Archives online
The pursuit of happiness
Issue 2/1996 | Archives online, Fiction, Prose
Extracts from the novella Ilo (‘Joy’, Helsinki Media, 1995)
‘The flower is a characteristic feature of the highest group of the plant kingdom – the flowering plants – and is the name given to the association or organs, more or less leaf-like in form, which are concerned with the production of the fruit or seed.’
Encyclopaedia Britannica, 1910
The encyclopedia made us happy. But what was happiness? That the encyclopedia did not say. You had to set out to look for it. Our exploratory party represented the highest achievements of the field: it would be difficult to find a more serious or committed group.
When we waved to the people cheering on the quay, we were overcome by a strange feeling. It was as if we had already arrived. I made the mistake of speaking my thought aloud.
‘It will all end in tears,’ remarked our welfare officer, Mrs Rose. The atmosphere was ruined. What a pity that our quick-witted Doctor Stratelli was not present at that moment! For it was he who solved the problem of happiness.
Around zero o’clock
Issue 2/1996 | Archives online, Fiction, poetry
Poems from the collection Musta oli valkoinen (‘Black was white’, WSOY, 1995). Introduction by Jukka Koskelainen
When?
When I learned to pay attention to unlikely reptiles to surprising glacier waters to nightgowned rejections to wall-mounted assault rifles to traveling angels to lips shaped like promises to mussels swimming in dreams to crashes, rules and funerals to shady, secret sacristies to the indecisiveness of dancing shoes to the immeasurable indifference of looks like bullets to spring, myself and seductions slow as clouds all of these between the words, was that when the difficulties began?
About the third
To stop waiting, the second step.
To be born of woman. The first.
The price of the word and the moon are determined with the same weightless scales.
The third we don’t know about, don’t ask.
On the ear’s walk
The landscape's deepest melody flowed on over the banks of the resounding Middle Ages.
Do you hear, do you hear it
the way a snail hears,
that snail there who teaches
learns from the earth’s replies, learning
the snail hears and gets there,
gets there for sure
even the slow one gets there,
even the slower one will
then get there, it will
surely get there, into the pot.
Herbal wisdom
New churches, old harmonized organs and repetitions like a prayer or a psalm for seven voices. Against scant blue a hundred people believe in pilots and safety belts. The wind just a little too strong.
But my heart it was, that loaded institution through four expectations it came here. Exactly here where you, with both hands, almost inaudibly intended to break the fragrant life of a sprig of thyme.
That soundless break, the speech of dust, said all I understood.
Around zero o’clock
Just be the shape of an angel, be, be be, be a screeching hatful of sleepless night it dresses even the seagulls in diver's suits, be be lazy intellect and come to bed be manager of nightmare and conqueror of desire
to say
Be the disease of saying Be the lifelong remedy which whether you take it or not certainly kills
Be the one who no longer is a dab of the freedom of the void, a flight of three strides out of thought's night be
Because I’m jading
Translated by Anselm Hollo
The way to heaven
Issue 2/1996 | Archives online, Fiction
Extracts from the novel Pyhiesi yhteyteen (‘Numbered among your saints’, WSOY, 1995). Interview with Jari Tervo by Jari Tervo
The wind sighs. The sound comes about when a cloud drives through a tree. I hear birds, as a young girl I could identify the species from the song; now I can no longer see them properly, and hear only distant song. Whether sparrow, titmouse or lark. Exact names, too, tend to disappear. Sometimes, in the old people’s home, I find myself staring at my food, what it is served on, and can’t get the name into my head. The sun came to my grandson’s funeral. It rose from the grave into which my little Marzipan will be lowered. I don’t remember what the weather did when my husband was buried.
A plate. Food is served on a plate. There are deep plates and shallow plates; soups are ladled into the deep ones. More…
Correspondence
Issue 1/1996 | Archives online, Fiction, Prose
A short story from Resa med lätt bagage (‘Travelling light’, Schildts, 1984)
Dear Jansson san
I am a Japanese girl.
I am thirteen years and two months old.
I will be fourteen on the eighth of March.
I have a mother and two little sisters.
I have read everything that you have written.
When I have read it I read it again.
Then I think about snow and being allowed to be by myself.
Tokyo is a very big city.
I am learning English and I am a very diligent student.
I love you.
I dream of one day being as old as you and as wise.
I have a lot of dreams.
There is a Japanese poem called haiku.
I will send you a haiku.
It is about cherry-blossoms.
Do you live in a big forest?
Forgive me for writing to you.
I wish you health and long life.
