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In memoriam Anselm Hollo 1934–2013
1 February 2013 | In the news
Anselm Hollo. Photo: Gloria Graham; taken during the video taping of Add-Verse, 2005. (Wikipedia)
Poet and translator Anselm Hollo died in Boulder, Colorado, on 29 January, at the age of 78. His father, Professor J.A. Hollo, translated literature from 14 languages. Anselm, born in Helsinki in 1934, worked with languages all his life, translating from Finnish, English, German, Swedish and French.
In the 1950s he lived in Germany and Austria, and then moved to England to work for the BBC. He published his first collection of poems, Sateiden välillä (‘Between rains ’), in Finnish in 1956. He once said that as a poet he ‘makes things in and out of language’.
In the late 1960s Anselm moved to the United States, where he was to write more than 30 books in English. He was a Professor of Writing and Poetics at Naropa University in Boulder, where he lived with his second wife, the visual artist Jane Dalrymple-Hollo. His own poetry is influenced by the 1950s and 1960s Beat Generation, among whom he had several personal friends; he translated Allen Ginsberg and Robert Creeley into Finnish – as well as the two books of poetry by John Lennon.
His last work remains Guests of Space (Coffee House Press, 2007). Notes on the Possibilities and Attractions of Existence: New and Selected Poems 1965–2000 received the San Francisco Poetry Center’s Book Award for 2001. His collection Corvus (2002) was also published in Finland, translated by Kai Nieminen. Among the many literary prizes he received was the Finnish Government Prize for the Translation of Finnish Literature in 1996.
Among his best-known translations of Finnish poetry are poems by Pentti Saarikoski (1937–1983) and Paavo Haavikko (1931–2008), whose work he also translated into German. For many years he served as a member of the literary advisory board of Books from Finland, and translated new work by, for example, Lassi Nummi, Jarkko Laine, Rosa Liksom, Leena Krohn and Riina Katajavuori.
During Anselm and Jane’s visits to Finland it was always enjoyable to talk about literature, art, new books and translation over a glass of wine. Anselm rarely, if ever, said no to requests to translate something: he remained sincerely interested in his native language and the ways it was used for creating fiction. We miss a jovial friend and an exceptionally skilful man of letters.
i.m. Hannes Hollo, 1959–1999
by Anselm Hollo
(Hannes Hollo was his son from the first marriage with poet Josephine Clare)
Fought the hungry ghosts here on Earth
‘What is man?’ asked the King
Alcuin’s reply: ‘A guest of space.’ And time yes time:
The past lies before us, the future comes up from behind
Walking on Primrose Hill or Isle of Wight beaches
Iowa City streets scrambling up snow-covered deer track
To Doc Holliday’s grave in Glenwood Springs
His helmet now shall make a hive for bees
He fought the hungry ghosts here on Earth
Strong & resourceful on his best days,
Patient kind and presente
Returning those with him to here & now
But just as we settle in with our Pepsi and popcorn
THE END rolls up too soon always too soon
(Anselm reads the poem here)
Speaking with silence
26 September 2013 | Reviews
Bo Carpelan. Photo: Charlotta Boucht / Schildts & Söderströms
Bo Carpelan
Mot natten
[Towards the night. Poems 2010]
Helsinki: Schildts & Söderströms, 2013. 69 p.
ISBN 978-951-52-32-20-5
€21, paperback
‘Don’t change, grow deeper ,’ wrote Bo Carpelan: over the years he broadened his poetic range and his personal idiom evolved, but it happened organically, without sudden upheavals of style or idea.
Mot natten (‘Towards the night’) is Carpelan’s last collection of poems. This is underlined by the book’s subtitle, Poems 2010. By then Carpelan (1926–2011) was already marked by the illness that took his life in early 2011. It doesn’t show in the quality of the poems, but knowing it may make it harder for the reader to approach them with unclouded eyes. When a great poet concludes his work one wants to seek a synthesis or a concluding message, and that may encumber one’s reading. So is there such a message? In some ways there is, but Carpelan was not a man of pointed formulations. His ideals emerged without much fuss. More…
Hatefully yours
23 December 2011 | Non-fiction, Tales of a journalist
Illustration: Joonas Väänänen
In the new media it’s easy for our pet hatreds to be introduced to anyone who is interested. And of course everyone is interested, how else could it be? Jyrki Lehtola investigates
Twitter, Facebook, Twitter, Twitter, Twitter, Facebook, Twitter, how can we get the revenue model to work by using our old media, Twitter, Facebook, Twitter, Twitter, hey, what about that revenue model of ours, Twitter.
