Search results for "2009/09/what-god-said"

Being God

30 September 2006 | Fiction, Prose

Extracts from the novel Gud (‘God’, Schildts, 2006)

Side by side, wolves and antelopes graze on the juicy grass.

A deer playfully chases a lion through the bushes.

‘Can you do this?’

Adam crosses his arms in front of his chest and folds his hands back to front so that the right hand is on the left and the left hand is on the right. With his hands folded he twists them downwards and holds them out. Now they point to Eve, still folded, and still with the right hand on the left.

Eve tries. She succeeds, and laughs with delight.

A gentle breeze is blowing from the east, just strongly enough for the couple not to be troubled by the heat, but not so they would feel the need for clothes to keep them warm. More…

The engineer’s story

30 June 1981 | Archives online, Fiction, Prose

A short story from Maailman kivisin paikka (‘The stoniest place in the world’, 1980). Introduction by Pekka Tarkka

Coffee was going to be served down by the river. The engineer took my elbow and led me across his paved courtyard and over his lawn; we settled ourselves down in cane chairs under the trees. Mirja came out of the house with a tray of coffee and coffee-cups, a loaf of sweet bread, already cut, some marble cake and some biscuits. The engineer said nothing. My eye wandered over the ample weeping birches by the river, the mist creeping up in the cool of the evening and shifting in the cross-pull of the breeze and the current, and I watched Mirja moving under the trees back to the house and then down again to the riverbank.

As we sipped our coffee we spoke about chance, and the part it plays in life, about my husband – for I was able to speak about him now: enough time had gone by. The engineer eased himself into a comfortable position, gave me a quick look and then launched off into an account of his own, about his trip abroad:

I spotted the news item as I was going through the morning paper on the plane. I sat more or less speechless all of the first leg, listening to Kirsti and her husband confabulating. I didn’t say anything during the stop-over in Copenhagen, either, where they wanted to get some schnapps and, of course, some chocolate ‘if Kirsti would really like some’. We came rushing back into the plane just as the last English, German and Danish announcements were coming over, and then we sat waiting for the take-off. That was delayed too because of a check-up (not announced), and then we were off again for Zurich, me without a word and they whispering together. Then it was the bus as far as the terminal, and after that a taxi to the hotel. Quite clearly Kirsti hadn’t heard a thing about it yet, and probably hadn’t had much contact with Erkki for quite some time, her new husband even less. More…

Human Freedom

30 June 1986 | Archives online, Fiction, Prose

Mika Waltari. Photo: SKS Archives

Mika Waltari. Photo: SKS Archives

Extract from lhmisen vapaus (‘Human Freedom’, 1950)

‘Where are we?’ Yvonne asked. ‘This isn’t the right street either. Somewhere between Alma and Georges V, they said. But there’s no sign of an aquarium.’

‘Talking of aquariums’, I suggested, ‘there’s a dog shop near here where they wash dogs in the back room. If you like, I’ll take you to see how they wash a dog. It’s a very soothing experience.’

‘You’re crazy’, said Yvonne.

My feelings were hurt. ‘I may sleep badly’, I admitted, ‘but I love you. I walk up and down the embankments all night. My heart aches, my brain is on fire. Then comes blissful intoxication, and for a little while I can be happy. And all you can do is to keep nagging, Gertrude.’

She wrinkled her brow, but I went on impatiently, ‘Look, Rose dear, just at present I have the whole world throbbing in my temples and in my finger-tips. Age-old poems are bubbling up within me. I am grieving for lost youth. I am boggling at the future. For just this one moment it is given to me to see life with the living eyes of a real human being. Why won’t you let me be happy?’

