Search results for "tuuve aro/feed/rss2/www.booksfromfinland.fi/2012/04/fight-club"
Tuuve Aro: Korson purppuraruusu [The purple rose of Korso]
16 January 2012 | Mini reviews, Reviews
Korson purppuraruusu
[The purple rose of Korso]
Kuvitus [Ill. by]: Sanna Mander
Helsinki: WSOY, 2011. 109 p.
ISBN 978-951-0-38052-9
€ 25.70, hardback
Sometimes a book’s appearance is enough to win the reader over. The first children’s novel by writer and film critic Tuuve Aro (born 1973) encourages the belief that things will work out for the best. The book’s positive undertones are also reflected in Mander’s fresh illustrations, which exude retro-nostalgia for the 1950s and 1960s in shades of orange, black, and brown. Tallulah, a jungle princess, turns up unexpectedly to sort out the complicated affairs of Topi, a schoolboy who is being bullied. Tallulah comes into the suburb of Korso from the silver screen, out of Woody Allen’s film The Purple Rose of Cairo. The jungle princess helps Topi to see the bleak suburb as an exotic habitat where adventures are waiting just round the corner. The adult reader gets to enjoy a few carefully chosen references to major cinematic landmarks. Aro eschews problem-centred realism and angst, even though the children’s problems are an indirect result of decisions taken by adults. The Tallulah figure incorporates a hefty dose of anarchy, familiar from Astrid Lindgren’s Pippi Longstocking.
Translated by Fleur Jeremiah and Emily Jeremiah
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Movies and mores
16 April 2012 | Authors, Interviews
Tuuve Aro. Photo: Liisa Takala
Interview with Tuuve Aro, author of Himokone (‘Desire machine’): in these short stories she borrows titles and ambiance from the silver screen
A dark theatre, the smell of popcorn, expectation quivering in the air. Since childhood, the author and film critic Tuuve Aro (born 1973) has loved that magic moment when a new, exciting story is about to begin once again on the silver screen.
The stories in her fourth short story collection Himokone (‘Desire machine’, WSOY, 2012) have taken their names from films – Vertigo, Alien, and Invasion of the Body Snatchers, for example. The book’s title comes from a certain Dr Samuel L. Brimstone, member of the ‘Royal Film Academy of Suffolk’: according to him, a film projector is a desire machine: it doesn’t give anything, it only shows, and for that very reason it is hard to resist. More…
Really existing?
30 March 2007 | Fiction, Prose
Extracts from the novel Mehiläispaviljonki. Kertomus parvista (‘The Bee Pavilion. A story about swarms’, Teos, 2006)
There are few old buildings in this town. Most are demolished to make way for new ones long before they reach the end of their first century.
Nevertheless, one brick building in our part of town, built at the beginning of the last century, was spared demolition for a long time. The two-storey building functioned as a Support Centre for the Psychically Ill and later on, for a couple of winters, as a shelter for alcoholics. The board fence that had surrounded the building for decades was taken down long before the building itself, but the maples on the sidewalk cast their shadows on its windows to the very end. When the lilacs and dogwoods in the back garden were in bloom, their heavy racemes shed purple and white on the sand. More…
Fight Club
16 April 2012 | Fiction, Prose
A short story from Himokone (‘Lust machine’, WSOY, 2012). Interview by Anna-Leena Ekroos
Karoliina wondered whether her name was suitable for a famous poet.
Her first name was alright – four syllables, and a bit old-fashioned. But Järvi didn’t inspire any passion. Should she change her name before her first collection came out? Was there still time? She had four months until September.
Even if The flower of my secret was the name of some old movie, Karoliina clung to the title she’d chosen. It described the book’s multifaceted, erotically-tinged sensory world and the essential place of nature in the poems. Karoliina loved to take long walks in the woods. Sometimes she talked to the trees.
She had been meeting new people. At the writer’s evening organised by her publisher, she’d been seated next to Märta Fagerlund, in the flesh. Karoliina had read Fagerlund’s poems since her teens, and seen her charisma light up the stage on cultural television shows.
