In the news
5 December 2013 | In the news
The director general of the Helsinki City Theatre, Asko Sarkola, announced the winner of the 30th Finlandia Literature Prize for Fiction, chosen from a shortlist of six novels, on 2 December in Helsinki. The prize, worth €30,000, was awarded to Riikka Pelo for her novel Jokapäiväinen elämämme (‘Our everyday life’, Teos).
In his award speech Sarkola – and actor by training – characterised the six novels as ‘six different roles’:
‘They are united by a bold and deep understanding of individuality and humanity against the surrounding period. They are the perspectives of fictive individuals, new interpretations of the reality we imagine or suppose. Viewfinders on the present, warnings of the future.
‘Riikka Pelo‘s Jokapäiväinen elämämme is wound around two periods and places, Czechoslovakia in 1923 and the Soviet Union in 1939–41. The central characters are the poet Marina Tsvetaeva and her daughter Alya. This novel has the widest scope: from stream of consciousness to interrogations in torture chambers and the labour camps of Vorkuta; always moving, heart-stopping, irrespective of the settings.’
The five other novels were Ystäväni Rasputin (’My friend Rasputin’) by JP Koskinen, Hotel Sapiens (Teos) by Leena Krohn, Terminaali (‘The terminal’, Siltala) by Hannu Raittila, Herodes (‘Herod’, WSOY) by Asko Sahlberg and Hägring 38 (‘Mirage 38’, Schildts & Söderströms; Finnish translation, Kangastus, Otava) by Kjell Westö (see In the news for brief features).
28 November 2013 | In the news
The Finlandia Prize for Non-Fiction 2013, worth €30,000, was awarded on 21 November to the historian Ville Kivimäki for his book Murtuneet mielet. Taistelu suomalaissotilaiden hermoista 1939–1945 (‘Broken minds. The battle ofor the nerves of Finnish soldiers 1939–1945’, WSOY).
The other works on the shortlist of six were as follows: 940 päivää isäni muistina (‘940 days as my father’s memory’, Teos; a book on Alzheimer’s disease) by Hanna Jensen, Kokottien kultakausi: Belle Epoquen mediatähdet modernin naiseuden kuvastimina (‘The golden era of the cocottes: the media stars of Belle Epoque as mirrors of modern femininity’, Finnish Literature Society) by Harri Kalha, Viipuri 1918 (‘Vyborg 1918’, Siltala) by Teemu Keskisarja, Suomi öljyn jälkeen (‘Post-oil Finland’, Into) by Rauli Partanen, Harri Paloheimo and Heikki Waris and Vapaalasku – tieto, taito, turvallisuus (‘Freestyle – knowledge, skill, safety’, Kustannus Oy Vapaalasku) by Matti Verkasalo, Jarkko-Juhani Henttonen and Kai Arponen.
The prize-winner was chosen by the director of the Ateneum Art Museum, Maija Tanninen–Mattila. In her celebratory speech she said: ‘The symptoms of many psychologically disturbed soldiers remained untreated during the war. For many, their symptoms appeared only after the war. Their experiences have remained unexpressed in language, the history of those who lack history. Ville Kivimäki has given voice to these experiences… and succeeded in writing a book that speaks across the generations.’
In his acceptance speech Ville Kivimäki (born 1976) commented: ‘The great majority of the war generation is now dead, and the words of a youngish scholar cannot, even when successful, reach those traumatic experiences whose depth we can never fully understand. But all the same, I would like to take this opportunity to say something that should have been said years ago: the psychological injuries of the war were war wounds in exactly the same sense as physical ones. In the end anyone could suffer a psychological breakdown.’
The Finlandia Junior Prize 2013 was awarded on 26 November, also worth €30,000. It went to Kreetta Onkeli for her book Poika joka menetti muistinsa (‘The boy who lost his memory’, Otava).
Arto, 12, gets such a massive fit of laughter that he loses his memory and needs to find his identity and his home in contemporary Helsinki.
