Search results for "2010/05/2011/04/matti-suurpaa-parnasso-1951–2011-parnasso-1951–2011"
Stars above
30 December 1998 | Fiction, Prose
Extracts from the novel Benjamins bok (‘Benjamin’s book’, Schildts, 1997)
There are people who feel they are in contact with the stars. Among those who carry their secret knowledge around with them are both the healthy and the ‘sick’. Now I remember Olli stretching his arm out towards the evening star and seeming to greet it. For others, for me, the starry heavens are a form of distant vertigo. All those milky ways and galaxies, how could they not be inhabited, have developed a culture far older than our own. Perhaps they have watched the development of our planet with distaste, and are waiting for its ruin, which according to their calculation of time will take place in a few years or days from now. If I listen closely I seem to be faintly approached by a celestial choir, composed of indistinct sounds; if I stand on a lonely road in the country, and look up at the sky, the light and faint murmur from a nearby town emerge, and can be separated from the faint voices of the starry heavens. It is probably just my imagination. Perhaps it is an extension of that voice – anonymous, quiet – that I hear when I read a book. A good book is audio-visual. And no harm is done if it gives the reader a mild sense of vertigo. More…
The Finlandia prizes: Non-fiction, Junior
28 November 2013 | In the news
Ville Kivimäki. Photo: Pertti Nisonen
The Finlandia Prize for Non-Fiction 2013, worth €30,000, was awarded on 21 November to the historian Ville Kivimäki for his book Murtuneet mielet. Taistelu suomalaissotilaiden hermoista 1939–1945 (‘Broken minds. The battle ofor the nerves of Finnish soldiers 1939–1945’, WSOY).
The other works on the shortlist of six were as follows: 940 päivää isäni muistina (‘940 days as my father’s memory’, Teos; a book on Alzheimer’s disease) by Hanna Jensen, Kokottien kultakausi: Belle Epoquen mediatähdet modernin naiseuden kuvastimina (‘The golden era of the cocottes: the media stars of Belle Epoque as mirrors of modern femininity’, Finnish Literature Society) by Harri Kalha, Viipuri 1918 (‘Vyborg 1918’, Siltala) by Teemu Keskisarja, Suomi öljyn jälkeen (‘Post-oil Finland’, Into) by Rauli Partanen, Harri Paloheimo and Heikki Waris and Vapaalasku – tieto, taito, turvallisuus (‘Freestyle – knowledge, skill, safety’, Kustannus Oy Vapaalasku) by Matti Verkasalo, Jarkko-Juhani Henttonen and Kai Arponen.
The prize-winner was chosen by the director of the Ateneum Art Museum, Maija Tanninen–Mattila. In her celebratory speech she said: ‘The symptoms of many psychologically disturbed soldiers remained untreated during the war. For many, their symptoms appeared only after the war. Their experiences have remained unexpressed in language, the history of those who lack history. Ville Kivimäki has given voice to these experiences… and succeeded in writing a book that speaks across the generations.’
In his acceptance speech Ville Kivimäki (born 1976) commented: ‘The great majority of the war generation is now dead, and the words of a youngish scholar cannot, even when successful, reach those traumatic experiences whose depth we can never fully understand. But all the same, I would like to take this opportunity to say something that should have been said years ago: the psychological injuries of the war were war wounds in exactly the same sense as physical ones. In the end anyone could suffer a psychological breakdown.’
Kreetta Onkeli. Photo: Jouni Harala
The Finlandia Junior Prize 2013 was awarded on 26 November, also worth €30,000. It went to Kreetta Onkeli for her book Poika joka menetti muistinsa (‘The boy who lost his memory’, Otava).
Arto, 12, gets such a massive fit of laughter that he loses his memory and needs to find his identity and his home in contemporary Helsinki.
The winner was chosen from the shortlist of six by Jarno Leppälä, a media personality and member of the popular stunt group Duudsonit, the Dudesons. At the award ceremony he said:
‘Poika joka menetti muistinsa is, in my opinion, a well-written story about how young people in society are put on the same starting line and expected to do equally well in all circumstances – often irrespective of the fact that their starting points may actually be very different, and completely independent of the young people themselves.’
Kreetta Onkeli (born 1970) explained in her award speech how her aim was to write a proper, old-fashioned novel for children: ‘Not hundreds of pages of magic tricks but ordinary, real contemporary life that children could identify with.’ In her opinion the current, massive trend of fantasy has narrowed the scope of children’s literature.
