Search results for "tommi+musturi/2010/05/song-without-words/2009/09/what-god-said/2011/04/matti-suurpaa-parnasso-1951–2011-parnasso-1951–2011"
Finnish best-sellers in Estonia
8 February 2010 | In the news
In mid-January four books out of ten on the best-sellers’ list in Estonia were translations of Finnish books: a history of Estonia by Seppo Zetterberg (Viron historia, 2007, number 1), a book on 20th-century Estonian history edited by Sofi Oksanen and Imbi Paju (Kaiken takana oli pelko, ‘Fear behind it all’, 2009, number 6), the 2008 Finlandia Prize-winning novel, set in 20th-century Estonia, by Sofi Oksanen (Puhdistus, ‘Purge’, number 7) and a new translation of the classic 1940s novel Sinuhe, egyptiläinen (English translation, Sinuhe the Egyptian) by Mika Waltari (number 10).
Oksanen’s novel was the second on the list of best-sellers in 2009. The list is run by Apollo bookstore chain; the largest in Estonia, it has ten shops in four cities and an internet shop. Apollo is owned by the Finnish Sanoma Trade, one of the five divisions of Sanoma Group, an European media corporation with activities in 20 countries and net sales of 3,030.1 million €.
Yikes! How good are Finnish schools now?
28 November 2013 | This 'n' that
Questions and answers. Illustration, from a Danish magazine, 1890: Wikimedia
The new PISA results were published in December: these tests, conducted by the Organisation for Economic Co-operation and Development (OECD), measure the level of education of 15-year-old schoolchildren every three years.
Finland has done pretty well in recent years, so there has been interest in other countries in finding out what it is that makes Finnish schools better places for learning.
In 2000 Finnish pupils had been best at reading, and second at maths in 2003 – although competition has grown due to a larger number of countries, particularly in Asia – taking part in the study: for example, only 32 in 2000, but 65 in 2009 and in 2012.
In 2009 Finnish kids were third best in reading and sixth in maths. Now PISA 2012 results place Finnish kids in 12th place in maths, which created a stir in various educational circles. The best five were all Asian countries.
On the index list measuring skills at maths, science and literacy together, Shanghai leads, then come Singapore and Hong Kong. Finland is the best European country, number 7; Estonia is 8, Germany 16, Great Britain 21, the US 29, Sweden 38.
Non scholae, sed vitae discimus. Competition permeates everything now more than ever, but we do not learn for school but for life – not for PISA either. Still, teaching methods and students’ motivation are clearly worth improving.
The chances of learning on this globe are greater and more accessible than ever, but learning still takes brains, motivation and time. Yikes!
Comics turns
16 April 2010 | In the news
Comics make frequent appearances on the lists of best-selling Finnish books: on the ‘What Finland reads’ list in March, Pertti Jarla’s new comic strip book, Fingerpori 3, about the eponymous, weird city of Fingerpori (‘Fingerborg’), is number one. His two other Fingerpori books are number eight and ten on the list. The zany comedy in them is verbal, based on puns – and therefore not easily exportable.
The new and final volume of Hannu Väisänen’s autobiographical, fictional trilogy about the young wannabe artist Antero, Kuperat ja koverat (‘Convex and concave’) made its way into the top ten right away, making its appearance at number two.
The Finlandia Prize -winning novel, Gå inte ensam ut i natten (‘Don’t go out into the night alone’, translated into Finnish as Älä käy yöhön yksin) by Kjell Westö, is number three – the novel was published in September 2009, and this reappearance is partly explained by special campaigns in the bookstores, says Westö’s publisher, Otava.
Sofi Oksanen’s prize-winning novel Puhdistus (Purge, now published in English) from 2008, is back on the list again, now at number four. Kari Hotakainen’s latest novel, Ihmisen osa (‘Human lot’, 2009, to appear in English in 2012) is at number six.
Antti Hyry: Uuni [The stove]
22 January 2010 | Mini reviews, Reviews
Uuni
[The stove]
Helsinki: Otava, 2009. 400 p.
ISBN 978-951-1-23845-4
28 €, hardback
Many authors have inspired imitators, at least for a brief period, but few prove to be so original that they lend their name to an entire stylistic movement. Antti Hyry (born 1931), whose debut work was published in 1958, is a member of this most influential class of writers. His pared-down ‘Hyryesque’ sentences, which convey in a stark, crystal-clear manner only that which his characters think or observe, have been at the core of Finnish modernism for over half a century now. His latest novel, a tranquil, even meditative work, describes in minute detail – virtually brick by brick – how a man constructs a great wood-burning hearth in his house. Alongside the building work, Hyry provides minutely observed details of the natural surroundings and nearby people. Rich in content and brilliant in its simplicity, this novel was awarded the 2009 Finlandia Prize for fiction.
