Search results for "2010/02/2009/09/2011/04/matti-suurpaa-parnasso-1951–2011-parnasso-1951–2011"
Animal instincts
23 December 2009 | Authors, Interviews
Roman Schatz. - Photo: Veikko Somerpuro
Animals exist to make people rich. This wretched and wrong capitalist obsession is gleefully debunked in Roman Schatz’s first children’s book, with illustrator Pertti Jarla’s zany depictions of an animal revolution. Maria Antas interviews the author.
Zoo – eläimellinen tarina (‘The Zoo, a bestial story’, WSOY, 2009) is a children’s book that also appeals to the kind of adults who might love the exploits of John Cleese, Jamie Lee Curtis, and Kevin Kline in the film Fierce Creatures – this book, like the film, is about attempts to make animals seem more dangerous and attractive to an ever more jaded audience accustomed to the pace of action movies.
Christmas is coming, and a dynamic new Zoo director wants to make an unprofitable zoo into a money spinner. The zoo’s inhabitants, however, refuse to be slaves to the market economy: led by an old Sumatran tiger called Gandhi, the militant mandrill Che, dreaming of revolution, and a bat named Mother Teresa who sees the world upside-down, the animals rise up in a wild, but ultimately non-violent, insurrection. Schatz’s story evokes 20th-century utopians, and the animals’ expressions, as visualised by illustrator Pertti Jarla, awaken the reader’s conscience and our nearly forgotten ability to laugh at the way the world works. More…
Living inside language
23 February 2010 | Essays, Non-fiction
Jyrki Kiiskinen sets out on a journey through seven collections of poetry that appeared in 2009. Exploring history, verbal imagery and the limits of language, these poems speak – ironically or in earnest – about landscapes, love and metamorphoses
The landscape of words is in constant motion, like a runner speeding through a sweep of countryside or an eye scaling the hills of Andalucia.
The proportions of the panorama start to shift so that sharp-edged leaves suddenly form small lakeside scenes; a harbour dissolves into a sheet of white paper or another era entirely. Holes and different layers of events begin to appear in the poems. Within each image, another image is already taking shape; sensory experiences develop into concepts, and the text progresses in a series of metamorphoses. More…
The house the seniors built
27 November 2009 | Reviews
Yours and mine: the common dining room at Sprint
Maija Dahlström – Sirkka Minkkinen
Loppukiri. Vaihtoehtoista asumista seniori-iässä
[Sprint: alternative living for seniors]
Helsinki: WSOY, 2009. 232 p., ill.
ISBN 978-9510-4322-9
€ 32.90, paperback
‘Your elderly mother just told you she fell in the bathroom last night at 4 a.m. Now what?’ advertises the Visiting Nurse Service of New York in the New York Times. Aging people and their desire to live in their own homes is a pressing question around the world. People feel concern over their own living arrangements and those of their loved ones. Living arrangements somewhere between being in one’s own home or in a care facility are sought by many, but there are few of these options available. More…
Vesa Karonen & Panu Rajala: Yrjö Jylhä, talvisodan runoilija [Yrjö Jylhä, poet of the Winter War]
11 December 2009 | Mini reviews, Reviews
Yrjö Jylhä, talvisodan runoilija
[Yrjö Jylhä, poet of the Winter War]
Helsinki: Otava, 2009. 351 p., ill.
ISBN 978-951-1-23840-9
€ 35, hardback
Yrjö Jylhä (1903–1957) was a poet and translator whose collection of poems entitled Kiirastuli (‘Purgatory’), published in 1941 after the Winter War, is one of the most popular works of Finnish verse. Jylhä served as commander of a Karelian army company during the Winter War. A certain sternness, melancholy and pessimism about life are considered to be characteristic of Jylhä’s writing. The author of this book, the first biography of Jylhä, had access to new source materials including letters written from the front. The war meant not only great change for Jylhä as a writer, but also a test of his own limits as a leader and a soldier among other men. After the war, Jylhä’s reputation began to wane – partly for political reasons, as people took a more dismissive attitude towards war poetry about the Finnish fatherland. Jylhä suffered from a serious illness and artistic frustration in his middle age, which led him to take his own life.
