Search results for "2010/02/2011/04/2009/10/writing-and-power"

Anu Lahtinen: Pohjolan prinsessat. Viikinkineidoista renessanssiruhtinattariin [Princesses of Pohjola. From Viking maidens to Renaissance princesses]

22 February 2010 | Mini reviews, Reviews

Pohjolan prinsessat. Viikinkineidoista renessanssiruhtinattariin
[Princesses of Pohjola. From Viking maidens to Renaissance princesses]
Jyväskylä: Atena, 2009. 223 p., ill.
ISBN 978-951-796-595-8
€ 33, hardback

This book, a side project to Anu Lahtinen’s doctoral dissertation, tells of the women of the Nordic royal families from the 7th to the 17th centuries. The term ‘princesses’ is used here to refer to female members of ruling families who did not hold positions of power themselves. With its brief biographies of people who have long remained hidden in the historical shadow of great men, this book sheds light on a little-researched subject. Many princesses of the medieval Swedish, Danish and Norwegian realms grew up into significant political figures; they needed cunning, a good command of languages and even fighting skills in order to survive the tumults of that age. The rollicking parties and romantic escapades of Cecilia, one of the five daughters of King Gustav Vasa of Sweden, are reminiscent of the ‘party princesses’ of our own time. A Viking-era princess, Alfhild, became a pirate captain; according to medieval tales, she disguised herself as a man and managed to lead a crew of female pirates in a number of raids along the shores of the Baltic.

Living inside language

23 February 2010 | Essays, Non-fiction

Jyrki Kiiskinen sets out on a journey through seven collections of poetry that appeared in 2009. Exploring history, verbal imagery and the limits of language, these poems speak – ironically or in earnest – about landscapes, love and metamorphoses

The landscape of words is in constant motion, like a runner speeding through a sweep of countryside or an eye scaling the hills of Andalucia.

The proportions of the panorama start to shift so that sharp-edged leaves suddenly form small lakeside scenes; a harbour dissolves into a sheet of white paper or another era entirely. Holes and different layers of events begin to appear in the poems. Within each image, another image is already taking shape; sensory experiences develop into concepts, and the text progresses in a series of metamorphoses. More…

Anu-Hanna Anttila & al.: Kuriton kansa [Unruly nation]

13 August 2010 | Mini reviews, Reviews

Anu-Hanna Anttila & Ralf Kauranen & Olli Löytty & Pollari Mikko Rantanen Pekka & Petri Ruuska
Kuriton kansa. Poliittinen mielikuvitus vuoden 1905 suurlakon ajan Suomessa

[Unruly nation. The political imagination of the 1905 general strike in Finland]
Tampere: Vastapaino, 2009. 317 p., ill.
ISBN 978-951-768-246-6
€ 33, paperback

In the beginning of the 20th century the Grand Duchy of Finland, a part of the Russian Empire, entered a period of crisis and began to turn into a nation with its own institutions. Universal and equal suffrage increased tenfold the number of those eligible to vote. A move to the granting of political rights was demanded during the 1905 general strike, which was both an internal political power struggle and a  demonstration by Finns against the Russification measures being imposed by their rulers. The book examines the ideological currents of the strike period and investigates their definitions of ‘nation’ and ‘nationality’, with reference to literary research, historical sociology, cultural studies and women’s studies, making extensive use of contemporary documents. The book’s essays portray the spectrum of ideas, reflected in groups like the theosophists, Tolstoyans and anarchists.

What God said

3 September 2009 | Fiction, Prose

Extracts from the novel Herra Darwinin puutarhuri (Otava, 2009; Mr Darwin’s Gardener, Peirene Press, 2013). Interview by Soila Lehtonen

The congregation sits in the church pews and the jackdaws caw in the belfry.
We smell of wet dog, the rain made us wet and it is cold but the singing warms us, the hymn rises to the roof and above the roof dwells God, Amen.
We saw Thomas Davies on the hill, he is working in Mr Darwin’s garden,
the atheist and lunatic, he stood in the field alone and the water lashed his face
an irreligious pit pony wandering in the darkness he is from Wales
does the godless man think he can stand in the rain without getting wet did he get an umbrella or bat wings from the devil
perhaps Thomas imagines that he can hold back the rain and the rain not hold him back, he thinks he is more exalted than God with his head in the clouds
The church’s hard pews press into posteriors, the poor man will not grow fatter, for there are no fat and lean years but only lean ones, and thin are the poor man’s sheep and cows and children too, but the rich man cultivates weeds for his amusement as Mr Darwin did and earns money and fame! More…

