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The Session

30 June 1982 | Archives online, Fiction, Prose

Pappas flicka (‘Daddy’s girl’, 1982), an extract of which appears below, is published in Finland by Söderstrom & C:o and in Sweden by Norstedt. The Finnish translation is published by Tammi. Introduction by Gustaf Widén

At first I say nothing, as usual.

Dr Berg also sits in silence. I can hear him moving in his chair and try to work out what he’s doing. Is he getting out pen and paper? Or perhaps he has a tiny soundless tape-recorder he is switching on.

Or is he just settling down, deep down into his armchair, one leg crossed over the other, like Dad used to sit? I used to climb up on to his foot. The he would hold my hands and bounce his foot up and down, and you had to say “whoopsie” and finally with a powerful kick, he would fling me in the air so that I landed in his arms.

I have worked it out that the little cushion under my head is to stop us lunatics from turning our heads round to look at Herr Doktor.

It would certainly be nice to sit bouncing up and down on Dr Berg’s foot. His ankle would rub me between my legs …

I soon start feeling ashamed and blush.

“Mm,” says Dr Berg, as if reading my thoughts. Or can he see my face from where he is sitting? I try rolling my eyes up to catch a glimpse of him, but all I can see is the ceiling with all its thick beams.

“I seem to have been here before,” I say. More…

Like father, like daughter

31 March 1999 | Archives online, Fiction, Prose

Extracts from Tom Tom Tom (Gummerus, 1998). Introduction by Soila Lehtonen

A father and daughter in a hospital back garden

Bits of nail flick to the ground as Kokko cuts Tom’s nails, leaving rather brittle nail-ends among the lichen. In the middle of the hospital afternoon they’ve made their way down to the little park, to care for the hands of both of them, all four.

In the days before Africa Tom used to nurse Kokko on the living-room sofa and cut the nails on her most difficult hand, pushed the cuticles back and taught her the care that ought to be taken of nails, or she’d have smarting and pain round the cuticles. Kokko used to plead to be taken into his nail cutting lap oftener than she should, even when she’d really have preferred to grow longer nails. More…

The enchanted garden

31 December 1993 | Archives online, Fiction, Prose

An extract from Säädyllinen murhenäytelmä (‘A respectable tragedy’, 1941). Introduction by Soila Lehtonen

Artur sat on the balcony and contemplated the windowpanes, hot and bright as dragonfly’s wings. He reached into his pocket and produced an ivory cigarette-holder, inserted a fresh salt-capsule and a cigarette, and began smoking, but the cigarette was not to his taste. His mouth felt hot and dry; he probed the roof of his mouth with his tongue.

An ant was making its way across the floor; Artur’s gaze rested on the garden’s universe of flowerbeds, swarming with insects and blooms; the atmosphere in the garden had the tint of hot dust, apart from the lawn, with its limeblossom-tinged half­ light. He started to make for the garden: the flowers would all be needing water, and he could go for a swim in the pond. But first he wanted to take a look at his mother: she might manage an hour’s sleep in this heat. He tapped a drift of blue-grey cigarette­ash onto the floor. He tiptoed heavily to the old lady’s door, making the floorboards creak, and opened it a fraction. In the green aqueous light thrown by the blind he could make out the reposing outlines of a weak, almost immaterial body; her throat and chest moved gently under her star-crocheted lace, but otherwise the old lady was sleeping lightly as a bird. More…

Letters from Tove

6 October 2014 | Extracts, Non-fiction

Tove Jansson went to  Stockholm to study art when she was just 16. A letter to her friend Elisabeth Wolff, from November 1932

Early days: Tove Jansson went to Stockholm to study art when she was just 16. A letter to her friend Elisabeth Wolff, from November 1932

Artist and author Tove Jansson (1914–2001) is known abroad for her Moomin books for children and fiction for adults. A large selection of her letters – to family, friends and lovers – was published for the first time in September. In these extracts she writes to her best friend Eva Konikoff who moved to the US in 1941, to her lover, Atos Wirtanen, journalist and politician, and to her life companion of 45 years, artist Tuulikki Pietilä.
Brev från Tove Jansson (selected and commented by Boel Westin and Helen Svensson; Schildts & Söderströms, 2014; illustrations from the book) introduced by Pia Ingström

7.10.44. H:fors. [Helsinki]

exp. Tove Jansson. Ulrikaborgg. A Tornet. Helsingfors. Finland. Written in swedish.
to: Miss Eva Konikoff. Mr. Saletan. 70 Fifty Aveny. New York City. U.S.A.

Dearest Eva!

