Search results for "jukka laajarinne"

Male parole

30 June 2006 | Authors, Interviews

Hannu Luntiala

Hannu Luntiala. Photo: Jukka Uotila

In his first collection of short stories Hannu Luntiala reinvents the form to examine the lives of 16 men. One story consists of just one long sentence; another is written in the made-up ‘Katalanian’ language; a third omits all the commas

A successful IT boss; a humble Greek Orthodox monk; an old man lying like a vegetable hooked up to a life-support machine. Hannu Luntiala’s collection of short stories presents us with sixteen men’s emotional landscapes. Entitled Hommes, the collection is the debut by Hannu Luntiala (born 1952).

Variety is to be found not only in the characters themselves, but in the language and style of each of Luntiala’s stories. For him language is an integral part of the story; it can open up new perspectives that a simple plot cannot. More…

Around zero o’clock

30 June 1996 | Archives online, Fiction, poetry

Poems from the collection Musta oli valkoinen (‘Black was white’, WSOY, 1995). Introduction by Jukka Koskelainen

When?

			         When I learned to pay attention
to unlikely reptiles
to surprising glacier waters
to nightgowned rejections
to wall-mounted assault rifles 
to traveling angels
to lips shaped like promises
to mussels swimming in dreams 
to crashes, rules and funerals
to shady, secret sacristies
to the indecisiveness of dancing shoes
to the immeasurable indifference of looks like bullets 
to spring, myself and seductions slow as clouds
			                                     all of these
					                                         between the words,
was that when the difficulties began?

About the third

To stop waiting, the second step.
To be born of woman. The first.

The price of the word and the moon
	    are determined with the same weightless scales.

The third we don’t know about, don’t ask.

On the ear’s walk

The landscape's deepest melody flowed on
	     over the banks of the resounding Middle Ages.

Do you hear, do you hear it
the way a snail hears,
that snail there who teaches
learns from the earth’s replies, learning
the snail hears and gets there,
gets there for sure
even the slow one gets there,
even the slower one will
then get there, it will
surely get there, into the pot.

 

Herbal wisdom

New churches, old
	                       harmonized organs and repetitions 
like a prayer or a psalm for seven voices. 
Against scant blue
	               a hundred people
believe in pilots and safety belts. The wind
	                                                 just a little too strong.
But my heart it was, that loaded institution 
through four expectations it came 
	                                               here. Exactly here
where you, with both hands, 
	               almost inaudibly
intended to break
	              the fragrant life of a sprig of thyme.
That soundless break, the speech of dust, said all
			                                  I understood.

Around zero o’clock

Just be the shape of an angel, be, be 
	                be, be a screeching
   hatful of sleepless night	it dresses 
even the seagulls in diver's suits, be
	      be lazy intellect and come
to bed
be manager of nightmare
	  and conqueror of desire

	to say
Be the disease of saying 	Be the lifelong remedy
	   which 	                        whether you take it or not
	              certainly kills
Be the one who no longer is
	     a dab of the freedom of the void, a flight of three strides
out of thought's night	                    be

Because I’m jading

Translated by Anselm Hollo

How many worlds?

31 March 2000 | Authors, Reviews

Veronica Pimenoff

Photo: Jukka Uotila

Veronica Pimenoff’s novel Maa ilman vettä (‘A world without water’) recalls in a startling way the time when the founding father of Nordic literature, Georg Brandes, urged readers to ‘make problems a matter of debate’ and when Henrik Ibsen’s plays The Pillars of Society and A Doll’s House provoked widespread debate about money and property, gender and marriage.

The tradition of problem-centred literature in the Nordic countries from the end of the 19th century onward has hardly been studied, but it could certainly be made visible by tracing a line from Brandes to August Strindberg and thence via the working-class literature of Sweden and Finland to, for example, the feminist fiction of recent decades. More…

It’s a long way to Cameroon

18 October 2012 | This 'n' that

Before takeoff: Ilmari looks slightly annoyed here, as his ankle rings are checked by Harri Koskinen before his release. Photo: Juhani Koivu

An eight-year-old Finnish male, named Ilmari, has emigrated to Africa; on 13 October he was spotted in Cameroon. He set off for the journey on 16 September.

At the beginning of his journey, in Hattula, southern Finland, in August, he weighed 1,370g.