The following five books made it on to the shortlist: Poika (‘The boy’, Like), about a boy who feels he was born in the wrong gender by Marja Björk, Hipinäaasi, apinahiisi (onomatopoetic pun, ‘Donkeymonkey’, Tammi), about bullying and friendship, written by Ville Hytönen and illustrated by Matti Pikkujämsä, Isä vaihtaa vapaalle (‘Father on his own time’, WSOY), an illustrated story about children with too busy parents, written by Jukka Laajarinne and illustrated by Timo Mänttäri, Aapine (‘ABC’, Otava), an illustrated primer written by Heli Laaksonen in her own south-western dialect and illustrated by Elina Warsta and Vain pahaa unta (‘Just a bad dream’, WSOY) by graphic designer and writer Ville Tietäväinen and his daughter Aino, a book on a child’s nightmares.
Finlandia literary prizes are awarded by Suomen Kirjasäätiö, The Finnish Book Foundation, established in 1983.
The first Finlandia Prize for Fiction was awarded in 1984. This year it will be announced on 3 December.
Daddy’s girl
30 September 2004 | Archives online, Fiction, Prose
Extracts from the novel Maskrosguden (‘The dandelion god’, Söderströms, 2004). Introduction by Maria Antas
The best cinema in town was in the main square. The other was a little way off. It was in the main square too, but you couldn’t compare it to the Royal. At the Grand there was hardly any room between the rows, the floor was flat and there was a dance-hall on the other side of the wall, so that Zorro rode out of time with waltzes, in time with oompahs, out of time with the slow steps of tangos and in time with quick numbers. The Royal was different and had a sloping floor.
Inside, the Royal was several hundred metres long. You could buy sweets on one side and tickets on the other. From Martina Wallin’s mum. She was refined. So was everyone except us: Mum, Dad and me. More…
Thrills and spills
23 October 2009 | This 'n' that
In September the comic strip Viivi & Wagner by Juba, number two in August on the list of best-selling books (Mitä Suomi lukee, ‘What Finland reads’ – in Finnish only), gave way to Jari Tervo’s political satire Koljatti (‘Goliath’) and to a new thriller by Ilkka Remes (Isku ytimeen, ‘Strike to the core’).
Number three was Kjell Westö’s novel Älä käy yöhön yksin (in Finnish; the original, Gå inte ensam ut i natten, was published in Swedish, Westö’s mother tongue; ‘Don’t go out into the night alone’) and number four Kari Hotakainen’s novel Ihmisen osa (‘The human condition’).
Numbers eight and nine were new thrillers / crime novels by Leena Lehtolainen and Matti Rönkä. Historical novels by Kaari Utrio and Laila Hirvisaari took the fifth and sixth places.
Not surprisingly, the international bestsellers Paulo Coelho, Henning Mankell, Donna Leon and Patricia Cornwell led the translated fiction list.
As for non-fiction, the doings of Finnish Security Police interests people greatly: a history of it from 1949 to 2009 (edited by Matti Simola), entitled Ratakatu 12 (‘Ratakatu street 12’, WSOY) made its way to the top. It was followed by a biography of the industrial magnate Pekka Herlin of the Kone elevator company, Koneen ruhtinas (‘The prince of Kone’) – and Hitler by Ian Kershaw.
Growing together. New Finnish children’s books
28 January 2011 | Articles
Hulda knows what she wants! From the cover of a new picture book by Markus Majaluoma (see mini reviews*)
What to choose? A mum or dad buys a book hoping it will be an enjoyable read at bedtime – adults presume a book is a ‘good’ one if they themselves genuinely enjoy it, but children’s opinions may differ. Päivi Heikkilä-Halttunen reviews the trends in children’s literature published in Finland in 2010, and in the review section we’ve picked out a handful of the best on offer
Judging by the sheer number and variety of titles published, Finnish children’s and young people’s fiction is alive and well. If I had to describe the selection of books published in 2010 in just a few words, I would have to point to the abundance of titles and subject matters, and the awareness of international trends.
Since 2000 the number of books for children and young people published in Finland each year – including both translated and Finnish titles – has been well in excess of 1,500, and increasing, and this growth shows no signs of slowing down.
