This ‘n’ that
Coming up…
23 June 2011 | This 'n' that
Juhani Aho. Photo: SKS/Literary archives
After having read Juhani Aho’s sensual novella Yksin (‘Alone’, 1890), set in Paris, composer Jean Sibelius threatened to challenge its author to a duel.
The yearned-for loved one in the novella resembled Sibelius’s fiancée Aino Järnefelt, for whom author and journalist Aho had nursed an unrequited passion. (No duel ensued after all.)
This year marks the 150th year since Aho’s birth. An early modernist, Aho (1861–1921) was a versatile writer whose narrative skills have made him a classic. We shall feature extracts from Yksin – in Herbert Lomas’s translation, first published in Books from Finland in 2006 – along with a reappraisal of Aho’s work in the early years of the 20th century by Professor Jyrki Nummi.
What do YOU think?
8 April 2011 | This 'n' that
Illustration: Joonas Väänänen
Dear Reader:
we would love to know what you think about Books from Finland and what it means to you.
You can of course always send us suggestions and comments – interactivity is one of the great bonuses of being online – but we’d like to ask you some specific questions so that we can build up a picture of who reads our website, as well as your likes and dislikes.
We’ll start now, posting a question each month – see the sidebar on our main page. Please participate!
The Editors
National treasures
7 April 2011 | This 'n' that
The name of the game: ice hockey. Photo: Jaakko Oksa
In Japan, artists or craftsmen of the highest quality may be honoured with the title ‘Living National Treasure’. In Finland, it seems only ice hockey players are eligible for that title, if you ask the man on the street, as ice hockey seems to be Finland’s ‘national’ sport.
(For example another ice team sport, synchronised skating, doesn’t compete in the same national treasure series, despite the fact that the Finnish team won the gold – again – in the World Championships in April. [Finland has won gold six times, Sweden five.] No national flag-waving resulted. But of course they are just women, who don’t win sports wars against other nations.)
On Sunday, 15 May, a dream came true at last, as Finland won the gold medal at the Ice Hockey World Tournament. And what’s more, it was Sweden – neighbour and old colonial overlord – they beat (6–1).
As the victorious team, escorted by a Hornet fighter from the Finnish air force, returned from Bratislava to Helsinki on Monday night, some 100,000 people crowded the capital’s Market Square to celebrate. The team and a selection of pop musicians climbed up on a stage to start the party – and President Tarja Halonen also popped in, from her presidential palace by the Square, to congratulate.
When’s the last time when 100,000 Finns gathered anywhere? Perhaps in 1995, when Finland first won the same title? See the series of photographs on the Internet pages of the Swedish paper Aftonbladet, particularly a shot of Helsinki harbour taken with a fish-eye lens.
All together now! Photo: Jaakko Oksa
Sweden has been a much more successful hockey country than Finland, but it’s clearly tough to be a good loser. As the rivalry – in sports in particular – between Sweden and Finland is traditionally a larger-than-life issue, the Swedish newspapers and their readers displayed a highly amusing spectrum of opinions. ‘Kul att dom får fira något. Dom bor ju trots allt i Finland’ (‘Great that they have something to celebrate. After all, they live in Finland’), said one reader sourly.
And celebrate they did. One of the coaches stumbled and fell on his face on the red carpet on landing in Helsinki, and before you could say oops, he ended up on the YouTube accompanied by extracts from the final match television coverage by the celebrity sports commentator Antero Mertaranta.
Sportsmen and -women are supposed to be positive role models for young people, but as some of the team members clearly seemed to enjoy something stronger than sports drinks on the Market Square, they have been reproached for this behaviour by many people – spoilsports?
The coach of the Finnish national team, Jukka Jalonen, said in an interview that he could not condemn the use of alcohol in celebrating a ‘rare achievement’ like this, as ‘children and young people surely understand that adults may sometimes get drunk. Many of them have seen their parents sloshed.’
Well, if we assume it’s OK to be drunk in front of your children, it is no wonder that younger and younger children start drinking – which, however, is not considered OK, not by anyone. Can someone explain this?
