed Queen Victoria’s funeral and the coronation of King Edward VII. Aamu Nyström, the niece of Inha’s brother, has had access to letters, photographs and written and oral recollections of family members.
Translated by Ruth Urbom
Ulla Jokisalo & Anna Kortelainen
Pins and needles
11 May 2011 | Essays, Non-fiction
In these pictures by Ulla Jokisalo and texts by Anna Kortelainen, truths and mysteries concerning play are entwined with pictures painted with threads and needles. Jokisalo’s exhibition, ‘Leikin varjo / Guises of play’, runs at the Museum of Photography, Helsinki, from 17 August to 25 September.
Words and images from the book Leikin varjo / Guises of play (Aboa Vetus & Ars Nova and Musta Taide, 2011)
‘Ring dance’ by Ulla Jokisalo (pigment print and pins, 2009)
Gustaf Mannerheim: Dagbok förd under min resa i Centralasien och Kina 1906–07–08 [Journal of my travels in Central Asia and China 1906–07–08]
11 February 2011 | Mini reviews, Reviews
Dagbok förd under min resa i Centralasien och Kina 1906–07–08, Vol 1–3
[Journal of my travels in Central Asia and China 1906–07–08, Vol. 1–3]
Redaktör [Edited by]: Harry Halén
Bildredaktör [Photo editor]: Peter Sandberg
Helsingfors: Svenska litteratursällskapet i Finland, 2010. 1,128 p., ill.
ISBN 978-951-583-196-5 (complete set)
€ 80, hardback
Carl Gustaf Mannerheim (1867–1951), a Finnish officer in the Imperial Russian Army, later Commander-in-Chief of the Finnish Army and President of Finland, undertook a military reconnaissance mission, posing as an academic researcher, to Central Asia and China in 1906–1908. His journey on horseback across Asia to Peking also generated a wealth of ethnographic material: field notes, photographs and artefacts. In his travel diaries, Mannerheim describes the landscapes as well as his diverse encounters with the inhabitants of the areas he travelled through. During his visit to a Tibetan monastery, Mannerheim was pelted with stones by pilgrims. He gave the Dalai Lama an automatic pistol as a gift. These journals are now being published in full for the first time in their original language, Swedish, including Mannerheim’s own notes concerning his military mission. The photographs, some of which have never been published before, show that Mannerheim was a skilled photographer. Harry Halén, an expert in Central Asian languages and cultures, has contributed an extensive preface and copious notes.
Translated by Ruth Urbom
Life through the lens
22 December 2010 | Extracts, Non-fiction
Let’s go on a little pictorial journey in time with the photographer Erik Hägglund, whose camera went on clicking for 50 years: gentlefolk, peasants, children, old people and village views, beginning almost a hundred years ago in rural western Finland
Ladies in hats: in the 1920s Vörå hats were only used by gentlewomen (and smoking was perhaps a little risqué). Photo: Erik Häggblom
Blickfång. En tidsresa med Vöråfotografen Erik Hägglund (‘In focus. A journey in time with the photographer Erik Hägglund from Vörå’. Red. [Ed. by] Katja Hellman, Meta Sahlström & Monica West. Helsingfors: Svenska litteratursällskapet i Finland, 2010
Old photographs may prove that what is utterly local can be perfectly universal.
That’s certainly the impression the reader gets by looking at the pictures taken by Eric Hägglund between 1910 and 1960.
The village of Vörå (in Finnish, Vöyri) on the west coast of Finland, near the Ostrobothnian city of Vasa (in Finnish, Vaasa) is traditionally mostly a Swedish-speaking community. Erik Hägglund, born 1884, lived, photographed and died there in 1962. More…
On the job
10 December 2010 | Extracts, Non-fiction
‘I like my pictures to be realistic and truthful, not that I can satisfactorily define what realism is. The real people in my pictures are in their real surroundings, even though they are posing for me. I see this as a series of encounters. The subjects present their “working role” for me, which I record‚’ says photographer Eija Irene Hiltunen. In these extracts she introduces her project and samples of her photography present people at work in contemporary Finland
Extracts from Työn tekijät. Muotokuvia suomalaisesta työstä. / Doing the job. Portraits of Finnish working life by Eija Irene Hiltunen. Texts: Pasi Alametsä. Translations: Joseph White. Layout: Petri Kuokka & Eija Irene Hiltunen (Avain, 2009)
A waitress. Photo: Eija Irene Hiltunen, 2001
One of the most important aims of my portraits has been to record an image of the times. I chose work as the common denominator because it relates to the social structure on so many levels.
The ‘visual inventory’ of Weimar Germany by the classic photographer August Sander has been the major inspiration for my work. He made a huge impression on me during my student days. He told of the upheavals of his own time through his portraits, as the old class society broke down, and of the time before the Second World War and the birth of modern Germany. Sander beautifully depicted history through the individual, and his portraits have remained as testaments to life during that era. More…
Petri Keto-Tokoi & Timo Kuuluvainen: Suomalainen aarniometsä [The Finnish virgin forest]
12 November 2010 | Mini reviews, Reviews
Suomalainen aarniometsä
[The Finnish virgin forest]
Helsinki: Maahenki, 2010. 302 p., ill.
