Search results for "2010/02/2011/04/2009/09/what-god-said"
Make or break?
17 November 2011 | This 'n' that

Two tax collectors: anonymous painter, after Marinus van Reymerswaele (ca. 1575–1600). Musée des Beaux-Arts de Nancy. Wikimedia
In Finland, tax returns are public information. So, every November the media publish lists of the top earners in Finland, dividing them into the categories of earned and investment income. Every November it is revealed who are millionaires and who are just plain rich.
The Taloussanomat (‘The economic news’) newspaper offers a list (Finnish only) of the 5,000 people who earned most last year (in terms of both earned and investment income, together with the proportion of income they have paid in tax). You can also search lists of various status and professions: rock/pop stars, media, sports, MPs, celebrities, politicians of various political parties…
So let’s take a look at Taloussanomat’s selected list of authors: number one is the celebrity author Jari Tervo (309,971 euros, tax percentage 45); number two, the internationally famous Sofi Oksanen (302,634 euros, 46 per cent); the next two are Sinikka Nopola, writer of children’s books, (264,000) and Arto Paasilinna (262,300; now after an illness, retired as a writer), translated into more than 30 languages since the 1970s. (The film critic and author Peter von Bagh made almost 900,000 euros – not by writing books, but by selling his share of a music company to an international enterprise.)
As tax data are public in Finland, there’s vigorous and decidedly informed public debate on how much money, for example, directors of public pension institutions and government offices or ministers and other top politicians are paid, and how much they should be paid: what is equitable, what is reasonable? A million dollar question indeed…
Among the European Union countries, it is only in Finland, Sweden and Denmark that there is no universal minimum wage. Here, wages are determined in trade wage negotiations. The average monthly salary in the private sector in 2010 was approximately 3,200 euros. In contrast to that, Olli-Pekka Kallasvuo, the Nokia CEO and President, who tops the 2010 tax list, earned a salary of 8 million last year, because – and precisely because – he was sacked (and replaced by the Irishman Steven Elop).
The CIA’s Gini index measures the degree of inequality in the distribution of family income in a country. The more unequal a country’s income distribution, the higher is its Gini index. The country with the highest number is Sweden, 23; the lowest, South Africa, 65 (data from both, 2005). Finland’s figure is 26.8 (2008), Germany 27 (2006), the European Union’s 34. The United Kingdom stands at 34 (2005), and the USA at 45 (2007). The figure in Finland seems to be on the rise though, as the figure back in 1991 was 25.6.
There’s been plenty of research and debate on economic inequality and the ways it harms societies. This link takes you to a fascinating video lecture (July 2011 – now seen by almost half a million people) by Richard Wilkinson, British author, Profefssor Emeritus of social epidemiology.
Hip hip hurray, Moomins!
22 October 2010 | This 'n' that

Partying in Moomin Valley: Moomintroll (second from right) dancing through the night with the Snork Maiden (from Tove Jansson’s second Moomin book, Kometjakten, Comet in Moominland, 1946)
The Moomins, those sympathetic, rotund white creatures, and their friends in Moomin Valley celebrate their 65th birthday in 2010.
Tove Jansson published her first illustrated Moomin book, Småtrollen och den stora översvämningen (‘The little trolls and the big flood’) in 1945. In the 1950s the inhabitants of Moomin Valley became increasingly popular both in Finland and abroad, and translations began to appear – as did the first Moomin merchandise in the shops.
Jansson later confessed that she eventually had begun to hate her troll – but luckily she managed to revise her writing, and the Moomin books became more serious and philosophical, yet retaining their delicious humour and mild anarchism. The last of the nine storybooks, Moominvalley in November, appeared in 1970, after which Jansson wrote novels and short stories for adults.
Tove Jansson (1914–2001) was a painter, caricaturist, comic strip artist, illustrator and author of books for both children and adults. Her Moomin comic strips were published in the daily paper the London Evening News between 1954 and 1974; from 1960 onwards the strips were written and illustrated by Tove’s brother Lars Jansson (1926–2000).
Tove’s niece, Sophia Jansson (born 1962) now runs Moomin Characters Ltd as its artistic director and majority shareholder. (The company’s latest turnover was 3,6 million euros).
For the ever-growing fandom of Jansson there is a delightful biography of Tove (click ‘English’) and her family on the site, complete with pictures, video clips and texts.
The world now knows Moomins; the books have been translated into 40 languages. The London Children’s Film Festival in October 2010 featured the film Moomins and the Comet Chase in 3D, with a soundtrack by the Icelandic artist Björk. An exhibition celebrating 65 years of the Moomins (from 23 October to 15 January 2011) at the Bury Art Gallery in Greater Manchester presented Jansson’s illustrations of Moominvalley and its inhabitants.
In association with several commercial partners in the Nordic countries Moomin Characters launched a year-long campaign collecting funds to be donated to the World Wildlife Foundation for the protection of the Baltic Sea. Tove Jansson lived by the Baltic all her life – she spent most of her summers on a small barren island called Klovharu – and the sea featured strongly in her books for both children and adults.
Icy prospects
8 October 2010 | This 'n' that
Photographer Jorma Puranen (born 1951) has long been concerned with nature and the representation of northern landscapes, particularly Lapland, as well as light and its reflection.
One of his most famous projects is Imaginary Homecoming. In the 1990s, on a visit in the Musée de l’Homme in Paris, he found some old archive boxes full of glass negatives. They were ethnographical images of the Sámi, taken by G. Roche, employed by the French Count Bonaparte on an expedition to Lapland in 1884.
Puranen took them back to the wildernesses of Lapland and photographed them once more in their native surroundings, where they became a photographic installation in the tundra. He published them in his book Kuvitteellinen kotiinpaluu / Imaginary Homecoming (Pohjoinen, 1999).
Puranen’s 2006 series Icy Prospects explores landscape: the large pictures are made by painting wood with black gloss paint, reflecting the landscape on the wood and photographing the reflection.
Snow, ice, water, sky and trees are portrayed the way that brings Impressionism to mind, as Liz Wells writes in her introduction in the book entitled Icy Prospects, published by Hatje Cantz (Germany, 2009).
A new exhibition of Jorma Puranen’s work from 1992 to 2010, at EMMA, the Espoo Museum of Modern Art, opened on 29 September; it runs until 9 January 2011. Partly retrospective, it features Puranen’s techniques of chromogenic colour and black and white photography, showcasing his highly original style.
Utopia or cacotopia?
19 August 2011 | Extracts, Non-fiction