Maria Turtschaninoff: Arra. Legender från Lavora [Arra. Legends from Lavora]

12 February 2010 | Mini reviews, Reviews

Arra. Legender från Lavora
[Arra. Legends from Lavora]
Helsinki: Söderströms, 2009. 251 p.
ISBN 978-951-52-2604-4
19.90 €, hardback

Legender från Lavora by Maria Turtschaninoff (born 1977) is limpid and leisurely in tone, yet the story of Arra, a girl from a poor family, is intense, tragic and original. Because she is mute, Arra is thought to be feeble-minded, and thus of no value to her family. She becomes, in fact, an ‘invisible child’ – the author’s reference to neglected children of the present day. The girl uses a special power to compensate for the contempt of those around her: she binds herself in living connection with nature, which leads her in the end to glory and honour. Because of Arra’s long period of muteness as she enters her teens, dialogue is a very small portion of the book. The narrative may be challenging for young readers, but the vivid love story of Arra and Prince Surando has an irresistible, magical enchantment.

Kari Hotakainen: Ihmisen osa [The human lot]

9 October 2009 | Mini reviews, Reviews

Kari HotakainenIhmisen osa
[The human lot]
Helsinki: Siltala,  2009. 276 p.
ISBN 978-952-234-021-4
30 €, hardback

Kari Hotakainen (born 1957) is one of Finland’s most internationally successful contemporary authors, and is widely known for his children’s books, plays and television screenplays. Like many of Hotakainen’s other works, Ihmisen osa is a contemporary novel, but it is one that sees the author being angrier and more ferocious than before; this is a story that will move readers and make them laugh. Its plot gets off to a slightly ungainly start: an impatient writer wants to ‘buy someone’s life’ for the purpose of turning it into material for a novel and is prepared to pay an elderly widow €7,000 for hers. A former yarn-seller tells him all about her life as she remembers it, and the writer writes it up into his own book – the husband’s wilful silence, a serious accident suffered by one of the three children, gradually being revealed. Having got the beginning out of the way, Hotakainen then puts his foot on the gas: in his laconic style he throws light on the conditions at the edges of contemporary working life: the business of selling images, selfishness and greed, the power of words. The yarn-seller writes to one of her children: ‘Don’t rise above your station. There’s no air up there, and you’ll get dizzy.’ Hotakainen’s novel Juoksuhaudantie (‘Trench Road’) was awarded the Finlandia Prize for Fiction in 2002. It has been translated into 17 languages and was awarded the Nordic Council’s Literature Prize in 2004.

Mirkka Lappalainen: Susimessu – 1590-luvun sisällissota Ruotsissa ja Suomessa [Wolf Mass. Civil war in Sweden and Finland in the 1590s]

4 June 2010 | Mini reviews

Susimessu – 1590-luvun sisällissota Ruotsissa ja Suomessa
[Wolf Mass. Civil war in Sweden and Finland in the 1590s]
Helsinki: Siltala, 2009. 319 p.
ISBN 978-952-234-016-0
€32, hardback

Sweden at the end of the 16th century was riven by struggles for power: the opponents were the Protestant Duke Charles and Sigismund, King of Poland and Sweden, a strong supporter of the Counter-Reformation in the Nordic lands. A peasant uprising that came to be known as the ‘Cudgel War’ was underway in Finland – then part of the kingdom of Sweden. This book recounts the dramatic history of that civil war and, in line with current interpretive methods of historical research, explodes some popular myths that have been built up around these events. Mirkka Lappalainen has gained recognition as a bold writer who skilfully combines micro- and macro-level history. She characterises Sigismund, whom the Vatican supported to no avail, as a ‘melancholy, absent-minded vacillator, who preferred to play music.’ Lappalainen provides a fascinating alternative historical interpretation of what would have happened if the Vatican’s plans to wrest Finland away from Sweden and unite it with Poland had come to fruition.