Johan Leche & Johan Grysselius
The birds and the bees
2 May 2011 | Non-fiction
Halcyon or Ispida (kingfisher)? A picture of this mythical bird from a 17th-century thesis, published in Suomen lintutieteen synty
Halcyon or Ispida (kingfisher)? A picture of this mythical bird from a 17th-century thesis, published in Suomen lintutieteen synty
The famous Swedish scientist Carl von Linné claimed in his doctoral thesis in 1757 that swallows spend their winters underwater.
Two of Linné’s countrymen, working at Åbo Academy in Finland, proved him wrong seven years later by giving evidence of migration, but to no avail: the silly theory prevailed until the 19th century.
In these extracts doctors Leche and Grysselius eloquently present a ‘Well-Intended Reader’ with errors of humanity that become epidemic
Extracts from ‘An Academic Treatise on The Wintering and Migration of Swallows’ by Johan Leche & Johan Grysselius (1764), published in Finnish (translated from Latin by Sari Kivistö) in Suomen lintutieteen synty. Turun Akatemian aika (‘The birth of the Finnish ornithology. The era of the Åbo Akademi’, Faros, 2009), edited by Esa Lehikoinen, Risto Lemmetyinen, Timo Vuorisalo & Sari Kivistö
Preface
As we know, humanity is no less inclined to err in matters pertaining to nature than in matters of morals. With regards to errors concerning the natural world, even the most experienced scholars are not always immune. The common people, for their part, have not learned to avoid such pitfalls and are thus constantly bumping into them. This is no wonder, since they are not accustomed to using the help of natural science or mathematics, and are thus unable to perform appropriate tests, to correctly assess future eventualities, or to observe phenomena closely unless they concern something already familiar to them. More…
Teemu Kaskinen: Sinulle, yö [To you, the night]
29 October 2009 | Mini reviews, Reviews
Sinulle, yö
[To you, the night]
Helsinki: WSOY, 2009. 268 p.
ISBN 978-951-0-35599-2
€ 29, hardback
In Teemu Kaskinen’s debut novel, Finland is at war with Norway and its NATO ally the United States. Fierce battles rage in the winter darkness in Lapland, and Helsinki has become the stage for a contemporary war, which seems rather ridiculous – except for the fact that there are neighbouring countries currently at war with each other after having previously coexisted peacefully for ages, and it would be easy to name several thriving cities whose streets have suddenly been filled with soldiers, bomb blasts and terror. In this novel by Kaskinen (born in 1976; he has previously written four plays) the streets and interiors are also filled with lust and the satisfaction of basic needs. In cool, modernistic episodes, the author shows how people’s instincts begin to drag them along in a crisis situation. Sinulle, yö is a grotesque, brutal novel – but then again, what would happen if you, I and the neighbour’s lad ended up in similar circumstances, like those that engulfed Sarajevo not all that long ago?
And the winner is…
9 February 2010 | In the news
Illustration: Elina Warsta
The Runeberg Prize for fiction, given this year for the twenty-fourth time, went to Kari Hotakainen (born 1957) for his novel Ihmisen osa (‘The human lot’, Siltala, 2009). The prize, worth €10,000, was awarded on 5 February – on the birthday of the poet J.L. Runeberg (1804–1877) – in the city of Porvoo.
The jury – representing the prize-founders, the Uusimaa newspaper, the city of Porvoo, both the Finnish and Finland-Swedish writers’ associations and as the Finnish Critics’ Association – chose the winner from a shortlist of seven books. ‘The picture of a fast-changing society that Hotakainen paints in his novel is not a comforting one, but neither is it hopeless…. chilling and perceptive, but not without sharp comedy’, the jury concluded.
