Search results for "2011/04/2010/05/song-without-words"

Onward, downward!

31 March 1994 | Archives online, Fiction, Prose

Lauri Viita (1916–1965) was one of the self-taught writers who made his debut after the Second World War. His extensive, realist novel Moreeni (‘Moraine’, 1950) taking place in Viita’s native Tampere, begins with this prose poem

…over wolds, hummocks, ridges, between boulders, under branches, from cabin to cottage to manor, from coppice to fen, and ditch to puddle – down it drew us, the sloping earthcrust, southward the magnificent granite ploughland slanted.

Paths linked to paths, brooks joined brooks. Onward, downward! The roads widened, the currents strengthened. Bigger and bigger, heavier and heavier were the loads they could sustain. More and more trees, bread, potatoes, butter, meat, people and gravestones, huge boulders, rocks, went into the maw of those channels, and the hunger only redoubled. From channel to strait, from hour to hour, the lines of barges crawled along; from day to day the broad rafts of logs passed their sleepless summer on the long blue strip of Lake Näsijärvi. Spruce, pine, birch, aspen – different pieces for different purposes. How vast the supply and how vast the need! The months and days went by; in the depths of the lake, layer after layer, there wandered the shades of clouds, ships, faces. More…

So close to me

19 August 2010 | Reviews

Please try this first, before we enter the chamber of horrors. It’s a poem by Timo Harju:

… The old people’s home is the strange hand of God with which he strokes
his thinning hair,
a sudden shower of cackling in the dry linen closet, slightly
sad and lonely
God looks out, stirring his cup of tea as if it were on fire.
If Jesus had lived to grow old and gone into an old people’s home,
he would have been like these.

Timo Harju was awarded the 2009 Kritiikin kannukset prize (‘the spurs of criticism’, 2009) of the Finnish Critics' Association, SARV. Photo: Pia Pettersson

This spring a young Finnish female nurse was sentenced to life imprisonment for using insulin to murder a 79-year-old mentally retarded patient. Not long after, sentence was passed on another nurse – this time a meek and submissive-looking middle-aged woman who had murdered a whole series of elderly patients with overdoses of medication.

These are the terms – those of ordinary crime journalism –  in which our recent public discussion of long-stay care of the elderly here in Finland was conducted. The discussion was followed by the usual misery of cuts, unchanged diapers, dehydration, over-medication, poor wages for hard work… No wonder that the concept of  ‘healthcare wills’ and ‘living wills’, in which people are supposed to say how they want to be cared for in the last stage of their lives – is acquiring a disturbing undertone of ‘better jump before you’re pushed.’ More…

Tough cookies

30 March 2008 | Authors, Interviews

Aino Havukainen and Sami Toivonen’s quirky duo Tatu and Patu delight readers of all ages. Interview by Anna-Leena Ekroos

Once upon a time there were two remarkably round-headed, thin-haired brothers. They were named Tatu and Patu and their principal personal attributes were curiosity and adventurousness. In the boys’s hometown of Outola (‘Oddsville’), things were done a little differently from around here. So when the boys leave their stomping grounds on an expedition into our world, perplexity and amusing situations ensue. More…

Star-­Eye

31 March 1984 | Archives online, Children's books, Fiction

A story from Läsning för barn (‘Reading for children’,1884). Introduction by George C. Schoolfield

There was once a little child lying in a snowdrift. Why? Because it had been lost.

It was Christmas Eve. The old Lapp was driving his sledge through the desolate mountains, and the old Lapp woman was following him. The snow sparkled, the Northern Lights were dancing, and the stars were shining brightly in the sky. The old Lapp thought this was a splendid journey and turned round to look for his wife who was alone in her little Lapp sledge, for the reindeer could not pull more than one person at a time. The woman was holding her little child in her arms. It was wrapped in a thick, soft reindeer skin, but it was difficult for the woman to drive a sledge properly with a child in her arms.

When they had reached the top of the mountain and were just starting off downhill, they came across a pack of wolves. It was a big pack, about forty or fifty of them, such as you often see in winter in Lapland when they are on the look-out for a reindeer. Now these wolves had not managed to catch any reindeer; they were howling with hunger and straight away began to pursue the old Lapp and his wife. More…

Silence and the void

30 September 1992 | Archives online, Authors

The tragic and the comic, the lyrical and the grotesque, blend seamlessly in the language and characters of Eeva-Liisa Manner‘s Poltettu oranssi (‘Burnt orange’, 1968), a ballad-like, uncompromising drama about the ineluctable destruction of a ‘mad girl’.