Little boys, ten-year-olds who don’t read very much and teenage boys, however, were paid very little attention last year. Although gender-specificity has never been a requirement of children’s fiction, boys are notably pickier when it comes to long, wordy books, especially those that might be considered ‘girly’. More…
Animals, thy neighbours
30 March 2005 | Authors, Reviews
Sirkka Turkka. Photo Tomi Kontio
‘Everyone’s always in a hurry. In the grave it stops.’
In her new volume Sirkka Turkka (born 1939) appears as an even greater and more pitiless poet. Niin kovaa se tuuli löi (‘So bitterly the wind struck’, Tammi, 2004) – her twelfth volume, the first having being published in 1973 – is an unadorned and searching portrayal of death and the grief that accompanies it. It takes a thoroughly mature poet to handle major feelings as uninhibitedly as she does, and without letting the empathetic glow fade under the documentation.
Animals have always played an important role in Turkka’s somewhat melancholy but vital verse, with its highly individualised concrete language. In 1987 she received the Finlandia Literature Prize for her Tule takaisin, pikku Sheba (‘Come back, little Sheba’, Tammi, 1986; see Books from Finland 4/1988). Little Sheba was a small dog, one of the poet’s dearest friends. Turkka has worked as a stable manager, and horses are frequently central in her work. Domestic and farm animals are always a presence, and here they appear as tokens of the fragility of life and mortality. A hare, a horse, a dog and a lamb are among the animals whose deaths are dramatised. More…
Writers meet again in Lahti
14 May 2009 | In the news
In other words: LIWRE at Messilä Manor
The Lahti International Writers’ Reunion (LIWRE; www.liwre.fi) will be held this year between 14 and 16 June.
In the politically and culturally active 1960s, marked by the confrontation between East and West, an idea was born to found an international, bi-annual rendezvous where writers from all over the world could freely engage in discussions on various themes.
Crème de la crème
31 January 2013 | Fiction, Prose
Such straining and pasteurising is going on in the city that Arabs and other Muslims, the unemployed, drunkards, poor people and lunatics have been eliminated. By chance I became a cultural figure, and I was invited to a cultural evening whose invitation had been personally written by the Anarchist. At the restaurant table sat the Anarchist, the Psychoanalyst and the Psychologist’s boyfriend, 20 years younger, the Journalist, the Gift-Shop Owner, a Librarian and the Deputy Rector of a community college. Accompanying me to the restaurant, too, were the Wolf and the Deer, who hadn’t been invited. Sparse white fur grew on the Wolf’s narrow muzzle and there were teeth missing from his mouth. The Deer was beautiful, with huge eyes. And of course both of them were drunk. I asked them to come along because I believed that intellectuals are warm-hearted and open-minded. A really dumb idea. More…
When the viewer vanishes
26 May 2015 | Essays, Non-fiction
For the author Leena Krohn, there is no philosophy of art without moral philosophy
I lightheartedly promised to explain the foundations of my aesthetics without thinking at any great length about what is my very own that could be called aesthetics. Now I am forced to think about it. The foundations of my possible aesthetics – like those of all aesthetics – lie of course somewhere quite different from aesthetics itself. They lie in human consciousnesses and language, with all the associated indefiniteness.
It is my belief that we do not live in reality, but in metareality. The first virtual world, the simulated Pretend-land is inherent in us.
It is the human consciousness, spun by our own brains, which is shared by everyone belonging to this species. Thus it can be called a shared dream, as indeed I have done. More…
Images of isolation
31 March 1992 | Archives online, Fiction, poetry
Poems by Helvi Juvonen, commentary by Soila Lehtonen
Little is known of the circumstances of Helvi Juvonen’s life. Her fame rests on five collections of poetry – mixing humility and celebration with an uncompromising rigour – published in the ten years before her death at the age of 40 (a sixth appeared posthumously). Her existence, in the drab surroundings of post-war Helsinki, was modest: after studies at Helsinki University, and posts as a bank clerk and proof-reader, she lived by writing and translation, including some brilliant renderings into Finnish of the poems of the 19th-century American poet Emily Dickinson.
Helvi Juvonen’s universe is crowded with ostensibly insignificant phenomena: her eye discerns a mole, lichen, dwarf-trees, a shrew; she studies tones of stone and moss; she ‘doesn’t often dare to look at the clouds’.
Us
Rocks, forgotten within themselves,
have grown dear to me.
The trees’ singing, so useless,
is my friend.
