Search results for "herbert lomas/www.booksfromfinland.fi/2004/09/no-need-to-go-anywhere"

The funeral

31 December 1988 | Archives online, Fiction, Prose

Hannu Salama’s short story Hautajaiset (‘The funeral’) – taking place in Pispala, Tampere – in the volume Kesäleski, ‘Summer widow’, was published in 1969. Introduction by Pekka Tarkka

On Tuesday Venla came round: as Sulo was being lowered into the grave Vihtori had had a heart attack. The next day a letter arrived from father: funeral on Sunday, and Gunilla and Timo want you to speak at the grave. I telegraphed back: ‘Vikki too close to me. Unable to speak.’ Outside the post office I realised I could have sent fifty words for the same money.

Irma ordered a flower arrangement. Did I want to put an inscription? Part of the last stanza of a revolutionary song went through my head:

Sowing makes the corn come into ear:
Hundredfold higher that happier age will be.

I said not to put anything, I’d say something at the grave if it seemed the thing to do. I told her to put mother’s, father’s and Heikki’s names on, and we’d take these off if they’d sent their own wreath. More…

The 101-year anniversary celebration

30 September 1989 | Archives online, Fiction, Prose

From the collection of short stories, Saksalainen vävy (‘The German son-in-law’) , 1988. Interview by Erkka Lehtola

Järvinen thought he must have turned up at the wrong place when he saw an iron cross on a grey concrete wall. Surely the library couldn’t be holding its celebration here?

He groped in his breast pocket for the map the librarian had sent him. No: there the landmarks were, he’d followed them, he was at the right place.

He drove on a bit and saw there were cars parked behind the building. He parked next to them and got out. All the other cars were shiny, as if they’d just been washed; his was the only dirty one, its chassis a dusty grey. Rosinante came into his head, and he started wondering what Rosinante’s colour was supposed to have been: just the sort of knowledge he could fit in somewhere. Grey, he guessed – just as General Sandels’ horse in the Runeberg poem was white. And what colour was Pegasus? Didn’t know that either – it hadn’t ever even occurred to him to wonder. Almost certainly it would be there in the mythology. More…

Becoming father and daughter

31 December 1990 | Archives online, Fiction, Prose

A father kidnaps his 10-year-old daughter and flees to the western extremity of Europe, to Ireland, to begin a new life under new names. In the following extract, the girl is in a state of shock after witnessing an event organised by a religious sect in which animals are driven over a cliff to their death. The year 2000 approaches, and with it clarification of the relationship between father and daughter. An extract from Olli Jalonen’s novel Isäksi ja tyttäreksi (‘Becoming father and daughter’). Introduction by Erkka Lehtola

He begins leading his daughter back the way they came, along the hillside and the lip of the precipice.

The blare of the Legion’s display carries far, till finally the voices are scrambled in the bluster of the wind. The electricity crackles in the loudspeakers, and the thundersheets rumble out to the audience. ‘Be silent!’ come the roars from the plat­ form: ‘And look at each other! Each is fearfully following his way, each is a venue of good and evil, each is inscribed with God’s name!’ More…

Between covers

31 December 1990 | Archives online, Children's books, Fiction

Extracts from Lastenkirja (‘Children’s book’, WSOY, 1990, illustrated by the Estonian animator and graphic artist Priit Pärn)

CHILDREN’S BOOK IS BORN

Children are wafting around the world: they come spilling out of the chimneys and clattering out of the pipes. They worm around cramped places in the nether regions, rise up through stiff roots into the treetops and muss up the clouds. Children just happen anywhere and bring the Adults along with them. More…

Onward, downward!

31 March 1994 | Archives online, Fiction, Prose

Lauri Viita (1916–1965) was one of the self-taught writers who made his debut after the Second World War. His extensive, realist novel Moreeni (‘Moraine’, 1950) taking place in Viita’s native Tampere, begins with this prose poem

…over wolds, hummocks, ridges, between boulders, under branches, from cabin to cottage to manor, from coppice to fen, and ditch to puddle – down it drew us, the sloping earthcrust, southward the magnificent granite ploughland slanted.

Paths linked to paths, brooks joined brooks. Onward, downward! The roads widened, the currents strengthened. Bigger and bigger, heavier and heavier were the loads they could sustain. More and more trees, bread, potatoes, butter, meat, people and gravestones, huge boulders, rocks, went into the maw of those channels, and the hunger only redoubled. From channel to strait, from hour to hour, the lines of barges crawled along; from day to day the broad rafts of logs passed their sleepless summer on the long blue strip of Lake Näsijärvi. Spruce, pine, birch, aspen – different pieces for different purposes. How vast the supply and how vast the need! The months and days went by; in the depths of the lake, layer after layer, there wandered the shades of clouds, ships, faces. More…

