Search results for "jarkko/2011/04/2010/10/riikka-pulkkinen-totta-true"
Funny stuff: best-selling books in February
13 March 2014 | In the news
The list of best-selling books – compiled by the Finnish Booksellers’ Association – shows that in February comedy was popular among readers. Number one on the Finnish fiction list was Fingerpori 7 (‘Fingerborg 7’, Arktinen Banaani), the latest comics book by Pertti Jarla, featuring silly stuff taking place in the city of Fingerpori.
Riikka Pulkkinen’s new novel, a romantic comedy entitled Iiris Lempivaaran levoton ja painava sydän (‘Iiris Lempivaara’s restless and heavy heart’, Otava) which was originally published in a weekly women’s magazine, was number four. A satirical television series featuring two silly women devoted to dating and clubbing has also resulted in a book written by the two actresses, Heli Sutela and Minna Koskela: Anne ja Ellu lomamatkalla (‘Anne and Ellu on holiday’, published by Annen ja Ellun tuotanto) made its way to the seventh place. Number eight was Pertti Jarla’s Fingerborg 4!
However, number two was a first novel about problems arising in a religious family, Taivaslaulu (‘Heaven song’, Gummerus), by Pauliina Rauhala. Number three was a first novel by an immigrant Somali woman, Nura Farah: Aavikon tyttäret (‘Daughters of the desert’, Otava) tells the story of women in Somalia in the second half of the 20th century.
On the non-fiction list, among cookbooks and diet guides, books on how to maintain a hormonal balance or how to wield a kettlebell sold well. A new biography, Tove Jansson (Tammi), telling the life story of the Moomin genius (1914–2001), the artist, painter, author and cartoonist, was number seven; the author is Tuula Karjalainen. (The book will be published in several countries this year, a World English edition in December.)
At the top of the best-selling children’s books list is a book entitled Muumit ja tekemisen taika – ‘The Moomins and the magic of doing’ (Tammi). This ‘Moomin’ book is written by Clive Alan: we know absolutely nothing about him (he is absent from his publisher’s list of authors!) – except that the name is a pseudonym.
Well, as before, it is our opinion that all the Moomin books really worth reading were created by Tove Jansson herself.
Happy birthday to us!
13 February 2014 | Letter from the Editors
Picture: Wikipedia
It’s been five years since Books from Finland went online, and we’re celebrating with a little bit of good news.
In the past year, the number of visits to the Books from Finland website has grown by 11 per cent. The number of US and UK readers grew by 29 per cent, while the number of readers in Germany – stimulated perhaps by the publicity Finnish literature is attracting as a result of its Guest Country status at this year’s Frankfurt Book Fair – increased by an astonishing 59 per cent.
We’re chuffed, to put it mildly – and very thankful to you, dear readers, old and new. More…
Encounters with a language
12 December 2014 | Articles, Non-fiction
Mistranslation: illustration by Sminthopsis84/Wikimedia
Mother tongue: not Finnish. How do people become interested enough in the Finnish language in order to become translators? In the olden days some might have been greatly inspired by the music Sibelius (as were the eminent British translators of Finnish, David Barrett or Herbert Lomas, for example, back in the 1950s and 1960s). We asked contemporary translators to reminisce on how they in turn have become infatuated enough with Finnish to start studying and translating this small, somewhat eccentric northern language. Three translators into English, one into French, German and Latvian tell us why
The politics of difference
17 June 2011 | Non-fiction, Tales of a journalist
Right or wrong, my country? Illustration: Joonas Väänänen
Right or wrong, my country? Illustration: Joonas Väänänen
Big electoral turnouts are generally considered a good thing. But, writes columnist Jyrki Lehtola, in Finland the fact that the vote went up in the last Finnish general election caused a revelation. Educated urbanites and the media (perhaps near enough the same thing), are shocked by how 20 per cent of their fellow Finns think – and the ramifications caused tremors all across Europe
Listen up. Diversity is a resource. Except of course if it’s the sort of diversity that is a resource for the wrong people.
That sort of diversity isn’t the least bit nice. In Finland in the spring, we ran into the sort of diversity that even got the rest of Europe to start worrying. Out in the thickets and forests, diverse people had been springing up in secret, people of whose existence we urbanites were entirely unaware.