The winner was chosen from the shortlist of six by Jarno Leppälä, a media personality and member of the popular stunt group Duudsonit, the Dudesons. At the award ceremony he said:
‘Poika joka menetti muistinsa is, in my opinion, a well-written story about how young people in society are put on the same starting line and expected to do equally well in all circumstances – often irrespective of the fact that their starting points may actually be very different, and completely independent of the young people themselves.’
Kreetta Onkeli (born 1970) explained in her award speech how her aim was to write a proper, old-fashioned novel for children: ‘Not hundreds of pages of magic tricks but ordinary, real contemporary life that children could identify with.’ In her opinion the current, massive trend of fantasy has narrowed the scope of children’s literature.
The following five books made it on to the shortlist: Poika (‘The boy’, Like), about a boy who feels he was born in the wrong gender by Marja Björk, Hipinäaasi, apinahiisi (onomatopoetic pun, ‘Donkeymonkey’, Tammi), about bullying and friendship, written by Ville Hytönen and illustrated by Matti Pikkujämsä, Isä vaihtaa vapaalle (‘Father on his own time’, WSOY), an illustrated story about children with too busy parents, written by Jukka Laajarinne and illustrated by Timo Mänttäri, Aapine (‘ABC’, Otava), an illustrated primer written by Heli Laaksonen in her own south-western dialect and illustrated by Elina Warsta and Vain pahaa unta (‘Just a bad dream’, WSOY) by graphic designer and writer Ville Tietäväinen and his daughter Aino, a book on a child’s nightmares.
Finlandia literary prizes are awarded by Suomen Kirjasäätiö, The Finnish Book Foundation, established in 1983.
The first Finlandia Prize for Fiction was awarded in 1984. This year it will be announced on 3 December.
28 November 2013 | In the news
On 14 November Helsingin Sanomat Literature Prize, the Helsinki newspaper’s prize for the best first work of the year, worth €15,000, was awarded for the 19th time.
The jury made its choice from 90 first works, and this time the prize was awarded to a youngest writer ever, the poet Erkka Filander (born 1993), for his collection Heräämisen valkea myrsky (‘The white storm of awakening’; available as a pdf at the home page of the publisher, Poesia).
According to the jury, this poetry is ‘ecstatic poetry, pulsing with the joy of living… there is no place in Filander’s poetry for cynicism or irony. Thus his writing appears, in the context of contemporary poetry, exceptionally open and sincere.’
14 November 2013 | In the news
One of the following six novels will be awarded this year’s Finlandia Prize for Fiction, worth 30,000 euros: Ystäväni Rasputin (’My friend Rasputin’) by JP Koskinen, Hotel Sapiens (Teos) by Leena Krohn, Jokapäiväinen elämämme (‘Our everyday life’, Teos) by Riikka Pelo, Terminaali (‘The terminal’, Siltala) by Hannu Raittila, Herodes (‘Herod’, WSOY) by Asko Sahlberg and Hägring 38 (‘Mirage 38’, Schildts & Söderströms; Finnish translation, Kangastus, Otava) by Kjell Westö.
Half of the writers have already won the Finlandia Prize once, namely Krohn (1992), Raittila (2001) and Westö (2006).
Four of the six works deal with a historical character or history: Koskinen with the Russian ‘holy man’ Rasputin, Pelo with the Russian poet Marina Tsvetaeva, Sahlberg with Herod the Great of Judea. Westö goes back to the year 1938 in Finland.
Raittila’s realistic novel takes place on contemporary airports. Krohn, again taking a look at an unknown future, presents the reader with a imaginary Earth which no longer is habitable to humans.
The runners-up were chosen by a jury – appointed by the Finnish Book Publishers’ Association – of three: the journalists Nina Paavolainen and Raisa Rauhamaa and the translator Juhani Lindholm. The winner of the 30th Finlandia Prize for Fiction will chosen by theatre manager of the Helsinki City Theatre and actor Asko Sarkola, and announced on 3 December.
31 October 2013 | In the news
The Nordic Council’s five culture prizes were for the first time awarded together at a Gala at the Oslo Opera House on 30 October. The show was broadcast by all the Nordic public service channels.