Monika Fagerholm: Lolauppochner [Lola upside down]
20 September 2012 | Mini reviews, Reviews
Lolauppochner
[Lola upside down]
Helsinki: Schildts & Söderströms, 2012. 461 p.
ISBN 978-951-52-2997-7
€ 31, hardback
Lola ylösalaisin
Suomentanut [Translated into Finnish by]: Liisa Ryömä
Helsinki: Teos, 2012. 300 p.
ISBN 978-951-851-480-3
€28.40, hardback
Lolauppochner (‘Lola upside down’) is a more authentic crime novel than the same author’s Den amerikanska flickan (English translation: The American Girl, 2004) and Glitterscenen (The Glitter Scene, 2009), though they too wove their dense fiction around an old crime. Readers who are at ease in Fagerholm’s luxuriant wordscapes with their tragic teens, country bumpkins and summer visitors will still be able to find their way around the small community where Jana Marton, a teenage girl on the way to her job at the local store, discovers the corpse of a boy, a key player among the local gilded youth. The novel’s opening, and many sections that follow, are extremely effective, with sharp and lightning-swift characterisations and a fine intuition for both the fear and the excitement in the social circle where the murder turns up hidden connections like worms from the soil. But the novel is too long for its own good – somewhere towards the end it ceases to gain depth, and the gallery of characters starts to feel too big. All the same, this book is a must for Fagerholm’s readership at home and abroad. A bonus for locals – and attentive outsiders – is present in the outlines of the small seaside town of Ekenäs that can be glimpsed behind the text. They supply a kind of physical magic that rubs off on much else besides – characters, moods and sense of place.
Translated by David McDuff
Pekka Tarkka: Joel Lehtonen 1. Vuodet 1881–1917 [Joel Lehtonen 1. The years 1881–1917]
13 August 2009 | Mini reviews, Reviews
Joel Lehtonen 1. Vuodet 1881–1917
[Joel Lehtonen 1. The years 1881–1917]
Helsinki: Otava, 2009. 431 p., ill.
ISBN 978-951-1-23229-2
€ 37, hardback
The early years of the author Joel Lehtonen (1881–1934) were harsh ones: he was the illegitimate child of a mentally disturbed mother who abandonded her six-month-year baby in the forest. Fortunately Joel was adopted by a cultured clergyman who supported his education, making it possible for him to find a career in journalism and writing. The author and critic Pekka Tarkka published his doctoral dissertation on the changes in Joel Lehtonen’s view of human character in 1977. In this new book, the first general account of Lehtonen’s life and work, he presents an interesting view of the writer’s contradictory personality. Lehtonen’s travels in France, Italy and Switzerland strengthened his knowledge of foreign languages and his interest in Romance culture essential to his translator’s work. Lehtonen’s novels and short stories are often set in his home province of Savo, which he depicted through many phases of its social development. His most popular novel, Putkinotko, was published in 1919–1920. The first volume of Tarkka’s biography ends with Lehtonen’s writing in 1917 of the novel Kerran kesällä (‘Once in summer’), about a composer returning to Finland from abroad just as the Finnish Civil War is about to begin.
Anu-Hanna Anttila & al.: Kuriton kansa [Unruly nation]
13 August 2010 | Mini reviews, Reviews
Anu-Hanna Anttila & Ralf Kauranen & Olli Löytty & Pollari Mikko Rantanen Pekka & Petri Ruuska
Kuriton kansa. Poliittinen mielikuvitus vuoden 1905 suurlakon ajan Suomessa
[Unruly nation. The political imagination of the 1905 general strike in Finland]
Tampere: Vastapaino, 2009. 317 p., ill.