And they threatened to bring Europe down. Europe. Which was a bit much. More…
Finlandia Prize for Fiction 2011
1 December 2011 | In the news
The winner of the Finlandia Prize for Fiction 2011, worth €30,000, is Rosa Liksom, for her novel Hytti no 6 (‘Compartment number 6’, WSOY): read translated extracts and an introduction of the author here on this page.
The prize was awarded on 1 December. The winner was selected by the theatre manager Pekka Milonoff from a shortlist of six.
‘Hytti nro 6 is an extraordinarily compact, poetic and multilayered description of a train journey through Russia. The main character, a girl, leaves Moscow for Siberia, sharing a compartment with a vodka-swilling murderer who tells hair-raising stories about his own life and about the ways of his country. – Liksom is a master of controlled exaggeration. With a couple of carefully chosen brushstrokes, a mini-story, she is able to conjure up an entire human destiny,’ Milonoff commented.
Author and artist Rosa Liksom (alias Anni Ylävaara, born 1958), has since 1985 written novels, short stories, children’s book, comics and plays. Her books have been translated into 16 languages.
Appointed by the Finnish Book Foundation, the prize jury (journalist and critic Hannu Marttila, journalist Tuula Ketonen and translator Kristiina Rikman) shortlisted the following novels: Kallorumpu (‘Skull drum’, Teos) by Eeva-Kaarina Aronen, William N. Päiväkirja (‘William N. Diary’, Otava) by Kristina Carlson, Huorasatu (‘Whore tale’, Into) by Laura Gustafsson, Minä, Katariina (‘I, Catherine’, Otava) by Laila Hirvisaari, and Isänmaan tähden (‘For fatherland’s sake’, first novel; Teos) by Jenni Linturi.
Rosa Liksom travelled a great deal in the Soviet Union in the 1980s. She said she hopes that literature, too, could play a role in promoting co-operation between people, cultures and nations: ‘For the time being there is no chance of some of us being able to live on a different planet.’
Government Prize for Translation 2011
24 November 2011 | In the news
María Martzoúkou. Photo: Charlotta Boucht
The Finnish Government Prize for Translation of Finnish Literature of 2011 – worth € 10,000 – was awarded to the Greek translator and linguist María Martzoúkou.
Martzoúkou (born 1958), who lives in Athens, where she works for the Finnish Institute, has studied Finnish language and literature as well as ancient Greek at the Helsinki University, where she has also taught modern Greek. She was the first Greek translator to publish translations of the Finnish epic, the Kalevala: the first edition, containing ten runes, appeared in 1992, the second, containing ten more, in 2004.
‘Saarikoski was the beginning,’ she says; she became interested in modern Finnish poetry, in particular in the poems of Pentti Saarikoski (1937–1983). As Saarikoski also translated Greek literature into Finnish, Martzoúkou found herself doubly interested in his works.
Later she has translated poetry by, among others, Tua Forsström, Paavo Haavikko, Riina Katajavuori, Arto Melleri, Annukka Peura, Pentti Saaritsa, Kirsti Simonsuuri and Caj Westerberg.
Among the Finnish novelists Martzoúkou has translated are Mika Waltari (five novels; the sixth, Turms kuolematon, The Etruscan, is in the printing press), Väinö Linna (Tuntematon sotilas, The Unknown Soldier) and Sofi Oksanen (Puhdistus, Purge).
María Martzoúkou received her award in Helsinki on 22 November from the minister of culture and sports, Paavo Arhinmäki. Thanking Martzoúkou for the work she has done for Finnish fiction, he pointed out that The Finnish Institute in Athens will soon publish a book entitled Kreikka ja Suomen talvisota (‘Greece and the Finnish Winter War’), a study of the relations of Finland and Greece and the news of the Winter War (1939–1940) in the Greek press, and it contains articles by Martzoúkou.
The prize has been awarded – now for the 37th time – by the Ministry of Education and Culture since 1975 on the basis of a recommendation from FILI – Finnish Literature Exchange.
