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Markku Kuisma & Teemu Keskisarja: Erehtymättömät. Tarina suuresta pankkisodasta ja liikepankeista Suomen kohtaloissa 1862–2012 [The infallible ones. The story of the great bank war and Finland’s commercial banks, 1862–2012]
13 December 2012 | Mini reviews, Reviews
Erehtymättömät. Tarina suuresta pankkisodasta ja liikepankeista Suomen kohtaloissa 1862–2012
[The infallible ones. The story of the great bank war and Finland’s commercial banks, 1862–2012]
Helsinki, WSOY, 2012. 496 p., ill.
ISBN 978-951-0-39228-7
€ 38.80, hardback
Historians Markku Kuisma and Teemu Keskisarja’s lively book tells the story of Finland’s commercial banks, from the establishment of the first one in 1862. A recurrent theme in the book is the competition between the two largest. With their relations to and allies in the business world the banks have had an important social and political influence in the country. The commercial banking institutions have had more prominence than others, and the directors have often been strong personalities. Most of the emphasis in the book is placed on the final decades of the 20th century. In the 1980s the financial markets were deregulated, and the boom of the ‘crazy years’ of the bank war was accelerated by share trading and cornering. In 1995 the recession caused by the banking crisis led to the merger of the two largest commercial banks. A few years later this new institution merged with a Swedish one, and the large new bank Nordea subsequently expanded to neighbouring countries. The age of large national commercial banks in Finland was over.
Translated by David McDuff
Books from Finland to take archive form
22 May 2015 | In the news
The following is a press release from the Finnish Literature Society.
The Finnish Literature Society is to cease publication of the online journal Books from Finland with effect 1 July 2015 and will focus on making material which has been gathered over almost 50 years more widely available to readers.
Books from Finland, which presents Finnish literature in English, has appeared since 1967. Until 2008 the journal appeared four times a year in a paper version, and subsequently as a web publication. Over the decades Books from Finland has featured thousands of Finnish books, different literary genres and contemporary writers as well as classics. Its significance as a showcase for our literature has been important.
The major task of recent years has been the digitisation of past issues of the journal to form an electronic archive. The archive will continue to serve all interested readers at www.booksfromfinland.fi; it is freely available and may be found on the FILI website (www.finlit.fi/fili).
Much is written in English and other languages about Finnish literature: reviews, interviews and features appear in even the biggest international publications. The need for the presentation of our literature has changed. Among the ways in which FILI continues to develop its remit is to focus communications on international professionals in the book field, on publishers and on agents.
The reasons for ceasing publication of Books from Finland are also economic. Government aid to the Finnish literature information centre FILI, which has functioned as the journal’s home, has been cut by ten per cent.
Books from Finland was published by Helsinki University Library from 1967 to 2002, when the Finnish Literature Society took on the role of publisher. FILI has been the body within the Finnish Literature Society that has been responsible for the journal’s administration, and it is from FILI’s budget that the journal’s expeses have been paid.
Enquiries: Tuomas M.S. Lehtonen, Secretary General of the Finnish Literature Society, telephone +358 40 560 9879.
For love or money
30 June 1994 | Archives online, Fiction, Prose
Extracts from the novel Paratiisitango (‘Paradise tango’, WSOY, 1993). Introduction by Markku Huotari
The bishops’ dilemma
They are waiting for Blume in the front room of the office. On the sofa sits a man whom Blume has never learned to like. He himself chose and appointed the man, for a job not insignificant from the point of view of the company. Blume has good reasons for the appointment. If he employed only men he liked, the business would have gone bankrupt years ago.
Reinhard Kindermann gets up from the sofa and waits in silence while Blume hangs up his overcoat. Mrs Giesler stands next to Blume. She does not try to help her superior take off his coat, for she knows from experience that he would not tolerate it, but the old man does allow her to stand next to him and wait in silence, like a servant expressing submission. More…
I am me
30 September 2010 | Fiction, Prose
Extracts from the novel Poikakirja (‘The boy’s own book’, Otava, 2010). Introduction by Mervi Kantokorpi
It’s a small day in spring. Another name for the lark is the skylark. You can only see them sometimes, and even then they’re so high up in the sky that they swoop like fast-moving dots.
The kitchen windowpane is rippling with stripes. The window has a bottom, and at the bottom there is some cotton wool and two opened matchboxes, a blue Sampo and a picture of an army chaplain in his uniform and insignia. As spring has progressed the cotton wool at the bottom has turned into wet blobs and the matches will never light again, as they’ve sucked up the winter frost from the glass.
