Books from Finland - A literary journal of writing from and about Finland.

Jokapäiväinen elämämme
[Our everyday life]
Helsinki: Teos, 2013. 526 p.
ISBN 978-951-851-389-9
35.90€, hardback

At the centre of Riikka Pelo’s second novel are the Russian poet Marina Tsvetaeva (1892–1941) and her daughter Ariadna Efron (1912–1975). This broad historical novel depicts the mental landscape of Russia during the period between the two great wars, from the 1920s to the 1940s. The mother is a religious believer and idealist, her daughter a more pragmatic empiricist. The family’s fate is controlled by the Soviet state apparatus, which sends it into exile in Paris where Tsvetaeva’s husband Sergei Efron takes a job as a secret police informer in an organisation devoted to the repatriation of Soviet emigrés. In the 1930s they return to Moscow, where life under the watchful eye of Stalin is filled with difficulty and paranoia. Pelo portrays the awkward relationship between mother and daughter with particular vividness. The indisputable star of the family is the mother – her ambition extends to her daughter, who to her disappointment is more interested in the visual arts than in poetry. The historical characters of Pelo’s impressive novel live their contradictory lives in decades of social upheaval.
Translated by David McDuff

Ihmissyöjän ystävyys
[The cannibal’s friendship]
Helsinki: Teos, 2012. 402 p.
ISBN 978-951-851-359-2
€27.80, hardback

Marjo Niemi’s third novel may be described with the adjective ‘intemperate’. The book’s narrator is a thirty-something woman who is inclined to ranting. A friend’s suicide drives her to depression, which breaks out in endless criticism of her friends’ lifestyles. Her tolerance is tested not only by her hedonistic friends but also by an entire continent: she wallows in endless diatribes about the history of Europe and its injustices. The bubbling text forms a meta-level, a book within a book. Only writing seems meaningful: ‘I am really not going to write about my life, because life is a ridiculous joke compared to literature.’ The Great Novel that is being built by the narrator gradually opens out into a story about a mental hospital psychiatrist and one of his patients who has suffered a loss of memory. The author sees her work as a ‘poetic allegory of Europe ‘, but it is also a study of friendship, guilt, envy, and the difficulty of doing good. Caricature of an almost grotesque kind is skilfully combined with straight talking in this clever contemporary novel. Niemi (born 1978) is a dramaturge by training.
Translated by David McDuff

Asfältsänglar
[Asphalt angels]
Helsinki: Schildts & Söderströms, 2012. 294p.
ISBN 978-951-52-3120-8
€29.90, hardback

Finnish translation:
Itämaa
Helsinki: Otava, 2012. 333 p.
Suom. [Translated by] Tuula Kojo
ISBN 978-951-1-26841-3
€29.90, hardback

The immigrant novel has not played a significant role in contemporary Finnish literature; since the wave of Russian refugees in the early 19th century, there have been few immigrants to Finland. In her short story collection Camera Obscura (2009) Johanna Holmström (born 1981) managed to combine realism and fantasy in a fascinating way; her new novel, Asfaltsänglar, is the directly yet eloquently told story of two young immigrant sisters. Leila, bullied at school, is becoming a drop-out, while Samira, who has tried to live according to western norms, lies unconscious after an unexplained accident. Their Finnish mother is a fanatical convert to Islam and their father comes from the Maghreb region. The novel confronts claustrophobic Arabic family culture and western ideals of freedom, taken so far that people completely lose any sense of responsibility for one another, with the adults’ betrayal of their children playing a key role. Holmström goes to great lengths to give a balanced portrayal of both cultures and show why her characters act as they do, even when the results are tragic.
Translated by Claire Dickenson

Nuku lähelläni
[Sleep close to me]
Helsinki: WSOY, 2012. 300 p.
ISBN 978-951-0-39305-5
€29.90, hardback

Contrary to the more agreeable expectations that might be prompted by its title, this book is dominated by the image of a masked anarchist raising his hand in a cloud of teargas. Korhonen (born 1972) is an analyst of social problems who in his most recent novels has expanded his field of vision from the realities of suburban Finland to the global centres of money and power. This novel, his fifth book, offers a pessimistic picture of Europe today. The collapse of the economy has left people with an inner sense of emptiness and anger. A young man travels to a central European financial centre to collect his brother’s corpse. The dead man had a management level job in banking, but his body is discovered with an anti- globalisation protest mask on its face. Analysis of the world situation is combined with elements of a detective thriller. The novel’s love affair is likened to a business deal: capital, profit and risk are equated with desire, hope and sorrow. This anti-capitalist metaphor is a typical theme of contemporary Finnish prose fiction.
Translated by David McDuff