Helsinki Book Fair 2011
2 November 2011 | In the news
President Toomas Hendrik Ilves at the Book Fair: Viro is Estonia in Finnish. Photo: Kimmo Brandt/The Finnish Fair Corporation
The Helsinki Book Fair, held from 27 to 30 October, attracted more visitors than ever before: 81,000 people came to browse and buy books at the stands of nearly 300 exhibitors and to meet more than a thousand writers and performers at almost 700 events.
The Music Fair, the Wine, Food and Good Living event and the sales exhibition of contemporary art, ArtForum, held at the same time at Helsinki’s Exhibition and Convention Centre, expanded the selection of events and – a significant synergetic advantage, of course – shopping facilities. Twenty-eight per cent of the visitors thought this Book Fair was better than the previous one held in 2010.
According to a poll conducted among three hundred visitors, 21 per cent had read an electronic book while only 6 per cent had an e-book reader of their own. Twenty-five per cent did not believe that e-books will exceed the popularity of printed books, and only three per cent believed that e-books would win the competition.
Estonia was the theme country this time. President Toomas Hendrik Ilves of the Republic of Estonia noted in his speech at the opening ceremony: ‘As we know well from the fate of many of our kindred Finno-Ugric languages, not writing could truly mean a slow national demise. So publish or perish has special meaning here. Without a literary culture, we would simply not exist and we have known this for many generations, since the Finnish and Estonian national epics Kalevala and Kalevipoeg. – During the last decade, more original literature and translations have been published in Estonia than ever before. And we need only access the Internet to glimpse the volume of text that is not printed – it is even larger than the printed corpus. We live in an era of flood, not drought, and thus it is no wonder that as a discerning people, we do not want to keep our ideas and wisdom to ourselves but try to share and distribute them more widely. The idea is not to try to conquer the world but simply, with our own words, to be a full participant in global literary culture, and in the intellectual history and future of humankind.’
Finland meets Estonia: authors Sofi Oksanen and Viivi Luik in discussion. Photo: Kimmo Brandt/The Finnish Fair Corporation
In memoriam Bo Carpelan 1926–2011
24 February 2011 | Authors, In the news
Bo Carpelan. Photo: Irmeli Jung
I write one winter’s day,
write off the day and the night, the planets,
go into my house from a harsh sun
and extend those shadows that are swordlike aimed.
It is a day of drifting snow
and with a voice from that which is I
or was.
(From The Cool Day. English translation by David McDuff, published in Homecoming, Carcanet, 1993)
Bo Carpelan, one of the great names of Finnish literature, died in his home city of Helsinki on 11 February. Carpelan’s first collection of poetry appeared in 1946, his last in 2010.
In his poems and prose he frequently described his childhood in apartment buildings filled with the smell of cooked herring, the noise of quarrels and the sound of the news on the radio. Prosaic life is turned into poetry, images and music, the apartment house is built from the rooms of a dream.
Bo Carpelan loved music. His novel Axel (English translation by David McDuff, 1989), is about his paternal grandfather’s brother, who was a friend of Jean Sibelius and the composer’s first critic. Axel was an unsuccessful musician who chose to live through someone else, and Carpelan relates him to the theme of the dignity of rejected human beings. More…
Rock or baroque?
30 April 2014 | Extracts, Non-fiction
What if your old favourites lose their flavour? Could there be a way of broadening one’s views? Scholar Olli Löytty began thinking that there might be more to music than 1980s rock, so he turned to the music writer Minna Lindgren who was delighted by the chance of introducing him the enormous garden of classical music. In their correspondence they discussed – and argued about – the creativity of orchestra musicians, the significance of rhythm and whether the emotional approach to music might not be the only one. Their letters, from 2009 to 2013, an entertaining musical conversation, became a book. Extracts from Sinfoniaanisin terveisin. Kirjekurssi klassisen musiikin maailmaan (‘With symphonical greetings. A correspondence course in classical music’)
Olli, 19 March, 2009
Dear expert,
I never imagined that the day would come when I would say that rock had begun to sound rather boring. There are seldom, any more, the moments when some piece sweeps you away and makes you want to listen to more of the same. I derive my greatest enjoyment from the favourites of my youth, and that is, I think, rather alarming, as I consider people to be naturally curious beings whom new experiences, extending their range of experiences and sensations, brings nothing but good.