Most children are made at home but not us, says Eini during walking practice. Outi shoves her, tells her to be quiet and walk in rhythm. I’m behind the table reading the Children’s Encyclopaedia, but I watch them. With every second step, their bottoms swing to the right and then to the left.
Mum comes into th the kitchen and asks what they’re doing; Anna-Liisa responds on the twins’ behalf, says they’re practising walking like in the movies and that’s why they’re wiggling their hips. More…
On the make
31 December 2007 | Fiction, Prose
Extracts from the novel Benjamin Kivi (WSOY, 2007). Introduction by Lauri Sihvonen
Benjamin Kivi alias Into Penger, the 1930s
What was Kuihkä worth? What were this little man and his sons worth? What was I worth?
I drove where the little man told me to, with no lights, through a densely populated area. I could only see half a meter in front of me, trying to sense the bends and curves in the road and still keep Tallus’ car in good shape. When we got to the woods I turned on the lights and glanced at the little man sitting next to me. He was stuffing a handkerchief into his sleeve like an old housewife. The top of his head was sweating. He brushed his hair back and shoved his cap down on his head.
I had two hours to think as I drove, but it felt like a few minutes. If I didn’t drive the car, someone else would have, everything would happen just like the little man had planned, and I wouldn’t know anything about Kuihkä. What was I going to do, watch while he was thrown to the wolves? Kuihkä rescued me once. Was it meant to be that I should drive the car? Was I meant to change the course of events? How many coincidences can there be in one lifetime, and what do they signify? If events weren’t random, then what the hell was I supposed to do? More…
Time to go
29 June 2015 | Greetings
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Animation: Joonas Väänänen
We’ve often thought of editing Books from Finland as being a bit like throwing a party.
It’s our job to find a place to hold it, send out the invitations and provide the food and drink.
It’s your job to show up and enjoy.
Books from Finland is a party that’s been running since 1967 – for nearly fifty years.
In that time, we’ve served up almost 10,000 printed pages and 1,500 posts, a wide-ranging menu of the best Finnish fiction, non-fiction, plays and drama, accompanied by essays, articles, interviews and reviews.
We’ve had a ball, and to judge by the letters and emails we’ve received from many of you, you’ve had a good time too.
But now it’s time to go: the landlord, to stretch the metaphor, has called in the lease on our party venue. Faced with funding cuts in the budget of FILI – the Finnish Literature Exchange, which has since 2003 been Books from Finland’s home – the Finnish Literature Society has decided to cease publication of Books from Finland with effect 1 July 2015. Our archive will remain online at this address, and the digitisation project will continue. We won’t be adding any new material, though; this is, literally, the last post.
The party may be over, the lights and music turned off – but what about the partygoers?
They are doing what partygoers always do: they – we – are moving on.
Readers and writers, photographers and illustrators, everyone who’s helped, supported and enjoyed Books from Finland, thank you!
So long. See you around.
Hildi Hawkins & Leena Lahti
The Finlandia Prize for Fiction 2012
13 December 2012 | In the news
Ulla-Lena Lundberg. Photo: Cata Portin
The winner of the 29th Finlandia Prize for Fiction 2012, worth €30,000, is Ulla-Lena Lundberg for her novel Is (‘Ice’, Schildts & Söderströms), Finnish translation Jää (Teos & Schildts & Söderströms). The prize was awarded on 4 December.
The winning novel – set in a young priest’s family in the Åland archipelago – was selected by Tarja Halonen, President of Finland between 2000 and 2012, from a shortlist of six.
In her award speech she said that she had read Lundberg’s novel as ‘purely fictive’, and that it was only later that she had heard that it was based on the history of the writer’s own family; ‘I fell in love with the book as a book. Lundberg’s language is in some inexplicable way ageless. The book depicts the islanders’ lives in the years of post-war austerity. Pastor Petter Kummel is, I believe, almost the symbol of the age of the new peace, an optimist who believes in goodness, but who needs others to put his visions into practice, above all his wife Mona.’
Author and ethnologist Ulla-Lena Lundberg (born 1947) has since 1962 written novels, short stories, radio plays and non-fiction books: here you will find extracts from her Jägarens leende. Resor in hällkonstens rymd (‘Smile of the hunter. Travels in the space of rock art’, Söderströms, 2010). Among her novels is a trilogy (1989–1995) set in her native Åland islands, which lie midway between Finland and Sweden. Her books have been translated into five languages.
