Search results for "jari tervo"
Jari Tervo: Layla
28 October 2011 | Mini reviews, Reviews
Layla
Helsinki: WSOY, 2011. 361 p.
ISBN 978-951-0-38277-6
31 €, hardback
Social reality has stepped firmly into contemporary Finnish literature. Many of the new novels deal with economic inequality, immigration, prostitution or human trafficking. In his 13th novel Jari Tervo (born 1959) deals with them all. Layla is a young Kurdish girl whose cruel fate is about to be decided by the men of her family in Turkey. When she flees, Layla ends up in faraway Finland as a prostitute. Another storyline portrays a Finnish woman, Helena, who sells herself in part voluntarily. Tervo shows himself to be a feminist; the men he describes are cold tyrants who see a woman’s body as an object of lust and as merchandise. The novel is tragic and defiant, but also amusing and lively. Tervo’s style involves surprises and ingenious tricks, of which towards the end of the book there are slightly too many. Layla contains a good deal of information about Turkey, Kurdish culture and the people smuggling that takes place on the outer borders of the European Union. Some of the details have already been shown to be inaccurate, but this does not reduce the distressing quality of this story of a human fate.
Translated by David McDuff
Jari Tervo: Koljatti [Goliath]
23 October 2009 | Mini reviews, Reviews
Koljatti
[Goliath]
Helsinki: WSOY, 2009. 317 p.
ISBN 978-951-0-35610-4
25 €, hardback
Jari Tervo (born 1959) writes comic, swiftly paced, linguistically accomplished prose with touches of historicism, philosophy and social commentary. Koljatti is a contemporary satire that prompted a great deal of fuss in the Finnish press for its perceived nastiness: the similarities between its character Pekka Lahnanen, an isolated and beleaguered prime minister, and Matti Vanhanen, the current Finnish Prime Minister, are clear. This novel outlines some crude caricatures, but its critical barbs are aimed not at politics, but rather at the relationship between the media and politics. This book, which describes the events of a single fast-paced weekend, portrays politics as theatre, in which the only thing that matters is how things appear; the media will drop any substantive questions in their relentless pursuit of new sensationalist headlines of politicians’ private lives. The news may not look the same after reading this novel. Tervo is one of Finland’s most popular authors; three of his novels have appeared in translation, in four languages. [Read a short story here.]
The way to heaven
30 June 1996 | Archives online, Fiction
Extracts from the novel Pyhiesi yhteyteen (‘Numbered among your saints’, WSOY, 1995). Interview with Jari Tervo by Jari Tervo
The wind sighs. The sound comes about when a cloud drives through a tree. I hear birds, as a young girl I could identify the species from the song; now I can no longer see them properly, and hear only distant song. Whether sparrow, titmouse or lark. Exact names, too, tend to disappear. Sometimes, in the old people’s home, I find myself staring at my food, what it is served on, and can’t get the name into my head. The sun came to my grandson’s funeral. It rose from the grave into which my little Marzipan will be lowered. I don’t remember what the weather did when my husband was buried.
A plate. Food is served on a plate. There are deep plates and shallow plates; soups are ladled into the deep ones. More…
Speaking about the heart
30 June 1991 | Archives online, Articles
New Finnish poetry, translated and introduced by Herbert Lomas
The ‘modernist’ revolution in Finnish poetry is now 40 years old, and the art must be ripe for changes.
Of course, the modernism of post-war Finnish poetry was not – except in Haavikko and to some extent in Saarikoski – extremely modernist. The poets were more interested in their content than their experiments. They were perhaps closer to ancient Chinese poets and early Pound than to Eliot in their elided brief juxtapositions and meditations on nature, society and moment-to-moment transience. The poets picked up a few liberties that unshackled them from metrical and rhyming formalities uncongenial to Finnish stress, syntax and phonemics; and they took off to speak about the heart. That is the strength of this poetry, and its originality, since all originality consists in being oneself – which includes one’s national self, and ultimately other people’s selves. And every generation still has to make a new start, admittedly in new circumstances, with the experience of its forefathers from birth to death. More…
See the big picture?
9 November 2012 | Extracts, Non-fiction
Details from the cover, graphic design: Työnalle / Taru Staudinger
In his new book Miksi Suomi on Suomi (‘Why Finland is Finland’, Teos, 2012) writer Tommi Uschanov asks whether there is really anything that makes Finland different from other countries. He discovers that the features that nations themselves think distinguish them from other nations are often the same ones that the other nations consider typical of themselves…. In Finland’s case, though, there does seem to be something that genuinely sets it apart: language. In these extracts Uschanov takes a look at the way Finns express themselves verbally – or don’t
Is there actually anything Finnish about Finland?