Now I can’t help writing to you again – the war [Finnish Continuation War, from 1941 to 19 September 1944] is over, and perhaps gradually it will be possible to send letters to America. Next year, maybe. But this letter will have to wait until then – even so, it will show that I was thinking of you. Curiously enough, Konikova, all these years you have been more alive for me than any of my other friends. I have talked to you, often. And your smiling Polyfoto has cheered me up and comforted me and has also taken part in the fortunate and wonderful things that have happened. I remembered your warmth, your vitality and your friendship and felt happy! At first I wrote frequently, every week – but after about a year most of it was returned to me. I wrote more after that, but the letters were often so gloomy that I didn’t feel like saving them. Now there are so absurdly many things I have to talk to you about that I don’t know where to begin. Koni, if only I’d had you here in my grand new studio and could have hugged you. After these recent years there is no human being I have longed for more than you. More…

Brief lives

30 September 1989 | Archives online, Fiction, Prose

Rosa Liksom’s characters live in the tiny villages of empty Lapland, speaking a dialect that rings oddly in the ears of the southern Finnish majority; or they may inhabit anonymous towns, but there, too, life is full of the anguish of existence. Liksom, whose black comedy can be compared with that of the Danish writer Vita Andersen, is able to cram into her short texts complete life histories, bizarre, comic or tragic. Her first volume of short stories, Yhden yön pysäkki (‘One night stand’) appeared in 1985; the following short stories are from Tyhjän tien paratiisit (‘Paradises of the open road’, 1989)

We got hitched up the 14th of November and by the end of the month it was all over. As far as I’m concerned call it a marriage exactly two weeks too long. We hadn’t set eyes on each other till the Pampam that’s the place me and the girls go after work for a drink and I was sitting there having one with them when who comes through the door but this bloke and it hits me. That bloke’s for me. In the end I went over to his table and said up yours stud. We went over to my place to bunk down and after that I couldn’t get the sod out. The bloody shitbag got his claws into me and hung on just on the strength of that one night. He glued himself to my bed. Lay there flat out when I set off to work and shit he was still there when I came back only arse up this time. More…

Great leap forward

31 March 1998 | Archives online, Authors, Reviews

The popular Finnish children’s author Zachris Topelius (1818–1898) was also a brilliant chronicler of the coming of the industrial revolution to Finland. ‘A road made of iron?’ That is the reaction of Matti, farmer and crofter, when his local vicar tells him about the wonder of railway travel. Familiarity may have dulled the astonishment and excitement of the celebrated short story Rautatie (‘The railway’, 1884) by the classic writer Juhani Aho (1861–1941) – but that is an occupational hazard for classics. [The first English translation 2012, The Railroad, by Owen Witesman]

Even in remote areas of Finland the railway, this new industrial mode of transport, spread, at first as an almost incredible piece of news. ‘Thought he could trick me!’ snorts Matti on his way home from the vicarage. More…

Getting by

18 May 2012 | Non-fiction, Reviews

To school: children on the march – no buses or taxis in the Finnish countryside after the war. Photo: the cover of Kauaksi kotoa

Kauaksi kotoa. Muutoksen sukupolvi kertoo
[Far from home. Stories of the change generation]
Toim. [Ed. by] Anja Salokannel & Kaija Valkonen
Helsinki: Kirjapaja, 2012. 320 p.
ISBN 978-952-247-291-5
€32.90, hardback

The post-war period in Finland was a time of hope and reconstruction, of procreation and tough, grey heroism. Finland picked itself up by the bootstraps, as fathers who had been ‘driven mad in the war’, who took to drink or spat blood because they had shrapnel in their lungs, built veterans’ houses around the small towns and cleared fields in the backwoods. More than 83,000 men were killed in the wars (Winter War 1939–1940, Continuation War 1941–1944).

Mothers worked like men. The baby boomers – the demographic peak which consists of those born between the war years and 1950 (in 1946–1949 more than 100,000 babies were born each year, compared to some 60,000 in 2011) – had to be fed and clothed and educated for a better and more prosperous future.

Now the baby boomers have started to retire. Editors Anja Salokannel and Kaija Valkonen (baby boomers themselves) have compiled the book Kauaksi kotoa. Muutoksen sukupolvi kertoo (‘A long way from home. Stories of the change generation’), in which 21 men and women talk about their lives during the decades of change. More…

Me and my shadow

7 March 2013 | Fiction, Prose

Hotel Sapiens is a place where people are made to take refuge from the world that no longer is habitable to them; the world economy has fallen – like the House of Usher, in Edgar Allan Poe’s story – and with it, most of what is called a civilised society. A rapid synthetic evolution has taken humankind by surprise, and the world is now governed by inhuman entities called the Guardians. ‘Kuin astuisitte aurinkoon’ (‘As if stepping into the sun’) is a chapter from the novel Hotel Sapiens ja muita irrationaalisia kertomuksia (‘Hotel Sapiens and other irrational tales’, Teos, 2012), where several narrators tell their stories