The winners of the Nordic Council Children and Young People’s Literature Prize 2013 – worth about €43,000 – are Seita Vuorela and Jani Ikonen from Finland. Karikko (‘The reef’, see our review) written by Vuorela and illustrated by Ikonen is the first work to be awarded the newly established Nordic Council Children and Young People’s Literature Prize.
Another Finnish winner this time was the violinist Pekka Kuusisto (born 1976) who won the Nordic Council Music Prize (also worth €43,000). ‘Pekka Kuusisto is a violinist in the absolute elite and with as much unique creativity as musicality,’ said the Adjudication Committee.
The oldest of the five prizes is the Literature Prize, first awarded in 1962. It was followed by the Music Prize (1965), the Nature and Environment Prize (1995), the Film Prize (2002) and the Children and Young People’s Literature Prize (2013).
24 October 2013 | In the news
Six Finnish poets, edited by Teemu Manninen – a poet himself – is the tenth volume in a series of bilingual anthologies bringing contemporary poetry from around Europe to English-language readers.
One of the poets introduced is a Finland-Swede, Matilda Södergran, whose poems are presented in their original Swedish alongside the English translations. The other poets, all of whom write in Finnish, are Vesa Haapala, Janne Nummela, Henriikka Tavi, Katariina Vuorinen and Juhana Vähänen. Their translators are Emily & Fleur Jeremiah, Lola Rogers and Helen R. Boultrum.
In his introduction Teemu Manninen briefly outlines the developments of contemporary Finnish poetry around the turn of the 21st century. The poets chosen were born in the 1970s and 1980s; their work could be characterised variously as experimental, surrealist, minimalist and ironic.
According to Manninen, during the last couple of decades, a ‘do-it-yourself’ culture has sprung up among people interested in performing poetry, organising independent festivals and clubs, and disseminating their work via the Internet. New, cheaper methods of publishing printed books have also contributed to a growing interest in poetry and to its popularity. Even so, contemporary poetry is not something that attracts large crowds; people involved in this sort of ‘literary activism’ tend to know each other well.
So, ‘in Finland, poetry is a family affair,’ notes Manninen. ‘The familial communality has to be acknowledged if one is to understand the kind of poetry currently being written in Finland….’ It mostly lives and thrives independent of large publishers, newspapers and literary prizes.
The anthology series is entitled New Voices from Europe and Beyond; it is published in the UK by Arc Publications in co-operation with Literature Across Frontiers.
3 October 2013 | In the news
The second novel Jäätelökauppias (‘The ice-cream vendor’, Tammi, 2012) by Katri Lipson won her one of the 12 European Union Prizes for Literature this year, announced at the Gothenburg Book Fair, Sweden, on 26 September.
Each winner will receive € 5,000, and the priority to apply for European Union funding to have their book translated into other European languages.
The European Commission, the European Booksellers’ Federation (EBF), the European Writers’ Council (EWC) and the Federation of European Publishers (FEP) are the organisers of the prize which is supported through the European Union’s culture programme. The competition is open to authors in the 37 countries involved in the Culture Programme.
The prize aims to draw attention to new talents and to promote the publication of their books in different countries, as well as celebrating European cultural diversity.
The previous Finnish winner of the prize was Riku Korhonen in 2010.
12 September 2013 | In the news
The August list of best-selling fiction and non-fiction, compiled by the Finnish Booksellers’ Association, features thrillers, new Finnish fiction, dictionaries and diet guides.
Number one of the Finnish fiction list was a new crime novel by Leena Lehtolainen, Rautakolmio (‘The iron triangle’, Tammi). The new novel, Hägring (‘Mirage’, Schildts & Söderströms; in Finnish, Kangastus, Otava), by Kjell Westö, was number two; in third place was Aapine, an ABC-book written in the south-western dialect by poet and author Heli Laaksonen and illustrated by Elina Warsta (Otava).
The list of translated fiction included – not surprisingly – names like Dan Brown, Jon Nesbø, Camilla Läckberg, Charlaine Harris and Henning Mankell.
