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Finlandia Prize for Non-Fiction 2011
24 November 2011 | In the news
‘Scientific, aesthetic, timely: the work is all of these. A work of non-fiction can be both precisely factual and emotional, full of both information and soul. A good non-fiction book will surprise. I did not expect to be enthused by lichens, their variety and colours,’ declared Professor Alf Reen in announcing the winner of this year’s Finlandia Prize for Non-Fiction on 17 November.
The winning work is Suomen jäkäläopas (‘Guidebook of lichens in Finland’), edited by Soili Stenroos & Teuvo Ahti & Katileena Lohtander & Leena Myllys (The Botanical Museum / The Finnish Museum of Natural History). The prize is worth €30,000.
The other works on the shortlist of six were the following: Kustaa III ja suuri merisota. Taistelut Suomenlahdella 1788–1790 [(‘Gustav III and the great sea war. Battles in the Gulf of Finland 1788–1790’, John Nurminen Foundation), written by Raoul Johnsson, with an editorial board consisting of Maria Grönroos & Ilkka Karttunen &Tommi Jokivaara & Juhani Kaskeala & Erik Båsk; Unihiekkaa etsimässä. Ratkaisuja vauvan ja taaperon unipulmiin (‘In search of the sandman. Solutions to babies’ and toddlers’ sleep problems’ ) by Anna Keski-Rahkonen & Minna Nalbantoglu (Duodecim); Operaatio Hokki. Päämajan vaiettu kaukopartio (‘Operation Hokki. Headquarters’ silenced long-distance patrol’), an account of a long-distance patrol strike in eastern Karelia during the Continuation War in 1944, by Mikko Porvali (Atena); Trotski (‘Trotsky’, Gummerus; biography) by Christer Pursiainen; and Lintukuvauksen käsikirja (‘Handbook of bird photography’) by Markus Varesvuo & Jari Peltomäki & Bence Máté (Docendo).
Verse and freedom
16 January 2014 | Articles, Non-fiction
Aale Tynni (1913–1997). Photo: WSOY
Finnish poetic modernism, which with its freedom of rhythm came to dominate the literary mainstream of the 1950s, posed a particular challenge to the poets of the classical metrical and romantic poetic tradition. Aale Tynni (1913–1997) is not a poet of any one school or form, but rhythm is the deepest foundation of her poems, whether expressed in metre, free verse or the speech rhythms that characterise some of her poems of the 1950s and 60s, as well as those of her final years.
An Ingrian Finn, Tynni left Ingermanland near Petersburg for Finland as a refugee after the First World War, in 1919. The war and the period of uncertainty that followed it are present in her poems as an allegory, sometimes appearing as a dance of death or a carnival. At other times they emerge in the myth of Phaethon, who with his sun chariot is in danger of throwing Mother Earth off her axis, or as a game of chess in which God and the angel Gabriel play with the planets and moons as pieces. The poet makes use of mythic and cosmic references to widen her scope and to portray Man in the stages of history and the present age. More…
Madness and method
10 May 2012 | Authors, Reviews
Juha Hurme. Photo: Stefan Bremer
One day during Advent in Helsinki the narrator in the novel Hullu (‘The lunatic’, Teos, 2012), a middle-aged man, goes mad.
Complete confusion fills his mind. He thinks he must be dead, but nevertheless manages to knock on the door of the mental hospital. To his amazement, he is admitted to the yellow building.
Because the boundaries between reality and self are, for him, completely blurred, he believes that the people in the hospital know absolutely everything about his unsuccessful life, and that he must expect humiliations and punishments. The people in white coats are aliens, or perhaps holograms. More…
A slow passion
30 September 2007 | Fiction, Prose
A short story from the collection of short stories Hidas intohimo (‘A slow passion’, Gummerus, 2007)
I don’t want to interfere with it. If something comes of it, then something comes of it. You can’t interfere with time, or fate, or another person. Time ripens things on its own. Fate takes a longer view of things than people do. Like the prophet says, there is a time for every purpose, for my purposes and other people’s.