The girl’s emotions have been violated since childhood. She has been repeatedly raped, both figuratively and literally, and always in the name of love. Her mind develops its own secret language and logic, beheading people because ‘It is from the face that all bad words and hurtful expressions come.’ When, as part of a psychiatric test, she is shown a cavalcade of portraits of great men, the image of Nietzsche causes loathing to be replaced by a tender whisper: ‘Father. A stupid little dog.’ The exception of Nietzsche, an early interpreter of the modern World and the linguistic crisis of art, is apt. The experience of uncertainty and questioning of the meaning of language, on the one hand as a limitation of life and on the other as the enabler of a full existence, are in many ways central to Manners work. More…

Besotted with colour

30 June 2007 | Authors, Interviews

Hannu Väisänen

Photo: Otava/Petri Puromies

Colours, smells and sounds paint a vivid word-picture of a small, northern Finnish town in the 1950s in Hannu Väisänen’s first novel, Vanikan palat (‘The pieces of crispbread’, 2004; see Books from Finland 2/2004).

Little Antero, the novel’s protagonist, is an alter ego of the painter and graphic artist Hannu (born 1951). Antero has three brothers, a sister and an alcoholically inclined widower NCO father. The queue of potential stepmothers is a long and tragicomical one. The title of the novel refers to the stone-hard, thick rye crispbread produced for army consumption; the greyness of barracks life and a small town with incredibly harsh winters did not add up to a colourful life.

But Hannu became an artist to whom colour speaks. More…

Bear necessities

10 January 2013 | This 'n' that

Ursus arctos: Juuso the bear. Photo: The Predator Centre, Kuusamo

In our odd quiet moments we occasionally amuse ourselves by checking out what’s happening in the bear village of Kuusamo, in the north-east of Finland, by watching ‘bear TV’ (the bears speak Finnish only with the staff, but the link offers plenty of expressive action without words).

The brown bear (Ursus arctos) – feared, respected and even mythical animal of the ancient Finns – can weigh more than 400kg. It can run fast (60km/h) and scare the pants off people in the woods, although it always avoids humans if possible. There are approximately 900–1300 wild bears in Finland. This large, intelligent beast hibernates from October to April. Omnivorous, it eats meat as well as plants and berries – carrots, too, if it can lay its paws on them.

Kuusamon suurpetokeskus (The Predator Centre) in Kuusamo has given home to several bears who have lost their mother when cubs or injured in accidents. The bears regard Sulo Karjalainen, their carer – beartaker? – their dear pal, or even mum.

It is really heart-warming to watch him and Pasi Jäntti socialising with their furry friends, who politely – or occasionally slightly rudely – devour the healthy treats that they are given in exchange for posing in several little home movies on their ‘bear TV’ website. In them, the endearing giants – Juuso, Niisku, Vyöti and others – lick Sulo’s cheek, have a bath, and Juuso tests a specially made bear weighing machine and, getting sleepy, a man-made lair with Sulo, his dear pal.

Beartaker at work: Sulo and his 400+-kilo friend. Photo: The Predator Centre, Kuusamo

Dangerous? Texts on the videos point out that only the staff can enter the bears’ home.

Sulo bears a scar on his cheek, yet he is perfectly fearless. With the largest mammal in Europe, there is a risk involved…

The comi-tragedist

30 June 1988 | Archives online, Authors

Early March, Rome. Mimosas and cherries are in bloom. Few tourists are about as yet. On a street corner close to the Spanish Steps I bump into Juhani Peltonen. He and his family have been to see Pompeii the day before. We agree to meet again back in Finland.

The journey into the world of Juhani Peltonen passes through clean, white snow. Two big dogs are barking in the garden of the yellow house. They are familiar from Peltonen’s books. The dogs are as friendly as their master.

In the house there are many rooms, many beautiful things, many paintings, framed book jackets and theatre programmes, books, books, books, an old-fashioned typewriter that is still in use, an aged grand piano, flowers. The stuffed birds on top of the book case are so life­like that they look as if they have just alighted for a second to listen to our conversation before flying off again.

This is not just a house. It is also a fantasy world. In these spacious rooms it is easy to believe that Juhani Peltonen began his career as a romantic with leanings towards surrealism. More…

A life of one’s own

31 March 1984 | Archives online, Authors

L. Onerva. Photo: Otava, 1907

L. Onerva. Photo: Otava, 1907

When L. Onerva (1882–1972) published her novel Mirdja in 1908 she was twenty-six years old. Two previously published collections of poetry had already established a reputation for her as a promising young writer and she was also achieving a name as a first-rate critic. Her career thus began in circumstances which augured well for distinction and fame, both of which came to her, although her fame derives not only from her literary abilities – it is due in part to the notoriety of her private life. Her works, always thought to have a biographical element, are often read for glimpses of bohemian and artistic life at the start of the century.

