Search results for "2010/02/2011/04/2009/10/writing-and-power"
Winner of the Nordic Council Literature Prize
6 November 2014 | In the news

Kjell Westö. Photo: Kata Portin
The Nordic Council Literature Prize 2014 went to Kjell Westö and his novel Hägring 38 (‘Mirage 38’, 2013; in Finnish, Kangastus 38). The prize, awarded since 1962 and worth €47,000, was given on 29 October at a ceremony in Stockholm.
Among the 13 nominees was another Finn, the poet Henriikka Tavi with her collection Toivo (‘Hope’, 2011).
The jury said: ‘The Nordic Council Literature Prize goes to the Finnish writer Kjell Westö for the novel Mirage 38, the evocative prose of which breathes life into a critical moment in Finland’s history [the time before the Winter War, 1939–1940] – one that has links to the present day.’ Here, more on Westö and his winning novel.
Katja Hagelstam & Piëtke Visser: 20+12 design stories from Helsinki
4 April 2012 | Mini reviews, Reviews
20+12 design stories from Helsinki
Helsinki: WSOY, 2011. 191 p., ill.
ISBN 978-951-0-38120-5
€35, hardback
In Finnish:
20+12 muotoilutarinaa Helsingistä
ISBN 978-951-0-38136-6
In celebration of Helsinki’s status as World Design Capital 2012 comes this volume of vignettes of the city’s designers. Twenty Helsinki designers and artists – from textile designers and animators to illustrators and industrial designers – are interviewed by Eva Lamppu about their work and the inspiration they find in their city. The result, handsomely illustrated with atmospheric photographs by Katja Hagelstam, is a fascinating composite portrait, a colourful patchwork of creative lives lived out against the compact and interconnected fabric of this small northerly capital, which – not unexpectedly – is revealed as both sympathetic and conducive to good design. The book is rounded off by suggestions from 12 people active in creative fields on the city’s future. A fascinating and heartwarming study.
Markku Kuisma: Saha. Tarina Suomen modernisaatiosta ja ihmisistä jotka sen tekivät [The sawmill. A story about Finnish modernisation and the people who realised it]
29 May 2012 | Mini reviews, Reviews
Saha. Tarina Suomen modernisaatiosta ja ihmisistä jotka sen tekivät
[The sawmill. A story about Finnish modernisation and the people who realised it]
Helsinki: Siltala, 2011. 235 p.
ISBN 978-952-234-069-6
€ 34.90, hardback
In his new book Professor Markku Kuisma, a specialist in economic history, approaches the modernisation of Finland in the 19th century from the perspective of the sawmill industry. In the mid 19th century, Finland’s forest reserves were, in relation to its population, among the greatest in Europe. The rise of the sawmill industry was made possible by Britain’s removal of taxation on industrial imports, the development of Finland’s railways and other means of transport, the removal of Finnish restrictions on the timber industry, the spread of steam saws and changes in society. The foundations of the breakthrough of the sawmill industry were laid in the 1860s, but it began to flourish gradually. Between the two world wars Finland became Europe’s biggest exporter of timber, and for a long time the country derived most of its export income from timber products. Kuisma also draws interesting portraits of the men who made the change possible both in government administration and economic life and laid the basis for industrial dynasties. Saha is a concise but illuminating and engrossing introduction to an important phase in the development of Finnish economic life.
Translated by Hildi Hawkins
A fleeting scent
24 October 2013 | Fiction, poetry
Poems from Öar i ett hav som strömmar (‘Islands in a flowing sea’, Schildts and Söderströms, 2013). Introduction by Michel Ekman
A fig wasp’s life
She squeezes in. The opening closes and the world overflows. She swims in the sweet flowing moisture. In the sycamore fig tree, a myriad of delicate white blossoms have burst out. For her eyes alone, a damp garden, alabaster-clear. The home she’s been longing for. There she lays her eggs, empties her pouches. Tiny little pollen grains for the tiny little blossoms. Membranes form round the eggs, they live off the sweetness, it rocks them gently. Fine, frail swaying thicket of embryos More…
Maria Vuorio: Kuningattaren viitta ja muita kiperiä kysymyksiä [The Queen’s cloak and other knotty issues]
19 January 2012 | Mini reviews, Reviews
Kuningattaren viitta ja muita kiperiä kysymyksiä
[The Queen’s cloak and other knotty issues]
Kuvitus [Ill. by]: Virpi Talvitie
Helsinki: Tammi, 2011. 71 p.
ISBN 978-951-31-6252-8
€ 20.60, hardback
The style of Maria Vuorio’s books demands quiet concentration – but you could get quite hooked on their slow, thoughtful, gentle story-telling. Vuorio carries on the tradition of classic animal fables, following in the footsteps of Hans Christian Andersen, but with a personal twist. She is masterful in describing different emotional states – whether evoking the inner lives of humans or of anthropomorphised animals. Her stories and fairy tales hand the reader a magnifying glass that brings into view even the smallest, most insignificant creature or thing. The entire universe is present in the stories, for example when an earthworm ponders the meaning of life, a bear breaks into the National Museum, or a noxious insect imperils cultural exchange between Finland and Denmark. Talvitie has drawn an allegorical picture for each tale.
Translated by Fleur Jeremiah and Emily Jeremiah
New library for Helsinki
20 June 2013 | In the news