This garden cottage is a good place to watch everything quietly, a ringside seat for someone who doesn’t want to flail around getting smashed up. The potatoes bloom when it’s time for them to bloom, depending on the length of the summer, the weather, and the time they were planted. Their white and purple flowers are worthy of admiration– potato flowers are flowers, after all. But when the flowers are just opening, it’s not yet time to go digging around among the roots. You have to restrain yourself and wait until the tubers form. You have to wait until they’re finished blooming and the flowers are replaced by plumping green, poisonous berries – though not all potato varieties produce them. But if your fingers are really itching for them, you can poke into the dirt and grope around a little before it’s really time, feel for tubers and remove them carefully, patiently, leaving the plant undisturbed for the smaller ones to grow. If the groping turns up something, you can slip away and savour it, but you still have to wait before you can dig up the whole plant with its rootstock, its beautiful pure tubers heaved up onto the soil, as if Life were offering itself on a silver salver. Then you can have them. They’re ready. But it takes time. Many good things are destroyed by impatience. More…
For the love of a city
31 December 2004 | Archives online, Fiction, Prose
Extracts from the novel I väntan på en jordbävning (‘Waiting for an earthquake’, Söderströms, 2004). Introduction by Petter Lindberg
Nonna Rozenberg lived quite near the special school where I was a boarder, in a block nine stories high with a bas-relief to the right of the door. This bas-relief featured a fairy-tale figure – the Firebird or the Bird Sirin.
I often saw Nonna stepping out of a tram carrying a large brown case. She moved carefully, as if afraid of falling.
She played the cello, and resembled that bulky, melodious instrument herself. Women’s figures are often compared to guitars. But Nonna’s appearance never hinted at parties at home with parents away or singsongs around the camp-fire.
She was no beauty. Her slow, precociously mature body was neither graceful nor girlishly delicate. If I’d met her later, when I was working at a gym, I’d have said she was overweight and lacking in self-discipline. More…
Markus Nummi: Karkkipäivä [Candy day]
26 November 2010 | Mini reviews, Reviews
Karkkipäivä
[Candy day]
Helsinki: Otava, 2010. 383 p.
ISBN 978-951-1-24574-2
€28, hardback
Like this one, Markus Nummi’s previous novel, Kiinalainen puutarha (‘Chinese garden’, 2004), set in Asia at the turn of the 20th century, involves a child’s perspective. Karkkipäivä‘s main theme, however, is a portrait of contemporary Finland. Tomi is a little boy whose alcoholic parents are incapable of looking after him; Mirja’s mother is a frantic workaholic heading for a nervous breakdown. She is a control freak who secretly gorges on chocolate at work and beats her little daughter – a grotesque portrait of contemporary womanhood. Tomi manages to get some adult attention and help from a writer; the relation between them gradually builds into one of trust. Katri is a social worker, empathetic but virtually helpless as part of the social services bureaucracy. Virtually every adult suspects others of lying, finding each other’s motives doubtful. Nummi (born 1959) has structured Karkkipäivä with great skill; the ending, in which matters are resolved almost by chance, is particularly gripping. This novel was nominated for the 2010 Finlandia Prize for Fiction.
On the bridge
30 June 1993 | Archives online, Fiction, Prose
From Saksalainen sikakoira (‘Schweinehund’, WSOY, 1992). Introduction by Tuva Korsström
From somewhere beneath the bridge – I still hadn’t managed to get across it, which may sound pathetic, or even ridiculous, unless you take into account my exceptional state of mind – or, rather, to one side, I heard a dragging, ominous grinding and rumbling. It stopped for a moment; then, after a short but clearly defined pause, there was a heavy splash. A snow-plough was emptying its load into the bay from the end of the pier. The mounds of snow sank deep into the black water; the tightly packed, sticky snow rose slowly to the surface in greyish-yellow blocks and clods; loose pieces of snow boiled and foamed in the eddies and melted before my eyes. My time was melting away, too, being junked, my remaining time… More…
Childhood revisited
31 March 2006 | Archives online, Fiction, Prose
Extracts from the novel Tämän maailman tärkeimmät asiat (‘The most important things of this world’, Tammi, 2005). Introduction by Jarmo Papinniemi
I was supposed to meet my mother at a café by the sea. She would be dressed in the same jacket that I had picked out for her five years ago. She would have on a high-crowned hat, but I wasn’t sure about the shoes. She loved shoes and she always had new ones when she came to visit. She liked leather ankle boots. She might be wearing some when she stepped off the train, looking out for puddles. She didn’t wear much make-up. I don’t remember her ever using powder, although I’m sure she did. I could describe her eye make-up more precisely: a little eye shadow, a little mascara, and that’s all.
That’s all? I don’t know my mother. As a child, I lived too much in my own world and it was only after I left home that I was able to look at her from far enough away to learn to know her. She had been so near that I hadn’t noticed her. More…
Fiat lux! Helsinki lit
9 January 2014 | This 'n' that
When there’s no snow in January, as is the case this year, the darkness does make Helsinki appear somewhat joyless. This year Canada and parts of the United States got more than a taste of freezing Arctic temperatures – but at the time of writing winter is still postponed in the lower half of Finland.