ISBN 978-952-5870-06-0
€ 48, hardback
This book explains the cultural significance of forests – particularly virgin forests – to Finns. That term is used to refer to old-growth forests in their natural state, characterised by trees of different ages, an abundance of decaying tree remains, and continuous incremental changes. Nowadays around four per cent of Finnish forests are in a natural or near-natural state, and light is being shed on their ecosystems and the history of the slowly vanishing virgin forests. They are associated with deep-seated values and a multiplicity of roles throughout history. To many artists forests have been a significant elemental force, worthy even of worship; peasants and the timber industry have exploited the virgin forests. The authors also consider whether answers to key environmental issues will be found in old-growth forests: safeguarding natural diversity and slowing climate change. In addition to illustrative material from the authors, the book contains photographs by award-winning photographers Ritva Kovalainen and Sanni Seppo.
Icy prospects
8 October 2010 | This 'n' that
Jorma Puranen: Juovlajohka, Norway, 1997
Photographer Jorma Puranen (born 1951) has long been concerned with nature and the representation of northern landscapes, particularly Lapland, as well as light and its reflection.
One of his most famous projects is Imaginary Homecoming. In the 1990s, on a visit in the Musée de l’Homme in Paris, he found some old archive boxes full of glass negatives. They were ethnographical images of the Sámi, taken by G. Roche, employed by the French Count Bonaparte on an expedition to Lapland in 1884.
Puranen took them back to the wildernesses of Lapland and photographed them once more in their native surroundings, where they became a photographic installation in the tundra. He published them in his book Kuvitteellinen kotiinpaluu / Imaginary Homecoming (Pohjoinen, 1999).
Puranen’s 2006 series Icy Prospects explores landscape: the large pictures are made by painting wood with black gloss paint, reflecting the landscape on the wood and photographing the reflection.
Snow, ice, water, sky and trees are portrayed the way that brings Impressionism to mind, as Liz Wells writes in her introduction in the book entitled Icy Prospects, published by Hatje Cantz (Germany, 2009).
Jorma Puranen: Icy Prospects (series, 2006)
A new exhibition of Jorma Puranen’s work from 1992 to 2010, at EMMA, the Espoo Museum of Modern Art, opened on 29 September; it runs until 9 January 2011. Partly retrospective, it features Puranen’s techniques of chromogenic colour and black and white photography, showcasing his highly original style.
Dog days
30 September 2010 | This 'n' that
Russian dogs by Pentti Sammallahti (Solovki, White Sea, 1992)
How does he do it? The dogs pose in Pentti Sammallahti’s photographs like professional models who know how to keep still.
Sammallahti admits sausages and sardines sometimes help communication.
In 1998, in the old, printed version of Books from Finland, we published a selection of Sammallahti’s photographs, together with some written impressions by the British photographer and essayist John Berger. According to him, people who first see the selection of Sammallahti photographs he has, ‘usually gasp at first, and then peer closer, smiling,’ as they seem to remember something they knew as children, but which they have forgotten how to see – from the times ‘we talked to the dogs, listened to their secret and kept it to ourselves.’
A Helsinki dog by Pentti Sammallahti (1882)
Sammallahti (born 1950) is one of the pioneers of the Finnish photographic art and fine art printing, which he has also taught at the University of Industrial Arts and Design in Helsinki.
Specialising in black-and-white photography of people and their environment, Sammallahti has travelled extensively throughout Russia and Siberia, France and Finland.
This autumn his work is featured in a retrospective exhibition at the Finnish Museum of Photography in Helsinki; you can see a selection of his photos here.
Bright lights, small city
26 August 2010 | Articles, Non-fiction
Helsinki people on the big wheel: Linnanmäki amusement park, 1968
Helsinki people on the big wheel: Linnanmäki amusement park, 1968
Photographs and excerpts from Helsinki 1968 by Claire Aho and Kjell Westö (text in Finnish, Swedish and English; WSOY, 2010)
A year that rocked the world: 1968. The Vietnam War, the Chinese cultural revolution, the invasion of Czechoslovakia, hunger in Biafra. Helsinki that year: a quiet little city, in a quiet little country. But Finland’s baby-boomers, born after the war, were now coming of age, resulting in the beginnings of a change of generation in politics; and the students of Helsinki University joined the global student unrest of this ‘crazy year’. Photographer Claire Aho takes a series of photographs of her home town, participating in an exhibition in Kiel, Germany. Forty-two years later her photos are published in Helsinki 1968, together with reflections by Kjell Westö, whose novels are deeply rooted in his native city. Here are words and images of Helsinki that mirror the past – and the present
Both the city and its people carry their past with them, find it hard to let go, and don’t really want to. Many of us are reluctant to embrace the new. Hence there is often something ambivalent, something enigmatic in the frozen moment of the photograph…. More…