Winged fever

31 December 1996 | Archives online, Authors, Essays

After the collective and individual catastrophe of the Second World War, doubts notoriously arose as to whether poetry was possible ‘from this time on’. Theodor W. Adorno declared that writing poetry after Auschwitz was impossible. And Tadeusz Rozewicz said he wrote unpoetry for survivors, for the terrorised, for the dead. Poetry was, for him, ‘borrowed scraps of words, the uninteresting words of the great graveyard’. This is a harsh judgement. More than any earlier written word, post-war poetry was confronted by destruction, hunger and, contrariwise, rampant overconsumption.

Many poets of the Sixties and Seventies resolved these questions by asserting that poetry was in fact an anachronism; anyone continuing to write poetry must forget individual alienation, word-magic and music. Poems should be made by abandoning metre and conveying politically correct truth. In making generalisations about reality – while unable to differentiate it from propaganda – these writers divagated from reality, which is distinguished from utopia by its multiplicity and complexity. Poetic modes as varied as the low mimetic, propaganda poetry, ‘concrete poetry’ and even nature poetry thus managed to become foreign to reality. Themes like participation, progress and liberation frequently led to bigotry, utopian cloud-cuckoolands and blind man’s buff with the self. As Arto Melleri’s allegory puts it, the ‘swankeepers’ vainly ‘fish the shattering waves for reflections’. More…

Great leap forward

31 March 1998 | Archives online, Authors, Reviews

The popular Finnish children’s author Zachris Topelius (1818–1898) was also a brilliant chronicler of the coming of the industrial revolution to Finland. ‘A road made of iron?’ That is the reaction of Matti, farmer and crofter, when his local vicar tells him about the wonder of railway travel. Familiarity may have dulled the astonishment and excitement of the celebrated short story Rautatie (‘The railway’, 1884) by the classic writer Juhani Aho (1861–1941) – but that is an occupational hazard for classics. [The first English translation 2012, The Railroad, by Owen Witesman]

Even in remote areas of Finland the railway, this new industrial mode of transport, spread, at first as an almost incredible piece of news. ‘Thought he could trick me!’ snorts Matti on his way home from the vicarage. More…

Hiking through a poetic universe

30 March 2006 | Authors, Reviews

Lars Huldén.  Photo: Charlotta Boucht

Lars Huldén. Photo: Charlotta Boucht

The gods decreed that Lars Huldén was born on the same date as Finland’s national poet Johan Ludvig Runeberg (1804–1877), who wrote the words of the Finnish national anthem – and who has turned into a dead classic. Lars Huldén will never be thought of as a member of the dead poets’ society.

A collected volume entitled Utförlig beskrivning av en bärplockares väg (‘A thorough description of a berry-picker’s path’, Schildts [Finnish translation, by Pentti Saaritsa: Erään marjamatkan seikkaperäinen kuvaus, WSOY]) containing work from the whole of Huldén’s literary career – from his first book all the way to new poems written in 2005 – has been published in honour of his 80th birthday in February 2006. He has published thirty-six collections of poetry in Swedish, and it is a generous, intelligent and (self-)ironic textual universe that unfolds through the volume’s 500 pages. More…

Business as usual

30 June 1994 | Archives online, Authors

The writing of Juha Vakkuri has never really belonged in the same category as Finnish agrarian prose or the tradition of prosaic realism. Vakkuri’s novels do, indeed, describe Finland and the country’s slow processes of change, but the changes are mirrored in other parts of the world: Europe, Africa and often elsewhere.

Vakkuri (born 1946) is head of programmes at the Finnish Broadcasting Company, and he has also worked as a development worker in Africa. His work on development projects and in the media appears in his novels as a jigsaw whose pieces, as they fit together, reveal to the reader a corner of the global village. Perhaps the clearest and, in the opinion of some critics, the best of Vakkuri’s international Finnish novels is  Paratiisitango (‘Paradise tango’, 1993). In it, Vakkuri deals with situations familiar from the media world, in which the central problem is the conflict between power and morality. The book contains many frauds and their disclosures: nothing is as it seems. People who consider themselves moral commit crimes, and a victim of terrorism turns out himself to be a terrorist. Everything belongs to one and the same world, which the media both describe and conceal. More…

Strange and familiar

31 March 1986 | Archives online, Authors

Leena Krohn. Photo:  Katri Lassila

Leena Krohn. Photo: Katri Lassila

Tainaron is the name of the rocky headland from which the road to Hades starts. Leena Krohn has borrowed her book’s title from Greek mythology: the city of Tainaron lies in the volcanic region, on the banks of Okeanos. On the title page of Tainaron is this epigraph: ‘You are not in a place; the place is in you.’ The book’s subtitle is ‘Letters from another town’. The narrator of the book writes letters to her friend back in our world.