ISBN 978-951-768-246-6
€ 33, paperback
In the beginning of the 20th century the Grand Duchy of Finland, a part of the Russian Empire, entered a period of crisis and began to turn into a nation with its own institutions. Universal and equal suffrage increased tenfold the number of those eligible to vote. A move to the granting of political rights was demanded during the 1905 general strike, which was both an internal political power struggle and a demonstration by Finns against the Russification measures being imposed by their rulers. The book examines the ideological currents of the strike period and investigates their definitions of ‘nation’ and ‘nationality’, with reference to literary research, historical sociology, cultural studies and women’s studies, making extensive use of contemporary documents. The book’s essays portray the spectrum of ideas, reflected in groups like the theosophists, Tolstoyans and anarchists.
Kimmo Oksanen: Kerjäläisten valtakunta [Kingdom of beggars]
24 September 2009 | Mini reviews, Reviews
Kimmo Oksanen: Kerjäläisten valtakunta.Totuus kerjäävistä romaneista ja muita valheita
[Kingdom of beggars. The truth about Roma beggars, and other lies]
Helsinki: WSOY, 2009. 214 p.
ISBN 978-951-0-35778-1
€ 15, paperback
After Romania and Bulgaria had joined the European Union in 2007, a small group of Roma beggars from Romania arrived in Helsinki. This was a sight that was familiar to Finns on their travels abroad, but alien to them in the environment of their own city. Begging is not a crime in Finland, but the phenomenon caused a great stir in the media and, eventually, among political decision-makers. This polemic by journalist Kimmo Oksanen gives a face to the beggars and reveals many factors behind begging, as well as experiences of poverty and discrimination. Oksanen observed the beggars on the streets daily and travelled to their home villages to investigate their backgrounds. Roma criminal activity indisputably occurs elsewhere in Europe, but Oksanen maintains that there is no evidence that organised crime has arrived in Finland. The beggars are nevertheless objects of fear as well as racist attitudes.
Maritta Pohls & Annika Latva-Äijö: Lotta Svärd. Käytännön isänmaallisuutta [Lotta Svärd: practical patriotism]
1 April 2010 | Mini reviews, Reviews
Lotta Svärd. Käytännön isänmaallisuutta
[Lotta Svärd: Practical patriotism]
Helsinki: Otava, 2009. 454 p., ill.
€ 46, hardback
Lotta Svärd was the name of the Finnish women’s voluntary military organisation, which performed auxiliary defence work between 1921 and 1944. It took its name from a character in a poem by the 19th-century Finnish writer J.L. Runeberg: Lotta Svärd accompanied her soldier husband to the front in the Finnish War of 1709. During the Winter and Continuation Wars (1939–1944), the ‘Lottas’ provided assistance to soldiers and took over men’s jobs, freeing them to go to the front. Around 40,000 Lottas assisted the Finnish army by performing maintenance and staff duties as well as air-raid monitoring. When the organisation was disbanded in 1944, it had some 300,000 members. As Lotta Svärd was ideologically an organisation for women emphasising home, nation and religion, it divided public opinion, and may still do so today. This book, which details the organisation’s history, work and people, is fourth and final volume in the history project on Lotta Svärd.
Juba: Minerva. Alajuoksun kelluva pullukka [Minerva. The floating dumpling of the Lower Reaches]
9 January 2014 | Mini reviews, Reviews
Minerva. Alajuoksun kelluva pullukka
[The floating dumpling of the Lower Reaches]
Helsinki: Otava, 2013. 48 pp., ill.
ISBN 978-951-1-25731-8
€17.80, hardback
Minerva is a cartoon character who has appeared in two previous volumes (2006, 2009) by Juba, a.k.a. Jussi Tuomola. Juba is the creator of an extremely popular comics series for adults about the woman and the pig (both male chauvinist and porcine), Viivi and Wagner. Minerva is a brave and extremely resourceful little heroine who is never daunted by even the wildest adventures she experiences after leaving home to fly around in weird lands. Petra, the floating dumpling of the Lower Reaches, is a woman with magical powers who likes to travel in a flying gondola. In this volume Minerva also meets other old friends on her journey under water, underground, on a river and in the air above a jungle, in pursuit of a rare ingredient for a perfume that Petra has determined to acquire no matter what. The comedy in the uninhibitedly fantastic adventures, illustrated effectively in cartoon squares of different sizes, will amuse readers of many ages.
