Search results for "2010/02/2009/09/2011/04/matti-suurpaa-parnasso-1951–2011-parnasso-1951–2011"
Armas Järnefelt. Kahden maan mestari [Armas Järnefelt. Maestro of two countries]
2 October 2009 | Mini reviews, Reviews
Armas Järnefelt. Kahden maan mestari
[Armas Järnefelt. Maestro of two countries]
Toim. [Ed. by] Hannu Salmi
Helsinki: Suomalaisen Kirjallisuuden Seura, 2009. 438 p., ill.
ISBN 978-952-222-057-8
€ 35, hardback
The conductor and composer Armas Järnefelt (1868–1959) was a member of one of Finland’s most prominent cultural families. His sister Aino was married to the composer Jean Sibelius. From 1905 he was the conductor of the Royal Opera in Stockholm and became a Swedish citizen. In the 1930s Järnefelt served as the artistic director and conductor of the Finnish Opera, forerunner of today’s Finnish National Opera. This book covers the various stages of his life and surveys the background to his compositions, with input from a number of Finnish music experts. Järnefelt, as a composer of beautiful melodies, was a part of the National Romantic tradition; his best-known piece, Berceuse (1904), is familiar to listeners around the world in many adaptations. Influences from Richard Wagner and Jean Sibelius are often seen in Järnefelt’s works. This book provides a more complete artistic portrait of Järnefelt than the rather superficial coverage previously available. Prior to the publication of this book, the committee responsible for the editorial work was incorporated as a society dedicated to Armas Järnefelt and has released musical scores, recordings and performances of Järnefelt’s works.
Happy days, sad days
28 February 2013 | Reviews
Pekka Tarkka
Joel Lehtonen II. Vuodet 1918–1934
[Joel Lehtonen II. The years 1918–1934]
Helsinki: Otava, 2012. 591 p., ill.
ISBN 978-951-1-25924-4
€38.50, hardback
A well-meaning bookseller’s idealism, inspired by Tolstoyan ideology, is brought crashing down by the laziness and ingratitude of the man hired to look after his estate: conflicts between the bourgeoisie and the ‘ordinary folk’ are played out in heart of the Finnish lakeside summer idyll in Savo province.
Taking place within a single day, the novel Putkinotko (an invented, onomatopoetic place name: ‘Hogweed Hollow’) is one of the most important classics of Finnish literature. Putkinotko was also the title of a series (1917–1920) of three prose works – two novels and a collection of short stories – sharing many of the same characters [here, a translation of ‘A happy day’ from Kuolleet omenapuut, ‘Dead apple trees’, 1918] .
In 1905 Joel Lehtonen bought a farmstead in Savo which he named Putkinotko: it became the place of inspiration for his writing. With an output that is both extensive and somewhat uneven, the reputation of Joel Lehtonen (1881–1934) rests largely on the merits of his Putkinotko, written between 1917 and 1920. More…
And the winner is…
27 November 2009 | In the news
The winner of the Finlandia Prize for Non-Fiction 2009, worth €30,000, is Borgå 1809. Ceremoni och fest (‘Borgå [Porvoo] 1809. Ceremony and feast’) by historian Henrika Tandefelt (born 1972; see this review).
The final choice was made by Björn Wahlroos, Chairman of the Board of the Sampo Insurance Group. No doubt the historical period described in Tandefelt’s book is of great interest to Wahlroos, as he is the owner of the Åminne (in Finnish, Joensuu) estate, which is located in the south-west of Finland and dates from the 18th century. Wahlroos has recently restored the manor house to its full 19th-century glory. The Åminne estate was once the home of Gustaf Mauritz Armfelt, a Finnish-born statesman and officer. Armfelt was also King Gustav III’s trusted adviser – and later adjutant-general under Tsar Alexander I in St Petersburg, and finally, before his death, governor-general of Finland (1813). More…
Archive news!
11 May 2012 | This 'n' that
We’re delighted to be able to announce that the selection of the material published on the web pages of Books from Finland in the last phase of its existence as a printed journal, 1998–2008, is now available on this website.
The monthly archive selection has been extended back to 1998, and more than two dozen new contributor details have been added. Plus, any term you enter in the search box at the top right of the webpage will now look through everything we have online – not just what has been published since we went digital in 2009. So if you vaguely remember a piece about xx, or just want to play games by seeing how often we’ve featured yy, just enter your term in the search box and away you go.
This is just the first step in our bigger project of digitising a broad selection of pieces from Books from Finland‘s history, from 1976 (when it began to appear as a quarterly journal) onwards. The Books from Finland archive – 132 printed issues were published from 1976 to 2008, featuring hundreds of authors – represents an unparalleled treasure trove of Finnish literature and literary debate in English, and we can’t wait to get as much as we can online.
It is a long, slow process, so don’t hold your breath… But as we add new pieces we’ll be flagging them up and drawing them to your attention, from classics to some real period pieces, sometimes with new introductions by contemporary writers.
Watch this space – please remember, good things are worth waiting for!
