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The attentive lover
31 December 1988 | Archives online, Fiction, Prose
In this short story, from his collection Pronssikausi (‘The bronze age’, 1988, on the Finlandia Prize shortlist in 1989), Martti Joenpolvi takes up the subject of the problematic transportation of a human cargo
He braked abruptly; the woman lurched forward, straining against the seat belt, and the car drove into the parking space. The only vehicle parked there was a solitary trailer loaded with timber: a resinous pulpwood-odour came wafting through their open window, so physical, it was as if someone were snooping into the car’s most intimate interior. When they stopped, they got the whiff of a yellow refuse bin, incubated in the heat of the day.
‘What’s up?’
‘We’ve got a problem.’ More…
The coder’s Latin
30 October 2014 | Articles, Non-fiction
Pleasant interface still? Old book bindings (Merton College library, Oxford, UK). Photo: Wikipedia
Writing is arguably brain-control technology, notes our columnist Teemu Manninen. Writing might not be on its way out, at least not quite yet, he thinks, but the printed book might not stay with us for ever. And would that be a happier world?
When the future of literature is discussed, either here in Finland and elsewhere, topics usually revolve around changes in the economics and practicalities of reading, writing, and publishing: how will writers and publishers get paid, and how can readers find more books to read.
What is taken for granted in these instances is that literature itself will continue to be something that exists in a recognisable way – which itself of course implies that writing itself will remain a viable mass medium for the transmission of information over the transcendent, enormous, unfathomable gulfs of space and time, as it has been for thousands of years. More…
Human destinies
7 February 2014 | Articles, Non-fiction
To what extent does a ‘historical novel’ have to lean on facts to become best-sellers? Two new novels from 2013 examined
When Helsingin Sanomat, Finland’s largest newspaper, asked its readers and critics in 2013 to list the ten best novels of the 2000s, the result was a surprisingly unanimous victory for the historical novel.
Both groups listed as their top choices – in the very same order – the following books: Sofi Oksanen: Puhdistus (English translation Purge; WSOY, 2008), Ulla-Lena Lundberg: Is (Finnish translation Jää, ‘Ice’, Schildts & Söderströms, 2012) and Kjell Westö: Där vi en gång gått (Finnish translation Missä kuljimme kerran; ‘Where we once walked‘, Söderströms, 2006).
What kind of historical novel wins over a large readership today, and conversely, why don’t all of the many well-received novels set in the past become bestsellers? More…
Jukka Laajarinne: Ruoalla ei saa leikkiä [Don’t play with your food]
5 February 2010 | Mini reviews, Reviews
Ruoalla ei saa leikkiä
[Don’t play with your food]
Kuvitus [Ill. by]: Martti Ruokonen
Helsinki: WSOY, 2009. 60 p.
ISBN 978-951-0-35040-9
18.20 €, hardback
Jukka Laajarinne (born 1970) exercises his obsession with challenging authority again, stretching the boundaries of traditional children’s literature. It seems that becoming a father has made him wonder at the dominant role of food in everyday life: this book deals broadly with food, eating, and food culture. The impetus for the stories might be an ordinary figure of speech or adage that is taken apart and played with. For instance, King Midas, familiar from Greek mythology, who turned everything to gold with his touch, is transformed in Laajarinne’s retelling into a sticky-fingered kid who makes a mess of everything around him. Martti Ruokonen’s graphic illustrations are stark and even coarse in places, their colour choices and rounded forms reminiscent of visual images made for the first books for babies.
Nature’s not my thing
A short story from Hommes (Tammi, 2006)
Lying unemployed on my sofa I hear a lot of stuff on the radio almost every day you hear some children’s choir chanting the same songs over and over about our country’s blue lakes the sky and all our trees and their white trunks. They’ve all finally worked their way into my subconscious. After hearing enough of these songs my subconscious rears its head and commands my idle body: go to the forest. In a situation like that it’s hard to put up a fight or struggle against something you can’t see or hear or smell that all of a sudden pops into your head.
The great debate was over so quickly that hardly anyone managed to get a word in I think to myself as I lie in bed at night just before falling asleep. More…
A perfect storm
Bracing the waves. Ivan Aivazovsky, 1890.
According to Petri Tamminen, Finns are burdened by the need to succeed. Instead, he argues they should learn to fail better.
Part comedy, part tragedy, part picaresque novel, with a dash of Joseph Conrad – Tamminen’s new book, Meriromaani. Eräitä valoisia hetkiä merikapteeni Vilhelm Huurnan synkässä elämässä (‘A maritime novel. A few bright moments in Captain Vilhelm Huurna’s sombre life’, Otava, 2015) is set in an indeterminate seafaring past of the 18th or 19th century. It tells the story of the world’s most unsuccessful sea captain, Vilhelm Huurna who, one by one, sinks all the ships he commands.
Tamminen (born 1966) is a master of very short prose – this miniature novel is a a huge undertaking in the context of his work as a whole – and at Books from Finland we’re big fans. You can read more of his work here.
We join the story as Huurna, leaving behind him a failed romance in Viipuri, sets sail for Archangel, on the far north coast of Russia.