Talvisota muiden silmin [The Winter War through the eyes of others]
11 December 2009 | Mini reviews, Reviews
Talvisota muiden silmin. Maailman lehdistö ja Suomen taistelu
[The Winter War through the eyes of others. The world press and Finland’s battle]
Toim. [Edited by] Antero Holmila
Jyväskylä: Atena, 2009. 237 p., ill.
ISBN 978-951-796-589-7
€ 36, hardback
November 2009 marks the 70th anniversary of the outbreak of the Winter War in Finland. Based on extensive archival research, this book traces discourses (media, private diaries) about this war in various countries: the Soviet Union, Sweden, Germany, Italy, Greece, Britain, France, Hungary, Japan, the United States and the United Kingdom. Japan’s favourable image of Finland arose from its own vehement opposition to Communism. Under the right-wing dictatorship in Greece, the Winter War provided an opportunity to emphasise the importance of a unified nation to safeguard the existence of its people. Britain expressed both moral support for Finland and doubt concerning the truth of news reports. In Finland, the view was repeatedly put forward that the Winter War would unite global opinion behind Finland against the Soviet Union. The essays in this book show that attitudes were varied, with a wide range of critical voices.
Happy birthday to us!
13 February 2014 | Letter from the Editors
Picture: Wikipedia
It’s been five years since Books from Finland went online, and we’re celebrating with a little bit of good news.
In the past year, the number of visits to the Books from Finland website has grown by 11 per cent. The number of US and UK readers grew by 29 per cent, while the number of readers in Germany – stimulated perhaps by the publicity Finnish literature is attracting as a result of its Guest Country status at this year’s Frankfurt Book Fair – increased by an astonishing 59 per cent.
We’re chuffed, to put it mildly – and very thankful to you, dear readers, old and new. More…
Mikko Ylikangas: Unileipää, kuolonvettä, spiidiä. Huumeet Suomessa 1800–1950 [Opium, death’s tincture, speed. Drugs in Finland 1800–1950]
29 April 2010 | Mini reviews, Reviews
Unileipää, kuolonvettä, spiidiä. Huumeet Suomessa 1800–1950
[Opium, death’s tincture, speed. Drugs in Finland 1800–1950]
Jyväskylä: Atena, 2009. 264 p., ill.
ISBN 978-951-796-578-1
€ 34, hardback
This book presents an account of the history of drugs in Finland, as well as changes in legal and illegal drug use. Even in the early 19th century, the authorities were concerned about opium abuse. Medical doctor Elias Lönnrot – best known for collecting the folk poems that make up the Kalevala, the Finnish national epic – coined the name ‘unileipä’, ‘the staff of dreams’, for opium. A period of prohibition of alcohol in the 1920s spurred a huge increase in the sale of cocaine; in the 1930s Finland led the Western world in consumption of heroin as a cough suppressant. In the late 1940s, the United Nations investigated why Finland, with a population of four million, consumed as much heroin in a year as other countries did over an average of 25 years. This was explained by the severity of wartime conditions: drugs were used to maintain battle readiness and to combat anxiety, sleeplessness and tuberculosis. Social problems caused by misuse did not, however, get out of control. This book was awarded a prize for the best science book of the year in Finland in 2009.
Jaakko Heinimäki & Juha Metso: Miina – Äkkijyrkkä
6 November 2009 | Mini reviews, Reviews
Miina – Äkkijyrkkä
Text: Jaakko Heinimäki
Photos: Juha Metso
Helsinki: Johnny Kniga Kustannus, 2009. 190 p., ill.
ISBN 978.951-0-35552-7
€41, hardback
Miina Äkkijyrkkä (born 1949; real name Riitta Loiva) is a Finnish artist known for her cattle-themed paintings and sculptures. Äkkijyrkkä is also widely known as a passionate supporter and breeder of Eastern Finncattle, an endangered breed native to Finland. Most of the accompanying texts in this book which describe her ideas and her art come from a series of discussions with author and Lutheran minister, writer Jaakko Heinimäki, recorded in the spring of 2009. Miina Äkkijyrkkä speaks openly about her art and the diverse phases of her life, her values and faith, and her clashes with the authorities and the rest of society. This book is magnificently illustrated with Juha Metso’s photographs, which were taken over a period of 15 years in Finland and abroad. More information about the artist and her works is available here.