Contemplating the cosmos

30 September 2006 | Fiction, poetry

Poems from Valkoiseksi maalattu musta laatikko (‘A black box painted white’, WSOY, 2006). Introduction by Pertti Lassila

Good morning, murmuring universe,
dim tortuous thingamybob
with your moving and unmoving parts,
which every day need
new instructions for use
even though the previous ones
were not all that clear, because the article itself
is perpetually modifying its rules of behaviour.
There are threats that our details are being checked,
exhortations to be good, to wait,
wait and believe,
to stay outside at night
in abstract space
till the next numerical series. More…

The Othello of Sand Alley

31 March 1989 | Archives online, Drama, Fiction

Eeva-Liisa Manner’s Woyzeck is an independent ending to Georg Büchner’s fragmentary play. Introduction by Riitta Pohjola

PROLOGUE

(Dawn in the market square of Leipzig. A gallows looms, dimly visible in the distance. Brisk rumble of drums.)

1st WOMAN

What’s going on here?

1st MAN

They’re getting ready for an execution. Some villain’s going to be executed in public.

1st WOMAN

Who?

2nd WOMAN

Franz Woyzeck. I guess you know him, the barber. More…

Bring on the white light

12 December 2013 | Fiction, Prose

Extracts from the novel Auringon ydin (‘The core of the sun’, Teos, 2013). Introduction by Outi Järvinen

Jare, March 2017

‘We call the chilli the Inner Fire that we try to tame, just as our forefathers tamed the Worldly Fire before it.’

Mirko pauses dramatically, and Valtteri interrupts. ‘Eusistocratic Finland offers us unique opportunities for experimentation and development. Once all those intoxicants affecting our neurochemistry and the nervous system have been eradicated from society, we will be able to conduct our experiments from a perfectly clean slate.’

‘We fully understand the need to ban alcohol and tobacco. These substances have had significant negative societal impact. And though in hedonistic societies it is claimed that drinks such as red wine can, in small amounts, promote better health, there is always the risk of slipping towards excessive use. All substances that cause states of restlessness and a loss of control over the body have been understandably outlawed, because they can cause harm not only to abusers themselves but also to innocent bystanders,’ Mirko continues.

This is nothing new to me, but I must admit that the criminalisation of chillies has always been a mystery to me. By all accounts it is extremely healthy and contains all necessary vitamins and antioxidants. A dealer that I met once told me that people in foreign countries think eating chillies can lower blood pressure and cholesterol levels – and even prevent cancer. If someone makes a pot of tom yam soup, sweats and pants over it and enjoys the rush it gives him, how is that a threat, either to society or to our health? More…

A slow passion

30 September 2007 | Fiction, Prose

A short story from the collection of short stories Hidas intohimo (‘A slow passion’, Gummerus, 2007)

I don’t want to interfere with it. If something comes of it, then something comes of it. You can’t interfere with time, or fate, or another person. Time ripens things on its own. Fate takes a longer view of things than people do. Like the prophet says, there is a time for every purpose, for my purposes and other people’s.

This garden cottage is a good place to watch everything quietly, a ringside seat for someone who doesn’t want to flail around getting smashed up. The potatoes bloom when it’s time for them to bloom, depending on the length of the summer, the weather, and the time they were planted. Their white and purple flowers are worthy of admiration– potato flowers are flowers, after all. But when the flowers are just opening, it’s not yet time to go digging around among the roots. You have to restrain yourself and wait until the tubers form. You have to wait until they’re finished blooming and the flowers are replaced by plumping green, poisonous berries – though not all potato varieties produce them. But if your fingers are really itching for them, you can poke into the dirt and grope around a little before it’s really time, feel for tubers and remove them carefully, patiently, leaving the plant undisturbed for the smaller ones to grow. If the groping turns up something, you can slip away and savour it, but you still have to wait before you can dig up the whole plant with its rootstock, its beautiful pure tubers heaved up onto the soil, as if Life were offering itself on a silver salver. Then you can have them. They’re ready. But it takes time. Many good things are destroyed by impatience. More…

Need to go?

23 June 2010 | This 'n' that

No traveller can avoid toilets, as the internet service about.com (run by the company that owns the New York Times) points out on its Scandinavia travel website.

Thus, it may be reassuring to know that ‘the days of outhouses are numbered’, and in Finland there are no squat toilets, according to the experiences of the editor, Terri Mapes. (The concept of ‘Finlandic restrooms’, however, is a new one to us – as is, for that matter, the adjective ‘Finlandic’.)

However, under the title ‘Bad Things About Toilets in Finland’ you’ll be informed about the possibility of outhouses without running water, should you choose the option of wandering into the wildernesses. And as toilets at airports or train stations may occasionally smell bad, it is advisable to use the bathroom at your hotel, unless your needs are urgent of course. More…

When I’m ninety-four

14 November 2013 | Fiction, Prose

An extract from the novel Kuolema Ehtoolehdossa (‘Death in Twilight Grove’, Teos, 2013). Minna Lindgren interviewed by Anna-Leena Ekroos

At the Health Clinic, Siiri Kettunen once more found a new ‘personal physician’ waiting for her. The doctor was so young that Siiri had to ask whether a little girl like her could be a real doctor at all, but that was a mistake. By the time she remembered that there had been a series of articles in the paper about fake doctors, the girl doctor had already taken offence.