5:2 dieetti (The Fast Diet), by Michael Mosley and Mimi Spencer, sold like hot cakes – the Finns are statistically the fattest people in Scandinavia – and was number one on the non-fiction list. There were also several dictionaries (four of them Finnish-English-Finnish) as well as a field guide to mushrooms, of which there are plenty in the woods this early autumn. It is indeed essential to be able to tell the Poisonpie and the Sickener from the real deliciacies.
5 September 2013 | In the news
…Poets was the main event of the annual literature festival Runokuu, Poetry Moon, taking place on 24 August in a Helsinki restaurant. The theme was the sea: the invited guests were from around the Baltic Sea – as well as beyond.
The Poetry Moon festival is organised by Nuoren Voiman Liitto and Helsinki Festival, now for the ninth time, with more than 30 events taking place in the city between 22 and 28 August.
‘In four hours writers and languages kept changing fast,’ reports Irene Dimitropoulos, an intern at FILI (Finnish Literature Exchange): ‘You had to throw yourself into the rhythms and sounds of languages both familiar and strange.
‘The programme contained lots of poetry, but the short story and non-fiction were also included. The idea of the literary evenings is to meet with writers from abroad and also to support translated foreign poetry, as very little gets translated into Finnish, so translators perform with poets.
‘The stylistic and thematic variations of different generations of writers were introduced in many ways. A translation of I Am Going to Clone Myself Then Kill the Clone and Eat It [2009/2012] by the American poet Sam Pink was published in Finnish earlier this year: his style, both simple and strikingly comical, and the way he depicts everyday experiences and the violent fantasies they invoke, made the audience laugh. Crowds were also drawn to listen to the Finnish novelist Monika Fagerholm and the German poet and translator Ulrike Draesner; Fagerholm read from her book of lyrical essays on the sea, Draesner her poems dealing with womanhood and the interaction between language and body.’
Among the other poets were Peeter Sauter and Maarja Kangro from Estonia, Igor Belov and Irina Maksimova from Russia and Toh Hsien Min from Singapore.
30 August 2013 | In the news
Expat Finland, created by Stuart Allt – an Australian web designer living in Turku, Finland – is an information resource on the Internet. It is particularly useful for people moving to Finland, or for anyone who is interested in finding out about Finnish services and products and in living in the country in general.
If you’re looking for maps, restaurants or universities, are interested in knowing more about the language(s), culture, sports etc, take a look at the recently redesigned Expat Finland.
And what do Finns think is funny?
Among latest additions on the Expat site is a selection of comic strips by Pertti Jarla. The creator of the cartoon town Fingerpori is often impossible to translate as he constantly plays with words and their meanings (getting the joke sometimes takes a while, too).
Take also a look at the samples of Jarla’s illustrations to Zoo – eläimellinen tarina (‘Zoo – a bestial story’), a book for children by Roman Schatz and Jarla, featured in Books from Finland.
20 June 2013 | In the news
The city of Helsinki will have a new Central Library in the near future: an architectural competition for a new building was completed in June. The winner, chosen out of 554 entries, foreign and Finnish, is entitled Käännös (‘Turn’ – or ‘Translation’), entered by the Finnish ALA Architects Ltd (architects Juho Grönholm, Antti Nousjoki, Janne Teräsvirta, Samuli Woolston). The entry was also one of the favourites with the public in an earlier stage of the competition.
The jury’s decision was unanimous: in their opinion, Käännös is ‘impressive’ and ‘casually generous’; it fits into the urban structure as an feasible, usable and ecological construction. The site could not be more central: close to the citys’ railway station, it faces the House of Parliament, next to the Museum of Contemporary Art Kiasma and the new Music Centre (opened 2011): literary art and literature will join the other art forms.
23 May 2013 | In the news
Attention lovers of Finnish art: the Ateneum Art Museum in Helsinki has joined the international Google Art Project (begun in 2011), with 260 participating art institutes and more than 40,000 works of art as high-resolution images.