The fog banks have dissipated; the sky is empty. I cannot see the sails or swells in its heights, nor the golden cathedrals or teetering towers. I would not have believed I could miss a fog bank, but that’s exactly what it’s like: its disappearance is making me uneasy. For all its flimsiness and perforations it was our protection, our shield against the sun’s fire and the stars’ stings. Now the relentlessly blazing sun has awakened colours and extracted shadows from their hiding places. The moist warmth has dried into heat and the Flower Seller’s herb spirals have dried up into skeletons. The leaves on the trees are full of bronze, sickly red and black spots. Though there is no wind and autumn is not yet here, they come loose as if of their own volition, as if they wanted to die.

This morning, as I was strolling up and down the park path as usual, I saw another shadow alongside my own.

– Ah, you’re back! I said. – I wondered what had happened to you after you lost your shadow; how did you manage to change into your own shadow yourself? More…

Coming up…

19 March 2012 | This 'n' that

Landing: a red-throated diver. Photo: Heikki Willamo

Photographer and writer Heikki Willamo specialises in the fauna and flora of Finnish forests. Fascinated also by abandoned houses, he has caught of glimpses creatures claiming windowless buildings and deserted rooms as their own: raccoons, birds, mice and foxes.

His new book examines the seasons in an area of 200 hectares in southern Finland, protected from forestry and other use. Willamo spends days and nights capturing what he sees in black-and-white photographs. His thoughts also wander, taking stock of his experience of life. We publish extracts and photos from Vuosi metsässä (‘A year in the forest’, Maahenki, 2012).

Joni Krekola: Maailma kylässä 1962. Helsingin nuorisofestivaali [The world comes to visit in 1962. Helsinki’s youth festival]

3 August 2012 | Mini reviews, Reviews

Maailma kylässä 1962. Helsingin nuorisofestivaali
[The world comes to visit in 1962.  Helsinki’s youth festival]
Helsinki: Like, 2012. 310 p., ill.
ISBN 978-952-01-0757-4
€ 27.10, paperback

In the summer of 1962, in the middle of the Cold War, a week-long youth festival was held in Helsinki. Behind the scenes of the event a propaganda war between East and West was being waged, something not uncommon at such festivals, which were the venue for meetings of the International Union of Socialist Youth (IUSY, founded 1907). The main organisers were the World Federation of Democratic Youth (WFDY, 1945), generally regarded as a Soviet propaganda agency, and the International Union of Students (IUS, 1946). The Finnish government’s initially lukewarm attitude to the event turned more positive as a result of the influence of the the Soviet Union. Helsinki hosted some 12,000 guests from all over the world at the ‘Peace and Friendship’ festival, with a couple of thousand Finns taking part. To Finns, the festival introduced colourful and exotic foreign life, a novelty in the country at the time. Resistance to the festival sparked youth riots which were suppressed by the police, and a smaller shadow event was organised mainly with CIA funding. Although the press condemned the unrest, it kept fairly silent about the festival itself. According to Joni Krekola, however, it was a success; in his interesting book he studies a major event that historians have overlooked, its diverse programme, its side- and after-effects, and its wider impact on society.
Translated by David McDuff

Leena Liukkonen: Aatos

12 March 2015 | Mini reviews, Reviews

LiukkonenAatos
Helsinki: Siltala, 2014. 155 pp.
ISBN 978-952-234-225-6
€28.50, hardback

Aatos Erkko (1932–2012) was a prominent newspaper publisher and principal owner of the Sanoma group; the company’s largest and most prestigious paper is Helsingin Sanomat. Reticent by nature and possessed of a difficult personality, Erkko nonetheless tried to act in accordance with his ideals. Rarely seen in the public eye, during his lifetime he was considered one of Finland’s most influential forces behind the scenes. Even though he was not keen on taking over the reins of the paper from his father Eljas (son of the original founder) whose wish it was, Aatos Erkko took the role seriously, developing Helsingin Sanomat into the Nordic region’s largest newspaper. Journalist and writer Leena Liukkonen’s small-scale, warm-hearted portrait is based mostly on Erkko’s later years, making use of discussions and correspondence, as well as interviews recorded by a Swedish colleague. Known as Finland’s richest man, Erkko talks frankly about his difficult relationship with his parents, and the disappointments of his life. The book leaves the impression of a friendship portrayed in terms that are open and honest.