At first Karoliina couldn’t get a word out of her mouth. She just blushed and dripped gravy on her lap. But the longer the evening went on, the more ordinary Märta seemed. She was even calling her Märta, and telling her about a new friend on Facebook who said how ‘awfully funny’ Märta was. In fact, the squeaky-voiced Märta, with her enthusiasm for Greece, was a bit dry, and, after three glasses of white wine, tedious. But Karoliina never mentioned it to anyone, because she wasn’t a spiteful person. More…
At the Fluctuating Reality Club
30 March 2007 | Authors, Reviews
Leena Krohn. Photo: Mikael Böök / Teos
For Leena Krohn, compromise doesn’t seem to be an option. Although the novel Mehiläispaviljonki (‘The bee pavilion. A story about swarms’, Teos, 2006) is her 26th book, her uncompromising approach doesn’t show the slightest sign of relaxing.
Once again, Krohn (born 1947) spreads before the reader an array of fragments of reported realities, which crisscross the boundaries of imagination and challenge the whole traditional conception of the world.
Since the short-story collection Donna Quijote ja muita kaupunkilaisia (1983; English translation: Dona Quixote and Other Citizens, 1995), Krohn has moved more towards the role of thinker and polemicist than ordinary storyteller. In her work in the 1980s and 1990s, she developed a unique, highly personal hybrid literary form, which combines the elements of fiction and essay. Krohn’s attention has focussed on human consciousness, ecology and moral and social questions. Her work has been translated into 12 languages; she received the Finlandia Prize for Literature for her work Matemaattisia olioita tai jaettuja unia (‘Mathematical beings or shared dreams’, 1992). More…
Markku Kuisma & al.: Hulluja päiviä, huikeita vuosia. Stockmann 1862–2012 [Crazy days, amazing years. Stockmann 1862–2012]
29 March 2012 | Mini reviews, Reviews
Markku Kuisma & Anna Finnilä & Teemu Keskisarja & Minna Sarantola–Weiss
Hulluja päiviä, huikeita vuosia. Stockmann 1862–2012
[Crazy days, amazing years. Stockmann 1862–2012]
Helsinki: Siltala, 2012. 532 p., ill.
ISBN 978-952-234-086-3
€37.90, hardback
Also available in English- and Swedish-language editions:
Crazy days, amazing years. Stockmann 1862–2012
Galna dagar, svindlande tider. Stockmann 1862–2012
The largest department store in the Nordic countries, whose current building was completed in 1930 to a design by the architect Sigurd Frosterus, is celebrating its 150th birthday. The Akateeminen Kirjakauppa (Academic Bookstore), owned by Stockmann, is the biggest bookshop in the Nordic countries. The shop founded by the German-born H.F.G. Stockmann has grown into an international business, trading in 14 countries (including Russia, where it has stores in St Petersburg and Moscow). Now quoted on the Finnish stock exchange, Stockmann, owned by a conglomerate of families and foundations, has survived recessions, financial crises and wars. In the 19th century Stockmann was considered an expensive shop for gentlefolk, but as a result of growing competition it has been forced to focus strongly on a diverse concept of service. For decades one of the capital’s best-known meeting places has been ‘under the clock’, outside the main entrance of the department store. The book’s writers are historians from various fields. The generously illustrated work offers new information about the history of trade and the city.
Finlands svenska litteratur 1900–2012 [Finland’s Swedish literature 1900–2012]
6 November 2014 | Mini reviews, Reviews
Finlands svenska litteratur 1900–2012
[Finland’s Swedish literature 1900–2012]
Red. [Edited by] Michel Ekman
Helsingfors: Svenska litteratursällskapet i Finland / Stockholm: Atlantis, 2014. 376 pp., ill.
ISBN 978-951-583-272-6
€35.90, paperback
This history of Finland-Swedish literature is an updated version of the second volume of Finlands svenska litteraturhistoria (eds. Johan Wrede and Clas Zilliacus, 1999–2000), and it concentrates on the period from 1900 to 2012, with much new critical material relating to the years after 1975. Some 20 contributors under the editorship of Michel Ekman provide a diverse and inclusive overview of a literature that embraces poetry, prose fiction, children’s writing, essays and drama. The book traces the story of Finland-Swedish literature from the ‘fresh start’ of the turn of the 19th century, through the experiments of modernists like the poets Edith Södergran and Elmer Diktonius, to the work of present-day novelists like Monika Fagerholm and Kjell Westö. However, the emphasis throughout is on general lines of development rather than on individual authors’ careers. The authors discuss the relationship between the work of Finland’s Swedish-language writers and their Finnish-language counterparts in a perspective that not only views the minority literature as a part of the Finnish whole, but also considers it as a bridge between the literatures of Sweden and Finland – the subject of a concluding essay by Clas Zilliacus. The material is presented in essays subdivided in a readable way that combines factual information with critical and historical analysis.
