Search results for "Kreetta Onkeli"

Kreetta Onkeli: Poika joka menetti muistinsa [The boy who lost his memory]

9 January 2014 | Mini reviews, Reviews

onkeliPoika joka menetti muistinsa
[The boy who lost his memory]
Helsinki: Otava, 2013. 111 pp.
ISBN 978-951-1-27022-5
€22.90, hardback

Kreetta Onkeli, better known for her books for adults, was awarded the 2013 Finlandia Junior award for this book. Arto is a schoolboy who loses his memory, but goes off in search of himself with an open mind. He meets a number of people who are outsiders in various ways and learns important lessons from each of them. Onkeli portrays a child of around 11 to 13 who is confused by many things. Researchers consider this age group to fall into an in-between area: there aren’t enough appealing activities on offer for kids of this age, who are treated as an awkward bunch both at home and at school. This book contains some rule-breakers: the boys eat at a restaurant buffet without paying and ride the subway without a ticket while other characters hint at forging official documents. Adult readers with their eyes closed to reality might consider Arto’s odyssey an anxiety-inducing vision of the future, in which grown-ups are not shown in a flattering light. Children, however, will get wrapped up in this absurd adventure.

Translated by Ruth Urbom


The colour of sadness

30 September 2005 | Authors, Reviews

Kreetta Onkeli

Photo: Pertti Nisonen

In her first novel in 1996, Kreetta Onkeli (born 1970) brought the municipality of Luhanka in central Finland – which had not hitherto attracted much attention – to readers’ awareness and the Finnish literary tradition. When Ilonen talo (‘The cheerful house’, WSOY) appeared, it became a prize-winning success and a bestseller.

The book will probably remain a minor classic among narratives of Finnish childhood. The ironic title is indicative of Onkeli’s naïvistic style and her multi-layered play with language. The house where the book’s pair of siblings grow up is anything but happy: the mother’s alcoholism and bad living habits make it more like a house of ill repute. (The title also contains a note of sarcasm: in Finnish, ilotalo is a euphemism for a brothel.) More…

The Finlandia prizes: Non-fiction, Junior

28 November 2013 | In the news

Ville Kivimäki. Photo: Virpi Alanen

Ville Kivimäki. Photo: Pertti Nisonen

The Finlandia Prize for Non-Fiction 2013, worth €30,000, was awarded on 21 November to the historian Ville Kivimäki for his book Murtuneet mielet. Taistelu suomalaissotilaiden hermoista 1939–1945 (‘Broken minds. The battle ofor the nerves of Finnish soldiers 1939–1945’, WSOY).

The other works on the shortlist of six were as follows: 940 päivää isäni muistina (‘940 days as my father’s memory’, Teos; a book on Alzheimer’s disease) by Hanna Jensen, Kokottien kultakausi: Belle Epoquen mediatähdet modernin naiseuden kuvastimina (‘The golden era of the cocottes: the media stars of Belle Epoque as mirrors of modern femininity’, Finnish Literature Society) by Harri Kalha, Viipuri 1918 (‘Vyborg 1918’, Siltala) by Teemu Keskisarja, Suomi öljyn jälkeen (‘Post-oil Finland’, Into) by Rauli Partanen, Harri Paloheimo and Heikki Waris and Vapaalasku – tieto, taito, turvallisuus (‘Freestyle – knowledge, skill, safety’, Kustannus Oy Vapaalasku) by Matti Verkasalo, Jarkko-Juhani Henttonen and Kai Arponen.

The prize-winner was chosen by the director of the Ateneum Art Museum, Maija Tanninen–Mattila. In her celebratory speech she said: ‘The symptoms of many psychologically disturbed soldiers remained untreated during the war. For many, their symptoms appeared only after the war. Their experiences have remained unexpressed in language, the history of those who lack history. Ville Kivimäki has given voice to these experiences… and succeeded in writing a book that speaks across the generations.’

In his acceptance speech Ville Kivimäki (born 1976) commented: ‘The great majority of the war generation is now dead, and the words of a youngish scholar cannot, even when successful, reach those traumatic experiences whose depth we can never fully understand. But all the same, I would like to take this opportunity to say something that should have been said years ago: the psychological injuries of the war were war wounds in exactly the same sense as physical ones. In the end anyone could suffer a psychological breakdown.’

Kreetta Onkeli. Photo: Joun Harala

Kreetta Onkeli. Photo: Jouni Harala

The Finlandia Junior Prize 2013 was awarded on 26 November, also worth €30,000. It went to Kreetta Onkeli for her book Poika joka menetti muistinsa (‘The boy who lost his memory’, Otava).

