Search results for "2011/04/2010/10/2009/09/what-god-said"
Rainer Knapas: Kunskapens rike. Helsingfors universitetsbibliotek – Nationalbiblioteket 1640–2010 [In the kingdom of knowledge. Helsinki University Library – National Library of Finland 1640–2010]
9 August 2012 | Mini reviews, Reviews
Kunskapens rike. Helsingfors universitetsbibliotek – Nationalbiblioteket 1640–2010
Helsingfors: Svenska litteratursällskapet i Finland, 2012. 462 p., ill.
ISBN 978-951-583-244-3
€54, hardback
Tiedon valtakunnassa. Helsingin yliopiston kirjasto – Kansalliskirjasto 1640–2010
[In the kingdom of knowledge. Helsinki University Library – National Library of Finland 1640–2010]
Suomennos [Finnish translation by]: Liisa Suvikumpu
Helsinki: Finnish Literature Society, 2012. 461 p., ill.
ISBN 978-952-222-272-5
€54, hardback
The National Library of Finland was founded in 1640 as the library of Turku Academy. In 1827 it was destroyed by fire: only 828 books were preserved. In 1809 Finland was annexed from Sweden by Russia, and the collection was moved to the new capital of Helsinki, where it formed the basis of the University Library. The neoclassical main building designed by Carl Ludwig Engel is regarded as one of Europe’s most beautiful libraries and was completed in 1845, with an extension added in 1906. Its collections include the Finnish National Bibliography, an internationally respected Slavonic Library, the private Monrepos collection from 18th-century Russia, and the valuable library of maps compiled by the arctic explorer Adolf Erik Nordenskiöld. Renamed in 2006 as Kansalliskirjasto – the National Library of Finland – this institution, which is open to general public, now contains a collection of over three million volumes as well as a host of online services. This beautifully illustrated book by historian and writer Rainer Knapas provides an interesting exposition of the library’s history, the building of its collections and building projects, and also a lively portrait of its talented – and sometimes eccentric – librarians.
Translated by David McDuff
Snowbirds
2 November 2011 | Extracts, Non-fiction
The short winter days of the northerly latitudes are made brighter by snow cover, which almost doubles the amount of available light. Reflection from the snow is an aid for photographers working outdoors in winter conditions. A new book, entitled Linnut lumen valossa (‘Birds in the light of snow’), presents the best shots by four professionals, Arto Juvonen, Tomi Muukkonen, Jari Peltomäki and Markus Varesvuo, who specialise in patiently stalking the feathered survivors in the cold
The photographs and texts are from the book Linnut lumen valossa (‘Birds in the light of snow’, edited by Arno Rautavaara. Design and layout by Jukka Aalto/Armadillo Graphics. Tammi, 2011)
Snowy owl. Photo: Markus Varesvuo, 2010
Relative values
31 March 2004 | Archives online, Fiction, Prose
Extracts from the autobiographical novel Nurinkurin (‘Upside down, inside out’, WSOY, 2003). Interview by Anna-Leena Nissilä
The soldier rides on a scarf
waving a donkey
‘Now it’s your turn to go on,’ says my brother on the back seat, turning his head toward the window so that he can concentrate on his poetic muse.
Father looks in the mirror, wrinkling his face in pain. ‘The object, in other words, is of no significance to you. What happened to your case endings and your grammar?’
From the back seat we shout eagerly: ‘The poet has special privileges which are not accorded to others.’
Father shakes his head: ‘You can be creative, but silly content and broken language do not make poetry.’
‘Oh yes they do. Don’t disturb our creative spirit. When you speak, our connection with her is broken. Don’t cut off the source of our inspiration.’ More…
The funeral
31 December 1988 | Archives online, Fiction, Prose
Hannu Salama’s short story Hautajaiset (‘The funeral’) – taking place in Pispala, Tampere – in the volume Kesäleski, ‘Summer widow’, was published in 1969. Introduction by Pekka Tarkka
On Tuesday Venla came round: as Sulo was being lowered into the grave Vihtori had had a heart attack. The next day a letter arrived from father: funeral on Sunday, and Gunilla and Timo want you to speak at the grave. I telegraphed back: ‘Vikki too close to me. Unable to speak.’ Outside the post office I realised I could have sent fifty words for the same money.
Irma ordered a flower arrangement. Did I want to put an inscription? Part of the last stanza of a revolutionary song went through my head:
Sowing makes the corn come into ear:
Hundredfold higher that happier age will be.