Silver lichen,
brother in beggary,
please don’t hate my shadow
on the streaked rock. More…
New from the archives
19 February 2015 | This 'n' that
Jarkko Laine. Photo: Kai Nordberg
Our archive find this week is ‘The 101 year anniversary celebration’, a short story by Jarkko Laine.
‘Child of Marx and Coca-Cola’, ‘Nordic beatnik’, Jarkko Laine (1947-2006) published his first work, a volume of poetry entitled Muovinen Buddha (‘Plastic Buddha’) in the 1960s and was immediately hailed as the mouthpiece of his generation. He went on to make his career as a literary all-rounder – poet, writer, playwright, translator, long-time editor of the literary magazine Parnasso and chair of the Finnish Writers’ Union. His wryly ironic story, ‘The 101 year anniversary celebration’ tells the story of what every writer must dread: a guest appearance in a local library where literature from the local town, let alone further afield, is regarded with suspicion.
We’ve also unearthed a 1989 interview, by our late, genial editor-in-chief Erkka Lehtola with a grey-suited Laine who looks more like a civil servant than a 1960s radical – but still doesn’t let a day go by without writing.
*
The digitisation of Books from Finland continues apace, with a total of 360 articles and book extracts made available online so far. Each week, we bring a newly digitised text to your attention.
In memoriam Kai Laitinen 1924–2013
14 March 2013 | In the news
Kai Laitinen. Photo: Ilkka Välimäki (the literature archive/Finnish Literature Society, 2006)
The journalist, critic, author and professor Kai Laitinen died on 11 March in Helsinki, aged 88.
He began his literary career as a critic in the daily paper Helsingin Sanomat in 1950. As the Editor-in-Chief of the new literary journal Parnasso he was able to promote the new trends in modernist fiction and poetry which began to flourish in post-war Finland.
Laitinen’s academic career at Helsinki University involved serving as Associate Professor and Professor of Finnish literature (1975–1989). From the 1950s onwards he was actively involved in the work of dozens of literary societies, publications and organisations, both in Finland and abroad.
Among his publications are two collections of essays, a book of memoirs and two popular books on history of literature: Suomen kirjallisuus 1917–1967 (‘Finnish literature 1917–1967’) and a more concise work, Suomen kirjallisuuden historia (1981‚ Literature of Finland in Brief), which has been published in eleven languages.
Kai Laitinen was appointed Editor-in-Chief of Books from Finland in 1976 when the little magazine, then in its tenth year, began to take the form of a proper literary journal and to be published by Helsinki University Library. He held the job until 1989.
In issue 4/1977 of Books from Finland, on the theme of the 60th anniversary of Finland’s independence and the changing role of literature, Kai wrote in the editorial: ‘Literature is, and must be, much more than a chronicle of national and social history, or the mere accumulation of changing styles and genres. So often it is an author’s critical insight or his struggle against prevailing literary norms that gives birth to the works of the greatrest artistic importance. One of the main tasks of literature, both on a national and a human level, can be summed up succinctly in two lines from T.S. Eliot’s Little Gidding – “To purify the dialect of the tribe / And urge the mind to aftersight and foresight.” This comes close to describing what Finnish literature has achieved over the past sixty years.’
T.S. Eliot was the poet who perhaps had a permanent place in Kai’s personal literary cosmos – he introduced Eliot’s poetry to Finnish readership in the late 1940s. This passage, from Little Gidding, might well serve as his epitaph.
….We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Mishaps, perhaps
30 September 1976 | Archives online, Fiction, poetry
Jarkko Laine. Photo: Kai Nordberg
Jarkko Laine (born 1947) writes both prose and verse. He is the author of several hilarious and highly imaginative novels and a pioneer of the generation of Finnish underground poets. One of the most productive of younger Finland’s poets, he draws on the language and forms of mass commercial entertainment, comics, and pop music to write about people of today.
He is currently the editorial secretary of the literary periodical Parnasso. The poem below is from his latest collection Viidenpennin Hamlet (‘Fivepenny Hamlet’, Otava 1976)
1
In Turku again
the taxi’s travelling East Street
whose wooden sides have gone,
the radio’s laryngeal with static, VHF, the driver’s
telling me the tale,
the ice hockey season’s on us already,
even though there’s rain, green in the park,
I’m staring at the lifted houses
stuffed with sleeping persons,
the landmarks are going out one by one, all of them,
you might as well be
in the middle of the sea in a rubber dinghy,
soon I shan’t recognize anything here but
the cathedral, the castle,
my own name in the telephone directory. More…