Markku Kuisma & Teemu Keskisarja: Erehtymättömät. Tarina suuresta pankkisodasta ja liikepankeista Suomen kohtaloissa 1862–2012 [The infallible ones. The story of the great bank war and Finland’s commercial banks, 1862–2012]
13 December 2012 | Mini reviews, Reviews
Erehtymättömät. Tarina suuresta pankkisodasta ja liikepankeista Suomen kohtaloissa 1862–2012
[The infallible ones. The story of the great bank war and Finland’s commercial banks, 1862–2012]
Helsinki, WSOY, 2012. 496 p., ill.
ISBN 978-951-0-39228-7
€ 38.80, hardback
Historians Markku Kuisma and Teemu Keskisarja’s lively book tells the story of Finland’s commercial banks, from the establishment of the first one in 1862. A recurrent theme in the book is the competition between the two largest. With their relations to and allies in the business world the banks have had an important social and political influence in the country. The commercial banking institutions have had more prominence than others, and the directors have often been strong personalities. Most of the emphasis in the book is placed on the final decades of the 20th century. In the 1980s the financial markets were deregulated, and the boom of the ‘crazy years’ of the bank war was accelerated by share trading and cornering. In 1995 the recession caused by the banking crisis led to the merger of the two largest commercial banks. A few years later this new institution merged with a Swedish one, and the large new bank Nordea subsequently expanded to neighbouring countries. The age of large national commercial banks in Finland was over.
Translated by David McDuff
Books from Finland to take archive form
22 May 2015 | In the news
The following is a press release from the Finnish Literature Society.
The Finnish Literature Society is to cease publication of the online journal Books from Finland with effect 1 July 2015 and will focus on making material which has been gathered over almost 50 years more widely available to readers.
Books from Finland, which presents Finnish literature in English, has appeared since 1967. Until 2008 the journal appeared four times a year in a paper version, and subsequently as a web publication. Over the decades Books from Finland has featured thousands of Finnish books, different literary genres and contemporary writers as well as classics. Its significance as a showcase for our literature has been important.
The major task of recent years has been the digitisation of past issues of the journal to form an electronic archive. The archive will continue to serve all interested readers at www.booksfromfinland.fi; it is freely available and may be found on the FILI website (www.finlit.fi/fili).
Much is written in English and other languages about Finnish literature: reviews, interviews and features appear in even the biggest international publications. The need for the presentation of our literature has changed. Among the ways in which FILI continues to develop its remit is to focus communications on international professionals in the book field, on publishers and on agents.
The reasons for ceasing publication of Books from Finland are also economic. Government aid to the Finnish literature information centre FILI, which has functioned as the journal’s home, has been cut by ten per cent.
Books from Finland was published by Helsinki University Library from 1967 to 2002, when the Finnish Literature Society took on the role of publisher. FILI has been the body within the Finnish Literature Society that has been responsible for the journal’s administration, and it is from FILI’s budget that the journal’s expeses have been paid.
Enquiries: Tuomas M.S. Lehtonen, Secretary General of the Finnish Literature Society, telephone +358 40 560 9879.
Once upon a time…
13 January 2012 | Articles, Non-fiction
Sari Airola's illustration in Silva och teservisen som fick fötter (‘Silva and the tea set that took to its feet’, Schildts) by Sanna Tahvanainen
The future of book publishing is not easy to predict. Books for children and young people are still produced in large quantities, and there’s no shortage of quality, either. But will the books find their readers? Päivi Heikkilä-Halttunen takes a look at the trends of 2011, while in the review section we’ve picked out a selection of last year’s best titles
The supply of titles for children and young adults is greater than ever, but the attention the Finnish print media pays to them continues to diminish. Writing about this genre appears increasingly ghettoised, featuring only in specialist publications or internet chat rooms and blogs.
