Search results for "jarkko/2011/04/matti-suurpaa-parnasso-1951–2011-parnasso-1951–2011"

Blog-jam

24 October 2011 | Authors, Reviews

Jouni Tossavainen. Photo: Like

Poet and writer Jouni Tossavainen has directed his verbal curiosity towards blog writing in his eighth prose work, entitled Sivullisia (‘Outsiders’, Like, 2011); it consists of a collection of (fictional) blog posts, which seem to contain plenty of junk as well as treasures.

The book is a dizzying linguistic playground; it includes posts, around a page in length, from 157 ‘outsiders’. Escaping the familiar structures of language usage gives rise to snapshots of estrangement.

The narrator of the book claims to have assembled his material from a collection of blog posts received from the greater Helsinki region. Individual fragments of views and facts are like codes that have lost what they were meant to unlock. Mocking, satirical jibes emerge from the texts, accompanied by a sneaking suspicion of understanding and solace, as there ought to be in a true carnival. More…

Kari-Paavo Kokki: Tuolit, sohvat ja jakkarat. Renessanssista 1920-luvulle [Chairs, sofas and stools. From the renaissance to the 1920s]

24 November 2011 | Mini reviews, Reviews

Tuolit, sohvat ja jakkarat. Renessanssista 1920-luvulle
[Chairs, sofas and stools. From the renaissance to the 1920s]
Photographs: Katja Hagelstam
Helsinki: Otava, 2011. 175 p., ill.
ISBN 978-951-1-23415-9
€56, hardback

Could it be that chairs are the most important pieces of furniture in our daily lives? The history of furniture in Finland – not much has survived from earlier than late 16th century – is made up of Swedish, Russian and Finnish parts. Furniture-making in the Kingdom of Sweden, of which Finland formed a part until 1809, was modelled on European trends, and that was also the case in St Petersburg – which is close to Finland – during the period when Finland became a Russian-governed Grand Duchy (1809–1917). Finnish peasant furniture has always been of high quality, despite often harsh circumstances. Finnish furniture-makers adapted both Swedish and Russian styles; for example, Empire (in England, Regency) and Biedermeier chairs were either of the Russian or the Swedish type. Gustavian furniture (c. 1775–1810), from the period of King Gustav III, was popular and abundant, and in the past decades the style has become extremely favoured by collectors. Detailed, beautiful photography in this book supports the concise, informative text. Kari-Paavo Kokki, director of Heinola City Museum, is an antiques specialist.

A soul on the train

20 May 2011 | Fiction, poetry

In one of Heli Laaksonen’s poems the narrator buys a ticket for her soul and herself in a train’s pet carriage. Her capricious poetry features new potatoes, woodpeckers, weasels, and even a pig in fox’s clothing. Introduction by Mervi Kantokorpi

Poems from Peippo vei (‘The chaffinch took it’, Otava, 2011)

First early

From the potato patch there rose a human seedling, too.
Winston, I called it
as it was Winstons I’d sowed in this row

Whole,
beautiful,
unmarked by hoe or blight.
I put it in the basket with the others.
It sat there in the quiet pile, at the edge,
looked on while I slogged away,
gnawing a little bit out of the side of a potato.

What was it thinking?
What could it be that earlies think about?
The first summer sparrows are fresh out of the oven.
I so wish they’d only think about nice things.

I try to look happy
to give them a good start. More…

Suomalainen piru. Paholainen kansanperinteessä [The Finnish devil. The Evil One in Finnish folklore]

23 December 2011 | Mini reviews, Reviews

Suomalainen piru. Paholainen kansanperinteessä
[The Finnish devil. The Evil One in Finnish folklore]
Toim. [Ed. by] Mari Purola
Kuvitus: [Illustrations]: Christer Nuutinen
Helsinki: Finnish Literature Society, 2011. 144 p., ill.
ISBN 978-952-222-289-3
€ 25, hardback

In Finnish folklore the Devil has borrowed features both from ancient popular belief and from the Christian faith. Unlike the devil of Christianity, the Finnish devil is not wholly evil, and the relation between man and devil may sometimes recall a contractual relationship: man can benefit from his link with the devil without losing his soul. In the mythological stories the devil is a a creature that supports the values of village society, who punishes misdemeanours and with whose help inexplicable phenomena like surprisingly good luck or illness can be explained. Finnish folk belief contains a numerous group of lesser magical figures such as elves and sprites. The devil has also borrowed the powers of the ancient gods, such as good luck in hunting from Tapio, and in fishing from Ahti. The folk archives of  the Finnish Literature Society contain a collection of devil-themed stories from the 1880s to the 1960s.
Translated by David McDuff