Appointed by the Finnish Book Foundation, the prize jury (researcher Janna Kantola, teacher of Finnish Riitta Kulmanen and film producer Lasse Saarinen) shortlisted the following novels: Maihinnousu (‘The landing’, Like) by Riikka Ala-Harja, Popula (Otava) by Pirjo Hassinen, Dora, Dora (Otava) by Heidi Köngäs, Nälkävuosi (‘The year of hunger’, Siltala) by Aki Ollikainen and Mr. Smith (WSOY) by Juha Seppälä.
Helsinki: World Design Capital 2012
13 January 2012 | This 'n' that
Swimming in the rain: winter joys of Helsinki. Photograph: Valtteri Hirvonen – Eriksson & Co.
After Turin (Italy, 2008) and Seoul (Republic of Korea, 2010), 2012 Helsinki is the third World Design Capital, selected in 2009 by the International Council of Societies of Industrial Design (ICSID).
Helsinki was considered to be a city where ‘design has for decades been a pivotal enabler to building an open city’.
The theme is ‘Open Helsinki – Embedding Design in Life‘. The idea is to improve the everyday life and environment of the citizens and the development of both public services and private enterprises.
In addition to Helsinki, the realisation of the Design Capital year will be carried out by four other cities: neighbouring Espoo, Vantaa and Kauniainen as well as Lahti (some hundred kilometres north of the capital). The Finnish government, two ministries, 21 commercial companies and some universities will co-operate in this project, which has a budget of 16 million euros (2010–2013).
The programme includes some 300 different events, half of them development projects, themed ‘The changing city’ or ‘New solutions’; the other half consists of various exhibitions and encounters for the citizens of Helsinki, tourists and design people.
The ultimate goal of this all is said to be ‘permanent change’. Whatever that really means – good luck!
However, as writer and design critic Kaj Kalin noted in a review in Helsingin Sanomat newspaper (30 December), Finland is full of well-educated designers, but lacks both investment money prepared to take risks and working industry: soon all production will have moved to cheaper countries – and nobody will be able to produce anything. New Finnish design, Kalin argues, mostly approximates merely to ‘a show parade of models and prototypes’.
You@me
30 September 1999 | Authors, Interviews
Photo: Liisa Takala
In Leena Krohn’s novel, Pereat mundus (1998) the central role is played by a number of characters called Håkan. All of them are different, living in different times and different places, but they are still Everymans: you and me. In the following e-mail interview, Maria Säntti asks Krohn about her relationship with language, imagination, the world – and virtual reality
Date: Fri Jul 23 18:04:24 1999 To: Leena Krohn <krohn@kaapeli.fi> From: Maria Santti <maria@kaapeli.fi> Subject: Let the interview begin!
Dear Leena,
I have just read Pereat mundus, which I like very much. I have many questions to ask you about it; I shall try to gather my thoughts, but I think I am troubled by the problem of the first sentence. I am alarmed even to contemplate the maze of questions and answers the first question will lead us to.
Over the past thirty years you have published a couple of dozen collections of poetry, short stories and essays, and, since Tainaron (1985), ‘novels, sort of’. This is how Pereat mundus defines its own genre on its title page. Sometimes your works incline toward novels, as in Umbra, 1990, sometimes toward collections of short stories – Matemaattisia olioita ja jaettuja unia (‘Mathematical creatures and shared dreams’, 1992) and sometimes collections of essays – Rapina ja muita papereita (‘Rustle and other papers’, 1989). How did you find this open ‘epistolary novel’ form for your work? More…
Canberra, can you hear me?
31 March 1987 | Archives online, Fiction, Prose
Johan Bargum. Photo: Irmeli Jung
A short story from Husdjur (‘Pets’, 1986)
Lena called again Sunday morning. I had just gotten up and was annoyed that as usual Hannele hadn’t gone home but was still lying in my bed snoring like a pig. The connection was good, but there was a curious little echo, as if I could hear not only Lena’s voice but also my own in the receiver.
The first thing she said was, ‘How is Hamlet doing?’
She’d started speaking in that affected way even before they’d moved, as if to show us that she’d seen completely through us.
‘Fine,’ I said. ‘How are you?’
‘What is he doing?’
‘Nothing special.’
‘Oh.’
Then she was quiet. She didn’t say anything for a long while.
‘Lena? Hello? Are you there?’
No answer. Suddenly I couldn’t stand it any longer. More…
Finlandia Prize for Fiction candidates 2012
23 November 2012 | In the news
The candidates for the Finlandia Prize for Fiction 2012 were announced on 15 November. They are Riikka Ala-Harja, Pirjo Hassinen, Heidi Köngäs, Ulla-Lena Lundberg, Aki Ollikainen and Juha Seppälä.