Ilmari is an osprey. The Osprey Foundation (more photos here too) fitted him with a Microwave GPS-Argos satellite transmitter (weighing just 30g and running on solar power). This allows osprey researchers to follow his journeys.

Actually Ilmari hasn’t emigrated – he will return to where he was born, in March 2013. As this is Ilmari’s first recorded migration, his final destination is not known. But one of his countrymen (-birds), carrying a transmitter, Jukka, liked it so much in Cameroon that he spent the winter there. Will Ilmari do the same? Watch this space!

The journeys of Finnish migrating birds are long (in this case, more than 6000 kilometres) and dangerous, so we wish Ilmari safe travel back home as well.

Best-selling books in September

18 October 2012 | In the news

Number one on the September list of best-selling Finnish fiction titles, compiled by the Finnish Booksellers’ Association, is Sofi Oksanen’s new novel Kun kyyhkyset katosivat (‘When the doves disappeared’, Like): which shot straight to the top of the list on its publication in August.

The huge national and international success of her previous novel, Puhdistus – in English, Purge – published in 2008 and also set in Estonia, has paved the way for Kun kyyhkyset katosivat; translation rights have been sold to several countries already.

Number two on the list was Riikka Pulkkinen’s third novel, Vieras (‘The stranger’, Otava). In third and fourth places were two new thrillers, Paholaisen pennut (‘The devil’s cubs’, Tammi), by Leena Lehtolainen, and Ylösnousemus (‘Resurrection’, WSOY), by Ilkka Remes.

In fifth place was Sirpa Kähkönen’s novel Hietakehto (‘Sand cradle’, Otava): number six in her series set in the Kuopio region of eastern Finland, during the Second World War.

The non-fiction (translated foreign as well as Finnish) list was topped by Blaine Harden’s Escape from Camp 14 (in North Korea; Gummerus). The variety of subjects on this list can be surprising: number two is about angels (Lorna Byrne’s A Message of Hope from the Angels, Otava), number three a biography of a Finnish ex-con turned surgeon (Veitsen terällä, ‘On knife’s edge’, by Arno Kotro & Christer Lybäck, Otava), number four about the Cold War in Finland (Jukka Tarkka: Karhun kainalossa, ‘Under the arm of the bear’, Otava) and number five about cupcakes (by Angela Drake, Otava)…

Mauri Kunnas: Aarresaari

The three best-selling children’s books were by seasoned Finnish authors: illustrator-writer Mauri Kunnas, with his tribute to R.L Stevenson, Aarresaari (‘Treasure island’, Otava), Aino Havukainen & Sami Toivonen, with Tatu ja Patu pihalla (‘Tatu and Patu outdoors’, Otava) and Sinikka Nopola & Tiina Nopola, with their Risto Räppääjä ja nukkavieru Nelli (‘Risto Rapper and Threadbare Nelly’, Tammi).

Misery me

30 June 2010 | Fiction, Prose

Extracts from the collection of short prose, Mielensäpahoittaja (‘Taking offense’, WSOY, 2010)

Past pushing up daisies

Well, yeah, so I took offense when the doctor said that considering my age I’m in tip-top shape. His theory was that my 25-kilometre ski circuits would keep an old coot like me in shape, if they didn’t kill me first. He said if I were to start just sitting on the couch and waiting, then the Reaper would be on my back in no time.

I don’t ski for my health. I ski because it’s pretty in the forest, and when a body is sweating he doesn’t think a whole lot. More…

Punishment and delight

31 December 1995 | Archives online, Fiction, Prose

Extracts from Pimeästä maasta (‘Out of the Land of Darkness’, Kirjayhtymä, 1995). Interview by Jukka Petäjä

‘A being far more powerful and wiser than ourselves made the mould at the beginning of time and set it up for us as a model in order that we might shape ourselves correctly,’ the teachers said. ‘The Prime Mover’s form, actions and thoughts we are unable to understand. The Prime Mover gave us the mould in order that we should not remain formless. To this extent it has made itself known to us, although we do not deserve anything from it. It did not make the mould of bog-iron, which would soon have rusted in the cellar, but of a much better material of which we know nothing, and need to know nothing. Our duty is to aspire to fill the perfect mould given to us perfectly. Most of us will never be able to do so, for we are worthless, formless, unclean messes who deserve, many times over, all the pain of fitting the mould.’