A temporary relief was brought by Lux Helsinki – staged now for the sixth time – as light, colour and sound made the capital brighter and more beautiful between 4 and 8 January.
The core of the city, the Cathedral, was adorned by a large heart placed at the top of the steps, beating in colours to music.
Corazón by Agatha Ruiz de la Prada. Photo: Marina Okras
Corazón, by the Madrid-born artist and fashion designer Agatha Ruiz de la Prada, in collaboration with the production and design company D-Facto, reflects her design themes of love and happiness.
One of the participants in Lux Helsinki was Unen ääret / Edges of Dreams: projected on to the façade of the Hakasalmi Villa (1843–46), between the Finlandia Hall and the Music House, it was inspired by the history of the building and its inhabitants. Now a museum, it became known as the home of a benefactor of the city, a rich and famous woman of her time, Aurora Karamzin from the 1860s to the 1890s.
Hakasalmi Villa: Edges of Dreams by Mika Haaranen. Photo: Lauri Rotko
The building was seen through dreamlike visions formed by painted films and shadow patterns by Mika Haaranen, a lighting and set designer and photographer. His works extend from the world of theatre and musicals to contemporary dance, concerts and film. The accompanying music was composed by Aake Otsala.
Lux Tram by students of lighting and sound design, Theatre Academy. Photo: Hannu Iso-Oja
Helsinki trams have been transporting citizens from 1891. One of the trams was transformed into a moving light installation by the use of programmable LED floodlights. The work was designed and realised by the Theatre Academy of the University of the Arts Helsinki lighting design students Riikka Karjalainen and Alexander Salvesen. A pity it was not possible to hop on…
Best-selling books in September
18 October 2012 | In the news
Number one on the September list of best-selling Finnish fiction titles, compiled by the Finnish Booksellers’ Association, is Sofi Oksanen’s new novel Kun kyyhkyset katosivat (‘When the doves disappeared’, Like): which shot straight to the top of the list on its publication in August.
The huge national and international success of her previous novel, Puhdistus – in English, Purge – published in 2008 and also set in Estonia, has paved the way for Kun kyyhkyset katosivat; translation rights have been sold to several countries already.
Number two on the list was Riikka Pulkkinen’s third novel, Vieras (‘The stranger’, Otava). In third and fourth places were two new thrillers, Paholaisen pennut (‘The devil’s cubs’, Tammi), by Leena Lehtolainen, and Ylösnousemus (‘Resurrection’, WSOY), by Ilkka Remes.
In fifth place was Sirpa Kähkönen’s novel Hietakehto (‘Sand cradle’, Otava): number six in her series set in the Kuopio region of eastern Finland, during the Second World War.
The non-fiction (translated foreign as well as Finnish) list was topped by Blaine Harden’s Escape from Camp 14 (in North Korea; Gummerus). The variety of subjects on this list can be surprising: number two is about angels (Lorna Byrne’s A Message of Hope from the Angels, Otava), number three a biography of a Finnish ex-con turned surgeon (Veitsen terällä, ‘On knife’s edge’, by Arno Kotro & Christer Lybäck, Otava), number four about the Cold War in Finland (Jukka Tarkka: Karhun kainalossa, ‘Under the arm of the bear’, Otava) and number five about cupcakes (by Angela Drake, Otava)…
Mauri Kunnas: Aarresaari
The three best-selling children’s books were by seasoned Finnish authors: illustrator-writer Mauri Kunnas, with his tribute to R.L Stevenson, Aarresaari (‘Treasure island’, Otava), Aino Havukainen & Sami Toivonen, with Tatu ja Patu pihalla (‘Tatu and Patu outdoors’, Otava) and Sinikka Nopola & Tiina Nopola, with their Risto Räppääjä ja nukkavieru Nelli (‘Risto Rapper and Threadbare Nelly’, Tammi).
Finlandia Prize for Fiction candidates 2012
23 November 2012 | In the news
The candidates for the Finlandia Prize for Fiction 2012 were announced on 15 November. They are Riikka Ala-Harja, Pirjo Hassinen, Heidi Köngäs, Ulla-Lena Lundberg, Aki Ollikainen and Juha Seppälä.
Their novels, respectively, are Maihinnousu (‘The landing’, Like), Popula (Otava), Dora, Dora (Otava), Is (‘Ice’, Schildts & Söderströms), Nälkävuosi (‘The year of hunger’, Siltala) and Mr. Smith (WSOY).