Self-made life
2 April 2011 | This 'n' that
Art & nature: one of Veijo Rönkkönen's sculptures. Photo: Soila Lehtonen
You may perhaps remember an article entitled Self-made man, published on these pages in 2009: the sculptor Veijo Rönkkönen lived on a small, isolated farm in Parikkala, eastern Finland, where he spent his spare time building a garden of five hundred figures of concrete.
He lived in a cottage in the middle of his garden. Rönkkönen died a year ago, at the age of 66, and the future of his park, open and free to all, was unsolved for a while, as the Parikkala authorities were not willing to foot the bill for the upkeep the place – despite the fact that more than 25,000 people visit the park each year.
Now, the problem of the upkeep of the statue park, a ‘total work of art’, has been solved, as a businessman has bought the garden from Rönkkönen’s estate. and a number of institutions and individuals, among them friends of art and voluntary workers, have pledged keep the park open to visitors.
Yoga bare: Veijo Rönkkönen himself practised yoga. Photo: Soila Lehtonen
Photographer and writer Veli Granö introduced the life and works of this self-made artist in his book Veijo Rönkkösen todellinen elämä / The real life of Veijo Rönkkönen (Maahenki, 2007). Contemporary folk art goes by the acronym ITE, from the words itse tehty elämä, ‘self-made life’. The English-language term is ‘outsider art’.
The future of Rönkkönen’s cottage is undecided: it may become a park-keeper’s residence, or be used as an artist’s residence. Around it, the extraordinary legacy of this self-made artist – hundreds of statues, human and animal figures – will keep growing lichen and moss, ageing naturally.
From the land of abundant reindeer…
17 March 2011 | This 'n' that
Rangifer tarandus, Finnish Lapland. Photo: Grand-duc (http://en.wikipedia.org/wiki/User:Grand-Duc)
Is Finland, a land of reindeer, ‘dense pine forests and deep snows’ also a ‘quiet literary landscape’?
Not exactly, as we at Books from Finland hope we are demonstrating. And over on the Bookslut website, Bonnie B. Lee comes to the same conclusion, after having mused about the reindeer (yes: in Helsinki you find tasty chunks of them in the freezer boxes of any foodstore) and reading three Finnish novels in English translation.
The novels Lee reviews are Purge by Sofi Oksanen (Puhdistus, 2008, translated by Lola Rogers, published last year), When I forgot by Elina Hirvonen (Että hän muistaisi saman, 2005, translated by Douglas Robinson, published in 2009) and The Year of the Hare by Arto Paasilinna (Jäniksen vuosi, 1975, first published in an English translation by Herbert Lomas in 1995, reprinted as a Penguin edition last year).
We have just entered the Year of the Rabbit, in recognition of which Paasilinna’s book (about a man who rejects his old life and goes roaming the wildernesses with a hare as his only companion) has appeared on the tables of large bookstores in the US. ‘The Year of the Hare is only the most Finnish, and perhaps most antically Zen-ish, of a shelf-load of books that tell us to find and live by our own ideas of contentment,’ said The Wall Street Journal.
The traumatic experiences of war and Finland’s deep forests are the common feature of these novels, Bonnie B. Lee finds. She also opines that ‘melancholy pervades the Finnish psyche’, and that ‘Finland vies with Hungary for highest suicide rate in Europe‘. Oh, but this latter is no longer true: number one on a World Health Organisation suicide rates list is Lithuania, followed by Hungary, Slovenia, Estonia and Latvia – Finland is number six.
Lee is clearly intrigued by her travels in contemporary Finnish literature. ‘The search for identity, a reckoning with a troubled past, and an outsider’s view looking in,’ she comments, ‘are all the stuff of great writing, and Finland is poised to continue to produce poignant and introspective literature that we can appreciate now that English translators have begun the work.’
Poignant and introspective or occasionally funny and fantastical, this is the work we try to offer an early glimpse of, in translation, at Books from Finland. Stay with us!