Heikki Hiilamo: Uusi hyvinvointivaltio [The new welfare state]

1 June 2011 | Mini reviews, Reviews

Uusi hyvinvointivaltio
[The new welfare state]
Helsinki: Like Publishing, 2011. 131 p.
ISBN 978-952-01-0615-7
€ 17, paperback

There is concern in Finland about the decline of the Nordic welfare state and the return of a class society. Problems exist with regard to issues such as the country’s aging population, changes in the structure of the labour market, the increase in income disparity, and lifestyle issues. The impoverishment caused by the recession of the 1990s did not decrease in the early 2000s, as could be seen in things like the rise of bread lines, much debated by Finns. The author – an expert on the welfare state and a poverty researcher – examines the values of the good society and its institutions. He discusses welfare as the politics of social possibilities: ‘The current system does not sufficiently allow the individual to come up with his own initiatives for positive change – instead, it fetters those initiatives.’ Hiilamo’s campaining book reflects on how the welfare state could be developed twenty years after the recession crisis, and how the middle class might be brought to realise that the growth in income disparity also affects their own welfare.
Translated by David McDuff

 

Far from the madding crowd

21 February 2013 | Articles, Non-fiction

Saima Harmaja (1913–1937). Photo: WSOY

Saima Harmaja (1913–1937). Photo: WSOY

‘I don’t belong to the crowd,’ the young Saima Harmaja wrote in her diary in 1933. Her work as a poet was for her a vocation that superseded everything else. In her diaries she often speaks as a sociable young woman, with a delicious sense of humour, but her best poems seriously explore love, and death which cast its shadow over her. A selection of her poems – the best of which have made her a Finnish classic – is now published in English for the first time

In her diary the young poet claimed: ‘I think I would die if I could not write.’ What Harmaja shared with the poets of the early part of the twentieth century who influenced her was the private and personally experienced nature of poetry itself, rather than the realisation of any current aesthetic programme.

Harmaja is one of those poets whose works have passed through the hands of readers from decade to decade. She is also a prototype of the poet of her generation: gifts that led to the expectation of a brilliant career, a life that was brought to a tragic end by tuberculosis, leaving just five years of work as a poet. More…

Pins and needles

11 May 2011 | Essays, Non-fiction

In these pictures by Ulla Jokisalo and texts by Anna Kortelainen, truths and mysteries concerning play are entwined with pictures painted with threads and needles. Jokisalo’s exhibition, ‘Leikin varjo / Guises of play’, runs at the Museum of Photography, Helsinki, from 17 August to 25 September.

Words and images from the book Leikin varjo / Guises of play (Aboa Vetus & Ars Nova and Musta Taide, 2011)

‘Ring dance’ by Ulla Jokisalo (pigment print and pins, 2009)

More…

Juha Sihvola: Maailmankansalaisen uskonto [The religion of the world citizen]

21 October 2011 | Mini reviews, Reviews

Maailmankansalaisen uskonto
[The religion of the world citizen]
Helsinki: Otava, 2011. 199 p., ill.
ISBN 978-951-1-21279-9
€ 29, paperback

This book focuses on the core questions of religious philosophy with special emphasis on Christianity, but it also addresses Judaism, Islam and the Middle East conflict as well as conflicts between Hindu nationalists and Muslims. Juha Sihvola, a professor of history, ends up advocating the view which holds that religion and science are largely independent of one another: under-standing the special nature of belief enables a justifiable critique of both religious fundamentalism and radical neo-atheism. In this work, Sihvola examines the relationship of faith and morals to history, freedom of conscience, religious tolerance and the possibilities of developing a more pluralistic society. The ideas of contemporary philosophers John Rawls and Martha Nussbaum seem closest to Sihvola’s own thinking. He formulates an optimistic vision in which religion that is liberal, non-fundamentalist and understands the special nature of belief faces important tasks ahead.
Translated by Ruth Urbom

Funny ha ha?

3 March 2010 | This 'n' that

Comic books, graphic novels: the popularity of stories in pictures keeps on growing everywhere – and they may or not may be ‘comical’.

In Finland, sarjakuva (lit. serial picture) will celebrate its 100th anniversary in 2011. The first Finnish picture story, Professori Itikaisen tutkimusretki (‘Professor Itikainen’s expedition’, WSOY), by Ilmari Vainio, was published in 1911.

