Search results for "jarkko/2011/04/2010/10/riikka-pulkkinen-totta-true"
Juhani Koivisto: Suurten tunteiden talo. Kohtauksia Kansallisoopperan vuosisadalta [The house of great emotions. Scenes from a century of the Finnish National Opera]
30 June 2011 | Mini reviews, Reviews
Suurten tunteiden talo. Kohtauksia Kansallisoopperan vuosisadalta
[The house of great emotions. Scenes from a century of the Finnish National Opera]
Helsinki: WSOY, 2011. 229 p., ill.
ISBN 978-951-0-37667-6
€ 45, paperback
2011 marks the one-hundredth anniversary of the founding of the Finnish National Opera. This richly illustrated and entertaining book describes events that have been absent from previous ‘official’ historical accounts. Readers will encounter over a hundred opera denizens who have made audiences – and, according to many anecdotes, each other – laugh and cry. The initial stages of the opera and ballet were modest in scope when viewed from outside, but the trailblazers involved were tremendous talents and personalities. The brighest star was the singer Aino Ackté, who enjoyed an international reputation. Gossip about intrigues and artistic differences at the opera house over the decades is confirmed in candid interviews with performers. The content of the book is based on archival sources, letters, memoirs, interviews and stories told inside the opera house. Juhani Koivisto, the Opera’s chief dramaturge, clearly has an excellent inside knowledge of his subject. Translated by Ruth Urbom
Hare-raising
13 February 2015 | Reviews
In this job, it’s a heart-lifting moment when you spot a new Finnish novel diplayed in prime position on a London bookshop table – and we’ve seen Tuomas Kyrö’s The Beggar & The Hare in not just one bookshop, but many. Popular among booksellers, then – and we’re guessing, readers – the book nevertheless seems in general to have remained beneath the radar of the critics and can therefore be termed a real word-of-mouth success. Kyrö (born 1974), a writer and cartoonist, is the author of the wildly popular Mielensäpahoittaja (‘Taking umbridge’) novels, about an 80-year-old curmudgeon who grumbles about practically everything. His new book – a story about a man and his rabbit, a satire of contemporary Finland – seems to found a warm welcome in Britain. Stephen Chan dissects its charm
Tuomas Kyrö: The Beggar & The Hare
(translated by David McDuff. London: Short Books, 2011)
Kerjäläinen ja jänis (Helsinki: Siltala, 2011)
For someone who is not Finnish, but who has had a love affair with the country – not its beauties but its idiosyncratic masochisms; its melancholia and its perpetual silences; its concocted mythologies and histories; its one great composer, Sibelius, and its one great architect, Aalto; and the fact that Sibelius’s Finlandia, written for a country of snow and frozen lakes, should become the national anthem of the doomed state of Biafra, with thousands of doomed soldiers marching to its strains under the African sun – this book and its idiots and idiocies seemed to sum up everything about a country that can be profoundly moving, and profoundly stupid.
It’s an idiot book; its closest cousin is Voltaire’s Candide (1759). But, whereas Candide was both a comedic satire and a critique of the German philosopher and mathematician Gottfried Wilhelm Leibniz (1646-1716), The Beggar & The Hare is merely an insider’s self-satire. Someone who has not spent time in Finland would have no idea how to imagine the events of this book. Candide, too, deployed a foil for its eponymous hero, and that was Pangloss, the philosopher Leibniz himself in thin disguise. Together they traverse alien geographies and cultures, each given dimension by the other. More…
Annika Luther: De hemlösas stad [The city of the homeless]
17 January 2012 | Mini reviews, Reviews
De hemlösas stad
[The city of the homeless]
Helsingfors: Söderströms, 2011. 237 p.
ISBN 978-951-522-846-8
€ 21.10, paperback
Kodittomien kaupunki
Suomennos [Translation from Swedish into Finnish]: Asko Sahlberg
Helsinki: Teos, 2011. 240 p.