On the job
10 December 2010 | Extracts, Non-fiction
‘I like my pictures to be realistic and truthful, not that I can satisfactorily define what realism is. The real people in my pictures are in their real surroundings, even though they are posing for me. I see this as a series of encounters. The subjects present their “working role” for me, which I record‚’ says photographer Eija Irene Hiltunen. In these extracts she introduces her project and samples of her photography present people at work in contemporary Finland
Extracts from Työn tekijät. Muotokuvia suomalaisesta työstä. / Doing the job. Portraits of Finnish working life by Eija Irene Hiltunen. Texts: Pasi Alametsä. Translations: Joseph White. Layout: Petri Kuokka & Eija Irene Hiltunen (Avain, 2009)
A waitress. Photo: Eija Irene Hiltunen, 2001
One of the most important aims of my portraits has been to record an image of the times. I chose work as the common denominator because it relates to the social structure on so many levels.
The ‘visual inventory’ of Weimar Germany by the classic photographer August Sander has been the major inspiration for my work. He made a huge impression on me during my student days. He told of the upheavals of his own time through his portraits, as the old class society broke down, and of the time before the Second World War and the birth of modern Germany. Sander beautifully depicted history through the individual, and his portraits have remained as testaments to life during that era. More…
Jouni K. Kemppainen: Onnellinen mies. Arto Paasilinnan elämä [A happy man. The life of Arto Paasilinna]
21 June 2012 | Mini reviews, Reviews
Onnellinen mies. Arto Paasilinnan elämä
[A happy man. The life of Arto Paasilinna]
Espoo: Paasilinna, 2012. 307 p.
ISBN 978-952-5856-37-8
€ 28, hardback
Arto Paasilinna (born 1942) is an uncanny phenomenon. For Finns he is a popular, prolific author of picaresque novels – which in the 1970s, 80s and 90s were praised by the critics, while the books he produced later received less acclaim, though most of them have sold tens of thousands of copies. Paasilinna’s best-known novel is Jäniksen vuosi (The Year of the Hare, 1975). In Europe – particularly in France and Italy – he is considered to be a major natural philosopher. However, the charming social man of the world was capable of turning into a violent ruffian; journalist Jouni K. Kemppainen’s fluent biography highlights every aspect of the author’s character. The book describes the development of a boy from a poor northern Finnish family to an international best-selling author (his works have been translated into more than 40 languages) and introduces interesting correspondence between the author and his publisher. Kemppainen emphasises some recurring themes in Paasilinna’s work: relations between humans and animals, travelling. In 2009 the author suffered a head injury while drinking, and lost his memory almost completely. The title of his latest, thirty-fifth novel is Elävänä omissa hautajaisissa (‘Alive at his own funeral’, 2009). The impression that this biography leaves on the reader’s mind is a picture of a now gentle man who delights in the fact that he has accomplished all that he is reported to have accomplished – and in that he managed to survive.
Translated by David McDuff
Worlds apart
18 June 2009 | Extracts, Non-fiction
Helsinki boys by the sea: in Martti Jämsä’s Polaroid lads play on the beach; in I.K. Inha’s photograph (Hietalahden satama, ‘Hietalahti harbour’), taken a century earlier, barefoot urchins meet up on the quayside
A hundred years ago the photographer I.K. Inha (1865–1930) was asked to illustrate a tourist guide to Helsinki. He took some 200 photographs, of which some 60 were included in the book, which was published by WSOY in 1910. In his new book of photographs, OPS! Helsinki Polaroid¹, Martti Jämsä (born 1959), wanders the same streets a century on, taking snapshots with his Polaroid camera. More…
Mari Kujanpää: Minä ja Muro [Muro and me]
28 January 2010 | Mini reviews, Reviews
Minä ja Muro
[Muro and me]
Kuvitus [Ill. by]: Aino-Maija Metsola
Helsinki: Otava, 2009. 207 p.