An excerpt from Meriromaani. Eräitä valoisia hetkiä merikapteeni Vilhelm Huurnan synkässä elämässä (‘A maritime novel. A few bright moments in Captain Vilhelm Huurna’s sombre life’, Otava, 2015)
The sun shone on the Arctic Ocean night and day, and the voyage went amazingly well, as did all the tasks and jobs that Huurna particularly feared beforehand.
Ships lay in Archangel harbour like objects on a collector’s shelf. They were waiting for timber cargo from the local sawmills where work was at a standstill because the mills lacked the machines and machine parts that they were now bringing them. When their cargo had been unloaded and the machines installed, timber began arriving from the sawmills. They found themselves at the end of the queue, and after the other ships had departed, one by one, they were still waiting in Archangel. That suited Huurna; in the first few days of his stay he had become acquainted with two English merchants and, through them, had received invitations to parties. He had stood in salons drinking toasts to the honour of this or that and made the acquaintance of some charming ladies into whose eyes he wished to gaze another time. He was quite moved by the whirl of this unexpected social life, and brightened at the thought that there was really nothing to complain about in his life apart from the fact that he happened still to be a bachelor. More…
See the big picture?
9 November 2012 | Extracts, Non-fiction
Details from the cover, graphic design: Työnalle / Taru Staudinger
In his new book Miksi Suomi on Suomi (‘Why Finland is Finland’, Teos, 2012) writer Tommi Uschanov asks whether there is really anything that makes Finland different from other countries. He discovers that the features that nations themselves think distinguish them from other nations are often the same ones that the other nations consider typical of themselves…. In Finland’s case, though, there does seem to be something that genuinely sets it apart: language. In these extracts Uschanov takes a look at the way Finns express themselves verbally – or don’t
Is there actually anything Finnish about Finland?
My own thoughts on this matter have been significantly influenced by the Norwegian social scientist Anders Johansen and his article ‘Soul for Sale’ (1994). In it, he examines the attempts associated with the Lillehammer Winter Olympics to create an ‘image of Norway’ fit for international consumption. Johansen concluded at the time, almost twenty years ago, that there really isn’t anything particularly Norwegian about contemporary Norwegian culture.
There are certainly many things that are characteristic of Norway, but the same things are as characteristic of prosperous contemporary western countries in general. ‘According to Johansen, ‘Norwegianness’ often connotes things that are marks not of Norwegianness but of modernity. ‘Typically Norwegian’ cultural elements originate outside Norway, from many different places. The kind of Norwegian culture which is not to be found anywhere else is confined to folk music, traditional foods and national costumes. And for ordinary Norwegians they are deadly boring, without any living link to everyday life. More…
Writing silence
6 June 2013 | Fiction, poetry, Reviews
In contemporary poetry the ‘lyric I’ of previous decades often hides behind language; the poem’s speaker is not the poet him/herself, narrative is not the norm. The website of a Finnish family magazine in 2007 discussed this: ‘OMG, this thing called contemporary poetry – crap!’; ‘Who knows what kind of psychopharma the writer’s on!’; ‘No meanings, just words one after the other. Why can’t people write something sensible?’ But the writer – and the reader – of contemporary poetry deliberately ventures onto the boundaries of language, and art requires readers (listeners, viewers) to make the decision of what they consider ‘sensible’. Mervi Kantokorpi explores and interprets two new collections of poetry
I read two of this spring’s new collections of poetry one after the other: Kivirivit (‘Stone lines’, Otava 2013) by Harry Salmenniemi and Pysty hiljaisuus (‘Vertical silence’, Teos 2013) by Miia Toivio. The experience was perplexing.
These two works are completely different from one another as regards their individual poetics, and yet the similarities between the themes that arise from them was arresting. Both works seem to inhabit an internal world of sorrow and depression, a world where the function of poetry is to forge and show its readers a path out of the anxiety. In their silence – and even emptiness – both collections have two faces: one lit up, the other darkened by grief. More…
Male parole
30 June 2006 | Authors, Interviews
Hannu Luntiala. Photo: Jukka Uotila
In his first collection of short stories Hannu Luntiala reinvents the form to examine the lives of 16 men. One story consists of just one long sentence; another is written in the made-up ‘Katalanian’ language; a third omits all the commas
A successful IT boss; a humble Greek Orthodox monk; an old man lying like a vegetable hooked up to a life-support machine. Hannu Luntiala’s collection of short stories presents us with sixteen men’s emotional landscapes. Entitled Hommes, the collection is the debut by Hannu Luntiala (born 1952).
Variety is to be found not only in the characters themselves, but in the language and style of each of Luntiala’s stories. For him language is an integral part of the story; it can open up new perspectives that a simple plot cannot. More…
The Onlookers
30 September 1978 | Archives online, Fiction, Prose
A short story from Naisten vuonna (‘In women’s year’, 1975). Introduction by Pekka Tarkka
The two elks came out on to the road through a gap between timber sheds. They began to cross the road, and the larger one was very nearly run into by a car. Cars stopped and horns tooted, till the elks turned and made off towards the harbour. Several cars swung round and drove along the cinder track in pursuit of the animals.