The preceding is a poignant summary of what the Finnish media was like in 2011 when the rules of the game changed like they have changed every year. And we still don’t even fully understand what the game is supposed to be. More…
The Finlandia Prize for Fiction 2012
13 December 2012 | In the news
Ulla-Lena Lundberg. Photo: Cata Portin
The winner of the 29th Finlandia Prize for Fiction 2012, worth €30,000, is Ulla-Lena Lundberg for her novel Is (‘Ice’, Schildts & Söderströms), Finnish translation Jää (Teos & Schildts & Söderströms). The prize was awarded on 4 December.
The winning novel – set in a young priest’s family in the Åland archipelago – was selected by Tarja Halonen, President of Finland between 2000 and 2012, from a shortlist of six.
In her award speech she said that she had read Lundberg’s novel as ‘purely fictive’, and that it was only later that she had heard that it was based on the history of the writer’s own family; ‘I fell in love with the book as a book. Lundberg’s language is in some inexplicable way ageless. The book depicts the islanders’ lives in the years of post-war austerity. Pastor Petter Kummel is, I believe, almost the symbol of the age of the new peace, an optimist who believes in goodness, but who needs others to put his visions into practice, above all his wife Mona.’
Author and ethnologist Ulla-Lena Lundberg (born 1947) has since 1962 written novels, short stories, radio plays and non-fiction books: here you will find extracts from her Jägarens leende. Resor in hällkonstens rymd (‘Smile of the hunter. Travels in the space of rock art’, Söderströms, 2010). Among her novels is a trilogy (1989–1995) set in her native Åland islands, which lie midway between Finland and Sweden. Her books have been translated into five languages.
Appointed by the Finnish Book Foundation, the prize jury (researcher Janna Kantola, teacher of Finnish Riitta Kulmanen and film producer Lasse Saarinen) shortlisted the following novels: Maihinnousu (‘The landing’, Like) by Riikka Ala-Harja, Popula (Otava) by Pirjo Hassinen, Dora, Dora (Otava) by Heidi Köngäs, Nälkävuosi (‘The year of hunger’, Siltala) by Aki Ollikainen and Mr. Smith (WSOY) by Juha Seppälä.
Growing together. New Finnish children’s books
28 January 2011 | Articles
Hulda knows what she wants! From the cover of a new picture book by Markus Majaluoma (see mini reviews*)
What to choose? A mum or dad buys a book hoping it will be an enjoyable read at bedtime – adults presume a book is a ‘good’ one if they themselves genuinely enjoy it, but children’s opinions may differ. Päivi Heikkilä-Halttunen reviews the trends in children’s literature published in Finland in 2010, and in the review section we’ve picked out a handful of the best on offer
Judging by the sheer number and variety of titles published, Finnish children’s and young people’s fiction is alive and well. If I had to describe the selection of books published in 2010 in just a few words, I would have to point to the abundance of titles and subject matters, and the awareness of international trends.
Since 2000 the number of books for children and young people published in Finland each year – including both translated and Finnish titles – has been well in excess of 1,500, and increasing, and this growth shows no signs of slowing down.
Little boys, ten-year-olds who don’t read very much and teenage boys, however, were paid very little attention last year. Although gender-specificity has never been a requirement of children’s fiction, boys are notably pickier when it comes to long, wordy books, especially those that might be considered ‘girly’. More…
Is this all?
10 October 2013 | Extracts, Non-fiction
Earth. Andrew Z. Colvin/Wikimedia
In today’s world, many people find that it is not the lack of something that is problematic, but excess: the same goes for knowledge. According to professor of space astronomy, Esko Valtaoja, knowledge should contribute to the creation of a better world. His latest book is a contribution to the sum of all knowledge; over the course of two hundred pages Valtaoja delves deep into the inner space of man by taking his reader on a brief tour of the universe. Extracts from Kaiken käsikirja. Mitä jokaisen tulisi tietää (‘A handbook to everything. What everybody should know’, Ursa, 2012)
Whatever god you bow down to, you’re probably worshipping the wrong god.