I said not to put anything, I’d say something at the grave if it seemed the thing to do. I told her to put mother’s, father’s and Heikki’s names on, and we’d take these off if they’d sent their own wreath. More…
How to peel an orange
30 December 2002 | Fiction, Prose
Extracts from the novel Auringon asema (‘The position of the sun’, Otava, 2002)
There are times when God rules. Then logic is burned on bonfires and left to rot in damp prisons with rats. There are times when logic rules. Then God is burned in the squares and his houses are made into schools. There are times when attempts are made to demonstrate that God and logic can live in the same place and that they are, in fact, the same thing, but those times are truly strange times. And there are times when God and logic live side by side but in different places, like adult siblings who cannot live in the same place but nevertheless get on well together. When my father and my mother loved each other, they were ruled by God, and there was no logic in it, none at all. More…
Cautionary tales
30 September 2002 | Fiction, Prose
Short stories from Förklädnader. Sagor, parabler (‘Disguises. Stories, allegories’, Schildts, 2001; Valepukuja. Satuja, vertauksia, WSOY, 2002)
Assistance
All over Hellas, even in the barbarian lands, the lyre-players competed with one another. Odes, paeans, dithyrambs echoed endlessly. Phoebus Apollo himself generously oversaw these productions.
A certain promising singer, Deinarchos by name, who hoped to participate in the upcoming Pythian contest, sat in his study-cave in the mountains of Thessaly waiting for inspiration. He prayed repeatedly to Phoebus for help, but did not detect any response. More…
Rock or baroque?
30 April 2014 | Extracts, Non-fiction
What if your old favourites lose their flavour? Could there be a way of broadening one’s views? Scholar Olli Löytty began thinking that there might be more to music than 1980s rock, so he turned to the music writer Minna Lindgren who was delighted by the chance of introducing him the enormous garden of classical music. In their correspondence they discussed – and argued about – the creativity of orchestra musicians, the significance of rhythm and whether the emotional approach to music might not be the only one. Their letters, from 2009 to 2013, an entertaining musical conversation, became a book. Extracts from Sinfoniaanisin terveisin. Kirjekurssi klassisen musiikin maailmaan (‘With symphonical greetings. A correspondence course in classical music’)
Olli, 19 March, 2009
Dear expert,
I never imagined that the day would come when I would say that rock had begun to sound rather boring. There are seldom, any more, the moments when some piece sweeps you away and makes you want to listen to more of the same. I derive my greatest enjoyment from the favourites of my youth, and that is, I think, rather alarming, as I consider people to be naturally curious beings whom new experiences, extending their range of experiences and sensations, brings nothing but good.
Singing along, with practised wistfulness, to Eppu Normaali’s ‘Murheellisten laulujen maa’ (‘The land of sad songs’) alone in the car doesn’t provide much in the way of inspiration. It really is time to find something new to listen to! My situation is already so desperate that I am prepared to seek musical stimulation from as distant a world as classical music. I know more about the African roots of rock than about the birth of western music, the music that is known as classical. But it looks and sounds like such an unapproachable culture that I badly need help on my voyage of exploration. Where should I start, when I don’t really know anything? More…
I am me
30 September 2010 | Fiction, Prose
Extracts from the novel Poikakirja (‘The boy’s own book’, Otava, 2010). Introduction by Mervi Kantokorpi
It’s a small day in spring. Another name for the lark is the skylark. You can only see them sometimes, and even then they’re so high up in the sky that they swoop like fast-moving dots.
The kitchen windowpane is rippling with stripes. The window has a bottom, and at the bottom there is some cotton wool and two opened matchboxes, a blue Sampo and a picture of an army chaplain in his uniform and insignia. As spring has progressed the cotton wool at the bottom has turned into wet blobs and the matches will never light again, as they’ve sucked up the winter frost from the glass.
Most children are made at home but not us, says Eini during walking practice. Outi shoves her, tells her to be quiet and walk in rhythm. I’m behind the table reading the Children’s Encyclopaedia, but I watch them. With every second step, their bottoms swing to the right and then to the left.
Mum comes into th the kitchen and asks what they’re doing; Anna-Liisa responds on the twins’ behalf, says they’re practising walking like in the movies and that’s why they’re wiggling their hips. More…
Living with Her Ladyship
31 December 2003 | Archives online, Fiction, Prose
Extracts from the memoir of a Helsinki childhood, Från Twenty Gold till Kent (‘From Twenty Gold to Kent’, Schildts, 2003). Introduction by Pia Ingström
My hair was dark and stuck up from my skull like little nails. My face was furrowed with red, my throat was wrinkled and I didn’t even have a pretty navel. This was because Daddy had to knot my umbilical cord himself while the obstetrician was busy on the ground floor with an appendix.
‘She looks like a forty-year-old errand-boy from the newspaper’s office: Daddy announced.
Mummy said she hoped I would soon change and have a long neck.