The elks headed across the rubble towards the power station; after circling some stacks of railway sleepers, they ended up on the flank of a coalheap sixty feet high. The cars pulled up and their occupants poured out, shouting that the elks wouldn’t go that way, it was a dead end. The elder of the two elks had indeed sensed this, and they moved off to the right, skirting the coal-heap and emerging among the timber-stacks. By this time the first cyclists and pedestrians had arrived on the scene.
“They’ll break their legs,” said a pedestrian to a motorist. “There’s all kinds of junk lying about.” More…
Paris, je t’aime
7 May 2010 | This 'n' that
Ismo Kajander: Miss France, 1998
‘Paris traverse la pensée comme une encyclopédie de la vie, où l’on découvre des passages, des cours intérieures, des ruelles et des autoroutes, toujours plus surprenants. La ville ne se vide ni n’abandonne jamais, n’accorde ni ne refuse.’
‘Paris permeates your mind like an encyclopaedia of life in which you will incessantly discover astonishing new passages, courtyards, alleys and avenues. It will never either run empty or surrender, it won’t admit or refuse.’
L’air de Paris / Pariisin tuoksu (‘Air of Paris’, Musta Taide, 2009) is an elegant little book that features artwork by Ismo Kajander and texts by Anna Kortelainen relating to the mother city of all artists. More…
Still alive
31 March 2000 | Fiction, Prose
Extracts from the novel Maa ilman vettä (‘A world without water’, Tammi, 1999)
The window opened on to a sunny street. Nevertheless, there was a pungent, sickbed smell in the room. There were blue roses on a white background on the wallpaper and, on the long wall, three landscape watercolours of identical size: a sea-shore with cliffs, a mountain stream, mountaintops. The room was equipped with white furniture and a massive wooden table. The television had been lifted on to a stool so that it could be seen from the bed.
The bed had been shifted to the centre of the room with its head against the rose-wall, as in a hospital. Between white sheets, supported by a large pillow, Sofia Elena lay awake in a half-sitting position. More…
How I saved the world for communism
30 September 1996 | Archives online, Fiction, Prose
Extracts from the novel Kreisland (WSOY, 1996). Rosa Liksom’s first novel is a picaresque story of a heroine whose adventures range through Finland, Soviet Russia and America. Introduction by Soila Lehtonen
Maid Agafiina: Got myself some shiny black rubber boots, the kind with the red felt lining, and a colorful crepe de chine dress and a rayon coat, and while shopping for all that I checked out the four wonders of Moscow: a bell that doesn’t ring, a cannon you can’t fire, a ruler who doesn’t speak, and money that doesn’t stink.
In no time at all I made up a new personality, learned the language real good, and obtained a Soviet citizen’s passport. I was totally excited by everything I’d seen. My cheeks were as red as the flag. I wanted to find out about everything and see every achievement of this huge Soviet land. More…
Best-selling books in September
15 October 2010 | In the news
In September, Finns read crime novels. Matti Yrjänä Joensuu’s latest book featuring his police protagonist Timo Harjunpää, Harjunpää ja rautahuone (‘Harjunpää and the iron room’, Otava), topped the Booksellers’ Association of Finland’s best-seller list.
Joensuu’s Harjunpää ja pahan pappi was published in English in 2006 and reissued in 2008 under the title Priest of Evil. A film adaptation will be released in Finland in late October, directed by Olli Saarela and starring Peter Franzén in the title role.
Number two was the latest thriller from the pseudonymous Ilkka Remes, Shokkiaalto (‘Shock wave’, WSOY), and number three was Leena Lehtolainen’s Minne tytöt kadonneet (‘Where have all the young girls gone’, Tammi).
Sofi Oksanen’s record-breaking seller and critical success Puhdistus (WSOY; English edition: Purge, Atlantic Books) held strong in fourth place.
In translated fiction, Paul Auster, Diana Gabaldon ja Paulo Coelho headed the list.
The non-fiction list was topped by a study of sociability and social skills by Liisa Keltikangas-Järvinen (Sosiaalisuus ja sosiaaliset taidot, WSOY). Readers seem to be interested in survival, as the number two book was in a similar vein, Lilli Loiri-Seppä’s Selviämistarinoita (‘Stories of coping’ – also translatable as ‘Stories about getting sober’, Gummerus), about how to stop drinking.
Walt Disney was missing again from the top of the children’s list, the number one and number two spots being taken by Finnish picture books, Tatu ja Patu supersankareina (‘Tatu and Patu as superheroes’, Otava) by Aino Havukainen and Sami Toivonen, and Hurja-Harri ja pullon henki (‘Scary Harry and the genie in the bottle’, Otava) by the veteran graphic artist and children’s book author Mauri Kunnas. A new installment of the Ella storybook series by Timo Parvela, Ella ja Yön ritarit (‘Ella and the Knights of the Night’, Tammi) held the number three spot. In September, Finns read crime novels. Matti Yrjänä Joensuu’s latest book featuring his police protagonist Timo Harjunpää, Harjunpää ja rautahuone (‘Harjunpää and the iron room’, Otava), topped the Booksellers’ Association of Finland’s best-seller list.