Seekers and givers of meaning: what the writer said
2 October 2014 | This 'n' that
‘All our tales, stories, and creative endeavours are stories about ourselves. We repeat the same tale throughout our lives, from the cradle to the grave.’ CA
‘Throughout a work’s journey, the writer filters meanings from the fog of symbols and connects things to one another in new ways. Thus, the writer is both a seeker of meaning and a giver of meaning.’ OJ
‘Words are behind locks and the key is lost. No one can seek out another uncritically except in poetry and love. When this happens the doors have opened by themselves.’ EK
‘I realised that I had to have the courage to write my kind of books, not books excessively quoting postmodern French philosophers, even if that meant laying myself open to accusations of nostalgia and sentimentality.’ KW
‘If we look at the writing process as consisting of three C:s – Craft, Creativity and Chaos – each one of them is in its way indispensable, but I would definitely go for chaos, for in chaos lies vision.’ MF
‘In the historical novel the line between the real and the imagined wavers like torchlight on a wall. The merging of fantasy and reality is one of the essential features of the historical novel.’ KU
‘The writer’s block isn’t emptiness. It’s more like a din inside your head, the screams of shame and fear and self-hatred echoing against one another. What right have I to have written anything in the first place? I have nothing to say!’ PT
‘…sometimes stanzas have to / assume the torch-bearer’s role – one / often avoided like the plague. / Resilient and infrangible, the lines have to / get on with their work, like a termite queen / laying an egg every three seconds / for twenty years, / leaving a human to notice / their integrity. ’ JI
In 2007 when Books from Finland was a printed journal, we began a series entitled On writing and not writing; in it, Finnish authors ponder the complexities, pros and cons of their profession. Now our digitised archives make these writings available to our online readers: how do Claes Andersson, Olli Jalonen, Eeva Kilpi, Kjell Westö, Monika Fagerholm, Kaari Utrio, Petri Tamminen and Jouni Inkala describe the process? Pain must coexist with pleasure…
From 2009 – when Books from Finland became an online journal – more writers have made their contributions: Alexandra Salmela, Susanne Ringell, Jyrki Kiiskinen, Johanna Sinisalo, Markku Pääskynen, Ilpo Tiihonen, Kristina Carlson, Tuomas Kyrö, Sirpa Kähkönen – the next, shortly, will be Jari Järvelä.
Sakari Toiviainen: Kadonnutta paratiisia etsimässä [In search of a lost paradise]
12 August 2009 | Mini reviews, Reviews
Kadonnutta paratiisia etsimässä. Markku Lehmuskallion ja Anastasia Lapsuin
elokuvat
[In search of a lost paradise. The films of Lehmuskallio and Anastasia Lapsui]
Helsinki: Finnish Literature Society, 2009. 274 p., ill.
ISBN 978-952-222-067-7
€ 28, paperback
Markku Lehmuskallio (born 1938) is a filmmaker and photographer who since 1973 has made 18 full-length feature films, as well as a number of shorter ones. A half of his work is a collaborative venture with his wife Anastasia Lapsui, who is a native of the Nenets region in Arctic Russia. The main subjects of his films are the relationship between people and nature, and indigenous cultures throughout the northern hemisphere. Lehmuskallio’s early work reflects his activity as a pioneer of the green movement, as his films from that period deal with the environmental threat to the forests. Lehmuskallio has also directed fiction films, including the first to be made in the Nenets language, the award-winning Seven songs from the tundra. He has documented the conflicts between indigenous and national cultures, such as the destruction of the environment of the Siberian peoples in the process of gas and oilfield exploration. The filmographer Sakari Toiviainen had access to original material ranging from brittle old reels of film to diaries; Lehmuskallio’s own voice comes through clearly in the text.