‘Shall we get down to business?’ the unknown personal physician said, after a brief lecture. She told Siiri to take off her blouse, then listened to her lungs with an ice-cold stethoscope that almost stopped her heart, and wrote a referral to Meilahti hospital for urgent tests. Apparently the stethoscope was the gizmo that gave the doctor the same kind of certainty that the blood pressure cuff had given the nurse.

‘I can order an ambulance,’ the doctor said, but that was a bit much, in Siiri’s opinion, so she thanked her politely for listening to her lungs and promised to catch the very next tram to the heart exam. More…

That’s life

4 March 2011 | Authors, Essays, Non-fiction, On writing and not writing

 In this series Finnish authors ponder their profession. If this is writing, there’s no method in its madness: Markku Pääskynen finds he wants to write as life allows, not bend his life to suit his writing

I was born in 1973. I’ve written six novels, and I’m working on my seventh. I’ve written short stories and essays, and translated. That may sound productive, but it isn’t: I can’t stand to sit in front of the computer for more than a couple of hours a day.

My work is elsewhere – in everyday chores: going to the store, taking out the trash, fixing meals, washing dishes, cleaning, playing with the kids. Normal days are full of work and messing around. And my literary work has to fit in with that. I don’t have it in me to write methodically. I do know how to keep deadlines and meet contracts, but the methodicalness is lacking. More…

Challenged by colour

1 April 2010 | Authors, Interviews

Hannu Väisänen. Photo: Paula Kukkonen

Interview with Hannu Väisänen, author of the novel Kuperat ja koverat (‘Convex and concave’, 2010)

For the painter and writer Hannu Väisänen, colour speaks volumes.

In the novel Toiset kengät (‘The other shoes’, 2007, Otava) awarded the Finlandia Prize for Fiction), teenage wannabe artist Antero manages to escape his grey northern hometown of Oulu; he is heading for the eastern Finnish town of Savonlinna, where he will go to art college. Triumphantly Antero dyes his blond hair black in the bus station toilet.

‘Perhaps it was all a question of the right colours and the right timing of colours,’ Antero thinks. In Kuperat ja koverat (‘Convex and concave’, 2010), he leaves for the capital, determined to get into the academy of art. His hair is still black. More…

Troubled waters

31 March 2005 | Archives online, Fiction, Prose

Extracts from the novel Den amerikanska flickan (‘The American girl’, Söderströms, 2004). Introduction by Pia Ingström

Doris Night&Sandra Day, Sandra Night&Doris Day: those were their alter ego identities for the game, which also involved the smiles they’d practised in front of the mirror at the bottom of the empty swimming pool, in the house in the muddier part of the woods.

‘We’re two clairvoyant sisters,’ said Doris Flinkenberg. ‘We got that way because of tragic circumstances. The poltergeist phenomenon. Do you know what that is?’

Sandra Wärn shook her head, but looked expectantly at Doris, the perennial crossword – solver, with dictionary to hand, who continued. ‘It’s when the innocent child has been badly abused and has developed supernatural powers in order to survive. Powers to see behind what’s there,’ Doris Flinkenberg explained. ‘To see what no one else can see.’

‘You and I, Sandra,’ Doris confirmed. ‘We were badly abused. I with my scars and you with your tragic family background, your mother and her lover, all of that. You and I, Sandra, we know what it is to suffer.’ More…

A world of make-belief

31 March 2005 | Archives online, Authors, Interviews

Learning to be a grown-up, finding out what being happy can mean, working out what makes us different from each other: Monika Fagerholm (born 1961) talks to Pia Ingström about what lies behind her latest novel, Den amerikanska flickan (‘The American girl’)

A wood with muddy parts, a fen where someone drowned, an impossible house that broods on a dark secret, a gun – Monika Fagerholm’s new novel Den amerikanska flickan (‘The American girl’ Söderströms, 2004) is a thriller and a melodrama. It contains elements of humour, but it would be truer to call it creepy, tragic and irritating, all at the same time.

As in her previous novels, Underbara kvinnor vid vatten (1994, published in English as Wonderful Women by the Sea in 1997), and in Diva (‘The Diva’, 1998), Monika Fagerholm (born 1961) looks for unusual aspects of her characters’ emotions and relationships, with a focus on forces other than the cohesion that holds nuclear families together. The sense of place is also strong; in Underbara kvinnor vid vatten it was the archipelago, in Diva the suburb and the school – here it is the country, woods and fen, and local residents in an encounter with newcomers and summer visitors. More…