Search results for "tommi musturi"
Lucky strikes
12 August 2010 | This 'n' that
Stumbled upon: readers find Tommi Musturi's comic strip (June 10–June 18)
When Books from Finland was a printed journal, it was relatively easy to define its readership – now it is different: we are a part of the internet’s ecosystem, its surging and multifarious mass of knowledge.
Those who visit our pages may have the most diverse motives for wanting to read our articles – and they may travel surprising itineraries before arriving on Books from Finland’s pages, as we found out recently: StumbleUpon is still a fairly little-known service in Finland. Thus it took a while before we realised why so many of the comments about our piece on Tommi Musturi’s wordless comic strip, on colour and friendship, began with the words ‘I stumbled upon’… More…
Serial fun, or comics celebrated
24 January 2011 | In the news
The art of comics celebrates its first centenary in Finland this year. The first Finnish picture story was a book called Professori Itikaisen tutkimusretki (‘Professor Itikainen’s expedition’, WSOY), by Ilmari Vainio, published in 1911; see our post on the Books from Finland website.
By the way, comics in Finnish is sarjakuva, ‘serial picture’, covering the modern usage of ‘comics’ – including serious, graphically impressive stuff such as the newish genre of the graphic novel.
The annual Helsinki Comics Festival, organised by Finnish Comics Society (founded 1971), is the biggest event in the field in northern Europe; this year’s festival will take place in September. In 2011 comics exhibitions will take place at the Finnish Design Museum, the Finnish Post Museum and the National Library of Finland.
Tommi Musturi. Photo: the Finnish Comics Society
The Society awarded its Puupää prize 2011 to Tommi Musturi (born 1975) – take a look at an extract from his Walking with Samuel which we ran on the Books from Finland website in May 2010.
Among Musturi’s publications are ten anthologies entitled Glömp; he has also worked for Kuti magazine and Huuda Huuda publisher. The jury remarked, in particular, on their appreciation of Musturi’s highly original, often wordless, stories and their graphic brilliance.
The prize: Puupää's hat
The prize is not money but a honorary hat, and is named after a classic Finnish cartoon character, Pekka Puupää (‘Pete Blockhead’), created by Ola Fogelberg and his daughter Toto. The Puupää comic books were published between 1925 and 1975, and some of the stories were made into film.
Song without words
The episode we feature here is from Samuelin matkassa (‘Walking with Samuel’, Huuda Huuda, 2009; the book has been also published in Germany, Belgium, Sweden and Portugal)
Our lives are now more surrounded with images – moving or still, narratives or icons, emblems and symbols – than ever before – but do we know how to interpret them? How well can we read pictures?
Try this: Samuel is a cartoon character, created by Tommi Musturi, who wanders through time and a fantastically colourful universe of his own. His story is told in pictures, not words – and the details speak volumes. It tells, as you will find if you ‘read’ it carefully, about friendship between man and… another creature. More…
Comics come to Helsinki
7 September 2012 | In the news
Comics are the ‘ninth art’, according to the organisers of the 27th Helsinki Comics Festival, which runs from 7 to 9 September.
This time, the special theme examines comics in relation to visual arts, and the main venue of the Festival is the Kiasma Museum of Contemporary Art in Helsinki. An exhibition entitled Eyeballing! and a concert series where comics meet music will take place there – artists improvise drawings inspired by live music.
Belgium is the country of focus; in the homeland of the classic Tintin the tradition and the experimental forms of comics live side by side. Among the guest artists will be Benôit Sokal and François Schuiten, Gert Meesters and Herr Seele from Belgium, Émile Bravo from France and Arne Bellstorf from Germany. Tommi Musturi and Amanda Vähämäki are the Finnish guests.
The ninth art? In Greek mythology, the Muses are nine goddesses personifying the fields of the arts. So nowadays Polymnia, Clio, Melpomene, Urania, Euterpe, Terpsichore, Calliope, Erato and Thalia inspire, respectively, painting (including drawing and photography), sculpture, theatre, architecture, music, dance, literature, cinema (as well as television & video) – and comics.
Thalia is ‘the amused muse’: in most languages the term for comics is a variant of ‘comic story’ or ‘amusing art’ – but the Finns call comics sarjakuva (serial pictures), which is what they mostly are.