Ulthyraja Tharabereghist did not dare ask anything, but there was something she would have liked to know. How the Prime Mover had made the mould, at least, and where it had found the materials, and what the Mover had gone on to do and where it had gone when the mould was ready and in the possession of the villagers. Even illicit thoughts were said to damage one’s shape: to be visible in it, if one knew how to look, and, of course, to be felt in the pains of fitting the mould… More…

This journey

30 September 1995 | Archives online, Fiction, poetry

Poems from Tämä matka (‘This journey’, 1956). Introduction by Jukka Petäjä

You took a planet

For Erik Lindegren

The stars arranged themselves
round a red magnet
by request,
and shaped fugitive systems and mirror reflections,
space’s sonorous grammar.

Oh, those hatched-out faces of the apathetic! –
and the grudge of those who can no longer read
(apart from cruel bibles, containing pressed roses and corpses).

Oh, ourselves! – here in the lonely sublunar place, 
hair and eyes in the wind, in our hands
	                                                ignorance and boomerang-echoes.

Oh, these vaultings of the word! – changing skies
where the glyphs rise like distress flags.

I looked for a question
	                    whose answer is this mutabor.

I kneel
	   to gather up the shattered fragments of a glyph
scored with the brilliant wounded secret 
where I lost my wings
	               before my choosing fingers were formed.

More…

Punamustavalkea – 1918 valokuvissa [Red, black and white: 1918 in photographs]

31 March 2009 | Mini reviews

punamustavalkeaPunamustavalkea – 1918 valokuvissa
[Red, black and white – 1918 in photographs]
Toim. [Ed.by] Kukkonen, Jukka & Heikka, Elina
Helsinki: Valokuvataiteen museo /Avain, 2008. 167 p., ill.
ISBN 978-952-5524-65-9
€ 29, paperback

The book examines the Finnish Civil War and the photographic heritage of the year 1918 in articles which explore the background to the conflict. There are photographs of the ‘Red’ and ‘White’ guards, the events of the war, the prison of war camps, and the everyday lives of civilians. The publication presents the work of the photographers and film technicians who supported different sides in the conflict, and discusses the fate of the photographic archives after the war. A previously unknown collection of German propaganda pictures is also included. Archival research has demonstrated that there are more photographs from the period than was originally supposed; after the war they were confiscated and used to trace Red Guard soldiers who had gone missing. The book was published in connection with an exhibition at the Finnish Museum of Photography.

Finlandia Prize for Non-Fiction 2010

19 November 2010 | In the news

A massive tome running to 1,000 pages by Vesa Sirén, journalist and music critic of the Helsingin Sanomat newspaper, features Finnish conductors from the 1880s to the present day. On 18 November it became the recipient of the 2010 Finlandia Prize for Non-Fiction by the Finnish Book Foundation, worth €30,000.

The choice, from six shortlisted works, was made by economist Sinikka Salo. Suomalaiset kapellimestarit: Sibeliuksesta Saloseen, Kajanuksesta Franckiin (‘Finnish conductors: from Sibelius to Salonen, from Kajanus to Franck’) is published by Otava.

The other five works on the shortlist were Itämeren tulevaisuus (‘The future of the Baltic Sea’, Gaudeamus) by Saara Bäck, Markku Ollikainen, Erik Bonsdorff, Annukka Eriksson, Eeva-Liisa Hallanaro, Sakari Kuikka, Markku Viitasalo and Mari Walls; the Finnish Marshal C.G. Mannerheim’s early 20th-century travel diaries, Dagbok förd under min resa i Centralasien och Kina 1906–07–08 (‘Diary from my journey to Central Asia and China 1906–07–08’, Svenska litteratursällskapet i Finland & Atlantis), edited by Harry Halén; Vihan ja rakkauden liekit. Kohtalona 1930-luvun Suomi (‘Flames of hatred and love. 1930s Finland as a destiny’, Otava) by Sirpa Kähkönen; Suomalaiset kalaherkut (‘Finnish fish delicacies’, Otava) by Tatu Lehtovaara (photographs by Jukka Heiskanen) and Puukon historia (‘A history of the Finnish puukko knife’, Apali) by Anssi Ruusuvuori.