Is it a play, is it a book?
25 February 2011 | This 'n' that
On the way to fame: Walt the Wonder Boy in Kristian Smeds's stage adaptation of Paul Auster's novel Mr. Vertigo at the Finnish National Theatre (2010). Photo: Antti Ahonen
Dramatisations of novels are tricky. Finnish theatremakers like adapting novels for the stage, which often results in a lot of talking instead of action – and action here doesn’t refer to just physical movement but to the subtext, to what happens under and behind the words.
Currently an adaptation of an American novel is running on the main stage of the Finnish National Theatre in Helsinki. Mr Vertigo (1994), Paul Auster’s seventh book, tells the story of an orphan boy in the 1930s St Louis. After harsh years as the long-suffering apprentice of the mysterious Master Yehudi, Walt becomes the sensational Wonder Boy by learning how to levitate.
In theatremaker Kristian Smeds’s adaptation, Auster’s whimsical, rambling novel becomes a capricious, illusory journey about illusions, freedom, and the unattainability of love. Walt (the highly expressive, athletic Tero Jartti) interprets, with hilarious comedy as well as with touching desperation, both the dizzyingly powerful experience of creativity and the ridiculous hubris of the artist. More…
Serious comics: Angoulême 2011
24 February 2011 | This 'n' that
Graphic artist Milla Paloniemi went to Angoulême, too: read more through the link (Milla Paloniemi) in the text below
As a little girl in Paris, I dreamed of going to the Angoulême comics festival – Corto Maltese and Mike Blueberry were my heroes, and I liked to imagine meeting them in person.
20 years later, my wish came true – I went to the festival to present Finnish comics to a French audience! I was an intern at FILI – Finnish Literature Exchange, and for the first time, FILI had its own stand at Angoulême in January 2011.
Finnish comics have become popular abroad in recent years, which is particularly apparent in the young artists’ reception by readers in Europe. Angoulême isn’t just a comics Mecca for Europeans, however: there were admirers of Matti Hagelberg, Marko Turunen and Tommi Musturi from as far away as Japan and Korea.
The festival provides opportunities to present both general ‘official’ comics, ‘out-of-the-ordinary’ and unusual works. The atmosphere at the festival is much wilder than at a traditional book fair: for four days the city is filled with publishers, readers, enthusiasts, artists, and even musicians. People meet in the evenings at le Chat Noir bar to discuss the day’s finds, sketching their friends and the day’s events.
As one Belgian publisher told me, ‘There have always been Finns at Angoulême.’ Staff from comics publisher Kutikuti and many others have been making the rounds at Angoulême for years, walking through the city and festival grounds, carrying their backpacks loaded with books. They have been the forerunners to whom we are grateful, and we hope that our collaboration with them deepens in the future.
Aapo Rapi: Meti (Kutikuti, 2010)
This year two Finnish artists, Aapo Rapi and Ville Ranta were nominated for the Sélection Officielle prize, which gave them wider recognition. Rapi’s Meti is a colourful graphic novel inspired by his own grandmother Meti [see the picture right: the old lady with square glasses].
Hannu Lukkarinen and Juha Ruusuvuori were also favorites, as all the available copies of Les Ossements de Saint Henrik, the French translation of their adventures of Nicholas Grisefoth, sold out. There were also fans of women comics artists, searching feverishly for works by such artists as Jenni Rope and Milla Paloniemi.
Chatting with French publishers and readers, it became clear that Finnish comics are interesting for their freshness and freedom. Finnish artists dare to try every kind of technique and they don’t get bogged down in questions of genre. They said so themselves at the festival’s public event. According to Ville Ranta, the commercial aspect isn’t the most important thing, because comics are still a marginalised art in Finland. Aapo Rapi claimed that ‘the first thing is to express my own ideas, for myself and a couple of friends, then I look to see if it might interest other people.’