Singing along, with practised wistfulness, to Eppu Normaali’s ‘Murheellisten laulujen maa’ (‘The land of sad songs’) alone in the car doesn’t provide much in the way of inspiration. It really is time to find something new to listen to! My situation is already so desperate that I am prepared to seek musical stimulation from as distant a world as classical music. I know more about the African roots of rock than about the birth of western music, the music that is known as classical. But it looks and sounds like such an unapproachable culture that I badly need help on my voyage of exploration. Where should I start, when I don’t really know anything? More…
Cityscapes
23 February 2012 | Extracts, Non-fiction
Photographer Stefan Bremer’s home town, Helsinki, provides endless inspiration, material and atmospheric. For forty years Bremer has been recording views of the maritime city, its changing seasons, its cultural events, its people. These images are from his new book – entitled, simply, Helsinki (Teos, 2012)
City kids: day-care outing in Töölönlahti park. Photo: Stefan Bremer, 2010
When I was a child, Helsinki seemed to me a grey and sad town. Stooping, quiet people walked its broad streets. The colours of the houses had been darkened by coal smoke over the years, and new buildings were coated a depressing grey.
A lot has since changed. Today, Helsinki is younger than it was in my youth. More…
Human destinies
7 February 2014 | Articles, Non-fiction
To what extent does a ‘historical novel’ have to lean on facts to become best-sellers? Two new novels from 2013 examined
When Helsingin Sanomat, Finland’s largest newspaper, asked its readers and critics in 2013 to list the ten best novels of the 2000s, the result was a surprisingly unanimous victory for the historical novel.
Both groups listed as their top choices – in the very same order – the following books: Sofi Oksanen: Puhdistus (English translation Purge; WSOY, 2008), Ulla-Lena Lundberg: Is (Finnish translation Jää, ‘Ice’, Schildts & Söderströms, 2012) and Kjell Westö: Där vi en gång gått (Finnish translation Missä kuljimme kerran; ‘Where we once walked‘, Söderströms, 2006).
What kind of historical novel wins over a large readership today, and conversely, why don’t all of the many well-received novels set in the past become bestsellers? More…
European Union literature prizes 2010
8 October 2010 | In the news
Riku Korhonen. Photo: Harri Pälviranta
With his novel Lääkäriromaani (‘Doctor novel’, Sammakko, 2009), Riku Korhonen (born 1972) is one of the 11 winners of the 2010 European Union Prize for Literature, worth €5,000 each. The winners were announced at Frankfurt Book Fair on 6 October.
The European Commission, the European Booksellers’ Federation (EBF), the European Writers’ Council (EWC) and the Federation of European Publishers (FEP) award the annual prize, which is supported through the European Union’s culture programme. It aims to draw attention to new talents and to promote the publication of their books in different countries, as well as celebrating European cultural diversity. Authors who have published two to four prose works during the last five years and whose work has been translated into two foreign languages at the most are eligible for the prize.
Korhonen has published two novels, a collection of short prose and a collection of poetry. Read translated extracts, published in Books from Finland in 2003, from his first novel, Kahden ja yhden yön tarinoita (‘Tales from two and one nights’, 2003) here. More…
Finlandia Prize for Non-Fiction 2010
19 November 2010 | In the news
A massive tome running to 1,000 pages by Vesa Sirén, journalist and music critic of the Helsingin Sanomat newspaper, features Finnish conductors from the 1880s to the present day. On 18 November it became the recipient of the 2010 Finlandia Prize for Non-Fiction by the Finnish Book Foundation, worth €30,000.
The choice, from six shortlisted works, was made by economist Sinikka Salo. Suomalaiset kapellimestarit: Sibeliuksesta Saloseen, Kajanuksesta Franckiin (‘Finnish conductors: from Sibelius to Salonen, from Kajanus to Franck’) is published by Otava.