ISBN 978-951-851-404-9
€ 33.10, paperback
Annika Luther’s novel is an example of the popular genre of dystopia. Its ecocritical overtones prompt radically new ways of thinking about the effects of climate change. In 2050, the bulk of the earth’s surface is under water, and people from various corners of the earth have been evacuated to Finland. The majority of the residents in Helsinki are Indian and Chinese. Finns are in the minority, and most of them are hopelessly addicted to alcohol. Fifteen-year-old Lilja lives in the city of Jyväskylä with her family, in a protected and tightly controlled neighbourhood. She becomes interested in her family history and decides to find out about her aunt, a marine biologist who remained in flooded Helsinki. Gradually, the mysteries of the past open up to her. The novel is about survival and adaptation. Luther is an original writer, uncompromising in her ethical stance. As in her previous novel, Ivoria (2009), she describes Helsinki with affection: despite the ruined landscape, the city maintains its proud bearing.
Translated by Fleur Jeremiah and Emily Jeremiah
Sanna Tahvanainen & Sari Airola: Silva och teservicen som fick fötter [Silva and the tea set that took to its feet]
13 January 2012 | Mini reviews, Reviews
Silva och teservicen som fick fötter
[Silva and the tea set that took to its feet]
Kuvitus [Ill. by]: Sari Airola
Helsingfors: Schildts, 2011. 32 p.
ISBN 78-951-50-2053-6
€ 21.20, hardback
Silva ja teeastiasto joka sai jalat alleen
Suomennos [Translation from Swedish into Finnish]: Jyrki Kiiskinen
Helsinki: Schildts, 2011. 32 p.
ISBN 978-951-50-2054-3
€ 21.20, hardback
Sari Airola’s ability to depict different emotions makes her one of the most interesting Finnish illustrators of children’s books. Airola has long lived in Hong Kong and one can often sense an oriental spirit in her work. In this book, she makes use of Asian textile printing plates to enliven the surfaces of the images. The subject of this debut children’s book by Tahvanainen (born 1975), who is also a poet and novelist, evokes empathy with family situations that deviate from the norm. Silva lives in a big house with her mother, an isolated control freak and migraine sufferer. When her mother suffers an episode, Silva is unable to establish any contact with her and feels insecure. Although the text is allegorical, the book’s message, which concerns a parent’s caring responsibilities and a child’s need to be loved, remains accessible to children. Once the migraine attack is over, the mother goes out to look for Silva; mother and daughter are reconciled when Silva, at last, puts her fears into words.
Translated by Fleur Jeremiah and Emily Jeremiah
Marja-Leena Tiainen: Kahden maailman tyttö [The girl from two worlds]
18 January 2012 | Mini reviews, Reviews
Kahden maailman tyttö
[The girl from two worlds]
Helsinki: Tammi, 2011. 261 p.
ISBN 978-951-31-5937-5
€ 26.65, hardback
Marja-Leena Tiainen (born 1951) has dealt with unemployment, immigration, and racism in her works, in ways that are accessible to her young readership. She researches her topics with care. The idea for this book dates back to 2004, when the author made the acquaintance of a Muslim girl who lived in a reception centre in eastern Finland; her experiences fed into Tara’s story. Tiainen’s central theme, ‘honour’ violence in the Muslim community, is surprisingly similar to Jari Tervo’s Layla (WSOY, 2011). Tiainen’s is a traditional story about a girl growing up and surviving, but the novel’s strong points are the authentic description of everyday multiculturalism, and the intensity of the narration. The reader identifies with Tara’s balancing act, which she must carry out in the crossfire of her father’s authority, family tradition, and her own dreams. In spite of everything, the community also becomes a source of security and support for Tara. The narrative arc is coherent and, despite the numerous overlapping time-frames, the tension is sustained right up to the final, conciliatory solution.
Translated by Fleur Jeremiah and Emily Jeremiah
In the mirror
5 April 2011 | Reviews
Aila Meriluoto. Photo: Tiina Pyrylä/WSOY
One of the more attractive aspects of Finnish literature is the juxtaposition of poetry-writing generations. 2011 sees the debut of both the 82-year-old Martta Rossi and new poets born in the 1980s.