My own thoughts on this matter have been significantly influenced by the Norwegian social scientist Anders Johansen and his article ‘Soul for Sale’ (1994). In it, he examines the attempts associated with the Lillehammer Winter Olympics to create an ‘image of Norway’ fit for international consumption. Johansen concluded at the time, almost twenty years ago, that there really isn’t anything particularly Norwegian about contemporary Norwegian culture.
There are certainly many things that are characteristic of Norway, but the same things are as characteristic of prosperous contemporary western countries in general. ‘According to Johansen, ‘Norwegianness’ often connotes things that are marks not of Norwegianness but of modernity. ‘Typically Norwegian’ cultural elements originate outside Norway, from many different places. The kind of Norwegian culture which is not to be found anywhere else is confined to folk music, traditional foods and national costumes. And for ordinary Norwegians they are deadly boring, without any living link to everyday life. More…
Helsinki Book Fair 2012
25 October 2012 | In the news
The twelfth Helsinki Book Fair opens today at the Exhibition and Convention Centre. Last year the Fair attracted more than 80,000 visitors.
During four days around 700 interviews and discussions with writers will take place on twelve stages, and there will be more than 300 exhibitors in the various fields of literature.
Author Jari Tervo has been nominated the Book Fair Club’s columnist: in his first contribution, entitled ‘Median myllyt’ (‘The mills of the media’) Tervo says, among other things:
‘During the last 30 years the amount of public attention directed at Finnish authors has probably multiplied by ten. How has it affected the sales of literature? Not at all. The sales haven’t multiplied by ten, or even doubled. Has the increased public attention affected the content of literature? I don’t think it has….
‘The media doesn’t churn authors in its mill because literature is so exceedingly important. To the media the authors are a biomass that is able to articulate a touch more juicily than the average celebrity. An author needs less editing. It’s as simple as that.’
This time the featured country is Hungary: the guest writers are György Spiró, Sandor Zsigmond Papp, Vilmos Csaplár, Péter Esterházy and Léda Forgó. There are 30 guests from 11 countries.
The prize Rakkaudesta kirjaan, ‘Out of love for the book’, was awarded posthumously to the writer, critic and editor Jarmo Papinniemi (1968–2012), who, according to the jury of literary experts was an exceptionally versatile professional working in the field of the arts.
Best foot forward
14 May 2010 | This 'n' that
C’est moi. Tribute. Eliza. Muse. Monica. Very Privé, Super Private.
These are names of shoes that women buy in luxury shops on New York’s Fifth Avenue. Six inches or more of heels that cost anything between 500 and 5,000 dollars, make walking torture; but pain is tolerated, as along with the shoes a woman acquires a deeply satisfying feeling of being envied, beautiful and sexy (her toe cleavage has to be clearly visible).
Mirja Tervo (born 1971) is an ethnologist who spent a year and a half selling luxury shoes in Manhattan. Among her fellow sales personnel were a medical doctor, a musician, an actor and a retired baseball pro.
The shoe salon paid no salary, just commission of ten per cent, and the required minimum sale per week was 3,500 dollars. If a sales person failed to sell merchandise worth this sum, he or she was given a loan of 300 dollars, payable immediately when the results improved, and they quickly had to. More…
In other words
21 June 2012 | This 'n' that
Wordworkers meet: the translators' congress in Helsinki, 11–14 June. Photo: Hannele Jyrkkä
From Finnish or Swedish into 32 languages: in mid June FILI (the Finnish Literature Exchange) held the biggest international meeting of translators of Finnish literature of all time.
The congress, entitled Kääntäjän sana/Översättarens ord (Translator’s word) was planned with one eye on the Finnish theme of the 2014 Frankfurt Book Fair.
The former Lisa Hagman School, now the House of Learning, offered the premises for workshops and lectures for 120 professional translators and almost 70 scholars of language and literature.
Participants translating from both Finnish and Finland-Swedish were offered opportunities to meet writers, listen to lectures from experts in language and literature and gain feedback from other active professional readers. More…
Make or break?
17 November 2011 | This 'n' that
Two tax collectors: anonymous painter, after Marinus van Reymerswaele (ca. 1575–1600). Musée des Beaux-Arts de Nancy. Wikimedia
In Finland, tax returns are public information. So, every November the media publish lists of the top earners in Finland, dividing them into the categories of earned and investment income. Every November it is revealed who are millionaires and who are just plain rich.
The Taloussanomat (‘The economic news’) newspaper offers a list (Finnish only) of the 5,000 people who earned most last year (in terms of both earned and investment income, together with the proportion of income they have paid in tax). You can also search lists of various status and professions: rock/pop stars, media, sports, MPs, celebrities, politicians of various political parties…
So let’s take a look at Taloussanomat’s selected list of authors: number one is the celebrity author Jari Tervo (309,971 euros, tax percentage 45); number two, the internationally famous Sofi Oksanen (302,634 euros, 46 per cent); the next two are Sinikka Nopola, writer of children’s books, (264,000) and Arto Paasilinna (262,300; now after an illness, retired as a writer), translated into more than 30 languages since the 1970s. (The film critic and author Peter von Bagh made almost 900,000 euros – not by writing books, but by selling his share of a music company to an international enterprise.)