Translated by David McDuff

Temporarily out of order

10 May 2012 | Fiction, Prose

Extracts from the novel Hullu (‘The lunatic’, Teos, 2012). Introduction by Soila Lehtonen

I found myself standing in front of the noticeboard. The rules were on a sheet of paper:

Ward 15 5-C
MEAL TIMES:

Breakfast 8:00 AM
Lunch 11:45 AM
Dinner 4:30 PM
Evening Snack 7:30 PM
COFFEE:
After lunch
We recommend leaving money, valuables, and bankbooks for storage in the ward valuables locker. We take no responsibility for items not left in the locker! Money may be retrieved 1–3 times per day. Use of mobile phones on the ward by arrangement.
VISITING HOURS:
M–F 2–7 PM
Sa–Su 12–7 PM
PERSONAL CLOTHING:
Use of one’s own clothing by individual arrangement. Clothing care individual. Washer and dryer available for use in the evenings after 6 PM.
OUTDOOR RECREATION:
Arranged individually according to health condition. Outdoor pass does not include the right to leave the area.
VACATIONS:
Vacations arranged during morning report, according to health condition.
NOTA BENE!
Smoking is only allowed on the smoking balcony! Smoking prohibited from 11 PM to 6 AM.
Pastor Karvonen available by appointment.

These were impossibly difficult rules. I read them through three times and simply did not understand. ‘Clothing care individual.’ ‘Outdoor pass does not include the right to leave the area.’

What did these sentences mean? With whom did you schedule the pastor and how? And why? More…

The almost nearly perfect travel book

4 April 2014 | Articles, Non-fiction

Illustration: Joonas Väänänen

Illustration: Joonas Väänänen

The question of what foreign people think of us Finns, and Finland has always been a particularly burning one in these latitudes: a young nation, a small people. Can we be as good as bigger and wealthier nations? Tommi Uschanov reads a new book on the Nordic countries published in England, keeping a sharp eye on what is being said about…. Finland, naturally

When an article based on The Almost Nearly Perfect People: The Truth About the Nordic Miracle by Michael Booth was published last January in the London Guardian, there was a nationwide outcry in Finland. ‘Finland being bashed in the British media,’ one tabloid headlined grandiosely, while a sober financial paper spoke of ‘a broadside full of stinky stuff’. It takes a re-reading of the article after having read the book to understand why. To create an artificial atmosphere of controversy, the article is lop-sidedly critical of Finland in a way which the book goes out of its way to avoid.

The Almost Nearly Perfect People belongs in a by now time-honoured genre within English letters: the humorous encomium to a host culture by an expatriate – or immigrant, as we hosts impolitely insist on calling them. The only difference is that Michael Booth, a British food and travel writer, does not discuss only Denmark, where he has lived for a decade, but visits each of the other four Nordic countries in turn. More…

Panem et circenses, Part II

10 May 2012 | This 'n' that

The Guggenheim Foundation's global network of museums

Helsinki has said no thanks to a new Guggenheim art museum in the city – for the time being, at least.

On 2 May the City Council voted 8-7 against the mayor’s motion to build such a gallery in Helsinki. Politically, the move was supported by the National Coalition Party and the Swedish People’s Party, while the Greens and the left-wing parties opposed it.

What happens after the upcoming national elections – in autumn this year – is another matter. The director of the Guggenheim Foundation, Richard Armstrong, is persistent: he says he wants Helsinki.  Well, if the Foundation offers a better deal in the future, the proposal may be considered again.

Three months ago we wondered – see Panem et circenses – whether ‘the people of Helsinki wish to begin to pay additional taxes for the revival, yet again, of the age-old dream of guaranteeing Finland “a place on the world map”, in a situation where economic difficulties are a matter of everyday life for increasing numbers of them? (We believe, incidentally, that Finland already has an appropriate place on the world map.) Will their opinion be asked, or heard?’ More…

Dear diary

18 October 2012 | Authors, Extracts, Non-fiction, poetry

The poet and translator Pentti Saarikoski (1937–1983) was a legend in his own lifetime, a media darling, a public drinker who had five children with four women. His oeuvre nevertheless encompasses 30 works, and his translations include Homer and James Joyce. The journalist Saska Saarikoski (born 1963) has finally read all that work – in search of the father whom he seldom met. The following samples are from his annotated selection of Pentti Saarikoski’s thoughts over 30 years, Sanojen alamainen (‘Servant of words’, Otava, 2012; see Figuring out father)

I try to write books whose reading will bring enjoyment, in other words not entertaining ones.
Suomentajan päiväkirjat
(‘Translator’s diaries’, 1970)

The term ‘world literature’ was invented by Goethe to describe the importance of Goethe.
Päiväkirjat (‘Diaries’, 1978)

A work of art is bad if it ‘makes you think’. About something other than itself. What is wrong with ‘art for art’s sake’ – or bread for bread’s sake? Art is art and bread is bread, and people need both in their diet.
Päiväkirjat (‘Diaries’, 1978) More…