The new Helsinki library: Käännös by ALA Architects Ltd
The city of Helsinki will have a new Central Library in the near future: an architectural competition for a new building was completed in June. The winner, chosen out of 554 entries, foreign and Finnish, is entitled Käännös (‘Turn’ – or ‘Translation’), entered by the Finnish ALA Architects Ltd (architects Juho Grönholm, Antti Nousjoki, Janne Teräsvirta, Samuli Woolston). The entry was also one of the favourites with the public in an earlier stage of the competition.
The jury’s decision was unanimous: in their opinion, Käännös is ‘impressive’ and ‘casually generous’; it fits into the urban structure as an feasible, usable and ecological construction. The site could not be more central: close to the citys’ railway station, it faces the House of Parliament, next to the Museum of Contemporary Art Kiasma and the new Music Centre (opened 2011): literary art and literature will join the other art forms.
Tchotchkes for the tsar
11 August 2011 | Reviews

Cornflower and ear of oats: one of the several Fabergé gemstone ornaments now owned by Queen Elizabeth of England (gold, rock crystal, diamonds, enamel, ca 18 cm)
Ulla Tillander-Godenhielm
Fabergén suomalaiset mestarit
[Fabergé’s Finnish masters]
Design: Jukka Aalto/Armadillo Graphics
Helsinki: Tammi, 2011. 271 p., ill.
ISBN 978-951-31-5878-1
€57, hardback
In its online shop, the Hermitage Museum in St Petersburg sells a copy of a most delicate, enchanting little nephrite-and-opal lily of the valley that perfectly imitates nature, sitting in a vase made of rock crystal that looks like a glass of water.
These small flowers made of gold and gemstones were manufactured by the jeweller Fabergé a hundred years ago. The lily of the valley was the most frequently used floral motif in the Fabergé workshops – it was the favourite flower of Empress Alexandra (1872–1918), and the imperial family was the the foremost client of the world’s foremost jeweller.
The replica (13.5 centimetres high) is available at the Hermitage as a ‘luxury gift’ for the price of mere $3,300. (N.B. Since we published this review, the ‘luxury gift’ items seem to have disappeared from the Hermitage online shop selection, so we have removed the link. Several Fabergé egg replicas are available though, ranging in price from $200 upwards – link below.)
For those who feel the price is excessive, there is also a rather modestly-priced little bay tree (original: gold, Siberian nephrite, diamonds, amethysts, pearls, citrines, agates and rubies as well as natural feathers, about 30 centimetres tall, featuring a little bird that emerges flapping its wings and singing when a small key is turned) at just $ 219,95. Despite its form, it is classified as one of the famous imperial Easter eggs. (However, as I write, this item is unfortunately sold out…) More…
Peter von Bagh: Junassa [On the train]
26 August 2011 | Mini reviews, Reviews
Peter von Bagh
Junassa
[On the train]
Helsinki: Love Kirjat / WSOY, 2011. 255 p., ill.
ISBN 978-951-0-37921-9
€18, hardback
Professor Peter von Bagh, a film director and academic, is the author of a wide range of books on the history of film and culture. In this small-scale volume of essays, he investigates the significant role played by trains and railways in cinematic plot structures since the days of silent film. The text chugs along in a series of snippets, reminiscent of a rail passenger’s experience of scenery zipping past. This book looks at classics of the film noir, Western and romance genres, along with films that have used trains as a deeper metaphor for life. von Bagh also considers the critically derided but widely loved Finnish popular culture from the 1940s and ’50s, as well as fiction. For example, author Juhani Aho’s first novel, Rautatie (‘The railway’, 1884), depicted an individual’s first experience of a train journey with a degree of authenticity that it can be compared to the uproar the Lumière brothers’ early films generated among the audiences. Unfortunately Junassa lacks an index of the works and people mentioned in the text.
Translated by Ruth Urbom
Reflections on light
24 September 2014 | Extracts, Non-fiction

Speaking House #12, 2006. Photo: Marja PIrilä
A camera obscura (‘darkened room’) is the optical device that made photography possible; it is a box – or a room – with a hole in one side. Photographer Marja Pirilä has been using this method as a tool for almost 20 years. The book Carried by Light spans more than 30 years of her photography.
In the book artist and researcher Jyrki Siukonen notes in his essay ‘Eyes and Cameras’ that ‘in photographing spaces Pirilä also depicts people. The dreams continue on the walls of the empty building, as if after the people the house had become like them and were dreaming the dreams itself.’
Photographs and text extracts from Carried by Light by Marja Pirilä (Musta Taide, 2014)
Age before beauty?
5 April 2012 | This 'n' that