Arto, 12, gets such a massive fit of laughter that he loses his memory and needs to find his identity and his home in contemporary Helsinki.

The winner was chosen from the shortlist of six by Jarno Leppälä, a media personality and member of the popular stunt group Duudsonit, the Dudesons. At the award ceremony he said:

Poika joka menetti muistinsa is, in my opinion, a well-written story about how young people in society are put on the same starting line and expected to do equally well in all circumstances – often irrespective of the fact that their starting points may actually be very different, and completely independent of the young people themselves.’

Kreetta Onkeli (born 1970) explained in her award speech how her aim was to write a proper, old-fashioned novel for children: ‘Not hundreds of pages of magic tricks but ordinary, real contemporary life that children could identify with.’ In her opinion the current, massive trend of fantasy has narrowed the scope of children’s literature.

The following five books made it on to the shortlist: Poika (‘The boy’, Like), about a boy who feels he was born in the wrong gender by Marja Björk, Hipinäaasi, apinahiisi (onomatopoetic pun, ‘Donkeymonkey’, Tammi), about bullying and friendship, written by Ville Hytönen and illustrated by Matti Pikkujämsä, Isä vaihtaa vapaalle (‘Father on his own time’, WSOY), an illustrated story about children with too busy parents, written by Jukka Laajarinne and illustrated by Timo Mänttäri, Aapine (‘ABC’, Otava), an illustrated primer written by Heli Laaksonen in her own south-western dialect and illustrated by Elina Warsta and Vain pahaa unta (‘Just a bad dream’, WSOY) by graphic designer and writer Ville Tietäväinen and his daughter Aino, a book on a child’s nightmares.

Finlandia literary prizes are awarded by Suomen Kirjasäätiö, The Finnish Book Foundation, established in 1983.

The first Finlandia Prize for Fiction was awarded in 1984. This year it will be announced on 3 December.

Reading matters? On new books for young readers

9 January 2014 | Articles, Children's books, Non-fiction

Pixon brothers: a story book by Malin Kivelä and Linda Bondestam

The Pixon brothers don’t read books, they love the telly: story by Malin Kivelä, illustrations by Linda Bondestam (Bröderna Pixon och TV:ns hemtrevliga sken, ‘The Pixon brothers and the homely shimmer of the telly’)

Finnish picture books for children have long been reliable export goods around the world. In the last few years, a number of novels for children have come along in their wake: works by authors such as Timo Parvela and Siri Kolu have been translated into a good many languages.

Now young adult literature has also blazed a trail on to the international market – in what also seems to be almost a matter of precision timing with regard to the Frankfurt Book Fair 2014. Finnish publishers have been investing in their home-grown lists of children’s and young adult books ever since the turn of the millennium, and now the time has come to harvest the fruits of their long-term efforts.


Chronicles of crisis

31 December 1982 | Archives online, Fiction, Prose

Books from Finland presents here an extract from Dyre prins, a novel by the Finland-Swedish writer Christer Kihlman that is to be published in 1983 by Peter Owen of London under the title Sweet Prince, in a translation by Joan Tate.

Christer Kihlman (born 1930) first became known as a poet; but, after publishing two collections of poetry, he turned to novels. He has been branded a merciless scourge of the bourgeoisie. Equally important in his writing, however, are his masterly psychological analyses, his examination of the myriad aspects of the human personality, his sovereign disregard for taboos and his unflagging search for the truth. His books are about crises – the conflict between the generations, between the individual and society, between opposing political ideologies, between homosexual and heterosexual love. As Ingmar Svedberg remarked in an extensive appreciation of Kihlman’s work that appeared in Books from Finland 1-2/1976, ‘In his perceptive moral analyses, his exploration of the depths of human destructiveness and degradation, Kihlman is sometimes reminiscent of Faulkner.’ Since 1970, Kihlman has published three revealing autobiographical works, two of them dealing with his encounter with South America; Dyre prins, first published in 1975, represents a brief interlude of fiction.

The extract printed below is accompanied with a personal appreciation of the novel by its English translator, Joan Tate

Grandfather’s astonishing revelation gave me a new perspective on my life. I had suddenly been given a concrete, genuine foundation for both my hatred and my self-esteem. In a way I took the story of my origins as an extreme confirmation of the rightness of the Communist interpretation of reality, and at the same time it gave me a wonderful, dazzling sensation of being someone, despite everything, of having a place in a meaningful human perspective of time, despite everything, of being a link, however modest, in the historical family tradition. I did not need to found a dynasty; I already belonged to a dynasty, if only a minor branch. One was less important than the other, and even if the two experiences were irreconcilable and contradictory, they existed all the same in the same consciousness, contained within the same consciousness, my consciousness. I, Donald Blad! More…