Funny peculiar
9 December 2011 | Articles, Comics, Non-fiction
Samuel, the creation of Tommi Musturi (featured in Books from Finland on 7 May, 2010, entitled ‘Song without words’)
Comics? The Finnish word for them, sarjakuva, means, literally, ‘serial picture’, and lacks any connotation with the ‘comic’. The genre, which now also encompasses works called graphic novels, has been the subject of celebrations this year in Finland, where it has reached its hundredth birthday. Heikki Jokinen takes a look at this modern art form
Comics are an art form that combines image and word and functions according to its own grammatical rules. It has two mother tongues: word and image. Both of them carry the story in their own way. Images and sequences of images have been used since ancient times to tell stories, and stories, for their part, are the common language of humanity. The long dark nights of the stone age were no doubt enlivened by storytellers.
One of the pioneers of comics was the Swiss artist Rodolphe Töpffer. As early as 1837, he explained how his books, combinations of images and words, should be read: ‘This little booklet is complex by nature. It is made up of a series of my own line drawings, each accompanied by a couple of lines of text. Without text, the meaning of the drawings would remain obscure; without drawings, the text would remain without content. The whole gives birth to a sort of novel – but one which is in fact no more reminiscent of a novel than of any other work.’ More…
Serious comics: Angoulême 2011
24 February 2011 | This 'n' that
Graphic artist Milla Paloniemi went to Angoulême, too: read more through the link (Milla Paloniemi) in the text below
As a little girl in Paris, I dreamed of going to the Angoulême comics festival – Corto Maltese and Mike Blueberry were my heroes, and I liked to imagine meeting them in person.
20 years later, my wish came true – I went to the festival to present Finnish comics to a French audience! I was an intern at FILI – Finnish Literature Exchange, and for the first time, FILI had its own stand at Angoulême in January 2011.
Finnish comics have become popular abroad in recent years, which is particularly apparent in the young artists’ reception by readers in Europe. Angoulême isn’t just a comics Mecca for Europeans, however: there were admirers of Matti Hagelberg, Marko Turunen and Tommi Musturi from as far away as Japan and Korea.
The festival provides opportunities to present both general ‘official’ comics, ‘out-of-the-ordinary’ and unusual works. The atmosphere at the festival is much wilder than at a traditional book fair: for four days the city is filled with publishers, readers, enthusiasts, artists, and even musicians. People meet in the evenings at le Chat Noir bar to discuss the day’s finds, sketching their friends and the day’s events.
As one Belgian publisher told me, ‘There have always been Finns at Angoulême.’ Staff from comics publisher Kutikuti and many others have been making the rounds at Angoulême for years, walking through the city and festival grounds, carrying their backpacks loaded with books. They have been the forerunners to whom we are grateful, and we hope that our collaboration with them deepens in the future.
Aapo Rapi: Meti (Kutikuti, 2010)
This year two Finnish artists, Aapo Rapi and Ville Ranta were nominated for the Sélection Officielle prize, which gave them wider recognition. Rapi’s Meti is a colourful graphic novel inspired by his own grandmother Meti [see the picture right: the old lady with square glasses].
Hannu Lukkarinen and Juha Ruusuvuori were also favorites, as all the available copies of Les Ossements de Saint Henrik, the French translation of their adventures of Nicholas Grisefoth, sold out. There were also fans of women comics artists, searching feverishly for works by such artists as Jenni Rope and Milla Paloniemi.
Chatting with French publishers and readers, it became clear that Finnish comics are interesting for their freshness and freedom. Finnish artists dare to try every kind of technique and they don’t get bogged down in questions of genre. They said so themselves at the festival’s public event. According to Ville Ranta, the commercial aspect isn’t the most important thing, because comics are still a marginalised art in Finland. Aapo Rapi claimed that ‘the first thing is to express my own ideas, for myself and a couple of friends, then I look to see if it might interest other people.’
Hannu Lukkarinen emphasised that it’s hard to distribute Finnish-language comics to the larger world: for that you need a no-nonsense agent like Kirsi Kinnunen, who has lived in France for a long time doing publicity and translation work. Finnish publishers haven’t yet shown much interest in marketing comics, but that may change in the future.