Buranovskiye Babushki: Udmurt originality. Photo: Wikipedia/Larisa Gorbunowa, 2011
We can’t be the only ones to have a secret fondness for the Eurovision Song Contest– however cheesy the offerings, however rigged or outright political the voting, however bored or drunken the presenters (or maybe that’s only in the UK). Camp, innocent, calculating, so ugly it’s beautiful (or vice versa). In fact, we suspect that’s why we like it so much.
In the 57th Contest, to be held in Azerbaijan in May, Russia is to be represented by the song ‘Party for everybody’ by a group of eight old ladies, the Buranovskiye Babushki, from the republic of Udmurtia, deep in the heartland of the Russian Federation, some 1400 kilometres from Moscow. More…
Vesa Heikkinen & Harri Mantila: Kielemme kohtalo [The fate of Finnish]
14 October 2011 | Mini reviews, Reviews
Kielemme kohtalo
[The fate of Finnish]
Helsinki: Gaudeamus, 2011. 235 p.
ISBN 978-952-495-188-3
€ 32, paperback
This book sets out to examine the reasons behind concerns about the decay of the Finnish language. The authors maintain that linguistic immutability is too often taken to be a synonym for ‘good’ language, even though a living national language is capable of picking up new influences all the time without being in danger of destruction. The factor which the authors consider to be the greatest threat to Finnish is not youth slang, global English, or immigration but Finglish, the practice of using a mixture of Finnish and English, which has become widespread in research, commerce and government. The names of companies and public bodies are changed into opaque English-language abbreviations. Linguists are also concerned by the bureaucratisation of language that is often linked with public-sector reforms. Increasing linguistic inequality is the most serious threat described in this book: in the worst-case scenario, children’s and young people’s poor skills in Finnish could increase the gaps between classes in society and give rise to a growing mass of the excluded alongside an elite who are well-versed in the nuances of the language.
Translated by Ruth Urbom
Word-flames
1 March 2012 | Fiction, poetry
Harri Nordell breaks up grammar, invents words and leaves sentences unfinished. His poems are like minimalist, language-shattering sculptures of words. In her introduction Tarja Roinila compares Nordell’s poems to windows on to another world
Poems from Sanaliekki äänettömyydessä. Valitut runot 1980–2006 (‘Word-flame in silence. Selected poems 1980–2006’, WSOY, 2011)
You are beautiful
light-cupola-ecstasy of the eye
I look at you
from I-silence
daughter, bringer of the Word
involvement has been inscribed
with the name’s black reed
Girl, salt-grain of light
the mighty river of blood rinses memory,
otherness has come through us
Pentti Sammallahti & Finn Thrane
Here, now
1 October 2012 | Extracts, Non-fiction

Beijing, China, 1989. Photo: Pentti Sammallahti
Photographer Pentti Sammallahti (born 1950) has travelled widely over six decades; his mostly black-and-white photographs portray humans, animals, cities as well as open landscapes, in Nepal, France, Kalmykia, the US, Morocco, Russia – in more than 40 countries. His beautifully executed retrospective work, entitled ‘here far away’, containing more than 250 photographs, is introduced by Finn Thrane
Here far away is a retrospective work that comprises nearly fifty years of photographic activity and unfolds in almost as many countries. Despite this, Pentti Sammallahti’s discreet title points to the paradox that the photograph always represents a here-and-now: an encounter in the exhibition or on the page of the book between artist and viewer, which is of course subject to the law of mutability, but constantly reflects the capacity of the two to enter into a dialogue, to extend the picture’s mirror of the past into the viewer’s present and future. More…
Art online
23 May 2013 | In the news

Helene Schjerfbeck’s The convalescent (1888) on the cover of the guidebook of the Ateneum Art Museum
Attention lovers of Finnish art: the Ateneum Art Museum in Helsinki has joined the international Google Art Project (begun in 2011), with 260 participating art institutes and more than 40,000 works of art as high-resolution images.
The website also includes information on the paintings. Among the 55 images from Ateneum on show now are many of the great works of the golden period of Finnish art (1880–1910), including Hugo Simberg’s darkly cute The Garden of Death, Albert Edelfelt’s heartbreakingly beautiful Conveying a Child’s Coffin, Akseli Gallen-Kallela’s classic portrayal of grief, Lemminkäinen’s mother, and – a personal favourite here at the Books from Finland office – Magnus von Wright’s evocative Annankatu Street on a Cold Winter’s Morning.
The Ateneum has few foreign works of art; in the Google Art collection now there are one Rodin, a Modigliani, a van Gogh and two Gauguins.