The website also includes information on the paintings. Among the 55 images from Ateneum on show now are many of the great works of the golden period of Finnish art (1880–1910), including Hugo Simberg’s darkly cute The Garden of Death, Albert Edelfelt’s heartbreakingly beautiful Conveying a Child’s Coffin, Akseli Gallen-Kallela’s classic portrayal of grief, Lemminkäinen’s mother, and – a personal favourite here at the Books from Finland office – Magnus von Wright’s evocative Annankatu Street on a Cold Winter’s Morning.
The Ateneum has few foreign works of art; in the Google Art collection now there are one Rodin, a Modigliani, a van Gogh and two Gauguins.
8 May 2013 | In the news
In April number one on the list of best-selling Finnish fiction titles, compiled by the Finnish Booksellers’ Association, was Seppo Jokinen’s crime novel Vihan sukua (‘Akin to hate’, Crime Time). The winner of the 2012 Finlandia Prize for Fiction, Ulla-Lena Lundberg’s Is (‘Ice’), still holds second place.
Pertti Jarla seems to have secured his place on the best-seller list: his latest serial comics book about the inhabitants of the city of Fingerpori (‘Fingerborg’, Arktinen Banaani), Lääkärileikit (‘Playing doctors’) was number three and the album Fingerpori 6 number four.
Paulo Coelho ruled the translated fiction list with his Manuscript Found In Accra. There are more people who find his books fascinating than there are people who don’t.
At the top of the non-fiction list remained, for the third time now, Kaiken käsikirja (‘Handbook of everything’, Ursa) by astronomer and popular writer Esko Valtaoja; as it doesn’t provide the reader with instructions for cooking, perhaps buyers went on to buy number two, Safkaa: parempaa arkiruokaa (‘Grub: better food for weekdays’, Otava) by Alexander and Hanna Gullichsen. Last year’s big social-media hit hails from this book: avocado pasta (chili, lime, basil, garlic, spaghetti, parmesan).
Safka, incidentally, comes from the Russian word zavtrak, breakfast. (The title of the book could also have been Sapuskaa…, the word also means ‘grub’, from the Russian word zakuska, hors d’oeuvres.)
23 April 2013 | In the news
The tradition of the international Day of the Book and the Rose derives from 1920s Barcelona, where the tradition was for men to give women roses while women gave men books.
23 April is the day – and it is (possibly) also Shakespeare’s birthday. In 1995 UNESCO proclaimed it is the World Book and Copyright Day.
(Actually, we’ve always thought the idea of what is exchanged is rather silly. As women, we would much rather be given a a book than a withering cut flower. On the other hand though, a rose is a safe bet….)
Last year, the Finnish booksellers decided to celebrate the occasion by publishing a new novel which was given for free to all customers who made a purchase worth €10. This was the only way to get hold of a copy; the print run was 3,000 copies. The author was Tuomas Kyrö, the novel, Miniä (‘Daughter-in-law’).
This year the print run is more than tenfold, and the author is Jari Tervo. His novel Jarrusukka (‘Slipper sock’) tells the story of a teacher, working in an immigrant neighbourhood, who finds out it’s not possible to lease a baby in a short term.
19 April 2013 | In the news
The theme of the next biannual International Writers’ Reunion (LIWRE), which takes place in Lahti, southern Finland, will be ‘Breaking walls’.
‘The writer always examines his own limits and boundaries, creates a new version not only of reality but of himself. He addresses, touches and jolts, awakens his readers to see alternative worlds and accept otherness. But is the writer an engine of change, or the eternal stranger?
‘Problems demand answers, answers demand questions. If attitudes harden, arms talk, and everyone erects a wall around himself, where is literature in the equation? Is the highest wall right there inside the writer? Or is literature itself a protecting wall? What happens, when walls break down?’
The 26th Reunion will take place at the Messilä Manor in Lahti 16–18 June. Among the participants – 24 foreign writers so far – will be the Havanna-born Abilio Estévez, Davide Enian from Sicily, Anna Szabo from Hungary and the Dutch-Finnish Kira Wuck.
The chairperson, author and researcher Virpi Hämeen-Anttila, who together with Jarmo Papinniemi (who died last autumn) has chaired the discussions at three Reunions, will now be partnered by writer and journalist Joni Pyysalo.