Viljakansaari, Finland, 2008. ©Merja Salo
Do we live in the age of autopia, and if we do, what does that mean? On this earth there are now perhaps 800 million cars, all vital to our modern lifestyles. Professor and photographer Merja Salo observes landscapes through her camera with this question in mind
Extracts and photographs from Carscapes. Automaisemia (Edition Patrick Frey & Musta Taide, 2011. Translation: Laura Mänki)
The car may be the vehicle for the everyman, but not every man is a good driver. According to Hungarian- born psychoanalyst Michael Balint, good drivers have the psychological structure of philobats. With their sense of sight, they perceive space well and control it by steering their vehicle skilfully. Ocnophiles, on the other hand, are more at home as passengers. They structure the world through intimacy and touch. When driving, they cling anxiously to the steering wheel and do not perceive the continously changing situations in traffic.
Ulla Jokisalo & Anna Kortelainen
Pins and needles
11 May 2011 | Essays, Non-fiction
In these pictures by Ulla Jokisalo and texts by Anna Kortelainen, truths and mysteries concerning play are entwined with pictures painted with threads and needles. Jokisalo’s exhibition, ‘Leikin varjo / Guises of play’, runs at the Museum of Photography, Helsinki, from 17 August to 25 September.
Words and images from the book Leikin varjo / Guises of play (Aboa Vetus & Ars Nova and Musta Taide, 2011)

‘Ring dance’ by Ulla Jokisalo (pigment print and pins, 2009)
Dear Reader!
13 January 2011 | This 'n' that

Reading Books from Finland here, there and... Photo: Google Analytics
2011 is well underway, and it’s back to business – reporting on good books from Finland, that is!
The new year also marks the beginning of our third year online: we are very pleased to note that last year visits to this site increased by 187 per cent compared to 2009!
Our foreign readers hail from a total of 149 countries, although the majority are in the United States and the United Kingdom – with a surprisingly large number of neighbourly visits from readers in Finland.
There are some countries where only one reader has taken a look at Books from Finland last year; greetings to our own readers in Honduras and Papua New Guinea…. But, on the other hand, readership in Belarus has grown by 2.400 per cent, from just one in 2009 to a grand total of 25!
We’ve been very glad to have your online feedback, which prompted us to think that since we haven’t done a reader survey for a longish time, we might take the opportunity to run another one now – so we’ll be quizzing you about your views of the contents of the journal on this page soon.
We hope to offer you more that is diverting, entertaining and thought-provoking this year than ever before. Remember, you can also keep abreast of what’s going on on the Books from Finland website by subscribing to our RSS and e-mail delivery services (and we’re on Facebook, too).
Happy new year, and good reading!
The editors
Soila Lehtonen (Helsinki)
Hildi Hawkins (London)
Beyond words
15 December 2010 | This 'n' that