‘I have walked two hundred kilometres’, said a low, timid voice at my elbow. I stopped. Yvonne had stuck her arm through mine. She, too, stopped. We both looked down and saw a little man. He doffed a ragged cap and bowed. Flushed scars glowed through a grey stubble of beard. He was wearing a much-patched battle-dress from which the badges had long since disappeared. His face was wrinkled, but the little eyes were animated and sorrowful. More…

Summer child

30 September 1988 | Archives online, Fiction, Prose

A short story from Resa med lätt bagage (‘Travelling light’, 1987). Introduction by Marianne Bargum

From the very beginning it was quite clear no one at Backen liked him, a thin gloomy child of eleven; he looked hungry somehow. The boy ought to have inspired a natural protective tenderness, but he didn’t at all. To some extent, it was his way of looking at them, or rather of observing them, a suspicious, penetrating look, anything but childish. And when he had finished looking, he commented in his own precocious way, and my goodness, what that child could wring out of himself.

It would have been easier to ignore if Elis had come from a poor home, but he hadn’t. His clothes and suitcase were sheer luxury, and his father’s car had dropped him off at the ferry. It had all been arranged over the phone. The Fredriksons had taken on a summer child out of the goodness of their hearts, and naturally for some compensation. Axel and Hanna had talked about it for a long time, about how town children needed fresh air and trees and water and healthy food. They had said all the usual things, until they had all been convinced that only one thing was left in order to do the right thing and feel at ease. Despite the fact that all the June work was upon them, many of the summer visitors’ boats were still on the slips, and the overhaul of some not even completed. More…

In Darwin’s garden

3 September 2009 | Authors, Interviews

Interview with Kristina Carlson, author of Herra Darwinin puutarhuri(‘Mr Darwin’s gardener’, 2009)

Kristina Carlson. Photo: Tommi Tuomi

Kristina Carlson. Photo: Tommi Tuomi

Time: late 1870s. November. Place: the village of Downe, Kent, England. Villagers gather in the church on a rainy Sunday. Thomas Davies stays at home with his two children.

After the death of his wife, Thomas has been unable to get over his grief and anxiety. The villagers don’t approve of Thomas’s way of living – he isn’t sociable, keeps to himself, doesn’t go to church, and reads too many books. His employer is Charles Darwin: a famous – or notorious – man who writes too many books. ‘Mr Darwin lives here, and atheism is a worse threat than in the neighbouring villages,’ says Stuart Wilkes, voicing the views of the villagers.

Thomas is the central character in Kristina Carlson’s new novel, Herra Darwinin puutarhuri (‘Mr Darwin’s gardener’, Otava, 2009). Ten years ago her previous novel, Maan ääreen (‘To the end of the earth’), set in 19th-century Siberia, won the Finlandia Prize for Fiction.

As 2009 is the second centenary of Charles Darwin, the author of On the Origin of Species (published in 1859), the first question that comes to mind is whether this is coincidental or not… More…

Animal crackers

30 June 2004 | Children's books, Fiction

Fables from the children’s book Gepardi katsoo peiliin (‘A cheetah looks into the mirror’, Tammi, 2003). Illustrations by Kirsi Neuvonen

Rhinoceros

The rhinoceros was late. She went blundering along a green tunnel she’d thrashed through the jungle. On her way, she plucked a leaf or two between her lips and could herself hear the thundering of her own feet. Snakes’ tails flashed away from the branches and apes bounded out of the rhino’s path, screaming. The rhino had booked an afternoon appointment and the sun had already passed the zenith.

When the rhinoceros finally arrived at the beautician’s, the cosmetologist had already prepared her mud bath. The rhino was able to throw herself straight in, and mud went splattering all round the wide hollow. More…

What God said

3 September 2009 | Fiction, Prose

Extracts from the novel Herra Darwinin puutarhuri (Otava, 2009; Mr Darwin’s Gardener, Peirene Press, 2013). Interview by Soila Lehtonen