Snowbirds

2 November 2011 | Extracts, Non-fiction

The short winter days of the northerly latitudes are made brighter by snow cover, which almost doubles the amount of available light. Reflection from the snow is an aid for photographers working outdoors in winter conditions. A new book, entitled Linnut lumen valossa (‘Birds in the light of snow’), presents the best shots by four professionals, Arto Juvonen, Tomi Muukkonen, Jari Peltomäki and Markus Varesvuo, who specialise in patiently stalking the feathered survivors in the cold

The photographs and texts are from the book Linnut lumen valossa (‘Birds in the light of snow’, edited by Arno Rautavaara. Design and layout by Jukka Aalto/Armadillo Graphics. Tammi, 2011)

Snowy owl. Photo: Markus Varesvuo, 2010

More…

Finlandia Prize for Non-Fiction 2012

5 December 2012 | In the news

‘It is one of the rules of quality journalism that writers aim for even-handed and impartial reporting, but at the same time challenge their respondents to account for their actions. Writers should also have the capacity for in-depth reporting and analysis,’ said Janne Virkkunen, former Editor-in-Chief of Helsingin Sanomat newspaper on 8 November, as he announced the winner of this year’s Finlandia Prize for Non-Fiction, worth €30,000.

The winner, Syötäväksi kasvatetut. Miten ruokasi eli elämänsä (‘Grown to be eaten. How your food lived its life’, Atena) by the young journalist Elina Lappalainen, is her first book.

‘The book could have fallen prey to the sensationalism of which we all probably have experience in the media, at least. This writer was able to avoid the temptation,’ Janne Virkkunen said.

The other works on the shortlist of six were as follows: Arabikevät (‘The Arab spring’, Avain), a study of spring 2011 in the Arab world by Lilly Korpiola and Hanna Nikkanen, Norsusta nautilukseen. Löytöretkiä eläinkuvituksen historiaan (‘From the elephant to the nautilus. Explorations into the illustration of animals’, John Nurminen Foundation) by Anto Leikola, Kevyt kosketus venäjän kieleen (‘A light touch to the Russian language’, Gaudeamus) by professor of Russian Arto Mustajoki, Karhun kainalossa. Suomen kylmä sota 1947–1990 (‘Under the arm of the Bear. Finland’s Cold War 1947–1990’, Otava) by Jukka Tarkka and Markkinat ja demokratia. Loppu enemmistön tyrannialle (‘Market and democracy. The end of the tyranny of the majority’, Otava) by banker Björn Wahlroos.

Re-inventing the book: on the papernet, pod and the unbook

20 May 2009 | Articles, Non-fiction

Mind-map: using the papernet to produce books just for you. Photo: Brian Suda

Mind-map: using the papernet to produce books just for you. - Photo: Brian Suda

Just as Books from Finland finally goes online, the brightest minds of the internet are forecasting a return to paper. In the first of a series of articles, the poet and scholar Teemu Manninen celebrates the second coming of the book

Last week I did something I’ve never done before. I uploaded the manuscript of my third book on to the website Books on Demand, an internet print-on-demand (‘pod’) service, chose the format (a large 19×22 cm size with a hard cover), selected a picture for my cover, copy-pasted a poem by Clark Ashton Smith – an American science fiction and fantasy writer – on the back flap and ordered a copy. More…

No longer I:

30 September 2001 | Fiction, poetry

From Voittokulku (‘Triumphal march’, Tammi, 2001). Illustrations by Jukka Korkeila

Tiamat [Bloody moon]

The goat’s cheese that I have just succeeded in swallowing is now grazing in my gullet before its last metamorphosis. Soon it will be washed away into the endless system of tubing, the network of veins that proliferates beneath the paving stones. The body expels the waste and another receives it. Some people believe they are different bodies, but on thorough examination it is clear that they are both part of one and the same liquid-channeling system. I speak of a body which is a city, of liquids which surge beneath the streets, of subterranean waters. I lift a manhole cover and behold a sea which you could never dream of. The sea is a living creature and knows me better than I do myself. When I close my eyes, I see a crayfish that climbs out of the water and stretches out its pincers toward a bloody moon. What does it mean? Of that I do not wish to speak a single word.

More…

This is a map

30 June 1992 | Archives online, Fiction, poetry

from Tasanko 967 (‘Plain 967’, Kirjayhtymä, 1991). Introduction by Jukka Petäjä

	and he woke
			 to the babble of a hungry baby
 		and his palate, his mouth
				was dry 
	and waking he recalled images of
		bodies battered
			in the violent overthrow
				of Vilnius TV Station 
			and he dozed off
				into the sound of suckling

More…