Ilmari Vainio (1892–1955) was a customs official who later also published two fairy tales and two handbooks for boy scouts. Professor Itikainen is a scientist who sets out on the sea and then finds himself, together with two brave seamen, facing various dangers in Africa, China and on the North Pole. A happy ending ensues in the form of safe arrival back in Helsinki on page 48. More…

The joy of work

24 October 2011 | Fiction, Prose

Short prose from Sivullisia (‘Outsiders’, Like, 2011). Introduction by Teppo Kulmala

Since I’ve been unemployed, I started a blog called Outsiders. It soon came to serve as work, and I became dependent on its benefits. Although describing being an outsider helped to anaesthetise me, and verbalising all of my afternoons didn’t even take up all my time, the feedback that came in was reward enough. I wouldn’t have taken any other reimbursement anyway because of the restrictions set on recipients of government benefits. Increasingly frequently I found myself longing for more. Even a short blog comment about being an outsider felt even truer than what I with my self-employed, jobless person’s competence was able to achieve in relation to being sidelined as an unemployed person, regardless of what kind of manager I had been in my previous life. When asking for more accounts of other people’s well-being, I wanted them to use their own names. I justified this because I did not want to read lies, which often come from and lead to chatter in cafés and on the web. Apart from the pure enjoyment of being present, using one’s own name – even in wrong-headed topics or notions – makes it easier to approach the harsh laws of the working world. When one knows that by using one’s own signature one is dragging one’s family into the mire, including those who have gone before and those yet to come, one is able to blaze trails along which one can outflank the passive to activate another, equally unemployed. I did not place any further requirements on the other commenters besides first name and surname, as the rules had been drawn up by professionals in their own field. The regulator’s work also requires skill, if not a tremendous craving, for damming up another flood of text so that one’s own advantages do not have a chance to dry up. To facilitate reading for myself and others, I introduced only a couple of restrictions, which I imagined that I, too, would be able to adhere to. Only one side of a sheet of A4 was to be used – that is, one page – and what people wrote had to be true. Truth, beauty and quality ensured that everyone would begin what they had to say by writing about their current work. More stories, anecdotes, even poems piled up than the law permits me to read – much less compile – during working hours. For this book I have selected only 157 stories from the Greater Helsinki area for the sake of efficiency. The faster you can read the work, the less time it will distract you from your main job. I chose to limit things to the capital area so that the stories about well-being from individuals linked to this place would seem to form a more integral work, or document at least, about what was happening in the Big H, the centre of the nation, at the start of the millennium. I will publish the tales of work from beyond the outer ring road at some later stage, if I manage to come to an agreement with the writers concerning intellectual property rights. More…

Indifference under the axe

9 March 2012 | Essays, Non-fiction

In the forest: an illustration by Leena Krohn for her book, Sfinksi vai robotti (Sphinx or robot, 1999)

The original virtual reality resides within ourselves, in our brains; the virtual reality of the Internet is but a simulation. In this essay, Leena Krohn takes a look at the ‘shared dreams’ of literature – a virtual, open cosmos, accessible to anyone, without a password

How can we see what does not yet exist? Literature – specifically the genre termed science fiction or fantasy literature, or sometimes magic realism – is a tool we can use to disperse or make holes in the mists that obscure our vision of the future.

A book is a harbinger of things to come. Sometimes it predicts future events; even more often it serves as a warning. Many of the direst visions of science fiction have already come true. Big Brother and the Ministry of Truth are watching over even greater territories than in Orwell’s Oceania of 1984. More…

Martti Anhava: Romua rakkauden valtatiellä. Arto Mellerin elämä [Garbage on the highway of love. The life of Arto Melleri]

10 November 2011 | Mini reviews, Reviews

Romua rakkauden valtatiellä. Arto Mellerin elämä
[Garbage on the highway of love. The life of Arto Melleri]
Helsinki: Otava, 2011. 687 p., ill.
ISBN 976-951-1-23700-6
€ 36, hardback

Arto Melleri (1956–2005) has been called the last Finnish bohemian poet. At the age of 35, he received the Finlandia Prize for a collection of poetry entitled Elävien kirjoissa (‘In the books of the living’) as well as an invitation to the Independence Day celebrations at the Presidential Palace, from which he was thrown out. The literary editor Martti Anhava traces his friend’s life from his schooldays in Ostrobothnia to his turbulent life in Helsinki. There are interviews with family members, friends, writers, musicians, theatre-makers; Melleri wound up studying dramaturgy at the Theatre Academy. The year 1978 saw the presentation of Melleri, Jukka Asikainen and Heikki Vuento’s play Nuorallatanssijan kuolema eli kuinka Pete Q sai siivet (‘The death of a tightrope walker or how Pete Q got wings’). Breaking completely with the mainstream political theatre of the 1970s, it became a cult show. The last volume by this poet of bold, often cruelly romantic visions was Arpinen rakkauden soturi (‘The scarred soldier of love’, 2004).
Translated by Hildi Hawkins