These Finnish artists, many of them also publishers, were happy at Angoulême. Happy enough, no doubt, to last them until next year!
Translated by Lola Rogers
The almost nearly perfect travel book
4 April 2014 | Articles, Non-fiction
Illustration: Joonas Väänänen
The question of what foreign people think of us Finns, and Finland has always been a particularly burning one in these latitudes: a young nation, a small people. Can we be as good as bigger and wealthier nations? Tommi Uschanov reads a new book on the Nordic countries published in England, keeping a sharp eye on what is being said about…. Finland, naturally
When an article based on The Almost Nearly Perfect People: The Truth About the Nordic Miracle by Michael Booth was published last January in the London Guardian, there was a nationwide outcry in Finland. ‘Finland being bashed in the British media,’ one tabloid headlined grandiosely, while a sober financial paper spoke of ‘a broadside full of stinky stuff’. It takes a re-reading of the article after having read the book to understand why. To create an artificial atmosphere of controversy, the article is lop-sidedly critical of Finland in a way which the book goes out of its way to avoid.
The Almost Nearly Perfect People belongs in a by now time-honoured genre within English letters: the humorous encomium to a host culture by an expatriate – or immigrant, as we hosts impolitely insist on calling them. The only difference is that Michael Booth, a British food and travel writer, does not discuss only Denmark, where he has lived for a decade, but visits each of the other four Nordic countries in turn. More…
See the big picture?
9 November 2012 | Extracts, Non-fiction
Details from the cover, graphic design: Työnalle / Taru Staudinger
In his new book Miksi Suomi on Suomi (‘Why Finland is Finland’, Teos, 2012) writer Tommi Uschanov asks whether there is really anything that makes Finland different from other countries. He discovers that the features that nations themselves think distinguish them from other nations are often the same ones that the other nations consider typical of themselves…. In Finland’s case, though, there does seem to be something that genuinely sets it apart: language. In these extracts Uschanov takes a look at the way Finns express themselves verbally – or don’t
Is there actually anything Finnish about Finland?
My own thoughts on this matter have been significantly influenced by the Norwegian social scientist Anders Johansen and his article ‘Soul for Sale’ (1994). In it, he examines the attempts associated with the Lillehammer Winter Olympics to create an ‘image of Norway’ fit for international consumption. Johansen concluded at the time, almost twenty years ago, that there really isn’t anything particularly Norwegian about contemporary Norwegian culture.
There are certainly many things that are characteristic of Norway, but the same things are as characteristic of prosperous contemporary western countries in general. ‘According to Johansen, ‘Norwegianness’ often connotes things that are marks not of Norwegianness but of modernity. ‘Typically Norwegian’ cultural elements originate outside Norway, from many different places. The kind of Norwegian culture which is not to be found anywhere else is confined to folk music, traditional foods and national costumes. And for ordinary Norwegians they are deadly boring, without any living link to everyday life. More…
Winning stories of alternative realities
10 February 2011 | In the news
The Runeberg Prize for fiction, awarded this year for the twenty-fifth time, went to a collection of short stories by Tiina Raevaara.
Her En tunne sinua vierelläni (‘I don’t feel you beside me’, Teos, 2010) mixes fantasy and realism, dealing with, for example, animal kingdom, human mind and artificial intelligence. See the introduction and translation of a story which we ran here on the Books from Finland website.
Raevaara (born 1979) holds a doctorate in genetics; the prizewinner is her second work of fiction. The prize, worth €10,000, was awarded on 5 February – the birthday of the poet J.L Runeberg (1804–1877) – in the southern Finnish city of Porvoo.
The jury – representing the prize’s founders, the Uusimaa newspaper, the city of Porvoo, both the Finnish and Finland-Swedish writers’ associations and the Finnish Critics’ Association – chose the winner from a shortlist of eight books: a collection of poetry, Vagga liten vagabond (‘Swing, little wanderer’, Söderströms) by Eva-Stina Byggmästar, the novel Poikakirja (‘Boys’ Own Book’, Otava) by Olli Jalonen, the novel Kiimakangas (WSOY) by Pekka Manninen, two collections of essays, Kuka nauttii eniten (‘Who enjoys most’) by Tommi Melender and Halun ja epäluulon esseet (‘The essays of desire and suspicion’) by Antti Nylén (both publlished by Savukeidas), a collection of poetry, Texas, sakset (‘Texas, scissors’, Otava) by Harry Salmenniemi and another collection of short stories, Apatosauruksen maa (‘The land of the apatosaurus’, WSOY) by Miina Supinen.