At Apollogatan street we took the lift up to the third floor where my sisters were waiting with the new nanny. They had no chance to welcome me with singing as they’d planned because both Renata and Catherine had colds. Nobody was going to be allowed to breathe anywhere near me, Mummy and Nanny were entirely agreed on that. More…
In a class of their own
31 December 2006 | Children's books, Fiction
Extracts from the children’s book Ella: Varokaa lapsia! (‘Ella: Look out for children!’, Tammi, 2006). Interview by Anna-Leena Nissilä
There was a large van in the schoolyard with a thick cable winding its way from the van into the school. It was from the TV station, and the surprise was that they wanted to do a programme about our teacher, believe it or not.
The classroom was filled with lights, cameras, and adults.
‘Are you the weird teacher?’ a young man asked. He had a funny, shaggy beard and a t-shirt that said ‘errand boy’.
‘Not nearly as weird as your beard,’ our teacher answered.
‘Can we do a little piece about you?’ the errand boy asked.
‘Of course. A big one even. I’ve been expecting you, actually. Is it some educational programme?’
‘Not exactly.’
‘A substantive discussion programme, though?’
‘Not exactly.’
‘A documentary about our contemporary educators?’
‘Not quite.’ More…
In memoriam Herbert Lomas 1924–2011
23 September 2011 | In the news
Herbert Lomas. Photo: Soila Lehtonen
Herbert Lomas, English poet, literary critic and translator of Finnish literature, died on 9 September, aged 87.
Born in the Yorkshire village of Todmorden, Bertie lived for the past thirty years in the small town of Aldeburgh by the North Sea in Suffolk. (Read an interview with him in Books from Finland, November 2009.)
After serving two years in India during the war, Bertie taught English first in Greece, then in Finland, where he settled for 13 years. His translations – as well as many by his American-born wife Mary Lomas (died 1986) – were published from as early as 1976 in Books from Finland.
Bertie’s first collection of poetry (of a total of ten) appeared in 1969. His Letters in the Dark (1986) was an Observer book of the year, and he was the recipient of several literary prizes. His collected poems, A Casual Knack of Living, appeared in 2009.
In England Bertie won the Poetry Society’s 1991 biennial translation award for one of his anthologies, Contemporary Finnish Poetry. The Finnish government recognised his work in making Finnish literature better known when it made him a Knight First Class of Order of the White Rose of Finland in 1987.
To Books from Finland, he made an invaluable contribution over almost 35 years – an incredibly long time in the existence of a small literary magazine. The number of Finnish authors and poets whose work he made available in English is countless: classics, young writers, novelists, poets, dramatists.
Bertie’s speciality was ‘difficult’ poets, whose challenge lay in their use of end-rhymes, special vocabulary, rhythm or metre. He loved music, so the sounds and tones of words, their musicality, were among the things that fascinated him. Kirsi Kunnas’ hilarious, limerick-inspired children’s rhymes were among his best translations – although actually nothing in them would make the reader think that the originals might not have been written in English. A sample: There once was a crane / whose life was led / as a uniped. / It dangled its head / and from time to time said:/ It would be a pain / if I looked like a crane. (From Tiitiäisen satupuu, ‘Tittytumpkin’s fairy tree’, 1956, published in Books from Finland 1/1979.)
Bertie also translated work by Eeva-Liisa Manner, Paavo Haavikko, Mirkka Rekola, Pentti Holappa, Ilpo Tiihonen, Aaro Hellaakoski and Juhani Aho among many, many others; for example, the prolific writer Arto Paasilinna’s best-known novel, Jäniksen vuosi / The Year of the Hare, appeared in his translation in 1995. Johanna Sinisalo’s unusually (in the Finnish context) non-realist troll novel Ennen päivänlaskua ei voi / Not Before Sundown, subsequently translated into many other languages, appeared in 2003. His last translation for Books from Finland was of new poems by Vilja-Tuulia Huotarinen in 2009.
It was always fun to talk with Bertie about translations, language(s), writers, books, and life in general. He himself said he was a schoolboy at heart – which is easy to believe. He was funny, witty, inventive, impulsive, sometimes impatient – and thoroughly trustworthy: he just knew how to find the precise word, tone of voice, figure of speech. He had perfect poetic pitch. As dedicated and incredibly versatile translators are really hard to find anywhere, we all realise our good fortune – both for Finnish literature and for ourselves – to have worked, and enjoyed with such enjoyment, with Bertie.