ISBN 978-951-1-23418-0
15.10 €, hardback
The heavy themes of this children’s novel, winner of the 2009 Finlandia Junior Prize, have provoked discussion of who its target audience should be. Lauha is a 9-year-old girl who is considered an oddball at school; her classmates claim that she smells bad. Within her own family she’s an outsider. Her little brother’s serious illness has troubled the family for a long time, and even when he gets better her parents don’t know how to listen to Lauha, and their negligence verges on physical violence. But playing with Muro, her teddy bear, eases Lauha’s troubles, and luckily she finds a soul sister in Heta, the new school intern. Mari Kujanpää (born 1976) uses language suitable for a child’s state of mind in a very creative way. Muro ja minä is difficult for a child to read on his/her own, and would work best read aloud and discussed in a group of children or as a book for adult caregivers. The black and white illustrations are by Aino-Maija Metsola (born 1983), whose previous work includes designing fabrics for Marimekko.
John Simon: Koneen ruhtinas. Pekka Herlinin elämä [The Prince of Kone. The life of Pekka Herlin]
15 January 2010 | Mini reviews, Reviews
Koneen ruhtinas. Pekka Herlinin elämä
[The Prince of Kone. The life of Pekka Herlin]
Finnish translation of original English manuscript completed by various translators in collaboration with the author
Helsinki: Otava, 2009. 415 p., ill.
ISBN 978-951-1-23478-4
€ 33, hardback
Pekka Herlin (1932–2003) was the long-serving chairman of the board of the Kone lift and escalator company. During Herlin’s tenure, Kone completed a number of corporate acquisitions to become a major global corporation. John Simon, an American writer and researcher, takes an unusually honest and direct approach; the project was undertaken at the request of Antti Herlin, the current chairman of the board at Kone and son of Pekka Herlin. Pekka Herlin was known for being both gregarious and a cool-headed business strategist, but his irascible, unorthodox nature was familiar to many as well. Within his family he emerged as a tyrannical alcoholic with a severely disturbed personality, feared by his children. John Simon interviewed a great many people who knew Pekka Herlin personally, including members of Herlin’s immediate family. This biography was Finland’s best-selling non-fiction book in the autumn of 2009.
Tapio Markkanen Paratiisista katsoen. Tähtitaivaan karttojen historiaa [Viewed from Paradise. A history of maps of the night sky]
4 June 2010 | Mini reviews
Paratiisista katsoen. Tähtitaivaan karttojen historiaa
[Viewed from Paradise. A history of maps of the night sky]
Helsinki: Ursa (Astronomical Association), 2009. 143 p., ill.
ISBN 978-952-5329-80-3
€ 32, paperback
This book presents a scientific and cultural history of mapping the night sky, from ancient times up to the present day. In addition to the technical processes involved in producing celestial maps, it touches on a broad range of cultural connections, since the practice of mapping the heavens has always been inextricably linked with economic, cultural and political concerns throughout human history. How has mankind around the world experienced and comprehended the night sky? The title of this book refers to the ancient practice of portraying the skies the wrong way round – as a mirror image, as if viewed from heaven. ‘That’s how the gods would have seen it,’ the author, Professor Tapio Markkanen, an astronomer at the University of Helsinki, reminds us. This book was published in conjunction with an exhibition organised by the National Library of Finland as part of the International Year of Astronomy in 2009. Many of the maps reproduced in this book are from the Nordenskiöld Collection, housed in the National Library, and included in the UNESCO Memory of the World programme.
Monika Fagerholm: Glitterscenen [The Glitter Scene]
17 November 2009 | Mini reviews, Reviews
Glitterscenen
[The Glitter Scene]
Helsingfors: Söderströms, 2009. 407p.
ISBN 978-951-522-467-5
€29.90
Säihkenäyttämö
Finnish translation by Liisa Ryömä
Helsinki: Teos, 2009. 455 p.
ISBN 978-951-851-127-7
€29.90, hardback
In Glitterscenen Fagerholm reveals the shabby details of the murder mystery that was the essence of her celebrated Den amerikanska flickan, The American Girl (2006). In a sense, the two books are psychological thrillers, but they are also much more than that: the American girl’s death is a myth about destruction and creation – a narrative about love, death and glamour that attracts and seduces cohort after cohort of young women in the District, a place somewhere in Finland that is in the process of being transformed from the rural to the suburban. Like no other author, Fagerholm combines the advantages of plot-based realism with the deep psychological excavation of collective dreams and the secret layers of the unconscious. In the centre of the District there is a kiosk where the local priest’s daughter, fat May-Gun, presides over dirty magazines, sickly candy and magnificent dreams. Across the square, eyed by horny small-town greasers, walks young and blonde Suzette. The result is a deadly drama, propelled by grief and narcissism. The Glitter Scene is the goal of our dreams, but also a dangerous place of instant gratification and sudden death.