Yet, defying the prospect of a recession, Suomen lastenkirjakauppa, a bookshop specialising in children’s literature, was re-established in central Helsinki in autumn 2011, following a ten-year break. Pro lastenkirjallisuus – Pro barnlitteraturen ry, the Finnish society for the promotion of children’s literature, has been making efforts to found a Helsinki centre dedicated to writing and illustration for children. The society made progress in this ambition when it organised a pilot event in May 2011. More…
The ladies’ dining club
30 September 1994 | Archives online, Fiction, Prose
From the novel Luonnollinen ravinto (‘A natural diet’, WSOY, 1994). Interview by Tuva Korsström
My dear, wise and ever-faithful secretary, colleague, friend and right hand, you who, without counting the hours, have been my helpmeet in many awkward situations, and not only in work matters but in others, all sorts of matters that belong to my private life and particularly those, you have remembered things that I have found hard to remember, like the birthday of my wife or some important colleague, and at Christmas you have always remembered me with some small gift, always different and always carefully chosen, of which I hardly need say how much it has warmed my heart, when I haven’t been able to do better than a single miserable hyacinth. And you have always reminded me of engagements I haven’t been able to keep track of: dentists, barbers, garages, less important and more important receptions, lunches and dinners, but what is most important, and why l am most grateful to you, is that in your generosity and open-mindedness – your eternal femininity – you have understood that a person in my position may sometimes find himself in situations whose consequences he cannot always control, and that he begins to be bothered by all sorts of people, although they should understand from the smallest hint that their company is not required, and you have sensitively but firmly turned them away, sometimes telling a little lie, and you have never, ever taken a moral stand or judged my actions, but have averted your eyes, having made the decision to accept that your boss is anything but perfect. For that reason I wish to express my gratitude to you; but not, however, unreservedly. Our seamless collaboration, my ever-lovable secretary, has meant that something belonging to me has begun to belong to you, that you have become part of me just as I have become part of my wife, even before she touches me with her fork. So I have no doubt that you, too, could appear at the dinner that is soon to be arranged. Bon appetit! More…
Aleksi Mainio: Terroristien pesä. Suomi ja taistelu Venäjästä 1918-1939. [Terrorist lair. Finland and the fight for Russia 1918-1939.]
29 June 2015 | Mini reviews, Reviews
Aleksi Mainio
Terroristien pesä. Suomi ja taistelu Venäjästä 1918-1939. [Terrorist lair. Finland and the fight for Russia 1918-1939.]
Helsinki: Siltala, 2015. 380pp., ill.
ISBN 987-952-234-288-1
€34.95, hardback
After the October Revolution in Russia in 1917 and the rise of the Bosheviks to power, thousands of their opponents fled the country. The historian Aleksi Mainio’s book describes how many of the emigrants, who represented not only monarchists but many other ideologies, attempted to act against Soviet Russia through espionage and even terrorism from Finland and partly with funding from western powers. Their fighting organisations sent intelligence officers and bomb squads across the eastern border, often admittedly with poor results as the organisations had often been infiltrated by Soviet-sympathising double agents. The Tartu peace treaty between Finland and Russia, subsequently the Soviet Union, was signed in 1920. Nevertheless, many officials of the security police and the military were prepared to approve the emigrants’ attempts to weaken Soviet Russia. Some counter-revolutionaries also acted as assistants to the Finnish or, for example, British intelligence services. On the other hand, Finnish officials put a stop where necessary to illegal activities by emigrants. Mainio’s book, which is based on his doctoral thesis, paints a fascinating picture of espionage activity in Finland between the wars, although the sheer volume of detail and characters pose a challenge to forming an overview of the situation.
Time to go
29 June 2015 | Greetings
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Animation: Joonas Väänänen
We’ve often thought of editing Books from Finland as being a bit like throwing a party.
It’s our job to find a place to hold it, send out the invitations and provide the food and drink.
It’s your job to show up and enjoy.
Books from Finland is a party that’s been running since 1967 – for nearly fifty years.
In that time, we’ve served up almost 10,000 printed pages and 1,500 posts, a wide-ranging menu of the best Finnish fiction, non-fiction, plays and drama, accompanied by essays, articles, interviews and reviews.
We’ve had a ball, and to judge by the letters and emails we’ve received from many of you, you’ve had a good time too.
But now it’s time to go: the landlord, to stretch the metaphor, has called in the lease on our party venue. Faced with funding cuts in the budget of FILI – the Finnish Literature Exchange, which has since 2003 been Books from Finland’s home – the Finnish Literature Society has decided to cease publication of Books from Finland with effect 1 July 2015. Our archive will remain online at this address, and the digitisation project will continue. We won’t be adding any new material, though; this is, literally, the last post.
The party may be over, the lights and music turned off – but what about the partygoers?
They are doing what partygoers always do: they – we – are moving on.
Readers and writers, photographers and illustrators, everyone who’s helped, supported and enjoyed Books from Finland, thank you!
So long. See you around.
Hildi Hawkins & Leena Lahti