The congregation sits in the church pews and the jackdaws caw in the belfry.
We smell of wet dog, the rain made us wet and it is cold but the singing warms us, the hymn rises to the roof and above the roof dwells God, Amen.
We saw Thomas Davies on the hill, he is working in Mr Darwin’s garden,
the atheist and lunatic, he stood in the field alone and the water lashed his face
an irreligious pit pony wandering in the darkness he is from Wales
does the godless man think he can stand in the rain without getting wet did he get an umbrella or bat wings from the devil
perhaps Thomas imagines that he can hold back the rain and the rain not hold him back, he thinks he is more exalted than God with his head in the clouds
The church’s hard pews press into posteriors, the poor man will not grow fatter, for there are no fat and lean years but only lean ones, and thin are the poor man’s sheep and cows and children too, but the rich man cultivates weeds for his amusement as Mr Darwin did and earns money and fame! More…

Blind man’s buff

31 March 2002 | Fiction, Prose

An extract from the novel Laituri matkalla mereen (‘A jetty to the sea’, WSOY, 2001)

Ten steps along the path marked out by the poet

In a gravel pit illegally dug by the sand-king Gropius and later abandoned, the colonel and Henry were shooting at tin cans with pistols. The pit neighboured the Colonel’s home, and he was in the habit of carrying out target practice there with the help of Jovan, to keep his hand in.

The cans were placed at twenty-metre intervals in front of a sandbank and were raised on coil springs, so they swayed freely in the air. Each of them was attached to a long line; this, when pulled, swayed the cans, rattling stones inside them. Following the sound, the colonel identified the can’s position, aimed and fired. The hits he heard himself, the misses usually struck the pieces of hardboard behind the cans. These were divided up dartboard-fashion into sectors and rings, and Jovan used binoculars to spot the hits on them and announce the points of impact as clock-numbers and distances from the can’s central position, enabling the colonel to correct his aim. This he did with the aid of a rake. He held the rake upright, prongs downwards, so that its handle stood roughly perpendicular to the ground. Moving the handle sideways with careful estimation, and sliding his pistol hand up or down on the handle, he was able to make corrections with reasonable accuracy and determine his aim. More…

No place to go

30 March 2008 | Archives online, Fiction, Prose

Extracts from the novel Lakanasiivet (‘Linen wings’, Otava, 2007)

The clothesline swayed in the wind. Helvi closed her eyes and felt herself flutter into the air with the laundry. She flapped her white linen wings, straining higher, now seeing below the whole small peninsula city, its damp rooftops glittering in the morning sun, the blue sighs of the chimneys, the steamboats toiling on the lake and the trains chugging on their tracks. The whole of heaven was clear and blue; only far off in the east were there white pillars roiling – whether smoke or clouds, Helvi could not tell.

She flew north on her linen wings and saw the great bridges leading to the city, on whose flanks the hidden anti-aircraft batteries gasped the fumes of gun oil and iron, and continued her journey over the land, following the straight lines of the telephone wires. She flew over wooded hills and deep green fields, finally arriving on the slope of the great hill where her daughter now lived, in hiding from the war. More…

Daddy’s girl

30 September 2004 | Archives online, Fiction, Prose

Extracts from the novel Maskrosguden (‘The dandelion god’, Söderströms, 2004). Introduction by Maria Antas

The best cinema in town was in the main square. The other was a little way off. It was in the main square too, but you couldn’t compare it to the Royal. At the Grand there was hardly any room between the rows, the floor was flat and there was a dance-hall on the other side of the wall, so that Zorro rode out of time with waltzes, in time with oompahs, out of time with the slow steps of tangos and in time with quick numbers. The Royal was different and had a sloping floor.

Inside, the Royal was several hundred metres long. You could buy sweets on one side and tickets on the other. From Martina Wallin’s mum. She was refined. So was everyone except us: Mum, Dad and me. More…

The Othello of Sand Alley

31 March 1989 | Archives online, Drama, Fiction

Eeva-Liisa Manner’s Woyzeck is an independent ending to Georg Büchner’s fragmentary play. Introduction by Riitta Pohjola

PROLOGUE

(Dawn in the market square of Leipzig. A gallows looms, dimly visible in the distance. Brisk rumble of drums.)

1st WOMAN

What’s going on here?

1st MAN

They’re getting ready for an execution. Some villain’s going to be executed in public.

1st WOMAN

Who?