Panu Rajala: Hirmuinen humoristi. Veikko Huovisen satiirit ja savotat [The awesome humorist. The satires and logging sites of Veikko Huovinen]
16 May 2013 | Mini reviews, Reviews
Hirmuinen humoristi. Veikko Huovisen satiirit ja savotat
[The awesome humorist. The satires and logging sites of Veikko Huovinen]
Helsinki: WSOY, 2012. 310 p.
ISBN 978-951-0-38952-2
€38, hardback
Author Veikko Huovinen (1927–2009) became widely popular with the publication of his novel Havukka-ahon ajattelija (‘The backwoods philosopher’, 1952). Huovinen, who trained as a forest ranger, spent his life mainly in north-eastern Finland and did not like publicity; the author and theatre scholar Panu Rajala deals with Huovinen’s biography relatively briefly, focusing on a thematic analysis of Huovinen’s extensive and thematically rich output of novels and short stories. He places the the books in the context of Finnish literature, and also examines their film and television adaptations. Huovinen was an intellectually conservative, a highly original humorist; among his books are satirical biographies of Hitler and Stalin. His prose fiction, set in the natural wilds of the North, has not always won the appreciation of pro-modernist critics. Huovinen’s lively and original language is not easy to translate – for example, his only work published in English is a beautiful documentary novel Puukansan tarina (‘Tale of the forest folk’), which received a Finlandia Prize nomination in 1984.
Translated by David McDuff
Leena Parkkinen: Galtbystä länteen [West from Galtby]
19 December 2013 | Mini reviews, Reviews
Galtbystä länteen
[West from Galtby]
Helsinki: Teos, 2013. 339 p.
ISBN 978-951-851-510-7
€32.90, hardback
Leena Parkkinen’s first novel, Sinun jälkeesi, Max (‘After you, Max’) was awarded the Helsingin Sanomat literature prize for best first work of 2009. Her new novel contains crime story ingredients, but the focus is on love between siblings, loss and the demand for truth. The story begins in 1947, after the war, on an island in the south-western Finnish archipelago. Sebastian, brother of Karen, has returned from the front; it’s time to mend the best clothes and dancing shoes. But to the horror of the island community, the body of a young girl is found on the shore, and Sebastian gets the blame. Sixty-five years later her brother’s fate has not left Karen alone, and she sets out to find the truth. Capable of handling different times, Parkkinen (born 1979) is also a skilful interpreter of conflicting sentiments, as unexpected twists develop towards the end.
Johanna Holmström: Camera Obscura
6 January 2010 | Mini reviews, Reviews
Camera Obscura
Helsinki: Söderströms, 2009, 334 p.
ISBN 978-951-52-2616-7
€ 24,90, hardback
This short story collection is Johanna Holmström’s fourth book since her debut in 2003. Camera Obscura is a fabric of narratives and personal destinies which create a dense, novel-like whole. The preamble is a young environmental activist’s suicide. The form is interwoven with the content, so that the stories in the book can be read as separate narratives, but to understand them fully we must read them all. Each person’s destiny is shaped in part by the choices and actions of others; to what extent is the individual responsible for the whole? Holmström (born 1981) writes fiction that is unpredictable but stylistically assured. She seamlessly weaves with classic fairytale motifs and also has a keen eye for detail and psychology. Camera Obscura is at once eerie, suspense-filled and socially aware.
Minä, Mauri Kunnas [I, Mauri Kunnas]
4 March 2010 | Mini reviews, Reviews
Minä, Mauri Kunnas
[I, Mauri Kunnas]
Muistiin merkitsi [As told to] Lotta Sonninen
Helsinki: Otava, 2009. 182 p., ill.
ISBN 978-951-1-23186-8
€ 40, hardback
Mauri Kunnas (born 1950) is a cartoonist and graphic artist. His children’s books have been translated into 28 languages; the translations have sold approximately 2,5 million copies. His anthropomorphic canine characters from Koiramäki, Doghill, are well known for their adventures in historical milieus; researching these settings is one of Kunnas’ passions. His reinterpretations of Finnish literary classics are also popular: The Canine Kalevala and Seven Dog Brothers offer affectionately humorous homages to the Kalevala, the Finnish folk epic, and the classic novel by Aleksis Kivi. Joulupukki (1981), published in English as Santa Claus, is arguably the world’s best-known Finnish children’s book. In this book, Kunnas gives a lively account of his childhood and youth, as well as his influences and the different phases of his career as an illustrator. The text is complemented by photos from Kunnas’ family album and his own archives, from adventure stories he illustrated as a boy to a pair of hippy bell-bottomed jeans adorned with doodles.