In the puritanical climate of the period Onerva was unquestionably unusual, although Finland was not without independent and literary women. Onerva had many talents; she was well educated, and when she met Eino Leino, the most famous poet of the day, she had published her first collection of poems. This meeting changed the nature of Onerva’s life. She left her husband. Leino’s marriage also broke down and the couple ran away to Germany and Italy for a year. They were never married and both later married other people. Nevertheless, their profound friendship lasted until Leino’s death in 1926. More…

Expat, fun

30 August 2013 | In the news

Aqua jogging by Pertti Jarla

Popular Finnish aqua sports à la Pertti Jarla

Expat Finland, created by Stuart Allt – an Australian web designer living in Turku, Finland – is an information resource on the Internet. It is particularly useful for people moving to Finland, or for anyone who is interested in finding out about Finnish services and products and in living in the country in general.

If you’re looking for maps, restaurants or universities, are interested in knowing more about the language(s), culture, sports etc, take a look at the recently redesigned Expat Finland.

And what do Finns think is funny?

Among latest additions on the Expat site is a selection of comic strips by Pertti Jarla. The creator of the cartoon town Fingerpori is often impossible to translate as he constantly plays with words and their meanings (getting the joke sometimes takes a while, too).

Take also a look at the samples of Jarla’s illustrations to Zoo – eläimellinen tarina (‘Zoo – a bestial story’), a book for children by Roman Schatz and Jarla, featured in Books from Finland.

Where have I gone?

30 June 1988 | Archives online, Fiction, poetry

Poems from Näköisveistos ruumiskirstusta (‘An effigy of a coffin’, 1987). Introduction by Erkka Lehtola

The maple is being stripped for nesting materials
by big crow and his lady.
Their endeavours are more pleasing
than the imminent drinking party, in a finished house
in celebration of early spring. Dreary, to know
in advance that one is insulting one’s guests
– and not even in a constructive manner. More…

The personal is real

31 March 1994 | Archives online, Authors

It is never easy to be a writer, but it can be particularly difficult if you are forever thrusting weapons into your critics’ hands. A writer who mixes and interleaves her literary texts with her own life is very vulnerable to both literary and other criticism.

Anja Kauranen (born 1954) is precisely this kind of writer. The characters and events of ali her seven prose works have clear connections with Kauranen’s own life, her Helsinki childhood, her Karelian family background, her sporting youth, her personal losses. She is not ashamed to allow herself to be interviewed by women’s magazines on subjects including, for example, boxing. She writes magazine columns on feminism and television programmes and took part enthusiastically in the debates over this winter’s presidential elections.

She is a talkative, lively and good-looking woman. This merely increases the burden she has to bear: if Kauranen writes about sex, it must be based on her own experiences. That is what was thought when her first novel, Sonja O. kävi täällä (‘Sonja O. was here’) was published in 1981. The newspaper reviews of the time consistently confused the novel’s writer with its narrator, a literature student who collected experiences and men. It was a young women’s odyssey and Entwicklungsroman which also attempted to analyse the arrival of feminism in Finland, in the midst of the extreme left-wing student movement of the 1970s. More…

Subterranean, pre-verbal

31 March 2007 | Archives online, Essays, On writing and not writing

Claes Andersson, poet and psychiatrist, ponders the difficulties of writing, and how to get down to it. These are extracts from the collection of articles, Luova mieli. Kirjoittamisen vimma ja vastus (‘The creative mind. The rage and burden of writing’, Kirjapaja, 2002)

Some subjects or ideas need years on the back burner before they submit to being written about. The wise writer learns the basic rule ofthe good midwife: don’t panic, don’t force, wait, and help when the time for birth is at hand, but know also when a Caesarean section is advisable or even necessary. More…

Homo ludens, vita brevis

18 March 2011 | Letter from the Editors

Goddess of victory: charioteer and runner Nike (constructed from the damaged statue of Nike of Paionios, from ca. 420 BCE). Photo: Wikimedia

No one should ever start a piece with already the ancient Greeks…’ , but here goes:

Already the ancient Greeks practised the noble arts of sport. The Romans extended the cultivation (their word!) of culture to leisure, amusing themselves by throwing Christians to the lions. Formula F1 came a couple of thousand years later, as did post-modern art, sitcoms and reality TV, whose presenters take the place of lions and whose celebrities are today’s Christians.

The Olympics, founded by the Greeks, were in full swing as early as the seventh century BCE, until the Christian Roman Caesar Theodocius I banned them as irretrievably pagan in the year 393. However, they were revived 1,500 years later. More…