Hannu Lukkarinen emphasised that it’s hard to distribute Finnish-language comics to the larger world: for that you need a no-nonsense agent like Kirsi Kinnunen, who has lived in France for a long time doing publicity and translation work. Finnish publishers haven’t yet shown much interest in marketing comics, but that may change in the future.
These Finnish artists, many of them also publishers, were happy at Angoulême. Happy enough, no doubt, to last them until next year!
Translated by Lola Rogers
The naked truth
18 January 2011 | This 'n' that
Out with the truth: sauna camaraderie in the film Steam of Life. Photo: Oktober
Finnish men don’t usually open up about much, it’s generally thought, as they don’t like to speak about feelings.
But in the sauna, it’s different. Intimacies are revealed in its soft steam, by men who sit there quietly and give voice to the sorrows of their lives.
In Miesten vuoro / Steam of Life, a full-length documentary film by two directors, Joonas Berghäll and Mika Hotakainen which premiered in March 2010, Finnish men both talk and weep. They have gained considerable popularity among audiences in Finland and abroad.
A naked guy sits on a wooden bench in the steam or outside the sauna building (which could be an old wooden hut in the countryside, a modern city sauna or some odd construction serving the purpose) with a bottle of beer in his hand, and tells the man sitting next to him in earnest about his dead child, new wife, or the death of his mother: the great sorrows or joys of his life.
Water, fire, bare skin and no ornaments: vulnerability. He can be a war veteran or a younger man, lonely or happily married. But he talks, cleansing himself both physically and mentally.
Steam of Life has so far been seen by approximately 50,000 people in Finland, and the DVD has sold more than 28,000 copies. It is the first Finnish documentary to compete for the Academy Award for Best Foreign Language Film. The Oscar nominees will be published on 25 January, with the award ceremony taking place at the end of February.
Steam of Life has won prizes both in Finland and abroad: in Tel Aviv, Warsaw, Pärnu in Estonia, Germany (DOK Leipzig where it won a Silver Dove) and Portugal. It received a Special Jury Mention at the Silverdocs documentary film festival in the United Sates and the Prize of the Interreligious Jury at the Visions du Réel festival in Switzerland. It will continue its tour of film festivals this year; see the trailer here.
The DOK Leipzig jury commented: ‘The film, deliberately set in an original Finnish situation – a sauna, opens a door into the intimate and hidden world of men’s fragility and vulnerability, turning the sauna into a place where naked truth is told by naked men. The film bends together tragic and comic….’
Mies ei puhu eikä pussaa is a saying; we’d translate this as ‘a Finn neither speaks nor snogs’, Finn referring to a male person. But the times, they are a-changing, it seems.
Dear Reader!
13 January 2011 | This 'n' that
Reading Books from Finland here, there and... Photo: Google Analytics
2011 is well underway, and it’s back to business – reporting on good books from Finland, that is!
The new year also marks the beginning of our third year online: we are very pleased to note that last year visits to this site increased by 187 per cent compared to 2009!
Our foreign readers hail from a total of 149 countries, although the majority are in the United States and the United Kingdom – with a surprisingly large number of neighbourly visits from readers in Finland.
There are some countries where only one reader has taken a look at Books from Finland last year; greetings to our own readers in Honduras and Papua New Guinea…. But, on the other hand, readership in Belarus has grown by 2.400 per cent, from just one in 2009 to a grand total of 25!
We’ve been very glad to have your online feedback, which prompted us to think that since we haven’t done a reader survey for a longish time, we might take the opportunity to run another one now – so we’ll be quizzing you about your views of the contents of the journal on this page soon.
We hope to offer you more that is diverting, entertaining and thought-provoking this year than ever before. Remember, you can also keep abreast of what’s going on on the Books from Finland website by subscribing to our RSS and e-mail delivery services (and we’re on Facebook, too).
Happy new year, and good reading!
The editors
Soila Lehtonen (Helsinki)
Hildi Hawkins (London)
Beyond words
15 December 2010 | This 'n' that
Meeting place of the Lahti International Writers' Reunion: Messilä Manor
‘Whereof one cannot speak, thereof one must remain silent.’