Compared to them, the 87-year-old Aila Meriluoto is an old hand: Tämä täyteys, tämä paino (‘This fullness, this weight’, WSOY, 2011) is her 14th volume of poetry.
Since her first collection, which appeared 65 years ago, the grande dame has published more than 20 works: poetry, prose, diaries, books for children and young people, biographies and translations, among them poetry by Harry Martinson and Rainer Maria Rilke. More…
Scent of greenness
21 April 2011 | Fiction, poetry
‘Time the unstoppable’ features in the last collection of poems, Gramina, by Bo Carpelan (1926–2011), who reads timeless poetry while writing his own verses. In his introduction, Michel Ekman quotes the American poet and philosopher Ralph Waldo Emerson, who thought books should stimulate the reader’s thoughts instead of merely being devoured
Poems from the collection Gramina. Marginalia till Horatius, Vergilius och Dante (‘Gramina. Marginalia to Horace, Virgil and Dante’, Schildts, 2011)
Surf on the net –
in the net you are
with mouse and waiting spider
Fills life’s piggy bank
until it is emptied
The paved road of envy
where you stumble
Be sufficient unto oneself?
And who is this ‘self’
who doesn’t introduce himself? More…
Sun and shade
3 August 2011 | Extracts, Non-fiction
Springtime: the new graduates celebrate the beginning of summer. Photos: ©Jussi Brofeldt
Documentary film-making and photography arrived in Finland in the 1920s with pioneers like Heikki Aho and Björn Soldan, who founded a film company in 1925 in Helsinki. They also took thousands of photographs of their city; in a selection taken in the turbulent 1930s, people go on about their lives, rain or shine
Photographs from Aho & Soldan: Kaupunkilaiselämää – Stadsliv – City life. Näkymiä 1930-luvun Helsinkiin (‘Views of Helsinki of the 1930s’, WSOY, 2011)
Photos: Aho & Soldan@Jussi Brofeldt. Texts, by Jörn Donner and Ilkka Kippola, are published in Finnish, Swedish and English.
The exhibition ‘City life‘ is open at Virka Gallery of the Helsinki City Hall from 1 June to 4 September.
Aho and Soldan were half-brothers, Heikki the eldest son of the writer Juhani Aho (1861–1921; an extract from one of his novels is available here) and the artist Venny Soldan-Brofeldt. (Juhani Aho changed his original Swedish surname, Brofeldt, to Aho in 1907), Björn Soldan was Aho’s son from an extramarital relationship. More…
Eeva-Kaarina Aronen: Kallorumpu [Skull drum]
23 December 2011 | Mini reviews, Reviews
Kallorumpu
[Skull drum]
Helsinki: Teos, 2011. 390 p.
ISBN 978-951-851-413-1
€ 27.40, hardback
Eeva-Kaarina Aronen (born 1948) did not begin her writing career untill 2005, after a long career as editor of the newspaper Helsingin Sanomat. Her third novel Kallorumpu was shortlisted for the Finlandia Prize for Fiction 2011. Aronen’s interest in historical characters and themes that challenge historical truth was already evident in the of her first novel Maria Renforsin totuus (‘The truth of Maria Renfors’, Teos, 2005). At the centre of Kallorumpu is the legendary figure of Finland’s Field Marshal C.G. Mannerheim (1867–1951). The book concentrates on the description of one day in November 1935 by an old filmmaker, the narrator of the novel, who is showing his documentary to a small group of viewers in the present day. He comments on his own film, complementing it with stories about Mannerheim’s home in Helsinki. At home the Marshal’s staff – a cook, a maid and a valet – not only provide narrative twists and turns, but also an insight into the class divisions of the Finnish civil war. Aronen’s portrayal of her gallery of characters is an interesting one, and the novel’s demanding structure, with its alternating time zones, is sound.