Their novels, respectively, are Maihinnousu (‘The landing’, Like), Popula (Otava), Dora, Dora (Otava), Is (‘Ice’, Schildts & Söderströms), Nälkävuosi (‘The year of hunger’, Siltala) and Mr. Smith (WSOY).
The jury – researcher Janna Kantola, teacher of Finnish Riitta Kulmanen and film producer Lasse Saarinen – made their choice out of ca. 130 novels. The winner, chosen by Tarja Halonen, who was President of Finland between 2000 and 2012, will be announced on 4 December. The prize, awarded since 1984, is worth 30,000 euros.
The jury’s chair, Janna Kantola, commented: ‘One of this year’s recurrent themes is the Lapland War [of 1944–1945]. Writers appear to be pondering the role of Germany in both the Second World War and in contemporary Europe. Social phenomena are examined using satire; the butt is the birth and activity of extremist political movements. Economics, the gutting of money and market forces, are present, as in previous years, but now increasingly with a sense of social responsibility.’
Popula deals with people involved in a contemporary populist political party. Dora, Dora describes Albert Speer’s journey to Finnish Lapland in 1943. Nälkävuosi depicts the year of hunger in Finland, 1868. Is takes place in the Finnish archipelago of the post-war years. Mr. Smith portrays greed and the destructive power of money both in Russian and Finnish history as well as in contemporary Finland. Maihinnousu, set in Normandy, depicts a child’s serious disease in a family that is going through divorce.
Government prize for translation 2012
14 September 2012 | In the news
Vladimír Piskoř. Photo: Charlotta Boucht
The Finnish Government Prize for the Translation of Finnish Literature of 2012 – worth €15,000 – was awarded to the Czech translator Vladimír Piskoř.
Piskoř (born 1960), graduated from the Charles University of Prague in 1984, majoring in Finnish. Since the early 1990s he has translated almost 30 titles, most by contemporary authors, including Kristina Carlson, Kari Hotakainen, Leena Krohn, Rosa Liksom, Asko Sahlberg, Juha Seppälä, Petri Tamminen and Maria Peura.
‘I personally am fond of the novels by Kari Hotakainen: I sometimes play with the idea of becoming a writer myself, and I find his style and themes particularly interesting. Kristina Carlson’s latest novel Herra Darwinin puutarhuri (‘Mr Darwin’s gardener’, 2010) is a truly inspiring work both as a reader and a translator,’ he says.
Piskoř is currently working on Kari Hotakainen’s novel Jumalan sana (‘The word of God’) and Leena Lander’s historical novel Käsky (‘Command’). In 2006 he was awarded the Czech translators’ special prize for the novel Höyhen (‘Feather’) by Asko Sahlberg.
Vladimír Piskoř received his award in Helsinki on 10 September from State Secretary Jarmo Lindén; he thanked Piskoř for the work he has done for the last twenty years, particularly in the field of contemporary Finnish fiction.
The prize has been awarded – now for the 38th time – by the Ministry of Education and Culture since 1975 on the basis of a recommendation by FILI – Finnish Literature Exchange.
In a class of their own
31 December 2006 | Children's books, Fiction
Extracts from the children’s book Ella: Varokaa lapsia! (‘Ella: Look out for children!’, Tammi, 2006). Interview by Anna-Leena Nissilä
There was a large van in the schoolyard with a thick cable winding its way from the van into the school. It was from the TV station, and the surprise was that they wanted to do a programme about our teacher, believe it or not.
The classroom was filled with lights, cameras, and adults.
‘Are you the weird teacher?’ a young man asked. He had a funny, shaggy beard and a t-shirt that said ‘errand boy’.
‘Not nearly as weird as your beard,’ our teacher answered.
‘Can we do a little piece about you?’ the errand boy asked.
‘Of course. A big one even. I’ve been expecting you, actually. Is it some educational programme?’
‘Not exactly.’
‘A substantive discussion programme, though?’
‘Not exactly.’
‘A documentary about our contemporary educators?’
‘Not quite.’ More…
Accompanied by one or two sentences of the most gnomic kind, architect Mikko Metsähonkala’s illustrations speak volumes. The picture-stories in his book Toisaalta / (P)å andra sidan / In Other Wor(l)ds blend the real and the surreal using fairy tales, references to historical or fictional characters and episodes from everyday life.