Recent articles by Teemu Manninen
Teemu Manninen
Out of my hands
10 November 2011 | Articles, Non-fiction

Who's been eating my porridge? From ‘English Fairy Tales’ by Flora Annie Steel (1918), illustrated by Arthur Rackham. The Project Gutenberg e-Book
In the classic fairy-tale, on finding their belongings were not as they had left them, the three bears exclaimed: ‘Who’s been eating my porridge?’ When our technology correspondent Teemu Manninen found someone else’s underlinings in the electronic text he was reading, he wondered: ‘Who’s been tampering with my ebook?’ Which led him to ponder how similar books and their virtual counterparts really are – and could his ebook really be called ‘his’?
A few months ago I was reading an ebook on my iPad when I came across an underlined passage. For a moment I felt strangely disturbed. My initial thought was that I had not made the underlining, and therefore this had to be a glitch, an error in the computer program that was the book, which meant that there was something wrong with my book. What made this thought disturbing was the realisation that the kinds of harm that can befall digital books – and the measures that one can take to prevent them – are no longer ‘in my hands’: that the book is no longer physical, but virtual. More…
Teemu Manninen
Head in a cloud
27 May 2011 | Articles, Non-fiction
Thinking, reading, writing, buying… Teemu Manninen explores the new freedoms, literal and poetic, offered by cloud computing, where what you can do is no longer limited by what you happen to have on your computer

High in the sky: cumulus clouds. Photo: Michael Jastremski, Wikimedia
I’m sitting in a rocking chair on the porch of a cottage by a lake. My fingers tap and slide on the surface of a black glass panel, a kind of instrument used in the composing of literature. Each tap equals a letter, a series of taps equals a word, a symphony of taps becomes a paragraph, a paragraph an essay.
The glass panel remembers these letters and words and the writings they become, and knows them by their names, but it could also record anything I see or hear. I could even talk to it and it would understand my commands, as if some nether spirit were captured inside, a magic genie slaved to do my bidding. More…
Teemu Manninen
The pirate’s friend
11 March 2011 | Articles, Non-fiction
Intellectual property was hot stuff half a millennium ago, and not much has changed: Teemu Manninen takes a look at piracy and mercenaries in the age of electronic books

Sir Fulke Greville, 1st Baron Brooke (1554–1628) by Edmund Lodge. Photo: Wikimedia
In November 1586 Fulke Greville (later 1st Baron Brooke) sent Queen Elizabeth’s spymaster Sir Francis Walsingham a letter complaining about some ‘mercenary printers’‘ plans to print the romance novel Arcadia written by his friend (and Walsingham’s son-in-law) Sir Philip Sidney, who had died that very same year. This ‘mercenary book’ needed to be ‘stayed’, i.e. censored by the authorities, so that Sidney’s friends and relatives might take control, and also because publishing his works without consulting Greville or someone close to Sidney might damage his reputation or even his ‘religious honors’.
I rehearse this ancient tale because of its exemplary value for us today. From our point of view there seems nothing extraordinary about Greville’s actions: he is seeking to defend his friend’s literary estate from ‘mercenaries’ who steal intellectual property (IP): pirates. More…
Teemu Manninen
One-night stand: an interview with publisher Leevi Lehto
17 September 2010 | Interviews

Leevi Lehto. Photo: Lotta Djupsund/Savukeidas
Founded by poet Leevi Lehto, ntamo is seen by many as the black sheep and enfant terrible of the world of Finnish publishing.
From its inception, ntamo (shortened from the word kustantamo, publishing company) has striven to subvert the familiar conservative models of publishing that audiences are used to.
Ntamo publishes books for small circulation, such as poetry and experimental prose. Its catalogue includes works both by celebrated writers, such as Kari Aronpuro, and by a whole host of authors making their literary debuts.
Lehto’s objective has been to publish as many books as possible, using a system of print on demand, and to have as little to do with the books’ content as possible. What’s more, ntamo’s publications are not marketed at all. Readers can find information on new publications by following the publisher’s blog [in Finnish only]. I met up with Lehto a while ago and we discussed ntamo’s current situation, new trends in the publishing world and the future of books and literature in general. More…
Teemu Manninen
On reading, books and horses
4 June 2010 | Articles, Non-fiction
I have a friend who is an avid reader and who also talks about the books he reads. But being a staunch conservative when it comes to reading habits, I just cannot consider him a true friend of literature. The reason: he only reads non-fiction books. To me, ‘being a reader’ means reading fiction and poetry.
But increasingly it seems that real literature is becoming more and more marginal, whereas non-fiction (self-help, history, travel guides, popular science, popular economics, cookbooks) is what sells and keeps the industry afloat. The recent Finnish ‘essay-boom’ is an example of this development, with young writers like Antti Nylén or Timo Hännikäinen gaining recognition as important contemporary authors solely through their work as essayists; Hännikäinen has also written poetry, but Nylén is strictly a non-fiction writer. More…
Teemu Manninen
Second nature
15 February 2010 | Articles, Non-fiction
We hear a lot about how the internet is going to transform the reading and the marketing of books. But what about the act of writing? Teemu Manninen reports from the frontline of a new generation of authors for whom life has always been digital
When we think of the future of publishing in these times of electronic reading devices, audiobooks, and the internet, when it seems as if the whole material being of literature is about to be transformed, we may ask how the marketing of books will change.
What happens when publishing goes online? How will authors cope with the new culture of the internet? More…
Teemu Manninen
What’s so great about paper?
17 September 2009 | Articles, Non-fiction

High-tech: the ultimate gadgets of the 15th century, parchment and pen. A portrait of Jean Miélot, the Burgundian author and scribe, by Jan Tavernier (ca. 1456)
The day will soon come when commuters sit on a bus or train with their noses buried in electronic reading devices instead of books or newspapers. Teemu Manninen takes a look at the digital future
Most people interested in books are aware of the arrival of electronic reading devices such as the Amazon Kindle, a kind of iPod — the immensely popular portable music listening device made by the company Apple — for electronic books. For a literary geek like me, the Kindle and e-readers should be the ultimate gadget: a whole library in a small, paperback-sized device. However, I’ve been wondering why digital reading hasn’t become as popular as digital listening. I myself have not invested in an e-reader, although I ought to be exactly the desired kind of customer. After all, I read all the time. Even the mp3 player I have is mostly used for listening to audio books. More…
Teemu Manninen
Re-inventing the book: on the papernet, pod and the unbook
20 May 2009 | Articles, Non-fiction

Mind-map: using the papernet to produce books just for you. - Photo: Brian Suda
Just as Books from Finland finally goes online, the brightest minds of the internet are forecasting a return to paper. In the first of a series of articles, the poet and scholar Teemu Manninen celebrates the second coming of the book
Last week I did something I’ve never done before. I uploaded the manuscript of my third book on to the website Books on Demand, an internet print-on-demand (‘pod’) service, chose the format (a large 19×22 cm size with a hard cover), selected a picture for my cover, copy-pasted a poem by Clark Ashton Smith – an American science fiction and fantasy writer – on the back flap and ordered a copy. More…