Translated by David McDuff
A light shining
28 July 2011 | Essays, Non-fiction
Portrait of the author: Leena Krohn, watercolour by Marjatta Hanhijoki (1998, WSOY)
In many of Leena Krohn’s books metamorphosis and paradox are central. In this article she takes a look at her own history of reading and writing, which to her are ‘the most human of metamorphoses’. Her first book, Vihreä vallankumous (‘The green revolution’, 1970), was for children; what, if anything, makes writing for children different from writing for adults?
Extracts from an essay published in Luovuuden lähteillä. Lasten- ja nuortenkirjailijat kertovat (‘At the sources of creativity. Writings by authors of books for children and young people’, edited by Päivi Heikkilä-Halttunen; The Finnish Institute for Children’s Literature & BTJ Kustannus, 2010)
What is writing? What is reading? I can still remember clearly the moment when, at the age of five, I saw signs become meanings. I had just woken up and taken down a book my mother had left on top of the chest of drawers, having read to us from it the previous day. It was Pilvihepo (‘The cloud-horse’) by Edith Unnerstad. I opened the book and as my eyes travelled along the lines, I understood what I saw. It was a second awakening, a moment of sudden realisation. I count that morning as one of the most significant of my life.
Learning to read lights up books. The dumb begin to speak. The dead come to life. The black letters look the same as they did before, and yet the change is thrilling. Reading and writing are among the most human of metamorphoses. More…
Stories in the stone
2 December 2010 | Extracts, Non-fiction
Extracts from Jägarens leende. Resor in hällkonstens rymd (‘Smile of the hunter. Travels in the space of rock art’, Söderströms, 2010)
‘Why do some people choose to expend what is often a great deal of effort hammering images in the bedrock itself, while others conjure up, in the blink of an eye, brilliantly radiant pictures on a rock-face that was empty yesterday but is now peopled by mythological animals, spirits and shamans?
‘I think about this often – I who love painting but who still chose a career that involves me sitting and hammering away, day in and day out, like a true rock-carver,’ writes author and ethnologist Ulla-Lena Lundberg in her new book on the art of the primeval man
When the children of Israel went into Babylonian captivity, hanging up their harps on the willow-trees and weeping as they remembered Zion, my sister and I were already sitting by the rivers of Babylon. We knew how they felt. Our father was dead and we had been sent away from our home. We sat there clinging to each other, or rather I was the one clinging to Gunilla, and she had to try to rouse herself and find something for us to do, to give us something else to think about. More…
Solzhenitsyn and Silberfeldt: Sofi Oksanen publishes a best-seller
25 April 2012 | In the news
Nobel Prize 1970: Aleksandr Solzhenitsyn
After falling out with her original publisher, WSOY, in 2010, author Sofi Oksanen – whose third novel, Puhdistus (Purge, 2008), has become an international best-seller – has founded a new publishing company, Silberfeldt, in 2011, with the aim of publishing paperback editions of her own books. Its first release was a paperback version of Oksanen’s second novel, Baby Jane.
Oksanen’s new novel, Kun kyyhkyset katosivat (‘When the pigeons disappeared’), again set in Estonia, will appear this autumn, published by Like (a company owned by Finnish publishing giant Otava).
However, in April Silberfeldt published a new, one-volume edition of the autobiographical novel The Gulag Archipelago by the Nobel Prize-winning author Alexandr Solzhenitsyn. This massive book was first published in the West in 1973, in the Soviet Union in 1989.
A Finnish translation was published between 1974 and 1978. Back in those days of Cold War self-censorship, Finnish publishers felt unable to take up the controversial book, and the first volume was eventually printed in Sweden. The work, finally published in three volumes, has long since been unavailable.
This time the 3,000 new copies of Solzhenitsyn’s tome sold out in a few days; a second printing is coming up soon. Oksanen regards the work as a classic that should be available to Finnish readers.