2nd WOMAN

Franz Woyzeck. I guess you know him, the barber. More…

Cruising

30 September 1993 | Archives online, Fiction, Prose

An extract from the novel Vieras (‘The stranger’, Otava 1992). Introduction by Pekka Tarkka

I lay there for a moment, motionless, eyes closed.

The bunk was damp. It felt damp around my thighs; I slid down lower – and there, it was really wet.

My sleeping bag was obviously soaked, and that meant that the mattress was soaked, too. Oh, rats. I couldn’t imagine having wet myself. Or – worse – had the boat sprung a leak, the water already rising up to the floorboards? I bounded to my feet: the rugs were dry. So was the cabin floor. I raised the boards, peered down: two fingers of water in the forward bilge, as usual. So, where the –? In the course of yesterday’s rough sailing, some water had seeped in below the windowframe. No more than a cupful, but it had trickled down inside the panel and then onto the mattress. I tried the other side of the bunk. It was dry. Well, I would just have to pick up the mattress and set it on its side. More…

Star-­Eye

31 March 1984 | Archives online, Children's books, Fiction

A story from Läsning för barn (‘Reading for children’,1884). Introduction by George C. Schoolfield

There was once a little child lying in a snowdrift. Why? Because it had been lost.

It was Christmas Eve. The old Lapp was driving his sledge through the desolate mountains, and the old Lapp woman was following him. The snow sparkled, the Northern Lights were dancing, and the stars were shining brightly in the sky. The old Lapp thought this was a splendid journey and turned round to look for his wife who was alone in her little Lapp sledge, for the reindeer could not pull more than one person at a time. The woman was holding her little child in her arms. It was wrapped in a thick, soft reindeer skin, but it was difficult for the woman to drive a sledge properly with a child in her arms.

When they had reached the top of the mountain and were just starting off downhill, they came across a pack of wolves. It was a big pack, about forty or fifty of them, such as you often see in winter in Lapland when they are on the look-out for a reindeer. Now these wolves had not managed to catch any reindeer; they were howling with hunger and straight away began to pursue the old Lapp and his wife. More…

The miracle of the rose

30 June 1997 | Archives online, Fiction, Prose

Extracts from the novel Naurava neitsyt (‘The laughing virgin’, WSOY, 1996). The narrator in this first novel by Irja Rane is an elderly headmaster and clergyman in 1930s Germany. In his letters to his son, Mr Klein contemplates the present state of the world, hardly recovered from the previous war, his own incapacity for true intimacy – and tells his son the story of the laughing virgin, a legend he saw come alive. Naurava neitsyt won the Finlandia Prize for Fiction in 1996

28 August

My dear boy,

I received your letter yesterday at dinner. Let me just say that I was delighted to see it! For as I went to table I was not in the conciliatory frame of mind that is suitable in sitting down to enjoy the gifts of God. I was still fretting when Mademoiselle put her head through the serving hatch and said:

‘There is a letter for you, sir.’

‘Have I not said that I must not be disturbed,’ I growled. I was surprised myself at the abruptness of my voice.

‘By your leave, it is from Berlin,’ said Mademoiselle. ‘Perhaps it is from the young gentleman.’

‘Bring it here,’ I said. More…

Relative values

31 March 2004 | Archives online, Fiction, Prose

Extracts from the autobiographical novel Nurinkurin (‘Upside down, inside out’, WSOY, 2003). Interview by Anna-Leena Nissilä

The soldier rides on a scarf
waving a donkey

‘Now it’s your turn to go on,’ says my brother on the back seat, turning his head toward the window so that he can concentrate on his poetic muse.

Father looks in the mirror, wrinkling his face in pain. ‘The object, in other words, is of no significance to you. What happened to your case endings and your grammar?’

From the back seat we shout eagerly: ‘The poet has special privileges which are not accorded to others.’

Father shakes his head: ‘You can be creative, but silly content and broken language do not make poetry.’

‘Oh yes they do. Don’t disturb our creative spirit. When you speak, our connection with her is broken. Don’t cut off the source of our inspiration.’ More…