This famous quotation from the Austrian philosopher Ludwig Wittgenstein has been adapted by the organisers of the Lahti International Writers’ Reunion (LIWRE): the theme of the 2011 Reunion, which takes place in June, will be ‘The writer beyond words’.
‘Whereof one cannot speak, thereof one must write.’ How will the writer meet the limits of language and narration?
‘There are things that will not let themselves be named, things that language can not reach. Our senses give us information that is not tied to language – how can it be translated into writing? And how is the writer going to describe horrors beyond understanding or ecstasy that escapes words? How can one put into words hidden memories, dreams and fantasies that lie suppressed in one’s mind? Does the writer fill holes in reality or make holes in something we only think is reality?
‘Besides literature, there are other forms of interpreting the world; can the writer step into their realms to find new ways of saying things? The surrounding social sphere may put its own limits to writing. What kind of language can a writer use in a world of censorship and stolen words? How does the writer relate to taboos, those dimensions of sexuality, death or holiness that the surrounding world would not want to see described at all? Is it the duty of literature to go everywhere and reveal everything, or is the writer a guardian of silence who does not reveal but protects secrets and everything that lies beyond language?’
The first Writers’ Reunion took place in Lahti at Mukkula Manor in 1963; since then, more than a thousand writers, translators, critics and other book people, both Finnish and foreign, have come to Mukkula to discuss various topics.
In 2009 the theme was ‘In other words’, which inspired the participants to talk about the power of the written word in strictly controlled regimes, about fiction that retells human history and about the differences between the language of men and women, among other things. See our report from the 2009 Reunion; eleven presentations are available in English, too.
Ho-ho-no!
10 December 2010 | This 'n' that
In the olden days: Father Christmas dressed in grey. A Christmas magazine illustration, 1926. Picture: Helsinki City Museum
St Nicholas, Father Christmas, Santa Claus? According to Finns, the benevolent, bearded, reindeer-driving, present-giving figure lives on Korvatunturi fell in Lapland (not at the North Pole, not anywhere else!).
In Finnish his name is Joulupukki, ‘Yule goat’ (or ‘buck’, Old English, bucca). Joulupukki developed from pagan traditions where his predecessor was a creature called Nuuttipukki, ‘Knut’s goat’, which referred to St Knut’s day, originally on 7 January.
The end of Christmas was celebrated by itinerant groups of people visiting houses playing for food and, in particular, booze. Leading them was the scary ‘Knut’s goat’ disguised in horns, a face mask and lambskins, frightening children. If he wasn’t given beer, he could steal the spigot from the beer barrel or beat people with a bunch of twigs.
This tradition was popular until the beginning of the 20th century, when the good Joulupukki replaced his old bad post-Christmas counterpart, shedding his horns and mask. However, when he came to people’s homes on Christmas Eve to bring presents, he still wore a fur coat, was heavily bearded and might still carry both twigs and gifts – so children had indeed better watch out how they behaved all year.
Naughty or nice? A new full-length Finnish film directed by Jalmari Helander entitled Rare Exports: A Christmas Tale was released internationally in early December.
In this Yuletide film the central figure of the mundane Christmas celebrations is not the red-dressed, jolly Santa we know, but ‘a sinister old codger who chews off ears and whose demon minion kidnaps innocent children. Ho ho no!’, as Jeannette Catsoulis reported in the New York Times.
‘Rare Exports is an enormously entertaining and unpredictable Yuletide romp packed with sly wit, solid scares and naked geriatrics,’ said Tom Huddleston of Time Out London.
Frank Lovece, in Film Journal International, wrote: ‘Some human and reindeer gore make this inappropriate for young children, as much as the movie’s boy-hero denouement may suggest otherwise. But for anyone who needs an inoculation of humbug to counter artificial sentiment, or who simply likes to smoke their Christmas cheer or put it in brownies, this off-kilter return to roots is a welcome gift.’
