Books from Finland - A literary journal of writing from and about Finland.

Matti Pulkkinen. Photo: Gummerus

Matti Pulkkinen’s grandfather was born in 1842 in a forest village close to the Russian border, in an area which could only be reached by water. When he grew up he became a tar-burner, a traditional occupation in north-east Finland. Pulkkinen’s father worked for the Otava Publishing Company in the early years of the present century, a time when ordinary Finns were beginning to show a real interest in literature. In his home in one of the most remote parts of North Karelia, he assembled a library which ranged from Mark Twain to the detective stories of G. K. Chesterton. He was 70 when his youngest son, Matti, was born in 1944. Dostoyevsky and Nietzsche were the two writers whose works did most to stimulate Matti Pulkkinen’s enthusiasm for literature. After leaving school he set out to see the world. He worked as a lumberjack, a primary school teacher, a statistics clerk in a gynaecological hospital, a bank teller, an accounts clerk, and later as a carpenter, took part in the restoration of the medieval church at Vanaja. From 1969 to 1971 Pulkkinen worked as a nurse in mental hospitals in Frankfurt, West Berlin and Bern. While in Switzerland he became interested in Jungian psychology and modern group therapy.

Pulkkinen’s novel, Ja pesäpuu itki (‘And the nesting-tree wept’, Gummerus), published in 1977, was awarded the J.H. Erkko Prize for the best first novel of the year and the Kalevi Jäntti Memorial Prize. It rapidly became a best seller and has already had two reprints. More…

One of the ways in which the comparative youth of Finland’s culture makes itself felt is in the fact that there is never any great distance between low and high culture. Finnish literature has always naturally mixed popular and high art elements: in dealing with the themes and traumas that define the national consciousness, it has proved possible to use folk tales, pop songs or jokes as a distancing mechanism.

The work of Aulikki Oksanen is characterised by just this kind of mix. She is not only a writer: since her literary debut in 1966, she has also been well-known for her work as an actress, a singer of radical political songs, and for her illustrations of her own children’s books.

Oksanen’s interest in the world of folk tales and myths, and their modern equivalents, popular song and cinema, can be partly explained by her generation and its political consciousness. Appearing in politically engaged plays and films, writing and singing political songs, Oksanen (born 1944) was one of the most prominent figures in the Finnish cultural life of the Sixties. More…