Poet Aaro Hellaakoski (1893–1956) was not a self-avowed follower of Zen, but his last poems, in particular, show surprisingly close contacts with the philosophy. ‘Secrets of existence are revealed once one ceases seeking them’, the literary scholar Tero Tähtinen wrote in an essay published alongside Bertie’s new Hellaakoski translations in (the printed) Books from Finland (2/2007). Bertie was fond of Hellaakoski, whose existential verses fascinated him; among his 2007 translations is The new song (from Vartiossa, ‘On guard’, 1941):
The new song |
Uusi laulu |
| No compulsion, not a sting. | Ei mitään pakota, ei polta. |
| My body doesn’t seem to be. | On ruumis niinkuin ei oisikaan. |
| As if a nightbird started to sing | Kuin alkais kaukovainioilta |
| its far shy carol from some tree – | yölintu arka lauluaan |
| as if from its dim chrysalis | kuin hyönteistoukka heräämässä |
| a little grub awoke to bliss – | ois kotelossaan himmeässä |
| or someone struck from off his shoulder | kuin hartioiltaan joku loisi |
| a miserable old bugaboo – | pois köyhän muodon entisen |
| and a weird flying creature | ja outo lentäväinen oisi |
| stretched a fragile wing and flew. | ja nostais siiven kevyen. |
| Ah limitless bright light: | Oi kimmellystä ilman pielen. |
| the gift of lyrical flight! | Oi rikkautta laulun kielen. |
The situation in Narva
31 December 1993 | Archives online, Fiction, Prose
A short story from Pakosarja (‘Exhaust manifold’, WSOY, 1993)
We went into the building where Voroshilov said the waitress had disappeared. Inside was a big room lined with wooden benches. A tin-clad stove radiated heat. Someone had shut the dampers too early, probably out of meanness; it had that kind of smoky smell.
A corridor led from the room, with a few doors off it. We peered inside, but there was no one to be seen. There was nobody in the entire building. We left.
We walked across the railway yard in what I thought was the direction of the train. We heard the sound of the engine long before we could see anything through the snowstorm. At regular intervals the engine’s pressure valve let off steam. Voroshilov went for a leak. He leaned against the engine’s big back wheel and watered the lever, which had been left in the down position. The liquid ran down the engine’s rounded flank. The snowflakes melted as they fell on to the black casing of the water-tank. More…
Looking for Moominpappa
30 June 1994 | Archives online, Children's books, Fiction
Tove Jansson wrote the first Moomin book in the dark days of Finland’s Winter War in 1939. This extract, from Småtrollen och den stora översvämningen (‘The little trolls and the big flood’, Schildts, 1945, 1991), tells the story of how the Moomins found their home
It had become very hot late in the afternoon. Everywhere the plants drooped, and the sun shone down with a dismal red light. Even though Moomins are very fond of warmth, they felt quite limp and would have liked to rest under one of the large cactuses that grew everywhere. But Moominmamma would not stop until they had found some trace of Moomintroll’s Papa. They continued on their way, even though it was already beginning to get dark, always straight in a southerly direction. Suddenly the small creature stopped and listened. ‘What’s that pattering around us?’ he asked.
And now they could hear a whispering and a rustling among the leaves. ‘It’s only the rain,’ said Moominmamma. ‘Even so, now we must crawl in under the cactuses.’
All night it rained, and in the morning it was simply pouring down. When they looked out, everything was grey and melancholy. More…
Conversations with a horse
31 December 2004 | Archives online, Fiction, Prose
Extracts from the novel Kiinalainen puutarha (‘The Chinese garden’, Otava, 2004). Introduction by Anna-Leena Nissilä
Colonel Mannerheim.
Near Kök Rabat, on the caravan route between Kashgar and Yarkand.
October 1906
It is growing dark. Let the others go on ahead. Let us wait here awhile. Perhaps the pain will go over. We’ll get through.
Steady, Philip.
You always obey. And listen. Your ears proudly, handsomely pricked.
Steady, I said, there in the garden. No reaction. Everyone was moving. Pure comedy. And something else.
An illusion, two girls. Then gone.
How to explain.
Before that. I had a conversation with Macartney, the British chargé d’affaires…
Pain…. It burns, now it burns again. Let us wait now, Philip. Steady, steady now. More…
In the detail?
11 December 2009 | Essays, Non-fiction
Extracts from Kuoleman ja unohtamisen aikakirjat (‘Chronicles of death and oblivion’, WSOY, 2009)
What’s the meaning of life? There are those who seek it in religion, while for others that is the last place to look. The scientist Kari Enqvist ponders why some people, including himself, seem physiologically immune to the lure of faith. Perhaps, he suggests, we should look for significance not in the big picture, but in the marvel of the fleeting moment
As a young boy I must have held religious beliefs. However, I cannot pinpoint exactly when they disappeared. At some point I eventually stopped saying my evening prayers, but I am unable to remember why or when this happened. ‘I was born in a time when the majority of young people had lost faith in God, for the same reason their elders had had it – without knowing why,’ writes the Portuguese poet Fernando Pessoa in The Book of Disquiet. More…