Finding a voice
13 November 2014 | Authors, Reviews
Pajtim Statovci. Photo: Tommi Tuomi
Here it is, finally: Pajtim Statovci’s debut novel is the first book of literary merit written in Finnish by an author who originally came to Finland from the former Yugoslavia, Kosovo. Kissani Jugoslavia (‘Yugoslavia, my cat’, Otava, 2014) is a wild depiction of identity, told simultaneously from the perspectives of the mother of an immigrant family and her son. Statovci builds a keen sense of tension between the narrative of the Albanian woman and that of her youngest son.
Born in Podujevë, Kosovo, in 1990, Statovci came to Finland at the age of two. He is studying comparative literature at the University of Helsinki and film and television scriptwriting at the Aalto University. The French and Norwegian translation rights to Kissani Jugoslavia were sold before the book had even been published. More…
Science and fiction
15 September 2011 | Authors, Interviews
Kristina Carlson. Photo: Tommi Tuomi
Interview with Kristina Carlson, author of William N. Päiväkirja (‘William N. Diary’, Otava, 2011)
‘Monsieur W. Nylander had died alone, his head resting against his desk. We’d known for a long while that your beloved relative was not well, but whenever he was walking along the street and someone enquired as to his health, he always replied that he felt fit and well.’
Finnish-born Monsieur William N. lives in Paris at the end of the 19th century. The grumpy old scientist spends his days studying lichens in his small, dusty apartment and writing bitter comments in his diary about the way of the world, all things meaningless, and the glory and reputation that he never achieved.
William Nylander (born Oulu, 1822 – died Paris, 1899) is a historical figure who truly existed, and the remarks quoted above are taken from a letter sent by William’s housekeeper to his sister Elise in Finland, but other than this William’s diary is entirely the work of Kristina Carlson. The hermetic botanist has now become the protagonist of a novel written in 2011. More…
Runeberg Prize 2013 for poetry
8 February 2013 | In the news
Olli-Pekka Tennilä. Photo: Aleksis Salusjärvi, 2012
The Runeberg Prize for fiction, awarded on 5 February, this year for the twenty-seventh time, went to a book of poetry by Olli-Pekka Tennilä (born 1978).
Tennilä’s second work, Yksinkeltainen on kaksinkeltaista (‘Doubly simple’, a pun: yksinkertainen = simple, kaksinkertainen = double, keltainen = yellow), published by Poesia, makes use of a child’s open-minded use of language and studies the world of the bees. Tennilä is one of the founding members of Osuuskunta Poesia, a poetry cooperative, and is currently its publishing director.
The prize, worth €10,000, was awarded on 5 February – the birthday of the poet J.L Runeberg (1804–1877) – in the southern Finnish city of Porvoo.
The jury, writer Tommi Melender, critic Siru Kainulainen and theatre manager Dan Henriksson – representing the prize’s founders, the Uusimaa newspaper, the city of Porvoo, both the Finnish and Finland-Swedish writers’ associations and the Finnish Critics’ Association – chose the winner from a shortlist of eight books. In their opinion the winning work is both ‘a structurally controlled and expressively vital whole; it demonstrates how the linguistic logic of a small child can be employed again as an adult.’
The other seven finalists were a book of essays, Toinen jalka maassa ja muita esseitä (‘One foot on the ground and other essays’, WSOY) by Markku Envall, two poetry collections, Keisarin tie (‘The emperor’s road’, Otava) by Lassi Hyvärinen and Kuolinsiivous (‘Death cleaning’, WSOY) by Eeva Kilpi, two collections of short stories, Kadonnut ranta (‘Lost shore’, WSOY) by Tiina Laitila Kälvemark and Till dig som saknas (‘To you who are missing’, Schildts&Söderströms) by Peter Sandström, as well as two novels, Rikosromaani (‘Crime novel’, Otava) by Petri Tamminen and Neuromaani (‘Neuromane’, Otava) by Jaakko Yli-Juonikas.