As tax data are public in Finland, there’s vigorous and decidedly informed public debate on how much money, for example, directors of public pension institutions and government offices or ministers and other top politicians are paid, and how much they should be paid: what is equitable, what is reasonable? A million dollar question indeed…
Among the European Union countries, it is only in Finland, Sweden and Denmark that there is no universal minimum wage. Here, wages are determined in trade wage negotiations. The average monthly salary in the private sector in 2010 was approximately 3,200 euros. In contrast to that, Olli-Pekka Kallasvuo, the Nokia CEO and President, who tops the 2010 tax list, earned a salary of 8 million last year, because – and precisely because – he was sacked (and replaced by the Irishman Steven Elop).
The CIA’s Gini index measures the degree of inequality in the distribution of family income in a country. The more unequal a country’s income distribution, the higher is its Gini index. The country with the highest number is Sweden, 23; the lowest, South Africa, 65 (data from both, 2005). Finland’s figure is 26.8 (2008), Germany 27 (2006), the European Union’s 34. The United Kingdom stands at 34 (2005), and the USA at 45 (2007). The figure in Finland seems to be on the rise though, as the figure back in 1991 was 25.6.
There’s been plenty of research and debate on economic inequality and the ways it harms societies. This link takes you to a fascinating video lecture (July 2011 – now seen by almost half a million people) by Richard Wilkinson, British author, Profefssor Emeritus of social epidemiology.
Boys Own, Girls Own? –
Gender, sex and identity
30 December 2008 | Essays, Non-fiction
Knowing good and evil: Adam and Eve (Albrecht Dürer, 1507)
In Finnish fiction of the present decade, both in poetry and in prose, there seems to be at least one principle that cuts across all genres: an overt expression of gender, writes the critic Mervi Kantokorpi in her essay
Relationships and family have always been central concerns of literature; questions about gender and individual identity have received a new emphasis in Finnish literature from one season to the next. The gender roles represented in contemporary literature appear to become ever more stereotypical. The question is no longer only of the author consciously setting his or her gender up as the starting point for expression, as has already long been the case with modern literature written by women. More…
Once upon a time…
13 January 2012 | Articles, Non-fiction
Sari Airola's illustration in Silva och teservisen som fick fötter (‘Silva and the tea set that took to its feet’, Schildts) by Sanna Tahvanainen
The future of book publishing is not easy to predict. Books for children and young people are still produced in large quantities, and there’s no shortage of quality, either. But will the books find their readers? Päivi Heikkilä-Halttunen takes a look at the trends of 2011, while in the review section we’ve picked out a selection of last year’s best titles
The supply of titles for children and young adults is greater than ever, but the attention the Finnish print media pays to them continues to diminish. Writing about this genre appears increasingly ghettoised, featuring only in specialist publications or internet chat rooms and blogs.
Yet, defying the prospect of a recession, Suomen lastenkirjakauppa, a bookshop specialising in children’s literature, was re-established in central Helsinki in autumn 2011, following a ten-year break. Pro lastenkirjallisuus – Pro barnlitteraturen ry, the Finnish society for the promotion of children’s literature, has been making efforts to found a Helsinki centre dedicated to writing and illustration for children. The society made progress in this ambition when it organised a pilot event in May 2011. More…
Marja-Leena Tiainen: Kahden maailman tyttö [The girl from two worlds]
18 January 2012 | Mini reviews, Reviews
Kahden maailman tyttö
[The girl from two worlds]
Helsinki: Tammi, 2011. 261 p.
ISBN 978-951-31-5937-5
€ 26.65, hardback
Marja-Leena Tiainen (born 1951) has dealt with unemployment, immigration, and racism in her works, in ways that are accessible to her young readership. She researches her topics with care. The idea for this book dates back to 2004, when the author made the acquaintance of a Muslim girl who lived in a reception centre in eastern Finland; her experiences fed into Tara’s story. Tiainen’s central theme, ‘honour’ violence in the Muslim community, is surprisingly similar to Jari Tervo’s Layla (WSOY, 2011). Tiainen’s is a traditional story about a girl growing up and surviving, but the novel’s strong points are the authentic description of everyday multiculturalism, and the intensity of the narration. The reader identifies with Tara’s balancing act, which she must carry out in the crossfire of her father’s authority, family tradition, and her own dreams. In spite of everything, the community also becomes a source of security and support for Tara. The narrative arc is coherent and, despite the numerous overlapping time-frames, the tension is sustained right up to the final, conciliatory solution.
Translated by Fleur Jeremiah and Emily Jeremiah