The jury – researcher Janna Kantola, teacher of Finnish Riitta Kulmanen and film producer Lasse Saarinen – made their choice out of ca. 130 novels. The winner, chosen by Tarja Halonen, who was President of Finland between 2000 and 2012, will be announced on 4 December. The prize, awarded since 1984, is worth 30,000 euros.
The jury’s chair, Janna Kantola, commented: ‘One of this year’s recurrent themes is the Lapland War [of 1944–1945]. Writers appear to be pondering the role of Germany in both the Second World War and in contemporary Europe. Social phenomena are examined using satire; the butt is the birth and activity of extremist political movements. Economics, the gutting of money and market forces, are present, as in previous years, but now increasingly with a sense of social responsibility.’
Popula deals with people involved in a contemporary populist political party. Dora, Dora describes Albert Speer’s journey to Finnish Lapland in 1943. Nälkävuosi depicts the year of hunger in Finland, 1868. Is takes place in the Finnish archipelago of the post-war years. Mr. Smith portrays greed and the destructive power of money both in Russian and Finnish history as well as in contemporary Finland. Maihinnousu, set in Normandy, depicts a child’s serious disease in a family that is going through divorce.
How much did Finland read?
30 January 2014 | In the news
The book year 2013 showed an overall decrease – again: now for the fifth time – in book sales: 2.3 per cent less than in 2012. Fiction for adults and children as well as non-fiction sold 3–5 per cent less, whereas textbooks sold 4 per cent more, as did paperbacks, 2 per cent. The results were published by the Finnish Book Publishers’ Association on 28 January.
The overall best-seller on the Finnish fiction list in 2013 was Me, Keisarinna (‘We, tsarina’, Otava), a novel about Catherine the Great by Laila Hirvisaari. Hirvisaari is a queen of editions with her historical novels mainly focusing on women’s lives and Karelia: her 40 novels have sold four million copies.
However, her latest book sold less well than usual, with 62,800 copies. This was much less than the two best-selling novels of 2012: both the Finlandia Prize winner, Is, Jää (‘Ice’) by Ulla-Lena Lundberg, and the latest book by Sofi Oksanen, Kun kyyhkyset katosivat (‘When the doves disappeared’), sold more than 100,000 copies.
The winner of the 2013 Finlandia Prize for Fiction, Riikka Pelo’s Jokapäiväinen elämämme (‘Our everyday life’, Teos) sold 45,300 copies and was at fourth place on the list. Pauliina Rauhala’s first novel, Taivaslaulu (‘Heaven song’, Gummerus), about the problems of a young couple within a religious revivalist movement that bans family planning was, slightly surprisingly, number nine with almost 30,000 copies.
The best-selling translated fiction list was – not surprisingly – dominated by crime literature: number one was Dan Brown’s Inferno, with 60,400 copies.
Number one on the non-fiction list was, also not surprisingly, Guinness World Records with 35,700 copies. Next came a biography of Nokia man Jorma Ollila. The winner of the Finlandia Prize for Non-Fiction, Murtuneet mielet (‘Broken minds’, WSOY), sold 22,600 copies and was number seven on the list.
Eight books by the illustrator and comics writer Mauri Kunnas featured on the list of best-selling books for children and young people, with 105,000 copies sold. At 19th place was an Angry Birds book by Rovio Enterntainment. The winner of the Finlandia Junior Prize, Poika joka menetti muistinsa (‘The boy who lost his memory’, Otava), was at fifth place.
Kunnas was also number one on the Finnish comic books list – with his version of a 1960s rock band suspiciously reminiscent of the Rolling Stones – which added 12,400 copies to the figure of 105,000.
The best-selling e-book turned was a Fingerpori series comic book by Pertti Jarla: 13,700 copies. The sales of e-books are still very modest in Finland, despite the fact that the number of ten best-selling e-books, 87,000, grew from 2012 by 35,000 copies.
The cold fact is that Finns are buying fewer printed books. What can be done? Writing and publishing better and/or more interesting books and selling them more efficiently? Or is this just something we will have to accept in an era when books will have less and less significance in our lives?
Funny stuff: best-selling books in February
13 March 2014 | In the news
The list of best-selling books – compiled by the Finnish Booksellers’ Association – shows that in February comedy was popular among readers. Number one on the Finnish fiction list was Fingerpori 7 (‘Fingerborg 7’, Arktinen Banaani), the latest comics book by Pertti Jarla, featuring silly stuff taking place in the city of Fingerpori.