Noah’s progeny
30 October 2009 | Fiction, Prose
Graphic design: M-L Muukka
Extracts from the novel Puupää (‘Blockhead’, Teos, 2009)
In these ‘shavings’ hewn from the block in constructing the storyline of his new novel, Juha Hurme offers us four unique glimpses into the Finnish psyche
The rune singer of Nokia
Three years ago I purchased a used mobile phone when its predecessor took an overdose of sea water and went mute on a rowing trip in a broken-down loaner of a fibreglass boat in a gale-force nor’wester. This three-year-old phone has been a thoroughly satisfactory implement and indispensable contact link. The power button got stuck a year ago, but the gadget is still fully operational with the aid of a match stick or something similar. It is my belief and hope that it will continue to fulfil the role of telephone for seven more years, because I prefer not to own, let alone purchase, anything that withstands fewer than ten years of use. More…
Asking for more
14 April 2010 | Fiction, poetry
The heroines in Vilja-Tuulia Huotarinen’s new collection, Iloisen lehmän runot (‘Happy cow poems’, 2009), are timeless creatures, mythical and archaic, and yet our contemporaries, living their lives alongside us (see Ruminations)
Let the cows out on Monday
and they’ll enter the forest, wander far
aim for the waterfalls, the hole in the rock and down the precipice.
The dead come back along our the road to our yard:
Rebecca, Isolde, Rosamunda.
Allison, Eulalia, Euphrosyne.
Not as ghosts but as old friends.
Whom will they, the wingless ones, protect here?
A lean lass, a lean lass. More…
Between three cultures
5 February 2010 | Authors, Reviews
Zinaida Lindén. Photo: Johan Lindén
A new collection of short stories by the Leningrad-born author Zinaida Lindén explores the ambiguities of life between three cultures: her native Russia, her adopted Finland, and Japan, where she has also lived. In this introduction to Lindén’s short story Shards from the empire, Janna Kantola appreciates Lindén’s capricious, recalcitrant prose, and the positive, generous spirit that lies behind her work
Seen from a distance, Finns and Russians seem very like one another.
Zinaida Lindén has written her books from a cultural no-man’s-land in which she may have been forced to ponder the central questions of national identity. After studying Swedish in her native Russia, Lindén (born 1963) settled in Finland with her Finland-Swedish husband, and has written all of her works in Swedish. A recurring theme is that of encounters with the foreign, the other. More…
Juha Maasola: Kirves [The axe]
4 March 2010 | Mini reviews, Reviews
Kirves
[The axe]
Helsinki: Maahenki, 2009. 207 p., ill.
ISBN 978-952-5652-74-1
€ 44, hardback
This book by Juha Maasola, a forestry protection officer, provides an economic, cultural and social history of the axe from prehistoric times to the present day. The axe was the sole implement used for felling trees in Finland up until the turn of the 20th century. Most Finnish men still know how to chop their own wood for the sauna, while one axe model produced by Fiskars has won awards for outstanding product design. This impressively illustrated work also explains the techniques and history of forestry and logging. In the 1940s, wartime ‘woodcutting bees’ united the Finnish nation, with women picking up their axes and joining in. Buildings have traditionally been constructed from wood, and builders had to be handy with a hatchet. This skill gave carpenters their name in Finnish: kirvesmies – literally, ‘axeman’. A list of over 300 Finnish-language terms meaning ‘axe’, gleaned from the archives of the Research Institute for the Languages of Finland, is included. The book concludes with a look at portrayals of the use of axes in Finnish literature, film and art.
A roof with a view
27 August 2009 | Fiction, Prose
Extracts from the novel Mistä on mustat tytöt tehty? (‘What are black girls made of?’, Tammi, 2009) Introduction by Tuomas Juntunen
I’m a chimney sweep’s daughter, born October 1962 as a gift, a light to a darkened world. I’ve had lots of mothers, but none of them ever stuck around for good. One of them gave birth to me, so she’s Mother, not mother. Her name is Dewdrop, because water has spilled over the only photograph of My Mother and now her face has dissolved into a single translucent droplet; her nose, cheeks and chin are now a fat, shiny blob that looks like it’s about to fall out of the bottom of the picture. More…
Truths to tell
1 June 2011 | Authors, Interviews
Johanna Holmström. Photo: Irmeli Jung
‘In my writing I try to give as many angles as possible, and my agenda is to show that there’s not just one truth, that there are always several ways of seeing what one perceives at first sight. So I often have more than one main narrator. I constantly aim to question accepted truths. My stories always begin with indignation about something I feel I must write about. Fiction is a way of distancing oneself. After all, books are literary, invented things. When you work on the subject of a literary text it becomes less personal.’
This is how Johanna Holmström (born 1981) describes her approach to writing. Since her first collection of short stories published in 2003 she has produced a book every two years: three short story collections and one novel. Her books have been variously described as imaginative, committed and uncomfortable. Her short story ‘Stormen’ (‘The storm’) is a precisely observed account of a day when everything changes for its young protagonist.
Just reading
18 June 2009 | Letter from the Editors
The Books from Finland website has been live for two months, and we’re gradually settling in to our new mode of being. To say we were growing accustomed to our new environment, though, would be misleading. Since our last editorial, the Editor-in-Chief, the London Editor, the Web Editor and the Designer have actually spent physical time in the same room (yea, to cement the feeling of non-virtuality, they have even eaten pizza together). It would be fair to say that our reaction, jointly and severally, to publishing on line, could best be summarised as ‘Yay! This is great!’