The plot involves a mysterious block of ice that has been unearthed in Lapland, sprouting a pair of horns. Children begin to disappear, reindeer are found killed. A ten-year-old boy finds out what’s happening, and he and his dad take up fighting back. ‘Wicked fun in the manner of a 21st century Grimm’s fairy-tale,’ said Chris Barsanti of filmcritic.com. ‘Exuberantly pagan images,’ wrote Jeannette Catsoulis.
Santa's place: 360° panorama from Korvatunturi, Lapland. Photo: Wikimedia/Panoramio
Well, Rare Exports was in fact filmed in Norway: Finnish fells are low and unimpressive in comparison to the higher Norwegian fells and mountains. Joulupukki’s home on Korvatunturi is particularly difficult to access, as the Russian border cuts through this formation of fells, which is also a part of a nature conservation area.
Santa’s red, fur-lined outfit is a comparatively recent invention, by the way: it became popular in the United States in an advertising campaign for Coca-Cola in 1931. By a trick of fate, though, the image was designed by one Haddon Sundblom who was of Finnish (Åland) origin.
So, what’s the truth about Joulupukki ? Could it be that an incarnation of the ancient horned shaman-like creature might still dwell in the depths of that faraway Lapland fell, and that the Coca-Cola man on whose lap your kid is sitting, listing his or her wishes, is just some commercial impostor?
Coming up…
25 November 2010 | This 'n' that
Next up, Christmas! Not to mention the New Year! And holidays…
In suitably festive mood, we’ll be posting a short extract from the novel Seitsemän veljestä (Seven Brothers, 1870) by the classic writer Aleksis Kivi.
It is a nostalgic glimpse of a Christmas spent in the Finnish countryside, in a humble cottage inhabited by seven brothers and their animals: ‘Alike in a lowly cottage and stately manor-house, joy and peace prevail…’
Little and large
5 November 2010 | This 'n' that
A Finnish tale set in Egypt: Mika Waltari's post-war novel has been translated into 30 languages, English in 1949
a about after again against all also always an and another any are around as at away back be because been before being between both but by came can children come could course day did didn’t do does don’t down each end er even every fact far few find first for from get go going good got great had has have he her here him his home house how i i’m if in into is it its it’s just kind know last left life like little long look looked made make man many may me mean me might more most mr much must my never new no not nothing now of off oh old on once one only or other our out over own part people perhaps place put quite rather really right said same say says see she should so some something sort still such take than that that’s the their them there these they thing things think this those though thought three through time to too two under up us used very want was way we well went were what when where which while who why will with without work world would year years yes you your
Doesn’t this just run like a poem? An extract from somebody’s stream of conscience? ‘…again against all also always… quite rather really right said’? Actually it’s a list of the 200 most used words of the English language in alphabetical order.
This remarkable list is among the references* in a new doctoral thesis from the Department of Modern Languages at the University of Helsinki, Englanniksiko maailmanmaineeseen? Suomalaisen proosakaunokirjallisuuden kääntäminen englanniksi Isossa-Britanniassa vuosina 1945–2003 (‘To world fame in English? The translating of Finnish prose fiction into English in Great Britain between 1945 and 2003’). More…
The legacy of a self-made man
29 October 2010 | This 'n' that
On camelback: in the exotic part of Veijo Rönkkönen’s concrete cosmos there are animals and palm trees, side by side with the living plants of the northerly latitudes. - Photo, left: Veijo Rönkkönen; photo, right: Veli Granö
Some of our readers may remember a story entitled ‘Self-made man’, published in Books from Finland in April 2009: Veijo Rönkkönen, who lived his entire life on a small, isolated farm in eastern Finland, built a garden inhabited by five hundred human and animal figures made of concrete.
Rönkkönen worked in a nearby pulp factory for 41 years. He lived in a small house in the middle of the garden, surrounded by his sculptures, which he had started making in the early 1960s.
Photographer and writer Veli Granö introduced the life and works of this self-made artist in his book Veijo Rönkkösen todellinen elämä / The real life of Veijo Rönkkönen (text in Finnish and English, Maahenki, 2007).