Meeting place of the Lahti International Writers' Reunion: Messilä Manor
‘Whereof one cannot speak, thereof one must remain silent.’
This famous quotation from the Austrian philosopher Ludwig Wittgenstein has been adapted by the organisers of the Lahti International Writers’ Reunion (LIWRE): the theme of the 2011 Reunion, which takes place in June, will be ‘The writer beyond words’.
‘Whereof one cannot speak, thereof one must write.’ How will the writer meet the limits of language and narration?
‘There are things that will not let themselves be named, things that language can not reach. Our senses give us information that is not tied to language – how can it be translated into writing? And how is the writer going to describe horrors beyond understanding or ecstasy that escapes words? How can one put into words hidden memories, dreams and fantasies that lie suppressed in one’s mind? Does the writer fill holes in reality or make holes in something we only think is reality?
‘Besides literature, there are other forms of interpreting the world; can the writer step into their realms to find new ways of saying things? The surrounding social sphere may put its own limits to writing. What kind of language can a writer use in a world of censorship and stolen words? How does the writer relate to taboos, those dimensions of sexuality, death or holiness that the surrounding world would not want to see described at all? Is it the duty of literature to go everywhere and reveal everything, or is the writer a guardian of silence who does not reveal but protects secrets and everything that lies beyond language?’
The first Writers’ Reunion took place in Lahti at Mukkula Manor in 1963; since then, more than a thousand writers, translators, critics and other book people, both Finnish and foreign, have come to Mukkula to discuss various topics.
In 2009 the theme was ‘In other words’, which inspired the participants to talk about the power of the written word in strictly controlled regimes, about fiction that retells human history and about the differences between the language of men and women, among other things. See our report from the 2009 Reunion; eleven presentations are available in English, too.
Below and above the surface
13 March 2014 | Extracts, Non-fiction

Fårö, Gotland, Sweden. Photo: Lauri Rotko
The Baltic Sea, surrounded by nine countries, is small, shallow – and polluted. The condition of the sea should concern every citizen on its shores. The photographers Jukka Rapo and Lauri Rotko set out in 2010 to record their views of the sea, resulting in the book See the Baltic Sea / Katso Itämerta (Musta Taide / Aalto ARTS Books, 2013). What is endangered can and must be protected, is their message; the photos have innumerable stories to tell
We packed our van for the first photo shooting trip in early May, 2010. The plan was to make a photography book about the Baltic Sea. We wanted to present the Baltic Sea free of old clichés.
No unspoiled scenic landscapes, cute marine animals, or praise for the bracing archipelago. We were looking for compelling pictures of a sea fallen ill from the actions of man. We were looking for honesty. More…
Late summer in Tulavall
30 September 1990 | Archives online, Children's books, Fiction
An extract from Mattan från Kars (‘The rug from Kars’). Introduction by Tuva Korsström
Mother Limberg and Apelman’s Anna Lina were sitting together on the steps up to Mother Limberg’s cabin in Mickelgård Street in Tulavall. They were mourning. They were grieving for the old army captain, Alexander Grunnstedt, who had fought in the Caucasus in his youth, had lived alone in the Limberg’s gable room in his old age and then had lost his way in the forest, had a heart attack and been carried off in his coffin by his daughter-in-law.
It was late summer and sunny weather.
‘She could’ve had him buried here,’ said Mother Limberg.
‘She thought it too simple here,’ said Anna Lina. More…
Sealspotting
14 June 2009 | Reviews