Riikka Pulkkinen’s new novel, a romantic comedy entitled Iiris Lempivaaran levoton ja painava sydän (‘Iiris Lempivaara’s restless and heavy heart’, Otava) which was originally published in a weekly women’s magazine, was number four. A satirical television series featuring two silly women devoted to dating and clubbing has also resulted in a book written by the two actresses, Heli Sutela and Minna Koskela: Anne ja Ellu lomamatkalla (‘Anne and Ellu on holiday’, published by Annen ja Ellun tuotanto) made its way to the seventh place. Number eight was Pertti Jarla’s Fingerborg 4!
However, number two was a first novel about problems arising in a religious family, Taivaslaulu (‘Heaven song’, Gummerus), by Pauliina Rauhala. Number three was a first novel by an immigrant Somali woman, Nura Farah: Aavikon tyttäret (‘Daughters of the desert’, Otava) tells the story of women in Somalia in the second half of the 20th century.
On the non-fiction list, among cookbooks and diet guides, books on how to maintain a hormonal balance or how to wield a kettlebell sold well. A new biography, Tove Jansson (Tammi), telling the life story of the Moomin genius (1914–2001), the artist, painter, author and cartoonist, was number seven; the author is Tuula Karjalainen. (The book will be published in several countries this year, a World English edition in December.)
At the top of the best-selling children’s books list is a book entitled Muumit ja tekemisen taika – ‘The Moomins and the magic of doing’ (Tammi). This ‘Moomin’ book is written by Clive Alan: we know absolutely nothing about him (he is absent from his publisher’s list of authors!) – except that the name is a pseudonym.
Well, as before, it is our opinion that all the Moomin books really worth reading were created by Tove Jansson herself.
On the shortlist: Runeberg Prize 2014
12 December 2013 | In the news
On the shortlist of the Runeberg Prize 2014 are eight books. Four of them are novels: Lapset auringon alla (‘Children under the sun’, WSOY) by Miki Liukkonen, Jokapäiväinen elämämme (‘Our daily life’, Teos) by Riikka Pelo (which was awarded the Finlandia Prize for Fiction in December), Pintanaarmuja (‘Scratches’, ntamo) by Maaria Päivinen and Terminaali (‘The terminal’, Siltala) by Hannu Raittila.
The other four books on the list are two collections of poetry, Pakopiste (‘Vanishing point’) by Kaisa Ijäs (Teos) and Öar i ett hav som strömmar by Henrika Ringbom (Schildts & Söderströms). Ahtaan paikan kammo (‘Claustrophobia’, Robustos) by Riitta S. Latvala is a collection of short stories, and Kopparbergsvägen 20 (‘Kopparbergsvägen Road 20’, Schildts & Söderströms) by Mathias Rosenlund is an autobiographical work.
The list was compiled by a jury of three: cultural editor and critic Elisabeth Nordgren, author and critic Irja Sinivaara and author Jouko Sirola.
The prize, worth €10,000, was founded by the Uusimaa newspaper, the City of Porvoo, both the Finnish and Finland-Swedish writers’ associations and the Finnish Critics’ Association. On 5 February, on the birthday of the national poet J.L. Runeberg (1804–1877), it will be awarded for the 28th time in his native town of Porvoo.
The books that sold in December
9 January 2014 | In the news
It seems that the Finlandia Prize does, as intended, have a strong influence in book sales. In December, a novel about the Russian poet Marina Tsvetaeva by Riikka Pelo, Jokapäiväinen elämämme (’Our everyday life’), which won the fiction prize in December, reached number one on the list of best-selling Finnish fiction.
The next four books on the list – compiled by the Finnish Booksellers’ Association – were the latest thriller by Ilkka Remes, Omertan liitto (‘The Omerta union’), a novel Me, keisarinna (‘We, the tsarina’), about the Russian empress Catherine the Great by Laila Hirvisaari, a novel, Hägring 38 (‘Mirage 38’), by Kjell Westö, and a novel, Kunkku (‘The king’), by Tuomas Kyrö.
The winner of the Finlandia Prize for Non-Fiction, Murtuneet mielet (‘Broken minds’), about the mentally crippled Finnish soldiers in the Second World War, also did well: it was number two on the non-fiction list. (Number one was a book about a Finnish actor and television presenter, Ville Haapasalo, who trained at the theatre academy in St Petersburg and became a film star in Russia.)
The ten best-selling books for children and young people were all Finnish (and written in Finnish): it seems that this time the buyers of Christmas presents favoured books written by Finnish authors.