Contemporary folk art in Finland goes by the acronym ITE, from the words itse tehty elämä, ‘self-made life’. The French called it art brut; the English-language term is ‘outsider art’. The artists are ‘unschooled visionaries’ who make their art independent on any societal requirements or definitions.
The sculpture park became the most notable tourist attraction in Parikkala, visited by as many as 26,000 visitors every summer. Rönkkönen, however, refused to turn it into business. He never talked to visitors voluntarily either, but the park was open and free to all. He was awarded a state prize for artistic achievement, the Finland Prize, worth €30,000, in 2007, which he accepted.
Veijo Rönkkönen died last spring at the age of 66. The estate – Rönkkönen’s siblings, living elsewhere in Finland – offered the unique park to the county of Parikkala, which declined the offer because it’s upkeep was estimated to be too expensive.
In October businessman Reino Uusitalo bought the place for €140,000, with the intention of founding an administrative committee for the upkeep of the park. Rönkkönen’s extraordinary ‘total work of art’, will thus stay open – at least until natur – lichen, moss, creepers – claims what it considers it own.
Hip hip hurray, Moomins!
22 October 2010 | This 'n' that
Partying in Moomin Valley: Moomintroll (second from right) dancing through the night with the Snork Maiden (from Tove Jansson's second Moomin book, Kometjakten, Comet in Moominland, 1946)
The Moomins, those sympathetic, rotund white creatures, and their friends in Moomin Valley celebrate their 65th birthday this year.
Tove Jansson published her first illustrated Moomin book, Småtrollen och den stora översvämningen (‘The little trolls and the big flood’) in 1945. In the 1950s the inhabitants of Moomin Valley became increasingly popular both in Finland and abroad, and translations began to appear – as did the first Moomin merchandise in the shops.
Jansson later confessed that she eventually had begun to hate her troll – but luckily she managed to revise her writing, and the Moomin books became more serious and philosophical, yet retaining their delicious humour and mild anarchism. The last of the nine storybooks, Moominvalley in November, appeared in 1970, after which Jansson wrote novels and short stories for adults.
Tove Jansson with her creations (Photo: www.moomin.com/tove/travel, 1993)
Tove Jansson (1914–2001) was a painter, caricaturist, comic strip artist, illustrator and author of books for both children and adults. Her Moomin comic strips were published in the daily paper the London Evening News between 1954 and 1974; from 1960 onwards the strips were written and illustrated by Tove’s brother Lars Jansson (1926–2000).
Tove’s niece, Sophia Jansson (born 1962) now runs Moomin Characters Ltd as its artistic director and majority shareholder. (The company’s latest turnover was 3,6 million euros). The moomin.com (click Shops and Experiences) pages include a shop selection of various Moomin retail merchandise.
For the ever-growing fandom of Jansson there is a delightful biography of Tove (click ‘English’) and her family on the site, complete with pictures, video clips and texts.
In this video clip (click ‘Meeting friends’) from 1970, Tove draws a Moomin, accompanied by the singing of actor Lasse Pöysti from Lilla Teatern; Pöysti had played the main role in a hugely successful Moomin play a few years earlier.
The world now knows Moomins; the books have been translated into 40 languages. The London Children’s Film Festival will opened 30 October with a Moomin-themed Finnish breakfast party, followed by the London Premiere of Moomins and the Comet Chase in 3D, with a soundtrack by the Icelandic artist Björk.
An exhibition celebrating 65 years of the Moomins takes place from 23 October to 15 January at the Bury Art Gallery in Greater Manchester, the only venue in the UK to host it. The exhibition presents Jansson’s illustrations of Moominvalley and its inhabitants.
In association with several commercial partners in the Nordic countries Moomin Characters will launch a year-long campaign collecting funds to be donated to the World Wildlife Foundation for the protection of the Baltic Sea. Tove Jansson lived by the Baltic all her life – she spent most of her summers on a small barren island called Klovharu – and the sea featured strongly in her books for both children and adults.