Funny peculiar
9 December 2011 | Articles, Comics, Non-fiction
Samuel, the creation of Tommi Musturi (featured in Books from Finland on 7 May, 2010, entitled ‘Song without words’)
Comics? The Finnish word for them, sarjakuva, means, literally, ‘serial picture’, and lacks any connotation with the ‘comic’. The genre, which now also encompasses works called graphic novels, has been the subject of celebrations this year in Finland, where it has reached its hundredth birthday. Heikki Jokinen takes a look at this modern art form
Comics are an art form that combines image and word and functions according to its own grammatical rules. It has two mother tongues: word and image. Both of them carry the story in their own way. Images and sequences of images have been used since ancient times to tell stories, and stories, for their part, are the common language of humanity. The long dark nights of the stone age were no doubt enlivened by storytellers.
One of the pioneers of comics was the Swiss artist Rodolphe Töpffer. As early as 1837, he explained how his books, combinations of images and words, should be read: ‘This little booklet is complex by nature. It is made up of a series of my own line drawings, each accompanied by a couple of lines of text. Without text, the meaning of the drawings would remain obscure; without drawings, the text would remain without content. The whole gives birth to a sort of novel – but one which is in fact no more reminiscent of a novel than of any other work.’ More…
Tiia Aarnipuu: Jonkun on uskallettava katsoa. Animalian puoli vuosisataa [Someone’s got to dare to look. Half a century of Animalia]
28 July 2011 | Mini reviews, Reviews
Jonkun on uskallettava katsoa. Animalian puoli vuosisataa
[Someone’s got to dare to look. Half a century of Animalia]
Helsinki: Like Kustannus, 2011. 209 p., ill.
ISBN 978-952-01-0582-2
€ 33, paperback
This book has been published to mark the 50th anniversary of Animalia, the Federation for the Protection of Animals. The public image of the organisation has varied between one of a conservative club of ladies and gentlemen and that of a radical terrorist group. Animalia was founded in 1961, inspired by Johan Börtz, a Swede who gave lectures on the plight of animals used in experiments. Animalia began making visits to inspect animal testing facilities, which were completely unregulated in the early 1960s. Gradually the animal rights movement became more radicalised, somewhat later than in places such as Britain. Animal rights became a subject of wider debate in Finland in the 1980s. In the 1990s, the organisation was falsely linked with attacks made on fur farms by direct-action youth groups. Animalia’s stance has been to renounce vandalism and violence. In February 2010 Animalia launched its largest-ever information campaign, aimed at ridding Finland of fur farms by 2025.
Translated by Ruth Urbom
Too much, too soon?
20 January 2012 | This 'n' that
Candace Bushnell’s Summer & the City (about Carrie Bradshaw’s first years in NYC, published last year) is categorised among books for children and young people on the Finnish best-sellers’ list. The Finnish translation occupied the eighth place in December.
But hang on, wasn’t this Carrie in the fantastically famous HBO television adaptation of Bushnell’s novel Sex and the City very much in her thirties, as were her three best friends – all with, yes, quite active ‘adult’ sex lives…? In Finland the series had a rather silly title, Sinkkuelämää, ‘Single life’.
Well, of course it would be foolish not to continue the fantasticaly famous money-spinning saga, so Bushnell has gone back in time, first to Carrie’s school years in small-town America in The Carrie Diaries (2010), then to her first years in NYC in Summer & the City (2011) – and HarperCollins has pigeonholed them among its ‘teen books’.
Confusingly, the Finnish titles of these two books also contain the word referring to the television series: Sinkkuelämää – Carrien nuoruusvuodet and Sinkkuelämää – Ensimmäinen kesä New Yorkissa. As the Finnish publisher Tammi has attached TV title to them, the customer assumes these are books for ‘adults’ – as indeed was the original Sex and the City.
This makes one wonder what exactly ‘books for young people’ are. The main characters are teens themselves? If Bushnell goes still further back in time, we shall be reading about naughty Li´l Carrie hitting another toddler on the head with her doll, in a board book.