And the winner is… Finlandia Prize for Fiction 2014
27 November 2014 | In the news
Jussi Valtonen. Photo: Markko Taina
The winner of the prize this year, worth €30,000 and awarded on 27 November, is He eivät tiedä mitä he tekevät (‘For they know not what they do’, Tammi) by Jussi Valtonen (born 1974), a psychologist and writer. The novel – 558 pages – is his third: it focuses on the relationship of science and ethics in the contemporary world, with an American professor of neuroscience, married to a Finn, as the protagonist.
Professor Anne Brunila – who has worked, among other posts, as a CEO in forest and energy industry – chose the winner. In her awarding speech she said: ‘The novel is an astonishing combination of perceptive description of human relationships, profound moral and ethical reasoning, science fiction and suspense…. I have never encountered a Finnish portrayal of our present era that is anything like it.’
The other five novels on the shortlist of six were the following:
Kaksi viatonta päivää (‘Two innocent days’, Gummerus) by Heidi Jaatinen is a story of a child whose parents are not able to take care of her; Olli Jalonen’s Miehiä ja ihmisiä (’Men and human beings’, Otava) focuses on a young man’s summer in the 1970s. Neljäntienristeys (‘The crossing of four roads’, WSOY), a first novel by Tommi Kinnunen, is a story set in the 20th-century Finnish countryside over three generations. Kultarinta (‘Goldbreast’, Gummerus) by Anni Kytömäki is a first novel about generations, set in the years between 1903 and 1937, celebrating the Finnish forest and untouched nature. Graniittimies (‘Granite man’, Otava) by Sirpa Kähkönen portrays a young, idealistic Finnish couple who move to the newly-founded Soviet Union to work in the utopia they believe in.
Kirja muuttuvassa tietoympäristössä [The book in a changing information environment]
21 August 2014 | Mini reviews, Reviews
Toim. [Ed. by] Markku Löytönen, Tommi Inkinen, Anne Rutanen
Helsinki: Suomen tietokirjailijat ry. [The Finnish Association of Non-Fiction Writers], 195 p., ill.
ISBN 978-952-67356-3-4
paperback; available also online:
http://www.suomentietokirjailijat.fi/jasenyys/julkaisut/kirja-muuttuvassa-tietoymparisto/
In the Western world the experience of reading is undergoing a critical change. There is even talk of a third information revolution. Books are increasingly acquiring electronic form, and the future of the printed book is being called into question. Kirja muuttuvassa tietoympäristössä contains the considered opinions of 18 experts on what is taking place in the field of non-fiction, and gives an overview of the literature on the current situation, which is seen from the point of view of the bookstore, the library, the author and the publisher. There is a discussion of intellectual property issues, developments in technology, and changes in the use of teaching materials, language, and reading habits. Finland is a leading country in both literacy and reading. The number of books has slowly declined in recent years, but it seems that the country’s youth has maintained an interest in books, and in fiction in particular. Although printed reference works of the encyclopedia type have given way to the information provided by the Internet, it is likely that literature and reading will preserve their status as a part of human culture.
Translated by David McDuff
Favour and fame: becoming a best-seller
10 April 2014 | In the news
At the top of the list of best-selling books – compiled by the Finnish Booksellers’ Association – in March was the first novel by Tommi Kinnunen, a teacher of Finnish language and literature from Turku. In Neljäntienristeys (‘The crossing of four roads’, WSOY) the narrative spans a century beginning in the late 19th century and is set mainly in Northern Finland, focusing on the lives of four people related to each other. Undoubtedly well-written, it continues the popular tradition of realistic novels set in the 20th-century Finland.
Finland is a small country with one exceptionally large newspaper, Helsingin Sanomat (read by more than 800,000 people daily). The annual literary prize that carries the paper’s name is awarded to a best first work, and candidates are assessed throughout the year.
In February the paper’s literary critic Antti Majander declared in his review of Kinnunen’s book: ’Such weighty and sure-footed prose debuts appear seldom. If I were to say a couple of times in a decade, I would probably be being over-enthusiastic. But let it be. Critics’ measuring sticks are destined for the bonfire.’ More…