Tamiko Atsumi More…
Plain sailing
Issue 1/1996 | Archives online, Fiction, Prose
An extract from Alastalon salissa (‘In Alastalo’s parlour’, 1933). Introduction by Kai Laitinen
A letter from the translator:
Dear Editors,
Reluctantly (I really have tried) I have been driven to conclude that Alastalon salissa is untranslatable, except perhaps by a fanatical Volter Kilpi enthusiast who is prepared to devote a lifetime to it. To mention only one of the difficulties, there is no English equivalent to the style of the Finnish ‘proverbs’ (real or imaginary) with which the main character Alastalo’s thoughts are so thickly larded. Add to this the richness and, yes, eccentricity, of Kilpi’s vocabulary, and the unfamiliarity of much of the subject-matter, centred as it is on the interests of a sea going community that hardly exists any longer, even on the islands, and you have a text that is full of pitfalls for the translator. As for the humour, I’m sorry to say that it depends so much on the idiom and presentation that it doesn’t come over at all. If I did any more, I’m afraid it would just have to be a laborious paraphrase, and I don’t think I’m capable of making it effective, or even readable, in English.
Apart from that, although I’m very grateful for your explanations of the many unfamiliar words and phrases, I’m very unwilling to commit myself to the translation of any of them on the basis of a mere ‘gloss’ (technical word): I need to know the associations, and possible sound-echoes, of every one of them before I can be sure of getting it right. And getting it right affects the rhythm of every sentence: it’s not just a matter of filling in blanks with ‘equivalents’ provided by someone else.
I’ve no objection to your using my version of the opening pages. If you decide to follow it with some kind of comment, do borrow, if you need to, from my remarks above, giving the translator’s point of view. Sorry to have failed you so badly.
Yours, David Barrett More…
Dreams so strong
Issue 1/1996 | Archives online, Fiction, poetry
Poems from Regnets uråldriga sätt att regna (‘The rain’s primordial way of raining’, Schildts, 1993)
the necessity of low tide
the necessity of still, mud-grey days
where the bird’s egg and your memory hide in the sand of the shy
the weak light
made of molten wind
and our faces deep inside the shadow.
we sleep: we dream a dream of sprouting shoots,
of the red heads of the newborn children
that palpitate beneath the ice –
The bully
Issue 1/1996 | Archives online, Fiction, Prose
A short story from Tulen jano (‘Thirst for fire’, Gummerus, 1995); power relations between doctor and patient in a situation where the past will not leave either alone
Nurmikallio, an apparently ordinary middle-aged man, came back again and again, and it seemed as if there would be no end to his story.
I listened to him patiently at first. Repeatedly he returned to the same subject. The form and emphases of the story changed, new memories emerged, but the gist was the same: he had failed in his life and believed that the root cause of his failure was a particular person, a childhood class-mate, a bully.
On the basis of his first visit I wrote a short character-sketch:
Intellectually average. Talkative, but by his own account solitary. Difficulties in human relationships, separated, no children. Electrician by profession, says he likes his work. Biggest problem obsessive attachment to childhood traumas.
And that’s all, I thought. But he was not to be so easily dismissed.
Original Inhabitant
Issue 4/1995 | Archives online, Fiction, poetry
Poems from Kuka puhuu (‘Who’s speaking’, Otava, 1994). Introduction by Tero Liukkonen
They lie in the flurrying snow, languid as a naked woman taking a shower,
the mountains, their luscious thighs ajar; under snow-white skin,
confident rib-tongues curve down to the gully
where a lone skier slides and struggles in unbroken snow
A dense stand of spruce grows from her thighs, moonlight
shimmers on her flank, her hair is green
A hundred miles long, face hidden under the covers, out of the smoke
droplets emerge
slow is her breath in the wind, waiting for spring, under the snow
No one can conquer that vision, move it, bury it,
stitch it shut
she has come without being invited, living rooms grow inside her,
mice rub their whiskers in her hiding places,
obedient, the sun sets behind her, opens the dark door More…
In the Metro
Issue 4/1995 | Archives online, Fiction, Prose
Extract from the collection of short stories Tidig tvekan (‘Early doubt’, 1938). Introduction by David McDuff
– Mademoiselle! You’re late this evening. Was there overtime again? I’ve put a newspaper aside for you. I saw you were in such a hurry in the morning that you didn’t have time to take it. The fashion page is in today, so I thought you’d like to see it. There’s nothing to thank me for, nothing at all. You see, I seem to have got a bit of a secret liking for you. One gradually learns to pick out all the people who come this way in the morning and go back again at night. And you, you see, I noticed you right from the very first day. You looked so frightened, and then you always smiled at me in such a friendly way. I got the idea that you were someone who wasn’t at home here and who was possibly using the underground in the morning rush hour for the first time. More…