The other five works on the shortlist were Itämeren tulevaisuus (‘The future of the Baltic Sea’, Gaudeamus) by Saara Bäck, Markku Ollikainen, Erik Bonsdorff, Annukka Eriksson, Eeva-Liisa Hallanaro, Sakari Kuikka, Markku Viitasalo and Mari Walls; the Finnish Marshal C.G. Mannerheim’s early 20th-century travel diaries, Dagbok förd under min resa i Centralasien och Kina 1906–07–08 (‘Diary from my journey to Central Asia and China 1906–07–08’, Svenska litteratursällskapet i Finland & Atlantis), edited by Harry Halén; Vihan ja rakkauden liekit. Kohtalona 1930-luvun Suomi (‘Flames of hatred and love. 1930s Finland as a destiny’, Otava) by Sirpa Kähkönen; Suomalaiset kalaherkut (‘Finnish fish delicacies’, Otava) by Tatu Lehtovaara (photographs by Jukka Heiskanen) and Puukon historia (‘A history of the Finnish puukko knife’, Apali) by Anssi Ruusuvuori.
Jarl Hellemann in memoriam 1920–2010
15 March 2010 | In the news
Jarl Hellemann 1920–2010. Photo: Pertti Nisonen (2009)
One of the grand old men of Finnish publishing, Jarl Hellemann, wrote in one of his own books: ‘Book publishing is by nature personified, a personal activity.
‘Most of the world’s old publishing houses still bear their founders’ names: Bonnier, Collins, Heinemann, Harper, Knopf, Bertelsmann, Werner Söderström, Gummerus. Americans ignorant of the exceptions to this rule among Finnish publishers still occasionally begin their letters, “Dear Mr Otava” or “Dear Mr Tammi”.’ (From Kustantajan näkökulma, ‘A publisher’s point of view’, Otava, published in Books from Finland 3/1999)
Hellemann himself was Mr Tammi for a long time; he started as a publishing editor at Tammi Publishing Company in 1945 and retired as managing director in 1982.
In 1955 he founded Keltainen kirjasto, the ‘Yellow Library’, an imprint of novels published since the First World War by prominent writers from all over the world. The first was Too Late the Phalarope by Alan Paton, the latest – published in 2009 – was The Disappeared by Kim Echlin. The series now contains more than 400 works, among them novels by 24 Nobel prize-winners.
Among the books in Keltainen kirjasto (list, in Finnish), Hellemann’s favourite was James Joyce’s Ulysses, translated by the poet and author Pentti Saarikoski in 1964. Hellemann continued choosing books for Keltainen kirjasto long after he retired.
Born in Copenhagen, Hellemann moved with his family to his mother’s home country, Finland, in the 1930s. Well-travelled and fluent in many languages, Hellemann himself published a novel (at the age of 25), three books on publishing and, in 1996, his memoirs.
See the big picture?
9 November 2012 | Extracts, Non-fiction
Details from the cover, graphic design: Työnalle / Taru Staudinger
In his new book Miksi Suomi on Suomi (‘Why Finland is Finland’, Teos, 2012) writer Tommi Uschanov asks whether there is really anything that makes Finland different from other countries. He discovers that the features that nations themselves think distinguish them from other nations are often the same ones that the other nations consider typical of themselves…. In Finland’s case, though, there does seem to be something that genuinely sets it apart: language. In these extracts Uschanov takes a look at the way Finns express themselves verbally – or don’t
Is there actually anything Finnish about Finland?
My own thoughts on this matter have been significantly influenced by the Norwegian social scientist Anders Johansen and his article ‘Soul for Sale’ (1994). In it, he examines the attempts associated with the Lillehammer Winter Olympics to create an ‘image of Norway’ fit for international consumption. Johansen concluded at the time, almost twenty years ago, that there really isn’t anything particularly Norwegian about contemporary Norwegian culture.
There are certainly many things that are characteristic of Norway, but the same things are as characteristic of prosperous contemporary western countries in general. ‘According to Johansen, ‘Norwegianness’ often connotes things that are marks not of Norwegianness but of modernity. ‘Typically Norwegian’ cultural elements originate outside Norway, from many different places. The kind of Norwegian culture which is not to be found anywhere else is confined to folk music, traditional foods and national costumes. And for ordinary Norwegians they are deadly boring, without any living link to everyday life. More…