Archives online
The lake
Issue 2/1988 | Archives online, Fiction, Prose
Järvi (‘The lake’), a short story, 1915. Introductions by Kai Laitinen and Pekka Tarkka
I travel the world, not out of any desire for adventure, but because that is the way things have happened. The best of my wanderings are in obscure, tucked-away regions, where life is humdrum and pitched in a low key. There I have no need to stave off nostalgia for the past by leading a hectic life: my days go by in stolid succession from season to season, I am an ordinary unimportant individual among all the rest. For long stretches of time my life does not strike me as being either dull or bright; I derive a certain satisfaction from its very emptiness. It is as though I were, by degrees and to the best of my ability, paying off a kind of debt. More…
Caravans of winds
Issue 2/1988 | Archives online, Fiction, poetry
Poems from three collections. Introduction by Kaija Valkonen
The river of death froze
It froze, the river of death, froze too the boat of death in the nights of the Winter War, in the Winter War's nights. The men shed blood, shed blood , and it froze, the river of death. In the nights of the Winter War, it froze, the river of death.
Day of mourning
For one day I’ve the right to mourn,
for one day I’ll shut the windows of the sky,
I’ll dismiss the blue,
I’ll raise a black sun to mark my mourning.
For one day I’ll wilt the flowers,
for one day I’ll silence the birds. More…
A respectable tragedy
Issue 2/1988 | Archives online, Fiction, Prose
An extract from the novel Säädyllinen murhenäytelmä (‘A respectable tragedy’, 1941). Introduction by Kaija Valkonen. The central theme of the novel is love: young, old, passionate, innocent, proper, improper. The main characters are a middle-aged couple, the doctor and his wife Elisabet, his sister Naimi and the love of her youth, Artur. Hämäläinen’s fine irony, careful and thoughtful psychology and colourful language have made the novel a bestseller. Naimi, an aesthete and an uncompromising character, has left her husband Artur twenty years ago because of his infidelity. But slowly she begins to forgive: this tragic but compassionately told love story, not without tragicomedy and humour, ends in reconciliation
Embalmed passion
In that new Helsinki of the ‘thirties, which had opened like a garden flower, gaily coloured, sunlit, practical and impractical, in love with every novelty of the moment, which it thought astonishing, lived Naimi Saarinen, back from her exile, where she had been driven by wounded passion twenty years before. More…
Higher goals
Issue 4/1987 | Archives online, Fiction, Prose
An extract from the novel Tammerkosken sillalla (‘On Tammerkoski bridge’, 1982). Introduction by Panu Rajala
I had thought there were a lot of books in the libraries in Oulu. But both those libraries were totally overshadowed when, having climbed up to the top of the Messukylä Workers’ House, I began to cast my eyes along the bookshelves in the attic. A tallish and refined-looking librarian responded when I exclaimed aloud.
‘Just under seven thousand volumes altogether. Some of them are out on loan. We’d like to have a lot more books, but getting the money to buy them is like getting water from a stone.’
‘But you’ve already got an incredible amount compared to what we have in the rural library at home… In Taivalkoski during the war all we had was two cupboardsful.’
‘You didn’t have a lot of choice there,’ agreed the librarian. More…
In my memory
Issue 4/1987 | Archives online, Fiction, poetry
Poems and aphorisms from four collections. Introduction by Erkka Lehtola
Let the healing epidemics out! There must be some.
The many-headed monster, the market ideology, it can simultaneously read, count and even write at least 666 works. And without the sign of the beast no one can buy or sell.
Those who can read know you only realise you’ve forgotten how
when you can do it again.
What a handsome winter we have here! If it weren’t so dark, we’d see it. We could orientate ourselves on the stars with the beam from a pocket torch. Somewhere in mid-sky, I’d say, they come flying along on long lights.
As a child I said I’ll do what I want. Now I want what I do.
Who’s in the middle when the two sides of your face are side by side, as they are, in the mirror.
The trees that hide the sun are bright inside.
A frosty night when you feel the stars on your skin and discuss what you’re wearing.
Somebody’s walking over there, with an umbrella over his head, taking the rain for a walk.
I’m so delighted to find so much that’s useless.
What a relief there’s no longer enough time to get acquainted.