Zzzzzzz! In the grey seal kindergarten babies take a nap after dinner. – Photo: Seppo Keränen
Taskinen, Juha
Paluu Saimaalle
[Return to Lake Saimaa]
Helsinki: WSOY, 2009. 204 p., ill.
ISBN 978-951-0-33745-5
€ 38.90, hardback
Keränen, Seppo & Lappalainen, Markku
Hylkeet [The seals]
Helsinki: Maahenki, 2009. 151 p., ill.
ISBN 978-952-56-5266-6
€ 45, hardback
Sälar
Helsingfors: Söderströms, 2009.
151 p., ill.
Swedish translation: Annika Luther
ISBN 978-951-52-2603-7
€ 45, hardback
The private life of the species of seal that lives only in Lake Saimaa has been carefully investigated lately. Almost everything about this highly endangered species has been revealed, thanks to technological devices such as transmitters that can be glued to their backs…
STOP! WARNING: as I realise that not everybody wants to know what pinnipeds do in their spare time, I suggest you quit reading now, if you aren’t interested in the lives and fates of an obscure group of about 260 mammals that live in a lake in the remote west of Finland.
Oink oink
23 June 2011 | This 'n' that
Naturally, here at Books from Finland, we’re keen to use the internet for serious (or not so serious) reading, but at the other end of the scale Finns are garnering considerable success in the world of smartphone games.
We don’t like to blow our collective trumpets, but it’s a little-known fact that the phone game Angry Birds, with birds and pigs in the starring roles, is actually Finnish, developed in 2009 by a company called Rovio. As the Helsinki freesheet Metro (31 May) notes, Angry Birds has been downloaded more than 200 million times on different devices since its launch in December 2009.
What is the secret of Angry Birds’ success? ‘I like it because it doesn’t really have any rules and you never know exactly what’s going to happen next,’ says our young reviewer Sophia, 9; her sister, Tia, 5, says ‘I like it because you get to shoot in it.’ To judge by the amount of time they spend playing Angry Birds, they like it a lot.
And how did Angry Birds come about? ‘At the beginning of 2009 our design group went through a number of different options,’ Rovio’s communications director Ville Heijari tells Metro. ‘One of them was angry-looking birds, and everyone fell in love with them right away.’ And what does Heijari himself like best about the game? ‘Definitely the fact that when you make a mistake, the pig laughs at you. That really makes you want to try again.’
In the pipeline is an Angry Birds movie, plus further development of the game itself. ‘So far the world has only seen an glimpse of the birds’ world,’ says Heijari.
In a class of one’s own
18 December 2009 | Reviews
Obs! Klass
Red. [Ed. by] Charlotte Sundström & Trygve Söderling
Helsingfors: Schildts, 2009. 288 p.
ISBN 978-951-50-1891-5
€27, paperback
De andra. En bok om klass
Red. [Ed. by] Silja Hiidenheimo, Fredrik Lång, Tapani Ritamäki, Anna Rotkirch
Helsingfors: Söderströms, 2009. 288 p.
ISBN 978-951-522-665-5
€26.90, paperback
Me muut. Kirjoituksia yhteiskuntaluokista
Helsinki: Teos, 2009. 267 p.
ISBN 978-951-851-259-5
€27.90, paperback
At some time in their lives, all members of the Swedish-speaking minority in Finland have been confronted with the phrase ‘Swedish-speaking better people’ [Svenska talande bättre folk], uttered in tones of contempt. Encouraged by news and entertainment media with little regard for the consequences, Finland’s Finnish-speaking majority is hopelessly fascinated by the image of us Finland-Swedes as a uniform and monolithic haute bourgeoisie that resides in the coveted Helsinki neighbourhoods of Eira and Brunnsparken. More…
Who for? On new books for children and young people
29 January 2010 | Articles, Non-fiction
Books have a tough time in their struggle for the souls of the young: more titles for children and young adults than ever before are published in Finland, all of them trying to find their readers. Päivi Heikkilä-Halttunen picks out some of the best and most innovative reading from among last year’s titles
Nine-year-old Lauha’s only friend and confidant is her teddy bear Muro, because Lauha is an outsider both at home and at school. The children’s novel Minä ja Muro (‘Muro and me’, Otava), which won the 2009 Finlandia Junior Prize, provoked discussion of whether it was appropriate for children, with its oppressive mood and the lack of any bright side brought into the life of the main character in its resolution. More…
Words of feeling
31 March 2002 | Fiction, poetry
Poems from Vain tahallaan voi rakastaa (‘You can only love deliberately’, WSOY, 2001)
The musicians of Bremen (Self-portrait as a five animals)
People say man’s above all the other beasts.
I decided to prove that – and first turned poet
and then painfully became a flying horse, celebrating its freedom
on great shivering brawn. They captured me and put me to pulling
loads, and, seeing I endured everything docilely, they said,
He’s like the Giant Atlas, or Hanuman, the upholder of the world.
And they whipped me and sat on my back and finally
buried me alive. I became a pig and gorged my bellyful and my senses full
and it horrified people, who said: He’s a disease, an epidemic, Death itself.
And they cut my ears and blinded me and sliced my belly in two.
And I turned into a dog and learned everything I was taught and they said,
He’s completely without a will, like the angels, like an ascetic, and a prophet.
And they drove me out to wander the streets and the wildernesses. And in the desert
I turned into a tiger and people shouted in terror
What on earth
has God done – look, he’s Satan himself. And they shot me
from an elephant’s back. And I died into a cock and people woke up and shouted,
The healer of the world! And whenever I sing, because I only sing untold-to,
People wring my neck. More…
A long dream
9 October 2009 | Fiction, Prose
A short story from Jälkikasvu (‘Offspring’, Otava, 2009)
‘I was eating a late breakfast, without a care in the world, when it happened.’
He snaps off the recorder. He has said the same thing three times now, but he always loses his train of thought right there. Why is it so difficult to continue? In his mind, the next part feels quite clear, but the words simply won’t come out of his mouth. He ought to say that his wife left him yesterday, on the twelfth of February, at 10:48 AM, following a three-minute fifteen-second briefing. More…