The above is almost the only completely certain thing that can be said about religion, and even it does not encompass any deep truth; it’s just a simple mathematical statement. The world’s biggest religion is Roman Catholicism, which is confessed, at least nominally, by 1.1 billion people. If the Roman Catholic god were the true god, the majority of people in the world are therefore worshipping a false god. (According to the official stance of the Catholic church, the other Christian denominations are heresies, and their believers will be condemned to perdition: extra ecclesiam nulla salus. This inconvenient truth is, understandably, politely bypassed in ecumenical debate. But even if all those who call themselves Christians were counted as worshipping the same god, two thirds of the world’s population are still knocking at the wrong door.)
If you’re a religious person, don’t worry; I’m not blaspheming. And if you’re a campaigning atheist, hang on a minute: all I want to do is to find a clear and undisputed starting point to consider what it is we’re talking about when we speak of religion. More…
True or false?
An extract from the novel Toiset kengät (‘The other shoes’, Otava, 2007). Interview by Soila Lehtonen
‘What is Little Red Riding Hood’s basket like? And what is in it? You should conjure the basket up before you this very moment! If it will not come – that is, if the basket does not immediately give rise to images in your minds – let it be. Impressions or images should appear immediately, instinctively, without effort. So: Little Red Riding Hood’s basket. Who will start?’
Our psychology teacher, Sanni Karjanen, stood in the middle of the classroom between two rows of desks. Everyone knew she was a strict Laestadian. It was strange how much energy she devoted to the external, in other words clothes. God’s slightly unsuccessful creation, a plump figure with pockmarks, was only partially concealed by the large flower prints of her dresses, her complicatedly arranged scarves and collars. Her style was florid baroque and did not seem ideally suited to someone who had foresworn charm. Her hair was combed in the contemporary style, her thin hair backcombed into an eccentric mountain on top of her head and sprayed so that it could not be toppled even by the sinful wind that often blew from Toppila to Tuira. More…
A life at the front
30 September 2001 | Archives online, Fiction, Prose
Extracts from the novel Marsipansoldaten (‘The marzipan soldier’, Söderström & Co., 2001). Introduction by Maria Antas
[Autumn 1939]
Göran goes off to the war as a volunteer and gives the Russians one on the jaw. Well, then. First there is training, of course.
Riihimäki town. Recruit Göran Kummel billeted with 145 others in Southern elementary school. 29 men in his dormitory. A good tiled stove, tolerably warm. Tea with bread and butter for breakfast, substantial lunch with potatoes and pork gravy or porridge and milk, soup with crispbread for dinner. After three days Göran still has more or less all his things in his possession. And it is nice to be able to strut up and down in the Civil Guard tunic and warm cloak and military boots while many others are still trudging about in the things they marched in wearing. The truly privileged ones are probably attired in military fur-lined overcoats and fur caps from home, but the majority go about in civilian shirts and jackets and trousers, the most unfortunate in the same blue fine-cut suits in which they arrived, trusting that they would soon be changing into uniform. More…
The monster reveal’d
31 March 1997 | Archives online, Fiction, Prose
Extracts from the novel Frankensteinin muistikirja (‘Frankenstein’s notebook’, Kirjayhtymä, 1996). Ern(e)st Hemingway and Gertrud(e) Stein – the narrator in these extracts – meet the famous creature in Paris. According to Juha K. Tapio in this, his first novel, Mary Shelley’s monster has been leading an interesting life during the past few centuries
My first impression was that there wasn’t anything particularly monstrous about him. I have already said that his age was hard to determine, but there was something about him that tempted one to apply the word ‘elderly’ to him. He was up in years, no doubt about that, but in a rather special, indefinable way – which made it hard to infer, at least from his outward appearance, what stage he had reached in terms of normal human life. It had to do with something outside of time. He was tall and a little more raw-boned than the average person, and this made one wonder, looking at him, what kind of body his very fashionable clothing concealed his suit and tie conformed to the latest style. This was certainly not the misshapen and monstrous creature I vividly remembered from Mary Shelley’s description.
It was obvious that the past decades had brought about an inevitable evolution. More…
Ulla Jokisalo & Anna Kortelainen
Pins and needles
11 May 2011 | Essays, Non-fiction
In these pictures by Ulla Jokisalo and texts by Anna Kortelainen, truths and mysteries concerning play are entwined with pictures painted with threads and needles. Jokisalo’s exhibition, ‘Leikin varjo / Guises of play’, runs at the Museum of Photography, Helsinki, from 17 August to 25 September.