The inhabitants of Tainaron are different from us – they have the bodies of insects. In the street the letter-writer encounters a character whose ‘antennae wave above his muzzle-like face’, the café waiter’s mouth ‘protrudes from his face like that of a dragonfly grub’ and when her friend and mentor, Longhorn Beetle, smiles, it is ‘a slow sideways extension of the jaws to the two sides of his head’. Among the dedicatees of Krohn’s book is the well-known entomologist Jean Henri Fabre. More…

Towards the empty page

30 September 1991 | Archives online, Authors

This autumn, a Japanese-made animated series about the inhabitants of Moomin valley will be seen on television screens across Europe and the United States; a range of merchandise including Moomin ice-cream, biscuits, back-packs and mugs is already available. As Moomin Valley goes commercial, Suvi Ahola examines in her essay the psychoses, sexual ambiguity and concern for personal freedom that lie at the heart of Tove Jansson’s children’s books

A quiet Sunday afternoon, some time in the first decade of this century, in one of the massive, handsome art nouveau tenement blocks of the Katajanokka district of Helsinki.

On the second floor of Luotsikatu Street 4 B two children are playing. The girl, two years older, advises her friend, a little boy, how to walk across the pile carpet in such a way that the snakes in the pattern won’t get him. Clutching a large handkerchief, the boy advances across the carpet in tiny steps, arms outstretched. The carpet’s brown garlands – the snakes – begin to writhe voraciously. Try and jump, the girl shouts. More…

Paris match

30 June 2011 | Articles, Non-fiction

In 1889 the author and journalist Juhani Aho (1861–1921) went to Paris on a Finnish government writing bursary. In the cafés and in his apartment near Montmartre he began a novella, Yksin (‘Alone’), the showpiece for his study year. Jyrki Nummi introduces this classic text and takes a look at the international career of a writer from the far north

Juhani Aho. Photo: SKS/Literary archives

Yksin is the tale of a fashionable, no-longer-young ‘decadent’, alienated from his bourgeois circle, and with his aesthetic stances and social duties in crisis. He flees from his disappointments and heartbreaks to Paris, the foremost metropolis at the end of the 19th century, where solitude could be experienced in the modern manner – among crowds of people. Yksin is the first portrayal of modern city life in the newly emerging Finnish prose, unique in its time.

Aho’s story has parallels in the contemporary European literature: Karl-Joris Huysmans’s A Rebours (1884), Knut Hamsun’s Hunger (1890) and Oscar Wilde’s The Portrait of Dorian Gray (1890). More…

On the Trans-Siberian express

3 October 2011 | Authors, Reviews

Rosa Liksom. Photo: Veikko Somerpuro

A Finnish girl studying archaeology in Moscow finds herself sharing a train compartment with a Russian man on the long journey from Moscow through Siberia to Ulan Bator. The girl travels for weeks to see the region’s ancient rock-paintings; the man’s destination is a big building site. The drama of the enclosed space  is built of two people and two worlds that cannot escape one another.

The story, in Hytti no 6 (‘Compartment number 6’) by Rosa Liksom, develops through small stories and reminiscences as the backgrounds of the girl and the man open up. At the places where the train stops, other people from the steppe and cities of Russia become intertwined with the narrative.

The career of the Lapp writer Rosa Liksom spans more than 25 years and demonstrates a rare ability to master various fields of both writing and the visual arts. In the history of contemporary Finnish prose, her novels and collections of short prose are a fantastic chapter of originally developed Nordic localism and post-modernist world citizenship. Liksom’s first book, short prose, was published in 1985; her work has been translated into 14 languages. More…