From Tuoreessa muistissa kevät (‘Springtime fresh in the memory’), 1987 More…
Mickeys
Issue 4/1987 | Archives online, Fiction, Prose
Maskuja (‘Mickeys’, WSOY, 1987). Introduction by Erkka Lehtola
When I was on a trip with my friend and there was a wide enough bed in the southern night for the two of us to sleep easily side by side, it was a big shock when, even so, I sprang up suddenly at midnight, and my friend did too, and there was a thud as our heads banged together and we saw stars, and in the morning no one could understand why we were so stupefied.
Micky ran to the barber’s. ‘Are you free? Could you do something with my hair?’ He took his cap off. ‘Look, all the hairs are loose at the other end.’
Once, out of sheer absent-mindedness, he was officiously helping someone onto a tram from behind; he grabbed their bottom, got a furious look, and spluttered,’ Sorry, but I thought it was your bag.’ More…
The tower
Issue 4/1987 | Archives online, Fiction, Prose
A short story from the collection Torni (‘The tower’, 1987). Introduction by Erkka Lehtola
The dog came through the door first, a big, long-haired brute. He hadn’t said anything about it on the phone, but from the look on his face you could tell it was his and that he meant to take it with him into the forest.
He shuffled across the yard with his rubber boots on and a rucksack on his back. In one hand he held a camera tripod.
I rolled down the window.
‘Wait a minute,’ he said.
He walked behind the cars standing in the parking lot, over to his own car and opened the trunk. The dog twisted around his legs whining softly. He took something out and slammed the trunk shut. More…
Short and sharp
Issue 4/1987 | Archives online, Authors
Juha Seppälä. Photo: WSOY
The latest development in Finnish literature has taken a couple of decades to emerge. Instead of the long, epic prose that was so popular for so long, we now have short fiction that often takes the form of the short story. Descriptions of country surroundings and vanished ways of life have been supplanted by prose that pulsates to the rhythm of the city.
At the same time the image of the writer has changed. Today’s young Finnish author is not an amateur or someone who is forced to make his living by other means; he is often a highly educated professional writer with a grasp of many new and diverse fields of knowledge.
Juha Seppälä (born 1956) is a good example of this changed author type. He is a graduate of Turku University in Finnish literature and cultural history. He has never worked in, for example, a school or, indeed, had any other steady job. His job is writing, and he works to a strict regime, for there is much to be done: Seppälä has written many radio plays, television scripts and two collections of short stories which have had a very positive critical reception. He also writes literary criticism for a number of newspapers, including a weekly column for Aamulehti, one of Finland’s biggest daily papers. More…
Paris 2
Issue 3/1987 | Archives online, Fiction, Prose
An extract from the novel Paholaispoika (‘The devil boy’, 1987). Introduction by Austin Flint
You must sit down, sayes Love, and taste my meat:
So I did sit and eat.
(George Herbert)
The city was the sum of the whole century, the capital of the eighteen hundreds, of no particular country. Like millions of others, I passed time reading the newspapers and keeping up with what was happening in Europe. Acorns would get crushed. There were many omens of how everything would turn out.
There were still a few remnants of the World’s Fair over by the Palais Royal. Not very many. The latest and most shocking incident was that the Lipschitz sculpture, ‘Prometheus Strangling the Vulture’, had been chopped to bits. Then it was put into storage, in some secret place. Crumbling rough grey stone that gave no idea of its shape. Rumour had it that the statue had offended official policy, and all sorts of things were certainly in the air. There was no longer any sign of the sculpture near the Palais Royal. More…
Encounters with the real
Issue 3/1987 | Archives online, Authors
Kirsti Simonsuuri. Photo: Pertti Nisonen / Tammi
When one mentions Kirsti Simonsuuri to literary people in Finland, one is likely to get the response, ‘Ah, yes, very interesting, of course, but you know she’s not really a Finnish writer. Her themes are more international, more intellectual, more European.’
Looking at her career, one can see why she has acquired such a reputation. While she took her MA degree in English and Classical Studies from the University of Helsinki in 1971, since then she has spent most of her productive literary years outside Finland, studying for the PhD which she received from the University of Cambridge, England in 1977 and doing additional research in Paris, London, Strasbourg, and Bonn. More recently, in addition to teaching at the Universities of Oulu and Turku in Finland, she has held positions as Visiting Scholar at Harvard University, at the University of California, Los Angeles, and at Columbia University in New York, where she has taught a course on Finnish literature in the European context. More…