Words and images from the book Leikin varjo / Guises of play (Aboa Vetus & Ars Nova and Musta Taide, 2011)
‘Ring dance’ by Ulla Jokisalo (pigment print and pins, 2009)
Death of a poet
31 December 1989 | Archives online, Articles
Over the last two decades, contemporary Finnish opera has not only become popular at home but has emerged as a significant force on the international music scene. Aulis Sallinen’s The Horseman, The Red Line and The King Goes Forth to France, and Joonas Kokkonen’s The Last Temptations all had their premieres in the 1970s and 1980s and have already earned respected places in the repertory of the Finnish National Opera and the Savonlinna Opera Festival, where performances are sold out months in advance.
The visit by the National Opera to New York’s Metropolitan Opera House in 1983 attracted widespread attention from press and public alike, and its productions of The Red Line and The Last Temptations were for the most part enthusiastically received. Finnish opera earned further international prestige from the joint commissioning of Sallinen’s The King by the Royal Covent Garden Theatre in London and the Savonlinna Festival, and from later performances by companies in Germany and the United States. More…
Elina Brotherus & Riikka Ala-harja
The passing of time
2 March 2015 | Extracts, Fiction, Prose
In 1999 the Musée Nicéphore Niépce invited the young Finnish photographer Elina Brotherus to Chalon-sur-Saône in Burgundy, France, as a visiting artist.
After initially qualifying as an analytical chemist, Brotherus was then at the beginning of her career as a photographer. Everything lay before her, and she charted her French experience in a series of characteristically melancholy, subjective images.
Twelve years on, she revisited the same places, photographing them, and herself, again. The images in the resulting book, 12 ans après / 12 vuotta myöhemmin / 12 years later (Sémiosquare, 2015) are accompanied by a short story by the writer Riikka Ala-Harja, who moved to France a little later than Brotherus.
In the event, neither woman’s life took root in France. The book represents a personal coming-to-terms with the evaporation of youthful dreams, a mourning for lost time and broken relationships, a level and unselfpitying gaze at the passage of time: ‘Life has not been what I hoped for. Soon it will be time to accept it and mourn for the dreams that will never come true. Mourn for the lost time, my young self, who no longer exists.’
1999 Mr Cheval’s nose
Indifference under the axe
9 March 2012 | Essays, Non-fiction
In the forest: an illustration by Leena Krohn for her book, Sfinksi vai robotti (Sphinx or robot, 1999)
The original virtual reality resides within ourselves, in our brains; the virtual reality of the Internet is but a simulation. In this essay, Leena Krohn takes a look at the ‘shared dreams’ of literature – a virtual, open cosmos, accessible to anyone, without a password
How can we see what does not yet exist? Literature – specifically the genre termed science fiction or fantasy literature, or sometimes magic realism – is a tool we can use to disperse or make holes in the mists that obscure our vision of the future.
A book is a harbinger of things to come. Sometimes it predicts future events; even more often it serves as a warning. Many of the direst visions of science fiction have already come true. Big Brother and the Ministry of Truth are watching over even greater territories than in Orwell’s Oceania of 1984. More…
Forest and fell
8 May 2013 | Reviews
From North to South: young Heikki Soriola on his way to represent Utsjoki in Helsinki, in 1912. Photo from Saamelaiset suomalaiset
Veli-Pekka Lehtola
Saamelaiset suomalaiset: Kohtaamisia 1896–1953
[Sámi, Finns: encounters 1896–1953]
Helsinki: Suomalaisen Kirjallisuuden Seura, 2012. 528 p., ill.
ISBN 978-952-222-331-9
€53, hardback
Leena Valkeapää
Luonnossa: Vuoropuhelua Nils-Aslak Valkeapään tuotannon kanssa
[In nature, a dialogue with the works of Nils-Aslak Valkeapää]
Helsinki: Maahenki, 2011. 288 p., ill.
ISBN 978-952-5870-54-1
€40, hardback
The study of the Sámi people, like that of other indigenous peoples, has become considerably more diverse and deeper over recent decades. Where non-Sámi scholars, officials and clergymen once examined the Sámi according to the needs and values of the holders of power, contemporary scholarship starts out from dialogue, from an attempt to understand the interactions between different groups. More…